The Desert Song / Roberta (1952 studio casts)

~ Veröffentlichung von Sigmund Romberg / Jerome Kern; Gordon MacRae and Lucille Norman with Chorus and Orchestra conducted by George Greeley (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.	Titel	Künstler	Bewertung	Länge
A1	The Desert Song: Overture conductor: George Greeley recording of: The Desert Song: Overture Komponist(in): Sigmund Romberg Teil von: The Desert Song	George Greeley		?:??
A2	The Desert Song: Prologue Chorgesang: [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) Tenor-Gesang: Robert Sands (1950s singer, musical character performer) conductor: George Greeley recording of: The Desert Song: Prologue Texter: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach und Frank Mandel Komponist(in): Sigmund Romberg Teil von: The Desert Song	Robert Sands and Male Chorus		?:??
A3	The Desert Song: The Riff Song Baritongesang: Gordon MacRae Chorgesang: [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) conductor: George Greeley recording of: The Desert Song: Act I. The Riff Song (Pierre, Sid and Riffs) Texter: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach und Frank Mandel Komponist(in): Sigmund Romberg Teil von: The Desert Song: Act I	Gordon MacRae and Male Chorus		?:??
A4	The Desert Song: Why Did We Marry Soldiers? Chorgesang: [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) conductor: George Greeley recording of: The Desert Song: Act I. Why Did We Marry Soldiers? (Girls) Texter: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach und Frank Mandel Komponist(in): Sigmund Romberg Teil von: The Desert Song: Act I	Girls’ Chorus		?:??
A5	The Desert Song: French Military Marching Song Chorgesang: [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) Soprangesang: Lucille Norman (mezzo‐soprano) conductor: George Greeley recording of: The Desert Song: Act I. French Military Marching Song (Margot, Chorus) Texter: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach und Frank Mandel Komponist(in): Sigmund Romberg Teil von: The Desert Song: Act I	Lucille Norman and Girls’ Chorus		?:??
A6	The Desert Song: Romance Soprangesang: Lucille Norman (mezzo‐soprano) conductor: George Greeley recording of: The Desert Song: Act I. Romance (Margot, Chorus) Texter: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach und Frank Mandel Komponist(in): Sigmund Romberg Teil von: The Desert Song: Act I	Lucille Norman		?:??
A7	The Desert Song: Then You’ll Know Baritongesang: Gordon MacRae Soprangesang: Lucille Norman (mezzo‐soprano) conductor: George Greeley recording of: The Desert Song: Act I. Then You Will Know (Pierre, Margot) Texter: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach und Frank Mandel Komponist(in): Sigmund Romberg Teil von: The Desert Song: Act I	Gordon MacRae, Lucille Norman and Chorus		?:??
A8	The Desert Song: The Desert Song Baritongesang: Gordon MacRae conductor: George Greeley recording of: The Desert Song: Act I. The Desert Song (Pierre, Margot) Texter: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach und Frank Mandel Komponist(in): Sigmund Romberg Teil von: The Desert Song: Act I	Gordon MacRae		?:??
A9	The Desert Song: Let Love Come Bass-Gesang: Thurl Ravenscroft conductor: George Greeley recording of: The Desert Song: Act II. Let Love Go (Ali, Riffs) Texter: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach und Frank Mandel Komponist(in): Sigmund Romberg Teil von: The Desert Song: Act II. Eastern and Western Love	Thurl Ravenscroft		?:??
A10	The Desert Song: One Flower Tenor-Gesang: Robert Sands (1950s singer, musical character performer) conductor: George Greeley recording of: The Desert Song: Act II. One Flower in Your Garden (Sid, Riffs) Texter: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach und Frank Mandel Komponist(in): Sigmund Romberg Teil von: The Desert Song: Act II. Eastern and Western Love	Robert Sands		?:??
A11	The Desert Song: One Alone Baritongesang: Gordon MacRae conductor: George Greeley recording of: The Desert Song: Act II. One Alone (Pierre, Men) Texter: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach und Frank Mandel Komponist(in): Sigmund Romberg Teil von: The Desert Song: Act II. Eastern and Western Love	Gordon MacRae		?:??
A12	The Desert Song: Duet Baritongesang: Gordon MacRae Soprangesang: Lucille Norman (mezzo‐soprano) conductor: George Greeley recording of: The Desert Song: Act II. Duet Texter: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach und Frank Mandel Komponist(in): Sigmund Romberg Teil von: The Desert Song: Act II	Gordon MacRae and Lucille Norman		?:??
A13	The Desert Song: Sabre Song Soprangesang: Lucille Norman (mezzo‐soprano) conductor: George Greeley recording of: The Desert Song: Act II. The Sabre Song (Margot) Texter: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach und Frank Mandel Komponist(in): Sigmund Romberg Teil von: The Desert Song: Act II	Lucille Norman		?:??
A14	The Desert Song: Finale Baritongesang: Gordon MacRae Chorgesang: [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) Soprangesang: Lucille Norman (mezzo‐soprano) conductor: George Greeley recording of: The Desert Song: Act II. Finale (Ensemble) Texter: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach und Frank Mandel Komponist(in): Sigmund Romberg Teil von: The Desert Song: Act II	Gordon MacRae, Lucille Norman and Chorus		?:??
B1	Roberta: Overture conductor: George Greeley recording of: Overture (Roberta) Komponist(in): Jerome Kern Teil von: Roberta	George Greeley		?:??
B2	Roberta: Let’s Begin Chorgesang: [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) conductor und chorus master: George Greeley recording of: Let’s Begin (from "Roberta") Texter: Dorothy Fields (American librettist and lyricist) und Otto Harbach (in 1933) Komponist(in): Jerome Kern (in 1933) Teil von: Roberta	Male Chorus		?:??
B3	Roberta: You’re Devastating Baritongesang: Gordon MacRae conductor: George Greeley recording of: You’re Devastating Texter: Otto Harbach zusätzlicher Texter: Dorothy Fields (American librettist and lyricist) Komponist(in): Jerome Kern Teil von: Roberta	Gordon MacRae		?:??
B4	Roberta: Madrigal Chorgesang: [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) conductor und chorus master: George Greeley recording of: Madrigal (Roberta) Texter: Otto Harbach Komponist(in): Jerome Kern Teil von: Roberta	Male Chorus		?:??
B5	Roberta: Yesterdays Soprangesang: Lucille Norman (mezzo‐soprano) conductor: George Greeley recording of: Yesterdays Texter: Otto Harbach Komponist(in): Jerome Kern publisher: PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) Teil von: Roberta	Lucille Norman		?:??
B6	Roberta: Something Had to Happen vocals: Anne Triola conductor: George Greeley recording of: Something Had to Happen Texter: Otto Harbach Komponist(in): Jerome Kern Teil von: Roberta	Anne Triola		?:??
B7	Roberta: Don’t Ask Me Not to Sing Baritongesang: Gordon MacRae conductor: George Greeley recording of: Don’t Ask Me Not to Sing Texter: Otto Harbach Komponist(in): Jerome Kern Teil von: Roberta	Gordon MacRae and Chorus		?:??
B8	Roberta: I Won’t Dance Baritongesang: Gordon MacRae Chorgesang: [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) vocals: Anne Triola conductor und chorus master: George Greeley recording of: I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) Texter: Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935) Komponist(in): Jerome Kern publisher: Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) basiert auf: I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)	Gordon MacRae, Anne Triola and Chorus		?:??
B9	Roberta: Smoke Gets in Your Eyes Chorgesang: [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) Soprangesang: Lucille Norman (mezzo‐soprano) conductor und chorus master: George Greeley recording of: Smoke Gets in Your Eyes Texter: Otto Harbach Komponist(in): Jerome Kern publisher: Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) Teil von: Roberta	Lucille Norman and Chorus		?:??
B10	Roberta: Let’s Begin (reprise) Solo Baritongesang: Gordon MacRae conductor: George Greeley recording of: Let’s Begin (from "Roberta") Texter: Dorothy Fields (American librettist and lyricist) und Otto Harbach (in 1933) Komponist(in): Jerome Kern (in 1933) Teil von: Roberta	Gordon MacRae		?:??
B11	Roberta: Lovely to Look At Baritongesang: Gordon MacRae conductor: George Greeley recording of: Lovely to Look at Texter: Dorothy Fields (American librettist and lyricist) (in 1935) Komponist(in): Jerome Kern (in 1935) zusätzliche(r) Komponist(in): Jimmy McHugh (songwriter) Teil von: Academy Award for Best Original Song (Nummer: 1935 nominee)	Gordon MacRae		?:??
B12	Roberta: Fashion Show Baritongesang: Gordon MacRae conductor: George Greeley recording of: Fashion Show Texter: Otto Harbach Komponist(in): Jerome Kern Teil von: Roberta	Gordon MacRae		?:??
B13	Roberta: I’ll Be Hard to Handle vocals: Anne Triola conductor: George Greeley recording of: I’ll Be Hard to Handle (from “Roberta”) Texter: Bernard Dougall (in 1932) zusätzlicher Texter: Dorothy Fields (American librettist and lyricist) Komponist(in): Jerome Kern (in 1932) Teil von: Roberta	Anne Triola		?:??
B14	Roberta: The Touch of Your Hand Baritongesang: Gordon MacRae Soprangesang: Lucille Norman (mezzo‐soprano) conductor: George Greeley recording of: The Touch of Your Hand Texter: Otto Harbach Komponist(in): Jerome Kern Teil von: Roberta	Gordon MacRae and Lucille Norman		?:??
B15	Roberta: Finale Baritongesang: Gordon MacRae Chorgesang: [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) Soprangesang: Lucille Norman (mezzo‐soprano) conductor und chorus master: George Greeley recording of: Finale (Roberta) Texter: Otto Harbach Komponist(in): Jerome Kern Teil von: Roberta	Gordon MacRae, Lucille Norman and Chorus		?:??

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enthält:	Roberta (1952 studio cast) von Jerome Kern The Desert Song (1952 studio cast) von Sigmund Romberg; Gordon MacRae and Lucille Norman (mezzo‐soprano) with Chorus and Orchestra conducted by George Greeley

Discogs:	https://www.discogs.com/master/1268475 [Info]

The Desert Song / Roberta (1952 studio casts)

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