| # | Title | Rating | Length |
|---|
| 1 | Vol. 2: Musical Syntax: "Let's take one such utterance..." | | 2:01 |
| 2 | Vol. 2: Musical Syntax: "Now imagine..." | | 1:29 |
| 3 | Vol. 2: Musical Syntax: "Now let's see..." | | 2:33 |
| 4 | Vol. 2: Musical Syntax: "Mozart's G minor Symphony..." | | 1:21 |
| 5 | Vol. 2: Musical Syntax: "Now our job is..." | | 2:27 |
| 6 | Vol. 2: Musical Syntax: "That introductory accompaniment..." | | 1:26 |
| 7 | Vol. 2: Musical Syntax: "What does this three-note design mean..." | | 1:55 |
| 8 | Vol. 2: Musical Syntax: "The reason I pick symmetry..." | | 2:13 |
| 9 | Vol. 2: Musical Syntax: "Now from here on..." | | 2:05 |
| 10 | Vol. 2: Musical Syntax: "And once again, we are back..." | | 1:10 |
| 11 | Vol. 2: Musical Syntax: "By far the chief transformational principle..." | | 1:43 |
| 12 | Vol. 2: Musical Syntax: "You see, one of the great failings..." | | 1:58 |
| 13 | Vol. 2: Musical Syntax: "Most people hearing Mozart's opening..." | | 1:46 |
| 14 | Vol. 2: Musical Syntax: "So what, you ask..." | | 1:59 |
| 15 | Vol. 2: Musical Syntax: "And if you are still not convinced..." | | 2:32 |
| 16 | Vol. 2: Musical Syntax: "These ambiguities..." | | 1:20 |
| 17 | Vol. 2: Musical Syntax: "For instance, in this same first movement..." | | 1:59 |
| 18 | Vol. 2: Musical Syntax: "So all these syntactic transformations of the same material..." | | 1:14 |
| 19 | Vol. 2: Musical Syntax: "He talks about this sonnet..." | | 1:55 |
| 20 | Vol. 2: Musical Syntax: "Because now it's time..." | | 1:35 |
| 21 | Vol. 2: Musical Syntax: "But now let's listen to..." | | 2:09 |
| 22 | Vol. 2: Musical Syntax: "Listen to the whole exposition..." | | 2:03 |
| 23 | Vol. 2: Musical Syntax: "Development coming up..." | | 2:08 |
| 24 | Vol. 2: Musical Syntax: "The circle of fifths again..." | | 2:03 |
| 25 | Vol. 2: Musical Syntax: "And that was all one single sentence..." | | 1:18 |