The Best of the Eighties: Forty Tracks, Original Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Need You Tonight
assistierende(r) Techniker(in):
Paula Jones (Australian audio engineer, producer)
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain und Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
INXS (label and copyrights holder for INXS) (in 1987, in 1997), PolyGram International Music B.V. (not for release label use!) (in 1987) und Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1999)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Need You Tonight (music video) von INXS
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 16) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 114)
recording of:
Need You Tonight
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (in 1987) und Chardonnay Investments Ltd. (in 1987)
INXS4.153:03
2Running in the Family
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
recording of:
Running in the Family
Verfasser(in):
Wally Badarou, Phil Gould und Mark King (bass guitarist and vocalist)
Level 4233:57
3Sometimes
Produzent(in):
Flood (British producer Mark Ellis)
Mix:
Flood (British producer Mark Ellis), Daniel Miller (British music producer and founder of Mute Records) und Mike Pela
Trompete:
Guy Barker
Teil von:
Cachitos Nochevieja 2022 (Nummer: 107)
recording of:
Sometimes
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Warner/Chappell Music GmbH & Co. KG Germany
Erasure2.73:30
4Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:39
5Loverboy
recording of:
Loverboy
Verfasser(in):
Keith Diamond, Robert John “Mutt” Lange (Robert John Lange) und Billy Ocean
publisher:
Aqua Music Ltd., Keith Diamond Music, Out of Pocket Publishing Co., Out-of-Pocket Productions Ltd., Universal Music–Z Songs und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean4:00
6You Came
Programmierung und Produzent(in):
Tony Swain (songwriter, producer) und Ricky Wilde
Techniker(in):
James Richards (engineer)
Mix:
Richard Lengyel
Gitarre:
Steve Byrd und Ricky Wilde
Keyboard:
Tony Swain (songwriter, producer) und Ricky Wilde
Hintergrundgesang:
Junior Giscombe (Norman Washington Giscombe, Jr.) und Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1988) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
aufgenommen bei und mixed at:
Select Sound Studios in Knebworth, Hertfordshire, England, Vereinigtes Königreich
Bearbeitung von:
You Came von Kim Wilde
recording of:
You Came
Verfasser(in):
Kim Wilde und Ricky Wilde
publisher:
Peermusic (UK) Limited
Kim Wilde3.753:28
7Axel F
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:01
8Hey Little Girl
recording of:
Hey Little Girl
Texter und Komponist(in):
Iva Davies
publisher:
EMI Songs Australia Pty. Ltd.
Icehouse34:13
9The Heat Is On
Produzent(in):
Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
Bass und Keyboard:
Harold Faltermeyer
Gitarre:
Rick Vito
Schlagzeug und Hintergrundgesang:
Keith Forsey (drummer, producer and songwriter)
Solo-Gitarre und Sologesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1984) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984)
recording of:
The Heat Is On
Texter, Verfasser(in) und Komponist(in):
Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
Glenn Frey3.53:45
10P-Machinery
Techniker(in):
Bobby Kraushaar
Produzent(in):
S. J. Lipson
Mix:
Horn und Lipson
Interpret(in):
Claudia Brücken, Michael Mertens (German musician & producer), Ralf Dorper und Suzanne Freytag
phonographisches Urheberrecht (℗) von:
ZTT (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1985)
recording of:
p:Machinery
sonstige Unterstützung:
David Sylvian
Texter:
Ralf Dörper
Komponist(in):
Claudia Brücken, Ralf Dörper, Susanne Freytag und Michael Mertens (German musician & producer)
Propaganda43:52
11I Want Your Love
recording of:
I Want Your Love
Texter und Komponist(in):
Nick Christian Sayer
publisher:
Notting Hill Music (UK) Ltd.
sub-publisher:
Kobalt Music Publishing France
Transvision Vamp3:31
12A Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:54
13Fade to Grey
Techniker(in):
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Midge Ure und Visage (new romantic band from London)
Interpret(in):
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) und Midge Ure
arranger:
Visage (new romantic band from London)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich
mixed at:
Mayfair Sound (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Fade to Grey
Verfasser(in):
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) und Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) und Performance Music Ltd
Visage4.13:39
14Obsession
cover recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
Animotion3.353:55
15The Original Miami Vice Theme
Jan Hammer1:00
16Trapped
Techniker(in):
Frank Roszak (engineer and producer)
Produzent(in) und Mix:
Richard Burgess
vocals arranger:
Colonel Abrams und Marston Freeman (songwriter)
Bearbeitung von:
Trapped von Colonel Abrams
recording of:
Trapped
Verfasser(in):
Don Abrams und Marston Freeman (songwriter)
publisher:
Moonwalk Music (publisher)
Colonel Abrams2.53:30
17Do You Wanna Funk (feat. Patrick Cowley)
Interpret(in):
Patrick Cowley
Sylvester4:09
18Living on Video
recording of:
Living on Video
Texter und Komponist(in):
Pascal Languirand
publisher:
Costa Demo Productions (publisher) (in 1983)
Trans‐X4:19
19I Ran
recording engineer:
Mike Score
Techniker(in):
Mike Shipley (audio engineer, mixer, producer)
Produzent(in):
Mike Howlett
Bassgitarre und Hintergrundgesang:
Frank Maudsley
Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) und Mike Score
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982), Zomba Productions Limited (in 1982) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I Ran von A Flock of Seagulls
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 55)
recording of:
I Ran
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.355:05
20He's Back (The Man Behind the Mask)
recording engineer und Mix:
Michael Wagener
Techniker(in):
Garth Richardson (Canadian music producer and engineer) und Michael Wagener
Produzent(in):
Beau Hill und Michael Wagener
assistierende(r) Mix:
Garth Richardson (Canadian music producer and engineer)
Gitarre:
Kane Roberts
Keyboard:
Paul Delph und Kane Roberts
Hintergrundgesang:
Paul Delph, Tom Kelly (songwriter) und Kane Roberts
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986)
aufgenommen bei und mixed at:
Amigo Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
(He's Back) The Man Behind The Mask von Alice Cooper (the singer, active as a solo artist 1975‐present)
recording of:
He’s Back (The Man Behind the Mask) (Friday the 13th, Part 6: Jason Lives)
Verfasser(in):
Alice Cooper (the singer, active as a solo artist 1975‐present), Tom Kelly (songwriter) und Kane Roberts
publisher:
Denise Barry Music (, in 1986), Ensign Music Corporation (, in 1986), Ezra Music, Ezra Music Corp., Ezra Music, Inc. (, in 1986), Famous Chappell, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (, in 1986), Sony/ATV Melody, Sony/ATV Tunes LLC (ASCAP), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Alice Cooper4.653:38

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