„Kannst du das Lied verstehn?“

~ Release by Catalina Bertucci, Georg Poplutz, Tatjana Dravenau (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Blumensprache
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
tenor vocals:
Georg Poplutz (tenor) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Blumensprache (from 2024-11-25 until 2024-11-27)
lyricist:
Moritz Leiffmann
composer:
Engelbert Humperdinck (German composer)
Engelbert Humperdinck0:37
2Der Blumenbrief, D. 622
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
tenor vocals:
Georg Poplutz (tenor) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Der Blumenbrief, D. 622 (from 2024-11-25 until 2024-11-27)
lyricist:
Aloys Wilhelm Schreiber
composer:
Franz Schubert (composer) (in 1818-08)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 622)
Franz Schubert1:58
3Die Blumensprache, D. 519, op. 173,5
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
soprano vocals:
Catalina Bertucci (soprano) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Die Blumensprache, D. 519 (from 2024-11-25 until 2024-11-27)
lyricist:
Anton Platner
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 519)
Franz Schubert2:05
4Blumensprache, op. 191: No. 5. Myrthe
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
tenor vocals:
Georg Poplutz (tenor) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Blumensprache, op. 191: No. 5. Myrthe (from 2024-11-25 until 2024-11-27)
lyricist:
Gustav Kastropp
composer:
Joachim Raff (composer) (in 1874)
part of:
Blumensprache, op. 191
Joachim Raff1:32
5Blumenlieder: Himmelschlüssel
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
soprano vocals:
Catalina Bertucci (soprano) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Blumenlieder: No. 2. Himmelschlüssel (from 2024-11-25 until 2024-11-27)
lyricist:
Irene Zoepf
composer:
Mathilde Kralik
part of:
Blumenlieder
Mathilde von Kralik1:19
6Heiteres Herbarium: Scharbockskraut
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
tenor vocals:
Georg Poplutz (tenor) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Heiteres Herbarium: Scharbockskraut (from 2024-11-25 until 2024-11-27)
lyricist:
Karl Heinrich Waggerl
composer:
Franz Salmhofer
part of:
Heiteres Herbarium
Franz Salmhofer1:05
7Mädchenblumen, op. 22: No. 3. Epheu
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
soprano vocals:
Catalina Bertucci (soprano) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Mädchenblumen, op. 22: Nr. 3. Epheu (from 2024-11-25 until 2024-11-27)
lyricist:
Felix Dahn
composer:
Richard Strauss (German composer) (in 1888)
part of:
Mädchenblumen, op. 22 (TrV 153)
Richard Strauss3:03
8Du bist wie eine Blume
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
tenor vocals:
Georg Poplutz (tenor) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Du bist wie eine Blume (from 2024-11-25 until 2024-11-27)
lyricist:
Heinrich Heine (German poet)
composer:
Benedict Randhartinger
Benedict Randhartinger1:59
96 Lieder, op. 1: No. 3. Warum sind denn die Rosen so blass?
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
soprano vocals:
Catalina Bertucci (soprano) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
6 Lieder, op. 1: No. 3. Warum sind denn die Rosen so blaß (from 2024-11-25 until 2024-11-27)
lyricist:
Heinrich Heine (German poet)
composer:
Fanny Mendelssohn (German composer, a.k.a. Fanny Hensel) (in 1837)
part of:
Fanny Hensel geb. Mendelssohn Bartholdy: thematisches Verzeichnis der Kompositionen (number: H-U 312)
part of:
6 Lieder, op. 1
Fanny Hensel1:51
106 Gedichten von N. Lenau und Requiem, op. 90: No. 2. Meine Rose
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
tenor vocals:
Georg Poplutz (tenor) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Sechs Gedichte von Nikolaus Lenau und Requiem, op. 90: II. Meine Rose (from 2024-11-25 until 2024-11-27)
lyricist:
Nikolaus Lenau
composer:
Robert Schumann (German classical composer)
part of:
Sechs Gedichte von Nikolaus Lenau und Requiem, op. 90
Robert Schumann3:03
113 Lieder, op. 25: No. 2. Heidenröslein
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
tenor vocals:
Georg Poplutz (tenor) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Heidenröslein, op. 25 no. 2 (from 2024-11-25 until 2024-11-27)
lyricist:
Johann Wolfgang von Goethe
composer:
Ingeborg Bronsart von Schellendorf
part of:
3 Lieder, op. 25
Ingeborg von Bronsart2:21
123 Lieder, op. 39: No. 3. Der Rose Bitte
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
soprano vocals:
Catalina Bertucci (soprano) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Der Rose Bitte, op. 39 no. 3 (from 2024-11-25 until 2024-11-27)
lyricist:
Rudolf Gernss
composer:
Luise Adolpha Le Beau
part of:
Drei Lieder, op. 39
Luise Adolpha Le Beau1:37
136 Lieder, op. 48: No. 5. Zur Rosenzeit
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
tenor vocals:
Georg Poplutz (tenor) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Sechs Lieder, op. 48: No. 5. Zur Rosenzeit (from 2024-11-25 until 2024-11-27)
lyricist:
Johann Wolfgang von Goethe
composer:
Edvard Grieg (composer)
part of:
Sechs Lieder, op. 48
Edvard Grieg2:26
14Mörike-Lieder: No. 14. Agnes
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
soprano vocals:
Catalina Bertucci (soprano) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Mörike-Lieder: No. 14. Agnes "Rosenzeit, wie schnell vorbei" (from 2024-11-25 until 2024-11-27)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:23
157 Lieder, op. 104: No. 6. Die letzten Blumen starben
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
soprano vocals:
Catalina Bertucci (soprano) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
7 Lieder, op. 104: No. 6. Die letzten Blumen starben (from 2024-11-25 until 2024-11-27)
lyricist:
Elisaveta Kulman (poet)
composer:
Robert Schumann (German classical composer)
part of:
7 Lieder, op. 104
Robert Schumann1:53
16Wildunger Liederzyklus, Band 1: No. 1. Eine rote Rose
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
soprano vocals:
Catalina Bertucci (soprano) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Wildunger Liederzyklus, Band 1: No. 1. Eine rote Rose (from 2024-11-25 until 2024-11-27)
lyricist:
Ingrid Olbricht
composer:
Ruth Schönthal (German-American composer)
Ruth Schönthal2:04
17Der Heinesche Liederkreis, op. 9, Heft 1: No. 1. Die Lotosblume
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
tenor vocals:
Georg Poplutz (tenor) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Die Lotosblume ängstigt sich, op. 9. Heft 1, no. 1 (from 2024-11-25 until 2024-11-27)
lyricist:
Heinrich Heine (German poet)
composer:
Carl Loewe (composer)
part of:
Der Heinesche Liederkreis
part of:
Gesammelte Lieder, Gesänge, Romanzen und Balladen, op. 9: Heft 1: Nachtgesänge
Carl Loewe2:23
18Die schlanke Wasserlilie
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
soprano vocals:
Catalina Bertucci (soprano) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Die schlanke Wasserlilie (from 2024-11-25 until 2024-11-27)
lyricist:
Heinrich Heine (German poet)
composer:
Carl Loewe (composer)
Carl Loewe2:11
19Die stille Wasserrose
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
tenor vocals:
Georg Poplutz (tenor) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Die stille Wasserrose, S. 321 (from 2024-11-25 until 2024-11-27)
lyricist:
Franz Emanuel August Geibel (poet)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1860)
part of:
The Music of Liszt (number: S. 321)
Franz Liszt3:30
20Mädchenblumen, op. 22: No. 4. Wasserrose
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
soprano vocals:
Catalina Bertucci (soprano) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Mädchenblumen, op. 22: Nr. 4. Wasserrose (from 2024-11-25 until 2024-11-27)
lyricist:
Felix Dahn
composer:
Richard Strauss (German composer) (in 1888)
part of:
Mädchenblumen, op. 22 (TrV 153)
Richard Strauss3:28
216 Songs, op. 48: No. 4. Die verschwiegene Nachtigall
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
soprano vocals:
Catalina Bertucci (soprano) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Sechs Lieder, op. 48: No. 4. Die verschwiegene Nachtigall (from 2024-11-25 until 2024-11-27)
lyricist:
Walther von der Vogelweide
composer:
Edvard Grieg (composer)
part of:
Sechs Lieder, op. 48
Edvard Grieg3:23
22Das stille Leuchten, op. 60: No. 24. Schwarzschattende Kastanie
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
soprano vocals:
Catalina Bertucci (soprano) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Das stille Leuchten, op. 60: Berg und See: No. 24. Schwarzschattende Kastanie (from 2024-11-25 until 2024-11-27)
lyricist:
Conrad Ferdinand Meyer (Swiss poet)
composer:
Othmar Schoeck (Swiss composer) (in 1946)
part of:
Das stille Leuchten, op. 60
Othmar Schoeck1:55
23Zwei Lieder, op. 14: No. 2. Der Kirschbaum
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
soprano vocals:
Catalina Bertucci (soprano) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Der Kirschbaum, op. 14 no. 2 (from 2024-11-25 until 2024-11-27)
lyricist:
Ki no Tomonori
composer:
Evelyn Faltis
part of:
Zwei Lieder, op. 14
Evelyn Faltis3:12
24Lieder und Gesänge, 2. Folge: No. 17. Ein Fichtenbaum steht einsam
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
tenor vocals:
Georg Poplutz (tenor) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Ein Fichtenbaum steht einsam (from 2024-11-25 until 2024-11-27)
lyricist:
Heinrich Heine (German poet)
composer:
Joseph Marx
Joseph Marx2:24
25Sechs Deutsche Lieder, op. 40: No. 5. Ach wüssten’s die Blumen
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
soprano vocals:
Catalina Bertucci (soprano) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Ach wüssten’s die Blumen, op. 40 no. 5 (from 2024-11-25 until 2024-11-27)
lyricist:
Heinrich Heine (German poet)
composer:
Josephine Lang (19th century composer)
part of:
Sechs Deutsche Lieder, op. 40
Josephine Lang2:26
26Lieder und Gesänge, Heft 3, op. 77: No. 2. Mein Garten
engineer, producer and editor:
Michael Silberhorn (engineer)
piano:
Tatjana Dravenau (from 2024-11-25 until 2024-11-27)
tenor vocals:
Georg Poplutz (tenor) (from 2024-11-25 until 2024-11-27)
recorded at:
Alfried Krupp Saal (Philharmonie Essen) in Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2024-11-25 until 2024-11-27)
recording of:
Lieder und Gesänge, op. 77: Nr. 2. Mein Garten (from 2024-11-25 until 2024-11-27)
lyricist:
August Heinrich Hoffmann von Fallersleben (poet and composer)
composer:
Robert Schumann (German classical composer)
part of:
Lieder und Gesänge, op. 77
Robert Schumann1:58