Complete Decca & Philips Recordings 1

~ Release by Karl Böhm (see all versions of this release, 3 available)

Tracklist

1▶CD: Mozart: Symphonies nos. 34, 36, 38
2▶CD: Mozart: Requiem in D minor / Symphonies nos. 26 & 32
3▶CD: Mozart: Piano Concerto no. 27 / Beethoven: “Choral Fantasy”
4▶CD: Mozart: Symphonies nos. 39, 40, 41 “Jupiter”
5▶CD: Beethoven: Piano Concerto no. 1 / Piano Concerto no. 3
6▶CD: Beethoven: Symphony no. 8 / Schubert: Symphonies nos. 5 & 8 “Unfinished”
7▶CD: Beethoven: Symphony no. 9 “Choral”
8▶CD: Brahms: Piano Concerto no. 1
9▶CD: Brahms: Piano Concerto no. 2
10▶CD: Brahms: Symphony no. 3 / Weber: Four Overtures
11▶CD: Bruckner: Symphony no. 3 (1889 version)
12▶CD: Bruckner: Symphony no. 4 “Romantic” (1878/80 version)
13▶CD: R. Strauss: Vier letzte Lieder / Tod und Verklärung
14▼CD: Recitals of Arias & Lieder
#TitleArtistRatingLength
1Don Giovanni, K. 527 (Vienna version, 1788): Act 1. “Dalla sua pace la mia dipende” (K. 540a)
engineer:
Cyril Windebank
producer:
Victor Olof
tenor vocals:
Anton Dermota (tenor) (from 1950-09-14 until 1950-09-15)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-09-14 until 1950-09-15)
conductor:
Karl Böhm (Austrian conductor) (from 1950-09-14 until 1950-09-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-09-14 until 1950-09-15)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 1950-09-14 until 1950-09-15)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:02
2Don Giovanni, K. 527 (Vienna version, 1788): Act 2. “Il mio tesoro intanto”
engineer:
Cyril Windebank
producer:
Victor Olof
tenor vocals:
Anton Dermota (tenor) (from 1950-09-14 until 1950-09-15)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-09-14 until 1950-09-15)
conductor:
Karl Böhm (Austrian conductor) (from 1950-09-14 until 1950-09-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-09-14 until 1950-09-15)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (from 1950-09-14 until 1950-09-15)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:34
3Die Zauberflöte, K. 620: Act 1. “Dies Bildnis ist bezaubernd schön”
engineer:
Cyril Windebank
producer:
Victor Olof
tenor vocals:
Anton Dermota (tenor) (from 1950-09-14 until 1950-09-15)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-09-14 until 1950-09-15)
conductor:
Karl Böhm (Austrian conductor) (from 1950-09-14 until 1950-09-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-09-14 until 1950-09-15)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1950-09-14 until 1950-09-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:17
4Capriccio, op. 85: Scene 4. “Kein andres, das mir so im Herzen loht”
engineer:
Cyril Windebank
producer:
Victor Olof
tenor vocals:
Anton Dermota (tenor) (from 1950-09-14 until 1950-09-15)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-09-14 until 1950-09-15)
conductor:
Karl Böhm (Austrian conductor) (from 1950-09-14 until 1950-09-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-09-14 until 1950-09-15)
recording of:
Capriccio, op. 85 - 4. Szene: Kein andres, das mir so im Herzen loht (from 1950-09-14 until 1950-09-15)
composer:
Richard Strauss (German composer)
part of:
Capriccio, op. 85: 4. Szene
Richard Strauss3:15
5Myrthen, op. 25 no. 3: Der Nussbaum text: Julius Mosen
engineer:
Cyril Windebank
producer:
Victor Olof
piano:
Hilde Dermota (pianist) (in 1950-09)
tenor vocals:
Anton Dermota (tenor) (in 1950-09)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-09)
recording of:
Myrthen, op. 25: Nr. 3. Der Nußbaum (in 1950-09)
lyricist:
Julius Mosen
composer:
Robert Schumann (German classical composer)
part of:
Myrthen, op. 25
Robert Schumann3:08
6Myrthen, op. 25 no. 7: Die Lotosblume text: Heinrich Heine
engineer:
Cyril Windebank
producer:
Victor Olof
piano:
Hilde Dermota (pianist) (in 1950-09)
tenor vocals:
Anton Dermota (tenor) (in 1950-09)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-09)
recording of:
Myrthen, op. 25: Nr. 7. Die Lotosblume (in 1950-09)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Myrthen, op. 25
Robert Schumann2:03
7Gedichte von Eduard Mörike no. 9: Nimmersatte Liebe
engineer:
Cyril Windebank
producer:
Victor Olof
piano:
Hilde Dermota (pianist) (in 1950-09)
tenor vocals:
Anton Dermota (tenor) (in 1950-09)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-09)
recording of:
Mörike-Lieder: No. 9. Nimmersatte Liebe “So ist die Lieb’!” (in 1950-09)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:21
8Gedichte von Joseph v. Eichendorff no. 2: Der Musikant
engineer:
Cyril Windebank
producer:
Victor Olof
piano:
Hilde Dermota (pianist) (in 1950-09)
tenor vocals:
Anton Dermota (tenor) (in 1950-09)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-09)
recording of:
Eichendorff-Lieder: Nr. 2. Der Musikant "Wandern lieb' ich für mein Leben" (in 1950-09)
lyricist:
Joseph von Eichendorff
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Eichendorff-Lieder
Hugo Wolf1:58
9Gedichte von Eduard Mörike no. 23: Auf ein altes Bild
engineer:
Cyril Windebank
producer:
Victor Olof
piano:
Hilde Dermota (pianist) (in 1950-09)
tenor vocals:
Anton Dermota (tenor) (in 1950-09)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-09)
recording of:
Mörike-Lieder: No. 23. Auf ein altes Bild “In grüner Landschaft Sommerflor” (in 1950-09)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:06
10Gedichte von Eduard Mörike no. 17: Der Gärtner
engineer:
Cyril Windebank
producer:
Victor Olof
piano:
Hilde Dermota (pianist) (in 1950-09)
tenor vocals:
Anton Dermota (tenor) (in 1950-09)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-09)
recording of:
Mörike-Lieder: No. 17. Der Gärtner "Auf ihrem Leibrößlein" (in 1950-09)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:26
116 Lieder, TrV 149 no. 2: Ständchen
engineer:
Cyril Windebank
producer:
Victor Olof
piano:
Hilde Dermota (pianist) (in 1950-09)
tenor vocals:
Anton Dermota (tenor) (in 1950-09)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-09)
recording of:
Sechs Lieder, op. 17: II. Ständchen (for piano solo, Gieseking) (in 1950-09)
composer:
Richard Strauss (German composer)
arranger:
Walter Gieseking (classical pianist 1895–1956)
arrangement of:
Ständchen, op. 17 no. 2
Richard Strauss2:55
128 Gedichte aus Letzte Blätter, TrV 141 no. 1: Zueignung
engineer:
Cyril Windebank
producer:
Victor Olof
piano:
Hilde Dermota (pianist) (in 1950-09)
tenor vocals:
Anton Dermota (tenor) (in 1950-09)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-09)
recording of:
Zueignung, op. 10 no. 1 (for soprano and orchestra, arr. Heger) (in 1950-09)
orchestrator:
Robert Heger (conductor)
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer) (in 1885)
arrangement of:
Zueignung, op. 10 no. 1 (for voice and piano)
Richard Strauss1:56
13Le nozze di Figaro, K. 492: Act 1. “Non più andrai”
engineer:
Cyril Windebank
producer:
Victor Olof
baritone vocals:
Paul Schöffler (bass-baritone) (from 1950-09-14 until 1950-09-15)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-09-14 until 1950-09-15)
conductor:
Karl Böhm (Austrian conductor) (from 1950-09-14 until 1950-09-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-09-14 until 1950-09-15)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (from 1950-09-14 until 1950-09-15)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:46
14Don Giovanni, K. 527: Act 1: “Madamina, il catalogo è questo” (Catalogue Aria)
engineer:
Cyril Windebank
producer:
Victor Olof
baritone vocals:
Paul Schöffler (bass-baritone) (from 1950-09-14 until 1950-09-15)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-09-14 until 1950-09-15)
conductor:
Karl Böhm (Austrian conductor) (from 1950-09-14 until 1950-09-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-09-14 until 1950-09-15)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1950-09-14 until 1950-09-15)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:35
15Otello: Act 2. “Era la notte, Cassio dormia” (Il sogno)
engineer:
Cyril Windebank
producer:
Victor Olof
baritone vocals:
Paul Schöffler (bass-baritone) (from 1950-09-14 until 1950-09-15)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-09-14 until 1950-09-15)
conductor:
Karl Böhm (Austrian conductor) (from 1950-09-14 until 1950-09-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-09-14 until 1950-09-15)
recording of:
Otello: Atto II. “Era la notte, Cassio dormia…” (Otello, Iago) (from 1950-09-14 until 1950-09-15)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi2:37
16Otello: Act 2. “Credo in un Dio crudel”
engineer:
Cyril Windebank
producer:
Victor Olof
baritone vocals:
Paul Schöffler (bass-baritone) (from 1950-09-14 until 1950-09-15)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-09-14 until 1950-09-15)
conductor:
Karl Böhm (Austrian conductor) (from 1950-09-14 until 1950-09-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-09-14 until 1950-09-15)
recording of:
Otello: Atto II. “Credo in un Dio crudel” (Iago) (from 1950-09-14 until 1950-09-15)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:41
17Die Walküre, WWV 86B: Act 3. “Leb wohl, du kühnes, herrliches Kind” (Wotan’s Farewell and Magic Fire Music)
engineer:
Cyril Windebank
producer:
Victor Olof
baritone vocals:
Paul Schöffler (bass-baritone) (from 1950-09-14 until 1950-09-15)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-09-14 until 1950-09-15)
conductor:
Rudolf Moralt (conductor) (from 1950-09-14 until 1950-09-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-09-14 until 1950-09-15)
partial recording of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach" (from 1950-09-14 until 1950-09-15)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt III
Richard Wagner14:07
18Fidelio, op. 72: Act 2. “Gott! Welch Dunkel hier! – In des Lebens Frühlingstagen”
engineer and balance engineer:
Cyril Windebank
producer:
Victor Olof
tenor vocals [Florestan]:
Julius Patzak (tenor) (from 1950-09-14 until 1950-09-15)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-09-14 until 1950-09-15)
conductor:
Karl Böhm (Austrian conductor) (from 1950-09-14 until 1950-09-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-09-14 until 1950-09-15)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (from 1950-09-14 until 1950-09-15)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven9:29
15▶CD: Mozart: Die Zauberflöte (Overture, Act One)
16▶CD: Mozart: Die Zauberflöte (Act Two)
17▶CD: Mozart: Le nozze di Figaro (Overture, Act One)
18▶CD: Mozart: Le nozze di Figaro (Act Two)
19▶CD: Mozart: Le nozze di Figaro (Act Three, Act Four)
20▶CD: Mozart: Così fan tutte (Overture, Act One beginning)
21▶CD: Mozart: Così fan tutte (Act One conclusion, Act Two)