100 Hits Papa Was a Rolling Stone

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Data CD
#TitleArtistRatingLength
1Papa Was a Rollin’ Stone
producer:
Norman Whitfield
lead vocals:
Dennis Edwards (US soul & R’n’B singer) (in 1972), Damon Harris (in 1972) and Richard Street (in 1972)
conductor:
Paul Riser (in 1972)
arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1972)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 168) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 333)
cover recording of:
Papa Was a Rollin’ Stone (in 1972)
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations3.46:59
2I Heard It Through the Grapevine
producer:
Norman Whitfield
bass [1962 Fender Precision Bass]:
James Jamerson (from 1967-02-03 until 1967-04-10)
congas and tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (from 1967-02-03 until 1967-04-10)
drums (drum set):
Uriel Jones (from 1967-02-03 until 1967-04-10)
French horn:
Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
guitar [1964 Gibson Firebird III]:
Eddie Willis (from 1967-02-03 until 1967-04-10)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (from 1967-02-03 until 1967-04-10)
Hammond organ [B-3]:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
tom-tom:
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
Wurlitzer electric piano:
Johnny Griffith (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
strings arranger:
Paul Riser (from 1967-02-03 until 1967-04-10)
orchestrator:
Paul Riser (from 1967-02-03 until 1967-04-10)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 307)
cover recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:16
3It’s a Man’s Man’s Man’s World
recorded in:
New York, New York, United States (on 1966-02-16)
engineer:
Ron Lenhoff
producer:
James Brown (The Godfather of Soul)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1966-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1966-02-16)
guitar:
Billy Butler (jazz guitarist) (on 1966-02-16)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1966-02-16), Waymon Reed (on 1966-02-16) and Lammar Wright (on 1966-02-16)
lead vocals:
James Brown (The Godfather of Soul) (on 1966-02-16)
recorded at:
Talent Masters Studios in New York, New York, United States (on 1966-02-16)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 123)
recording of:
It’s a Man’s Man’s Man’s World (on 1966-02-16)
writer:
James Brown (The Godfather of Soul) and Betty Jean Newsome
James Brown4.42:49
4Where Did Our Love Go
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (on 1964-04-08)
bass:
James Jamerson (on 1964-04-08)
drums (drum set):
Richard "Pistol" Allen (on 1964-04-08)
foot stomps [footstomps]:
Michael Valvano (on 1964-04-08)
guitar:
Robert White (US funk/soul guitarist) (on 1964-04-08) and Eddie Willis (on 1964-04-08)
piano:
Earl Van Dyke (on 1964-04-08)
vibraphone:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-04-08)
background vocals:
Florence Ballard (on 1964-04-08) and Mary Wilson (on 1964-04-08)
lead vocals:
Diana Ross (on 1964-04-08)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1964-04-08)
recording of:
Where Did Our Love Go (on 1964-04-08)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
Diana Ross2:33
5Ain’t No Sunshine
cover recording of:
Ain’t No Sunshine
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Al Jarreau32:01
6(Sittin’ on the) Dock of the Bay
Sam & Dave2:44
7Encouraging Words
producer:
George Harrison (The Beatles) and Billy Preston
recording of:
Encouraging Words
lyricist and composer:
Billy Preston
publisher:
Apple Music Publishing Co., Inc. and Beechwood Music Corp.
Billy Preston3:32
8Tell It Like It Is
recording engineer:
Rudy van Gelder (on 1969-05-16)
bass guitar:
Bob Bushnell (on 1969-05-16) and Jerry Jemmott (on 1969-05-16)
drums (drum set):
Leo Morris (on 1969-05-16)
guitar:
George Benson (jazz guitarist/singer) (on 1969-05-16)
percussion:
Paul Alicea (on 1969-05-16), Angel Allende (on 1969-05-16) and Johnny Pacheco (on 1969-05-16)
piano:
Richard Tee (on 1969-05-16)
saxophone:
Arthur Clarke (baritone saxophonist) (on 1969-05-16), Sonny Fortune (on 1969-05-16) and Jerome Richardson (on 1969-05-16)
trumpet:
Lew Soloff (on 1969-05-16)
conductor:
Marty Sheller (on 1969-05-16)
arranger:
Marty Sheller
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1969-05-16)
cover recording of:
Tell It Like It Is (on 1969-05-16)
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
George Benson2:54
9For Once in My Life
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
harmonica and piano:
Stevie Wonder (on 1994-10-04)
other vocals [introductory vocal]:
Stevie Wonder
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-06) and Gladys Knight (soul and r&b music singer-songwriter) (on 1994-05-24)
arranger:
Don Costa (US pop music arranger & producer)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
For Once in My Life
lyricist:
Ronald Miller (Motown songwriter Ronald Norman Miller)
composer:
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Frank Sinatra, Gladys Knight & Stevie Wonder3:18
10To Love Somebody
producer:
Michael Bolton and David Foster (Canadian music producer, arranger and composer)
lead vocals:
Michael Bolton
arranger:
Michael Bolton and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
cover recording of:
To Love Somebody
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
part of:
50/50
Michael Bolton4:09
11ABC
producer:
The Corporation (Motown songwriters)
drums (drum set):
Gene Pello (in 1970-01)
electric bass guitar:
Wilton Felder (in 1970-01) and Bob West (US session bassist, producer & songwriter) (in 1970-01)
guitar:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) and David T. Walker (in 1970-01)
keyboard:
Freddie Perren (in 1970-01)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) and Tito Jackson (in 1970-01)
background vocals and lead vocals:
Michael Jackson (“King of Pop”) (in 1970-01)
lead vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) and Tito Jackson (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1970-01)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 174)
recording of:
ABC (in 1970-01)
writer:
Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
composer:
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc.
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
part of:
MJ: The Musical
The Jackson 54.12:53
12Every Beat of My Heart
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 32)
cover recording of:
Every Beat of My Heart
lyricist and composer:
Johnny Otis
Gladys Knight & the Pips52:05
13I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (American trumpeter) (on 1965-05-06)
lead vocals:
James Brown (The Godfather of Soul) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.552:46
14Your Precious Love
vocals:
Tammi Terrell
recording of:
Your Precious Love
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Marvin Gaye & Tammi Terrell2.53:05
15Walk on By
vocals:
Dionne Warwick
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 129)
recording of:
Walk On By
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:58
16On Broadway
producer:
Tommy LiPuma
bass:
Stanley Banks (bassist)
drums (drum set):
Harvey Mason (jazz drummer)
guitar:
George Benson (jazz guitarist/singer)
guitar [rhythm guitar]:
Phil Upchurch
keyboard:
Jorge Dalto and Ronnie Foster
percussion:
Ralph MacDonald
piano:
Jorge Dalto
vocals:
George Benson (jazz guitarist/singer)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 55)
live cover recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters)
additional writer:
Jerry Leiber and Mike Stoller
writer:
Barry Mann and Cynthia Weil
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
version of:
On Broadway (original Mann/Weil version)
cover recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters)
additional writer:
Jerry Leiber and Mike Stoller
writer:
Barry Mann and Cynthia Weil
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
version of:
On Broadway (original Mann/Weil version)
George Benson5:18
17Got to Be There
producer:
Hal Davis
lead vocals:
Michael Jackson (“King of Pop”) (from 1970-06 until 1970-07)
arranger:
Dave Blumberg
recording of:
Got to Be There (from 1971-06 until 1971-07)
lyricist and composer:
Elliot Willensky
vocals arranger:
Willie Hutch
Michael Jackson2.353:19
18(If Loving You Is Wrong) I Don't Want to Be Right
recording of:
(If Loving You Is Wrong) I Don’t Want to Be Right
writer:
Homer Banks (soul singer and songwriter), Carl Hampton (pianist, songwriter and producer) and Raymond Jackson (songwriter, guitarist and producer)
publisher:
East/Memphis Music, Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Luther Ingram43:27
19I'll Be Around
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
bass vocals:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) and Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
I’ll Be Around (in 1973)
composer:
Thom Bell (keyboards, songwriter, producer) and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:14
20What's Going On
producer:
Marvin Gaye
mixer:
Lawrence Miles (on 1971-05-06)
instruments:
Detroit Symphony Orchestra (on 1971-05-06) and The Funk Brothers (on 1971-05-06)
percussion [box drum], piano and lead vocals:
Marvin Gaye (on 1971-05-06)
background vocals:
Lem Barney (on 1971-05-06), Mel Farr (on 1971-05-06) and Marvin Gaye (on 1971-05-06)
conductor:
David Van dePitte (on 1971-05-06)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1971)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1971-05-06)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 102) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
What’s Going On (on 1971-05-06)
lyricist and composer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. and Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Marvin Gaye3.953:52
21Have You Seen Her
recording of:
Have You Seen Her
writer:
Barbara Acklin and Eugene Record
publisher:
Intersong Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites4:54
22What a Wonderful World
cover recording of:
Wonderful World
writer:
Lou Adler, Herb Alpert and Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. and 日本アブコ音楽出版 (ABKCO Japan Publishing)
Gloria Gaynor3:08
23Georgia on My Mind
cover recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Michael Bolton4:57
24Me and Mrs. Jones
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
performer:
MFSB (Mother Father Sister Brother) (in 1972)
brass [horns] arranger and strings arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:47
25Breezin'
recording engineer:
Al Schmitt (from 1976-01-06 until 1976-01-08)
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
mixer:
Al Schmitt
bass guitar and guitar [rhythm guitar]:
Phil Upchurch (from 1976-01-06 until 1976-01-08)
clavinet and piano:
Jorge Dalto (from 1976-01-06 until 1976-01-08)
drums (drum set):
Harvey Mason (jazz drummer) (from 1976-01-06 until 1976-01-08)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1976-01-06 until 1976-01-08)
Minimoog [mini-moog] and electric piano:
Ronnie Foster (from 1976-01-06 until 1976-01-08)
percussion:
Ralph MacDonald (from 1976-01-06 until 1976-01-08)
conductor:
Claus Ogerman (from 1976-01-06 until 1976-01-08)
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-01-06 until 1976-01-08)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Breezin’ (from 1976-01-06 until 1976-01-08)
composer:
Bobby Womack
publisher:
Unart Music Corp. (ended), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 日本アブコ音楽出版 (ABKCO Japan Publishing)
George Benson45:39
26Tell Me How
recording of:
Tell Me How
lyricist and composer:
Lester Hodelin (Soul - disco songwriter)
Gloria Gaynor3:09
27Tahitian Moon
recording engineer and mixer:
Ray Bardani
producer:
Ray Bardani and Michael Colina
alto saxophone:
David Sanborn
bass guitar:
Neil Jason (bassist)
drums (drum set):
Andy Newmark
electric piano:
Rob Mounsey
guitar:
Nick Moroch (US guitarist)
synthesizer:
Michael Colina
background vocals:
Randy VanWarmer
vocals:
Michael Franks
brass arranger:
Rob Mounsey
percussion [rhythm] arranger:
Michael Colina and Michael Franks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recorded at and mixed at:
Minot Sound Studio in White Plains, New York, United States
recording of:
Tahitian Moon
lyricist and composer:
Michael Franks
publisher:
Mississippi Mud Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and 大洋音楽 (Taiyō Music)
Michael Franks4:36
28What a Fool Believes
additional engineer:
Loyd Clifft
engineer:
Donn Landee
producer:
Ted Templeman
additional congas and additional vocals:
Bobby LaKind (in 1978-08)
additional synthesizer:
Bill Payne (in 1978-08)
bass guitar:
Tiran Porter (in 1978-08)
drums (drum set):
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
guitar:
Jeff “Skunk” Baxter (in 1978-08) and Patrick Simmons (in 1978-08)
keyboard and lead vocals:
Michael McDonald (R&B & soul singer) (in 1978-08)
synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) and Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States (in 1978-08)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 147) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 343)
recording of:
What a Fool Believes (in 1978-08)
writer:
Ken Loggins and Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) and Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:44
29Since I Fell for You
cover recording of:
Since I Fell for You
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (ended), Warner Bros., Inc. (not for release label use!) (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Michael Bolton3:09
30I Never Thought I'd Fall in Love With You
recording of:
Never Thought I’d Fall in Love With You
writer:
Ronald Coleman (soul keyboardist, songwriter, arranger)
Barry White4:48
31Feelin' That Glow
Roberta Flack5:51
32So Into You
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1976), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1976)
recording of:
So in to You
writer:
Buddy Buie, Dean Daughtry and Robert Nix
publisher:
Low-Sal, Inc.
Atlanta Rhythm Section54:18
33Silver Dreams Golden Smiles
recording of:
Silver Dreams Golden Smiles
writer:
Tom Coster, Carlos Santana and Greg Walker (ex-member of Santana)
publisher:
Rondor Music (London) Ltd.
Santana4:09
34Just the Two of Us
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
synthesizer:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
vocals and performer:
Bill Withers (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Just the Two of Us (Bill Withers song) (from 1980-06 until 1980-07)
writer:
Ralph MacDonald, William Salter and Bill Withers
publisher:
Antisia Music Inc. and Bleunig Music
Bill Withers & Grover Washington, Jr.4.857:18
35When Sly Calls (Don't Touch That Phone)Michael Franks5:52
36Misty Blue
producer:
Tommy Couch (US producer, songwriter, engineer & studio owner), Wolf Stephenson and James Cary Stroud
cover recording of:
Misty Blue
lyricist and composer:
Bob Montgomery (USA)
publisher:
Reservoir One America and Talmont Music (publisher) (from 1966 to present)
Dorothy Moore43:41
37You're So Good You're Bad
recording of:
You’re So Good You’re Bad
writer:
Jerry Ragovoy and Aaron Schroeder (1950s~1960s US songwriter)
Barry White6:03
38A Whiter Shade of Pale
cover recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Joe Cocker5:27
39I'll Be Waiting
producer:
Tom Coster and Carlos Santana
recording of:
I’ll Be Waiting
writer:
Carlos Santana
publisher:
Light Music (US publishing label) and Rondor Music (London) Ltd.
Santana3:12
40The Way We Were
vocals:
Donna Summer (soul/disco diva)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2013)
recorded at:
Gibson Amphitheatre in Universal City, California, United States (in 1978)
live cover recording of:
The Way We Were (in 1978)
lyricist:
Alan Bergman (American lyricist) (in 1973) and Marilyn Bergman (in 1973)
composer:
Marvin Hamlisch (in 1973)
publisher:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. and Colgems-EMI Music Inc. (in 1973)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 46th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1973 winner)
part of:
The Way We Were
Donna Summer3:19
41Yesterday
producer:
Michael Bolton and David Foster (Canadian music producer, arranger and composer)
lead vocals:
Michael Bolton
arranger:
Michael Bolton and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
cover recording of:
Yesterday (original by The Beatles)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (from 1965 to present)
Michael Bolton3:31
42Little Darling (I Need You)
guest background vocals:
Rosemary Butler
cover recording of:
Little Darling (I Need You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
The Doobie Brothers3.353:24
43Mr. Magic
cover recording of:
Mister Magic (Mr. Magic)
composer:
Ralph MacDonald and William Salter
Roberta Flack3:58
44Gonna Love You More
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
bass guitar:
Stanley Banks (bassist)
drums (drum set):
Harvey Mason (jazz drummer)
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
Minimoog and electric piano:
Ronnie Foster
percussion:
Ralph MacDonald
piano:
Jorge Dalto
vocals:
George Benson (jazz guitarist/singer)
conductor:
Claus Ogerman
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-08 until 1976-11)
recording of:
Gonna Love You More
lyricist and composer:
Morris Albert
publisher:
Fermata International Melodies, Inc. (ended), Augusta Ltda. Editora, Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
George Benson4:41
45Inseparable
recording of:
Inseparable
writer:
Chuck Jackson (songwriter/producer) and Marvin Yancy (R&B/soul singer and pastor)
Natalie Cole2:26
46Lately
assistant engineer:
Bob Harlan
engineer and mixer:
Gary Olazabal
producer:
Stevie Wonder
bass synthesizer and piano:
Stevie Wonder
arranger:
Stevie Wonder
recorded at and mixed at:
Wonderland Studios in Los Angeles, California, United States
recording of:
Lately
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music and Jobete Music Co., Inc.
sub-publisher:
BMG Music Publishing Hong Kong Ltd
Stevie Wonder54:05
47Got to Get You Into My Life
cover recording of:
Got to Get You Into My Life
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Earth, Wind & Fire34:10
48It's Ecstasy When You Lay Down Next to MeBarry White36:57
49Lady Love Me (One More Time)
additional recording engineer:
John Agallo, Danny Caccavo (engineer), Bill Dooley (engineer), Jay Messina and Bobby Warner
recording engineer:
Gary Skardina and Jeremy Smith (producer/engineer)
synthesizer programming:
Joe Mardin
assistant engineer:
Randy Burns (Producer / Engineer), Robert Feist and Michael O’Reilly (engineer)
producer:
Arif Mardin
mixer:
Michael O’Reilly (engineer) and Jeremy Smith (producer/engineer)
additional synthesizer:
Greg Phillinganes and Steve Porcaro
baritone saxophone:
Lew Delgatto
bass guitar:
Nathan East
drums (drum set):
Jeff Porcaro
flugelhorn:
Jerry Hey
guitar:
David Spinozza
keyboard and synthesizer:
James Newton Howard (American score composer) and David Paich
percussion:
Lenny Castro
strings:
Jonathan Abramowitz, Al Brown (viola), Julien Barber, Frederick Buldrini, E. Vardi, Ted Hoyle, Harold Kohon, Harry Lookofsky, Guy Lumia, Joe Malin, Richard Maximoff, Gerald Tarack, Marilyn Wright, Richard Young (viola player) and Frederick Zlotkin (cellist)
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trombone:
Tom “Bones” Malone (US trombonist) and Alan Raph
trumpet:
Randy Brecker and Jon Faddis
background vocals:
Babi Floyd, Zachary Sanders, Mark Stevens (US funk musician/songwriter, brother of Chaka Khan) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
lead vocals:
George Benson (jazz guitarist/singer)
brass arranger:
Jerry Hey and David Paich
strings arranger:
James Newton Howard (American score composer) and Marty Paich
arranger:
James Newton Howard (American score composer) and David Paich
concertmaster:
Andre Granat (Hungarian violinist) and Gene Orloff
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
additionally recorded at:
The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (New York) in Midtown Manhattan, New York, New York, United States and United Western Recorders in Hollywood, Los Angeles, California, United States
recorded at:
Music Grinder Studios in Hollywood, Los Angeles, California, United States
recording of:
Lady Love Me (One More Time)
writer:
James Newton Howard (American score composer) and David Paich
publisher:
Hudmar Publishing Co. Inc., Newton House Music, Rocket Music Ltd., Rocket Songs, Inc. (US work publisher), Universal Music Careers, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
George Benson3:56
50I Wouldn't Want to Be Like You
assistant engineer:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK) and Patrick Stapley
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
bass guitar:
David Paton (of Pilot)
drums (drum set):
Stuart Tosh
guitar:
Ian Bairnson
keyboard:
Eric Woolfson
lead vocals:
Lenny Zakatek
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
I Wouldn’t Want to Be Like You
writer and composer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
American Woolfsongs Ltd. and Irving Music, Inc.
The Alan Parsons Project3.83:22
51Stormy
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978)
recording of:
Stormy
writer:
Buddy Buie and J. R. Cobb
publisher:
Low‐Sal Music, Inc.
Santana4:44
52Caribbean Queen (No More Love on the Run)
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1984)
recording of:
Caribbean Queen
writer:
Keith Diamond and Billy Ocean
Billy Ocean44:06
53Your Secret's Safe With Me
recording engineer:
Kevin Halpin, Ed Rak and Ben Wisch
producer:
Rob Mounsey
bass guitar:
Neil Jason (bassist)
drums (drum set):
Chris Parker (American drummer)
guitar:
Steve Khan
piano:
Clifford Carter
background vocals:
Will Lee (US jazz/rock bassist) and Rob Mounsey
lead vocals:
Michael Franks
remixer:
Kevin Halpin
produced for:
Flying Monkey Productions, Inc.
recorded at:
Automated Sound Studios in New York, New York, United States, Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States and Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, United States
recording of:
Your Secret’s Safe With Me
lyricist and composer:
Michael Franks
publisher:
Mississippi Mud Music Co. and 大洋音楽 (Taiyō Music)
Michael Franks4:39
54Only When You Leave
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
recording of:
Only When You Leave
lyricist and composer:
Gary Kemp
publisher:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and Reformation Publishing Co. Ltd.
Spandau Ballet34:46
55Playing Your Game, Baby
recording of:
Playing Your Game Baby
writer:
Smead Hudman (American songwriter) and Austin Johnson
Barry White7:13
56Seven DaysJoe Cocker5:22
57Try a Little Tenderness
producer:
Bernard Edwards (American bassist and record producer), Rod Stewart and Andy Taylor (of Duran Duran)
mixer:
Bernard Edwards (American bassist and record producer) and Steve MacMillan
bass:
Bernard Edwards (American bassist and record producer)
drums (drum set) [drums]:
Tony Thompson (American R&B singer; lead vocalist of Hi-Five)
guitar:
Michael Landau and Eddie Martinez (guitar)
keyboard [keyboards]:
Kevin Savigar
solo saxophone:
Jimmy Roberts (American saxophonist, composer and lyricist)
brass arranger and strings arranger:
Bruce Miller (US composer and arranger)
recorded at and mixed at:
Record Plant Studios (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
cover recording of:
Try a Little Tenderness
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Rod Stewart4:28
58Free
recording engineer and mixer:
Gary Olazabal
producer:
Stevie Wonder
recording of:
Free
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music and Jobete Music Co., Inc.
Stevie Wonder4:11
59Suddenly
producer:
Keith Diamond
mixer:
Keith Diamond and Bryan “Chuck” New (Engineer/ Producer)
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1984) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
recording of:
Suddenly
writer:
Keith Diamond and Billy Ocean
publisher:
Musicpiece Publ., Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean43:51
60Turn Your Love Around
producer:
Jay Graydon
bass synthesizer:
David Paich
cymbal [Cymbals (payette)]:
Mike Baird (drummer)
drums (drum set):
Jeff Porcaro
flute and saxophone:
Gary Herbig
guitar:
Jay Graydon
piano and Rhodes piano [Fender Rhodes]:
Jai Winding (pianist, composer, vocal)
synthesizer:
David Foster (Canadian music producer, arranger and composer) and Jay Graydon
trombone:
Bill Reichenbach, Jr. (jazz trombonist)
trumpet:
Chuck Findley (trumpet, trombone, horn player) and Jerry Hey
background vocals:
Bill Champlin, Vennette Gloud and Carmen Twillie
vocals:
George Benson (jazz guitarist/singer)
horn arranger:
Jerry Hey
arranger:
Jay Graydon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recording of:
Turn Your Love Around
writer:
Bill Champlin, Jay Graydon and Steve Lukather (guitarist, vocalist, composer, producer and arranger)
publisher:
Garden Rake Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Rehtakul Veets Music, Universal Music–MGB Songs, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
George Benson3:49
61You Send Me
cover recording of:
You Send Me
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
additional writer:
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Michael Bolton & Kenny G4:00
62Get It
recording engineer and mixer:
Gary Olazabal
producer:
Stevie Wonder
bass guitar, drums (drum set), percussion and synthesizer:
Stevie Wonder
guitar:
Ben Bridges (guitarist)
background vocals:
Mary Lee Whitney and Stevie Wonder
lead vocals:
Michael Jackson (“King of Pop”) and Stevie Wonder
performer:
Michael Jackson (“King of Pop”)
recorded at:
CBSソニースタジオ (CBS/Sony Studio) in Ichigaya, Shinjuku (Shinjuku-ku), Tokyo, Japan (in 1987-09: lead vocals [Michael Jackson's vocals]) and Wonderland Studios in Los Angeles, California, United States (in 1987-09)
recording of:
Get It
lyricist and composer:
Stevie Wonder
Stevie Wonder & Michael Jackson4:32
63As Time Goes By
Barry White25:51
64Ebony and Ivory
assistant recording engineer:
Mike Stavrou (producer/engineer) (from 1981-02-28 until 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (from 1981-02-28 until 1981-10)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistant mixer:
Jon Jacobs (UK producer/engineer) (on 1982-01-19)
mixer:
Geoff Emerick (British recording engineer) (on 1982-01-19)
drums (drum set) and electric piano:
Stevie Wonder (from 1981-02-28 until 1981-10)
electric bass guitar, guitar, piano and vocoder:
Paul McCartney (The Beatles) (from 1981-02-28 until 1981-10)
percussion, synthesizer and background vocals and lead vocals:
Paul McCartney (The Beatles) (from 1981-02-28 until 1981-10) and Stevie Wonder (from 1981-02-28 until 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Paul McCartney (The Beatles)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (on 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1981-03-30) and Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1982-01-19)
recording of:
Ebony and Ivory (from 1981-02-28 until 1981-10)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
parody version of:
Curdled Milk and Boot Polish
Paul McCartney & Stevie Wonder3.13:40
65Only You
Mark Farner3:47
66Get Outta My Dreams, Get Into My Car
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1988)
edit of:
Get Outta My Dreams, Get Into My Car by Billy Ocean
recording of:
Get Outta My Dreams, Get Into My Car (in 1987)
writer:
Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Universal Music Publishers MGB Australia Pty Ltd and Zomba Music Publishing Ltd.
Billy Ocean2.354:44
67When I Give My Love to You
recording engineer:
Kevin Halpin, Ed Rak and Ben Wisch
producer:
Rob Mounsey
drums (drum set):
Chris Parker (American drummer)
lead vocals:
Michael Franks
vocals and performer:
Brenda Russell (US singer-songwriter & keyboardist)
remixer:
Kevin Halpin
produced for:
Flying Monkey Productions, Inc.
recorded at:
Automated Sound Studios in New York, New York, United States, Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States and Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, United States
recording of:
When I Give My Love to You
lyricist and composer:
Michael Franks
publisher:
Mississippi Mud Music Co. and 大洋音楽 (Taiyō Music)
Michael Franks & Brenda Russell4:25
68Unchain My Heart
producer:
Charlie Midnight
bass guitar:
T.M. Stevens (US bass player Thomas Michael Stevens)
drums (drum set):
David Beal
guitar:
Phil Grande
horn:
Crispin Cioe, Arno Hecht (American saxophonist), Hollywood Paul Litteral and Robert Funk (trombonist, trumpet player)
keyboard:
Jeff Levine
solo tenor saxophone:
Clarence Clemons
background vocals:
Tawatha Agee, Benny Diggs and Vaneese Thomas
horn arranger:
Uptown Horns (US horn section, formed in 1980)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
cover recording of:
Unchain My Heart
lyricist and composer:
Bobby Sharp
writer:
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
part of:
The Real Book (compilation of jazz standards, volume I)
Joe Cocker4.35:04
69Summertime
recording engineer:
Peter Henderson (English sound engineer) (on 1987-07-20)
producer:
Paul McCartney (The Beatles)
bass and lead vocals:
Paul McCartney (The Beatles) (on 1987-07-20)
drums (drum set):
Chris Whitten (on 1987-07-20)
guitar:
Mick Green (English guitarist) (on 1987-07-20)
piano:
Mick Gallagher (UK hammond organ player) (on 1987-07-20)
recorded at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, United Kingdom (on 1987-07-20)
mixed at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, United Kingdom (on 1987-07-22)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1987-07-20)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Paul McCartney4:57
70Nutbush City LimitsTina Turner33:44
71Knock on Wood
producer:
Walter Afanasieff and Michael Bolton
lead vocals:
Michael Bolton
arranger:
Michael Bolton and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
cover recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptations:
Potkraj na les
Michael Bolton3:51
72I Want to Know What Love Is
cover recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Gloria Gaynor3:13
73They Won't Go When I GoGeorge Michael5:06
74I'll Be There
engineer:
David Hewitt (engineer)
producer:
Walter Afanasieff and Mariah Carey
mixer:
Dana Jon Chappelle
bass guitar:
Randy Jackson (former bassist with Journey and American Idol judge) (on 1992-03-16)
bell, celesta, timpani and tubular bells:
Ren Klyce (on 1992-03-16)
drums (drum set):
Greg “Gigi” Gonaway (on 1992-03-16)
guitar:
Vernon “Ice” Black (on 1992-03-16)
harmonium, harpsichord and strings:
Dan Shea (on 1992-03-16)
percussion:
Sammy Figueroa (on 1992-03-16)
piano:
Walter Afanasieff (on 1992-03-16)
strings:
Laura Corcos (on 1992-03-16), Winterton Garvey (on 1992-03-16), Cecilia Hobbs (on 1992-03-16) and Belinda Whitney (on 1992-03-16)
solo background vocals:
Trey Lorenz
vocals:
Mariah Carey (on 1992-03-16), Henry Casper (US background/choir vocalist) (on 1992-03-16), Melonie Daniels (on 1992-03-16), Peggy Harley (on 1992-03-16), Trey Lorenz (on 1992-03-16), Patrique McMillan (on 1992-03-16), Geno Morris (on 1992-03-16), Cheree Price (on 1992-03-16), Kelly Price (on 1992-03-16), Liz Stewart (US background/choir vocalist) (on 1992-03-16) and Spencer Washington (on 1992-03-16)
arranger:
Walter Afanasieff and Mariah Carey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
recorded at:
Kaufman Astoria Studios (previously Astoria Studios) in Astoria, New York, New York, United States (on 1992-03-16)
live cover recording of:
I’ll Be There (on 1992-03-16)
writer:
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy and Willie Hutch
publisher:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. and Stone Diamond Music Corporation
part of:
MJ: The Musical
Mariah Carey feat. Trey Lorenz3.54:26
75Rough Ride
assistant recording engineer:
Heff Moraes (on 1987-10-05)
recording engineer:
Steve Lipson (on 1987-10-05)
drums (drum set) programming:
Paul McCartney (The Beatles) (on 1987-10-05)
producer:
Trevor Horn, Paul McCartney (The Beatles) and Steve Lipson
assistant mixer:
Heff Moraes (on 1987-10-06)
mixer:
Steve Lipson (on 1987-10-06)
drums (drum set), percussion, synthesizer and lead vocals:
Paul McCartney (The Beatles) (on 1987-10-05)
electric bass guitar:
Steve Lipson (on 1987-10-05)
guitar:
Paul McCartney (The Beatles) (on 1987-10-05) and Steve Lipson (on 1987-10-05)
keyboard:
Trevor Horn (on 1987-10-05)
background vocals [Harmonies]:
Linda McCartney (on 1987-10-05)
recorded at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, United Kingdom (on 1987-10-05)
mixed at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, United Kingdom (on 1987-10-06)
recording of:
Rough Ride (on 1987-10-05)
lyricist and composer:
Paul McCartney (The Beatles)
Paul McCartney1.54:43
76Hold On, I'm Coming
producer:
Walter Afanasieff and Michael Bolton
background vocals and lead vocals:
Michael Bolton
arranger:
Michael Bolton and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
cover recording of:
Hold On, I’m Comin’
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Michael Bolton3:15
77Beauty and the Beast
lead vocals:
Peabo Bryson and Céline Dion
performer:
Peabo Bryson
phonographic copyright (℗) by:
Sony Music Canada Inc. (unlikely to be an imprint, 1990/12/14–1991/11/18) (in 1992)
recording of:
Beauty and the Beast (song from Beauty and the Beast)
lyricist:
Howard Ashman (in 1991)
composer:
Alan Menken (in 1991)
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), 日音 Synch事業部 (NICHION, INC. Synch Division), Walt Disney Music Company (music publisher, do not use as release label) (in 1991) and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1991)
part of:
The 64th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1991 winner)
part of:
Beauty and the Beast (2017 Disney film soundtrack)
part of:
Beauty and the Beast (stage musical)
part of:
Beauty and the Beast (1991 Disney animated film soundtrack and score)
cover recording of:
Beauty and the Beast (song from Beauty and the Beast)
lyricist:
Howard Ashman (in 1991)
composer:
Alan Menken (in 1991)
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), 日音 Synch事業部 (NICHION, INC. Synch Division), Walt Disney Music Company (music publisher, do not use as release label) (in 1991) and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1991)
part of:
The 64th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1991 winner)
part of:
Beauty and the Beast (2017 Disney film soundtrack)
part of:
Beauty and the Beast (stage musical)
part of:
Beauty and the Beast (1991 Disney animated film soundtrack and score)
Céline Dion & Peabo Bryson54:02
78My Love
recording of:
My Love
lyricist and composer:
Stevie Wonder
Stevie Wonder & Julio Iglesias5:09
79Mercy Mercy Me / I Want You
producer:
Teo Macero (American jazz saxophonist and composer) and Robert Palmer (English singer‐songwriter)
medley including a cover recording of:
I Want You
lyricist:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
composer:
Arthur “T‐Boy” Ross and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jobete Music Co., Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
medley including a cover recording of:
Mercy Mercy Me (The Ecology)
lyricist and composer:
Marvin Gaye
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Robert Palmer3.55:50
80Chez nous
producer:
Tommy LiPuma
Michael Franks4:30
81All Around the World
producer:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
vocals:
Lisa Stansfield
recording of:
All Around the World
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
publisher:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) and BMG Music Publishing Ltd.
Lisa Stansfield54:26
82Drift Away
cover recording of:
Drift Away
lyricist and composer:
Mentor Williams (songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Michael Bolton6:07
83When I Fall in Love
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
Humberto Gatica
guest vocals:
Clive Griffin
vocals:
Céline Dion and Clive Griffin
arranger:
Jeremy Lubbock
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
mixed for:
Hum Inc. Productions
produced for:
Chartmaker Inc.
cover recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Céline Dion & Clive Griffin3.354:23
84Well Done
Mark Farner4:23
85I'll Be There
recording of:
I’ll Be There
writer:
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy and Willie Hutch
publisher:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. and Stone Diamond Music Corporation
part of:
MJ: The Musical
cover recording of:
Reach Out, I’ll Be There
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Gloria Gaynor34:21
86I Can't Stand the Rain
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Broad
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
cover recording of:
I Can’t Stand the Rain
writer:
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) and Ann Peebles
publisher:
Irving Music, Inc. and JEC Publishing (in 1977)
Tina Turner33:43
87Lean on Me
cover recording of:
Lean on Me
lyricist and composer:
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Michael Bolton4:21
88Summer in the City
producer:
Roger Davies (producer) and Chris Lord‐Alge
bass:
Bob Feit
electronic organ and synthesizer:
C.J. Vanston
guitar:
Tim Pierce (US session guitarist)
membranophone:
Jack Bruno (drummer)
percussion:
Lenny Castro
saxophone:
Don Sheldon (clarinetist, flutist, alto saxophonist and jazz vocalist)
trombone:
Alen Iles
trumpet:
Rick Baptist and Wayne Bergeron
Wurlitzer electric piano:
Chris Stainton (keyboard player, session musician and songwriter)
background vocals:
Carmen Twillie, Julia Waters and Maxine Waters
horn arranger and strings arranger:
C.J. Vanston
cover recording of:
Summer in the City
writer:
Steve Boone, John Sebastian and Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) and Trio Music Co., Inc.
Joe Cocker4.43:50
89If You Don't Know Me by Now
assistant engineer:
Clark Germain and Karl Lever
engineer and mixer:
Daren Klein
additional producer:
Mick Hucknall (lead singer of Simply Red)
producer:
Stewart Levine (record producer and saxophonist)
bass:
Tony Bowers
drums (drum set):
Chris Joyce (drummer for Simply Red)
guitar:
Heitor T. P.
keyboard:
Tim Kellett and Fritz McIntyre
percussion:
Lennie Castro
saxophone:
Ian Kirkham
trumpet:
Tim Kellett
background vocals:
Fritz McIntyre and Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
lead vocals:
Mick Hucknall (lead singer of Simply Red)
performer:
Simply Red (English soul and pop band)
phonographic copyright (℗) by:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (in 1989), Warner Music UK Ltd. (not for release label use!) (in 1989) and WEA Records Ltd. (holding company based in the UK) (in 1989)
produced for:
Oliverea Productions Ltd
cover recording of:
If You Don’t Know Me by Now
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner/Chappell Music Australia Pty. Ltd.
recording of:
If You Don’t Know Me by Now
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:26
90Respect Yourself
producer:
Bernard Edwards (American bassist and record producer) and Robert Palmer (English singer‐songwriter)
cover recording of:
Respect Yourself
lyricist and composer:
Luther Ingram and Sir Mack Rice
publisher:
Irving Music (BMI) (in 1988) and Klondike Enterprises (publisher) (in 1988)
Robert Palmer4:05
91Soul Mate
producer:
Jeff Lorber
Michael Franks4:27
92I'll Make Love to You
drums (drum set) programming:
Rayford Griffin
assistant engineer:
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg and Jamie Seyberth
engineer:
Brad Gilderman
producer:
Babyface (R&B musician Kenny Edmonds)
mixer:
Mick Guzauski
bass:
Reggie Hamilton
synthesizer:
Babyface (R&B musician Kenny Edmonds)
produced for:
ECAF Productions, Inc.
recorded at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and The Enterprise (aka Enterprise Studios) in Burbank, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 185)
recording of:
I’ll Make Love to You
lyricist and composer:
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.654:04
93Suddenly
cover recording of:
Suddenly
writer:
Keith Diamond and Billy Ocean
publisher:
Musicpiece Publ., Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Gloria Gaynor3:42
94When a Man Loves a Woman
assistant recording engineer and assistant mixer:
Manny LaCarrubba and Devon Rietveld
recording engineer:
Dana Jon Chappelle
producer:
Walter Afanasieff and Michael Bolton
mixer:
Mick Guzauski
bass guitar:
Randy Jackson (former bassist with Journey and American Idol judge)
drums (drum set):
Jeff Porcaro
guitar:
Chris Camozzi and Michael Thompson (session guitarist)
Hammond organ, keyboard and synthesizer:
Walter Afanasieff
piano:
John Beasley (American jazz pianist)
background vocals:
Kitty Beethoven, Gary Cirimelli, Sandy Griffith, Melisa Kary, Claytoven Richardson and Jeanie Tracy
lead vocals:
Michael Bolton
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991)
recorded at and mixed at:
The Plant Studios (1981–2008) in Sausalito, California, United States
cover recording of:
When a Man Loves a Woman
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Michael Bolton3.653:51
95Without You
programming:
Walter Afanasieff, Gary Cirimelli and Ren Klyce
additional engineer:
Manny LaCarrubba
engineer:
Jim Caruana, Dana Jon Chappelle and Kent Matcke
producer:
Walter Afanasieff and Mariah Carey
mixer:
Mick Guzauski
acoustic guitar, bass synthesizer, keyboard and synthesizer:
Walter Afanasieff
background vocals:
Mariah Carey, Melonie Daniels, Kelly Price and Shanrae Price
arranger:
Walter Afanasieff and Mariah Carey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
recorded at:
Right Track Recording in Manhattan, New York, New York, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
cover recording of:
Without You
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Mariah Carey3.93:36
96Now That the Magic Has Gone
engineer, producer and mixer:
Chris Lord‐Alge
executive producer:
Roger Davies (producer)
bass:
Neil Stubenhaus
guitar:
Phil Grande
guitar and keyboard and background vocals:
John Miles (UK singer/songwriter/guitarist/keyboardist)
membranophone:
Mike Baird (drummer)
lead vocals:
Joe Cocker
recording of:
Now That the Magic Has Gone
lyricist and composer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
Joe Cocker24:41
97Let's Stay Together
engineer:
Walter Samuel (engineer) and Greg Walsh (producer and engineer)
producer:
Greg Walsh (producer and engineer) and Martyn Ware
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
cover recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Tina Turner33:39
98Never Can Say Goodbye
cover recording of:
Never Can Say Goodbye
lyricist and composer:
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. and Portable Music Co., Inc.
Gloria Gaynor4:00
99Bring It on Home to Me
producer:
Michael Bolton and David Foster (Canadian music producer, arranger and composer)
lead vocals:
Michael Bolton
arranger:
Michael Bolton and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
cover recording of:
Bring It On Home to Me
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
Michael Bolton4:27
100Killer / Papa Was a Rollin' Stone
producer:
George Michael
arranger:
George Michael
medley including a recording of:
Killer (in 1992)
lyricist:
Seal (English‐born singer and songwriter)
writer:
Seal (English‐born singer and songwriter) and Adam Paul Tinley
publisher:
EMI Virgin Music Publishing Germany GmbH & Co. KG (ended), Virgin Music (Publishers) Ltd. (ended), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing GmbH
cover recording of:
Killer / Papa Was a Rollin’ Stone (in 1992)
writer:
Seal (English‐born singer and songwriter), Barrett Strong, Adam Paul Tinley and Norman Whitfield
medley of:
Papa Was a Rollin’ Stone
medley of:
Killer
medley including a recording of:
Papa Was a Rollin’ Stone (in 1992)
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
George Michael4.254:15

Credits

Release

purchase for mail-order:OZON.ru [info]

Release group

part of:100 Hits (Russian series of mp3 CDs) (order: 20)