Bach: Ich will den Kreuzstab gerne tragen, BWV 56 / Ich habe genug, BWV 82 / Brahms: Vier ernste Gesänge, Op. 121

~ Release by Johann Sebastian Bach, Johannes Brahms; Dietrich Fischer‐Dieskau (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria (Basso) "Ich will den Kreuzstab gerne tragen"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach8:32
2Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitativo (Basso) "Mein Wandel auf der Welt"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:11
3Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria (Basso) "Endlich, endlich wird mein Joch"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:40
4Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitativo e Arioso (Basso) "Ich stehe fertig und bereit"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:55
5Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
choir vocals:
Berlin Motet Choir (in 1951-06)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:49
6Kantate, BWV 82 "Ich habe genug": I. Aria (Basso) "Ich habe genug"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (from 1951-06-20 until 1951-06-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22) and RIAS Kammerorchester (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1951-06-20 until 1951-06-22)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1951-06-20 until 1951-06-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:25
7Kantate, BWV 82 "Ich habe genug": II. Recitativo (Basso) "Ich habe genug. Mein Trost ist nur allein"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:25
8Kantate, BWV 82 "Ich habe genug": III. Aria (Basso) "Schlummert ein, ihr matten Augen"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:16
9Kantate, BWV 82 "Ich habe genug": IV. Recitativo (Basso) "Mein Gott! wann kommt das schöne: Nun!"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:59
10Kantate, BWV 82 "Ich habe genug": V. Aria (Basso) "Ich freue mich auf meinen Tod"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:56
11Vier ernste Gesänge, Op. 121: I. Denn es gehet dem Menschen wie dem Vieh
piano:
Hertha Klust (pianist and singer) (in 1950)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1950)
recording of:
4 ernste Gesänge, op. 121: Nr. 1. Denn es gehet dem Menschen wie dem Vieh (in 1950)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:39
12Vier ernste Gesänge, Op. 121: II. Ich wandte mich und sahe an alle
piano:
Hertha Klust (pianist and singer) (in 1950)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1950)
recording of:
4 ernste Gesänge, op. 121: Nr. 2. Ich wandte mich und sahe an alle (in 1950)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:28
13Vier ernste Gesänge, Op. 121: III. O Tod, wie bitter bist du
piano:
Hertha Klust (pianist and singer) (in 1950)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1950)
recording of:
4 ernste Gesänge, op. 121: Nr. 3. O Tod, wie bitter bist du (in 1950)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:26
14Vier ernste Gesänge, Op. 121: IV. Wenn ich mit Menschen und mit Engelszungen redete
piano:
Hertha Klust (pianist and singer) (in 1950)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1950)
recording of:
4 ernste Gesänge, op. 121: Nr. 4. Wenn ich mit Menschen- und mit Engelszungen redete (in 1950)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:52

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ASIN:UK: B0009G6MSY [info]