Rock 'n' Roll America

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Runaround Sue
recording of:
Runaround Sue
lyricist:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
composer:
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. and Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:42
2Jailhouse RockElvis Presley2:29
3What'd I Say
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
alto saxophone and tenor saxophone:
David “Fathead” Newman (American jazz saxophonist) (on 1959-02-18)
baritone saxophone:
Hank Crawford (on 1959-02-18)
bass:
Edgar Willis (bass) (on 1959-02-18)
drums (drum set):
Milt Turner (on 1959-02-18)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
trumpet:
Marcus Belgrave (on 1959-02-18)
background vocals:
The Raelettes (on 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-18)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 1)
partial recording of:
What’d I Say (on 1959-02-18)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles53:11
4Blue Suede Shoes
recording of:
Blue Suede Shoes
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins2:18
5Party Doll
recording of:
Party Doll
lyricist and composer:
Buddy Knox (US country rocker, of The Rhythm Orchids)
writer:
Dave Alldred, Jimmy Bowen (producer, rockabilly musician and songwriter), Buddy Knox (US country rocker, of The Rhythm Orchids) and Don Lanier
publisher:
EMI Longitude Music, Music of Stage Three and Patricia Music Publ. Corp.
Buddy Knox2:16
6Mr Sandman
The Chordettes2:25
7Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
8Will You Still Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.82:43
9To Know Him Is to Love Him
engineer:
Stan Ross (recording engineer, mixer & producer)
producer:
Phil Spector
instruments:
Phil Spector (in 1958-07)
membranophone:
Sandy Nelson (in 1958-07)
arranger:
Phil Spector
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1958-07)
recording of:
To Know Him Is to Love Him (in 1958-07)
lyricist and composer:
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. and Vogue Music
The Teddy Bears2:21
10Chantilly Lace
The Big Bopper2:25
11Rockin' Robin
phonographic copyright (℗) by:
Class (1950s-1960s US) (in 1958)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 29)
recording of:
Rockin’ Robin
lyricist and composer:
Jimmie Thomas
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son and Recordo Music Pub.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Bobby Day3.152:36
12Sea CruiseFrankie Ford2:47
13It's Only Make Believe
recording of:
It’s Only Make Believe (on 1958-05-07)
writer:
Jack Nance (in 1958) and Conway Twitty (in 1958)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty42:14
14There's a Moon Out TonightThe Capris2:14
15Dust My Broom
recording of:
Dust My Broom
additional lyricist and additional composer:
Robert Johnson (1930s blues legend)
lyricist and composer:
Elmore James
publisher:
ARC Music (world and ethnic music label), Flair Publishing and MPCA King of Spades
version of:
I Believe I’ll Dust My Broom
Elmore James2:55
16Love Letters in the Sand
producer:
Randy Wood (producer)
bass:
Larry Breen (on 1956-11-24)
clarinet:
Ryland Weston (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vibraphone:
Bernie Mattinson (on 1956-11-24)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-24)
vocals:
Pat Boone (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-24)
cover recording of:
Love Letters in the Sand (on 1956-11-24)
lyricist:
Charles Kenny (songwriter, violinist) and Nick Kenny
composer:
J. Fred Coots, Charles Kenny (songwriter, violinist) and Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. and Francis, Day & Hunter Ltd.
Pat Boone2:15
17The Great Pretender
recorded in:
Chicago, Illinois, United States (in 1955-09)
lead vocals:
Tony Williams (lead singer for The Platters)
phonographic copyright (℗) by:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 352)
recording of:
The Great Pretender (in 1955-09)
lyricist and composer:
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
The Platters52:40
18That'll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets2:17
19Oh What a Night
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 260)
recording of:
Oh, What a Night (in 1956-05)
writer:
Johnny Funches and Marvin Junior
publisher:
Conrad Music (publisher; do NOT use as release label)
The Dells2:54
20In the Still of the Night
producer:
Marty Kugell
double bass:
Doug Murray (double bassist) (in 1956-02)
drums (drum set) [drums]:
Bobby Mapp (in 1956-02)
piano:
Curlee Glover (in 1956-02)
solo saxophone:
Vinny Mazzetta (in 1956-02)
vocals:
Al Denby (in 1956-02), Jim Freeman (American singer and songwriter) (in 1956-02), Ed Martin (in 1956-02), Nat Mosley (in 1956-02) and Fred Parris (in 1956-02)
phonographic copyright (℗) by:
Standard Records (in 1956)
recorded at:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, United States (in 1956-02)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 90) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 170)
recording of:
In the Still of the Night (Five Satins doo-wop song) (in 1956-02)
lyricist and composer:
Fred Parris
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Llee Corp. (LLEE Corporation) (in 1956)
The Five Satins4.53:05
21Peggy Sue
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
recording of:
Peggy Sue (from 1957-06-29 until 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
Buddy Holly4.52:31
22Running Bear
Johnny Preston2:39
23Please, Please, Please
recording of:
Please, Please, Please
lyricist and composer:
James Brown (The Godfather of Soul) and Johnny Terry (bass vocals, member of James Brown & The Famous Flames)
publisher:
Intersong Music, Intersong Music Ltd. and Jadar Music Corp.
James Brown2:47
24Rubber Biscuit
The Chips2:08
25Jim Dandy
recorded in:
New York, New York, United States (on 1955-12-21)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
background vocals:
The Gliders (UK rock trio) (on 1955-12-21)
lead vocals:
LaVern Baker (US rhythm & blues singer) (on 1955-12-21)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 344)
recording of:
Jim Dandy (on 1955-12-21)
lyricist and composer:
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation and Unichappell Music, Inc.
LaVern Baker4.52:14
3CD