The Golden Voice of Maria Callas

~ Release by Maria Callas; Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Nabucco: “Ben io t’invenni”
soprano vocals:
Maria Callas (soprano) (in 1959)
orchestra:
Royal Concertgebouw Orchestra (in 1959)
conductor:
Nicola Rescigno (conductor) (in 1959)
live recording of:
Nabucco: Parte II, scena 1. Recitativo “Ben io t’invenni, o fatal scritto!” (Abigaille) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi?:??
2Nabucco: “Anch’io dischiuso un giorno”
soprano vocals:
Maria Callas (soprano) (in 1959)
orchestra:
Royal Concertgebouw Orchestra (in 1959)
conductor:
Nicola Rescigno (conductor) (in 1959)
live recording of:
Nabucco: Parte II, scena 1. Aria “Anch’io dischiuso un giorno” (Abigaille) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi?:??
3Gianni Schicchi: “O mio babbino caro”
soprano vocals:
Maria Callas (soprano) (in 1959)
orchestra:
Royal Concertgebouw Orchestra (in 1959)
conductor:
Nicola Rescigno (conductor) (in 1959)
live recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini?:??
4La Gioconda: “Suicidio”
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1953)
conductor:
Antonino Votto (conductor) (in 1953)
live recording of:
La Gioconda: Atto IV. Aria “Suicidio!” (Gioconda) (in 1953)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli?:??
5Il trovatore: “Tacea la notte placida”
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Antonino Votto (conductor) (in 1953)
live recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi?:??
6Il trovatore: “Di tale amor”
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Antonino Votto (conductor) (in 1953)
live recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi?:??
7Macbeth: “Nel dì della vittoria”
soprano vocals:
Maria Callas (soprano) (in 1959)
orchestra:
NDR Symphonic Orchestra (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1959)
conductor:
Nicola Rescigno (conductor) (in 1959)
live recording of:
Macbeth: Atto I. N°3a Scena “Nel dì della vittoria io le incontrai” … “Ambizioso spirto” (Lady) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto I
part of:
Macbeth: Atto I
Giuseppe Verdi?:??
8Macbeth: “Vieni t’affretta”
soprano vocals:
Maria Callas (soprano) (in 1959)
orchestra:
NDR Symphonic Orchestra (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1959)
conductor:
Nicola Rescigno (conductor) (in 1959)
live recording of:
Macbeth: Atto I. N°3b Cavatina “Vieni! t'affretta!” … “Or tutti sorgete” (Lady) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
Giuseppe Verdi?:??
9La sonnambula: “Ah! Non credea mirati”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1957)
soprano vocals:
Maria Callas (soprano) (in 1957)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1957)
conductor:
Antonino Votto (conductor) (in 1957)
live recording of:
La sonnambula: Atto II, scena 2. “Ah! Non credea mirarti” (Amina, Elvino) (in 1957)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini?:??
10La sonnambula: “Ah! Non giunge uman pensiero”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1957)
soprano vocals:
Maria Callas (soprano) (in 1957)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1957)
conductor:
Antonino Votto (conductor) (in 1957)
live recording of:
La sonnambula: Atto II, scena 2. “Ah! Non giunge uman pensiero” (Amina, tutti) (in 1957)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini?:??
11Ernani: “Surta è la notte”
soprano vocals:
Maria Callas (soprano) (in 1962)
orchestra:
NDR Symphonic Orchestra (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1962)
conductor:
Georges Prêtre (French conductor) (in 1962)
live recording of:
Ernani: Atto I. (no. 4a) Scena “Surta è la notte” (Elvira) (in 1962)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi?:??
12Ernani: “Ernani, Ernani involami”
soprano vocals:
Maria Callas (soprano) (in 1962)
orchestra:
NDR Symphonic Orchestra (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1962)
conductor:
Georges Prêtre (French conductor) (in 1962)
live recording of:
Ernani: Atto I. (no. 4b) Cavatina “Ernani!… Ernani, involami” (Elvira) (in 1962)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi?:??
13Poliuto: “Di quai soavi lacrime”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1960)
vocals:
Maria Callas (soprano) (in 1960)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1960)
conductor:
Antonino Votto (conductor) (in 1960)
live recording of:
Poliuto: Atto I. “Di quai soavi lagrime” (Paolina) (in 1960)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Poliuto: Atto I
Gaetano Donizetti?:??
14Don Carlo: Atto IV. Introduction
orchestra:
French Radio National Orchestra (National Orchestra of France, RTF / ORTF / Radio France) (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
live recording of:
Don Carlo: Atto IV. Introduzione (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi?:??
15Don Carlo: “Tu che la vanità”
soprano vocals:
Maria Callas (soprano) (in 1963)
orchestra:
French Radio National Orchestra (National Orchestra of France, RTF / ORTF / Radio France) (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
live recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi?:??
16Un ballo in maschera: “Ecco l’orrido campo”
soprano vocals:
Maria Callas (soprano) (in 1957)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1957)
conductor:
Gianandrea Gavazzeni (conductor) (in 1957)
live recording of:
Un ballo in maschera: Atto II. Nº 12b. Scena “Ecco l'orrido campo ove s'accoppia” (Amelia) (in 1957)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi?:??
17Un ballo in maschera: “Ma dall’arido stelo divulsa”
soprano vocals:
Maria Callas (soprano) (in 1957)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1957)
conductor:
Gianandrea Gavazzeni (conductor) (in 1957)
live recording of:
Un ballo in maschera: Atto II. Nº 12c. Aria “Ma dall'arido stelo divulsa” (Amelia) (in 1957)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi?:??
18Anna Bolena: “Al dolce guidami”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1957)
soprano vocals:
Maria Callas (soprano) (in 1957)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1957)
conductor:
Gianandrea Gavazzeni (conductor) (in 1957)
live recording of:
Anna Bolena: Atto II, Scena 3. “Al dolce guidami” (Anna, Coro) (in 1957)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
Gaetano Donizetti?:??
19Medea: “Taci Giason”
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1959)
soprano vocals:
Maria Callas (soprano) (in 1959)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1959)
conductor:
Nicola Rescigno (conductor) (in 1959)
live recording of:
Medea: Atto I. Recitativo “Taci, Giasone“ (Medea, Giasone) (in 1959)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini?:??
20Medea: “De tuoi figli la madre”
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1959)
soprano vocals:
Maria Callas (soprano) (in 1959)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1959)
conductor:
Nicola Rescigno (conductor) (in 1959)
live recording of:
Medea: Atto I. Aria “Dei tuoi figli la madre” (Medea) (in 1959)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini (in 1909)
part of:
Medea: Atto I
Luigi Cherubini?:??