Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Too Lost in You
registrazione di:
Too Lost in You
paroliere e compositore:
Diane Warren (US songwriter)
Sugababes3.53:34
2Signed, Sealed, Delivered
direttore d'orchestra:
Simon Hale
esecutore:
Stevie Wonder
registrazione di:
Signed, Sealed, Delivered I’m Yours
autore:
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) e Stevie Wonder
editore:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Blue feat. Stevie Wonder33:33
3Sacrifice
assistente tecnico di registrazione:
Karl Lever
tecnico di registrazione e tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
batteria :
Jonathan Moffett
chitarra basso :
Romeo Williams
tastiera :
Guy Babylon, Elton John (English singer, songwriter, pianist, and composer) e Fred Mandel
voce di accompagnamento:
Davey Johnstone
voce principale:
Elton John (English singer, songwriter, pianist, and composer)
diritti fonografici (℗) detenuti da:
Happenstance Ltd. (record and publishing company) (nel 1989)
registrata presso:
Puk Recording Studios in Gjerlev, Central Denmark Region, Danimarca
registrazione di:
Sacrifice
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd. (publisher), Rocket Music Ltd. (publisher) e Universal–Songs of PolyGram International, Inc.
Elton John2.95:04
4Addicted
registrazione di:
Addicted
Enrique Iglesias4:12
5You Make Me Feel Brand New
registrazione di:
You Make Me Feel Brand New
autore:
Thom Bell (keyboards, songwriter, producer) e Linda Creed
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Simply Red4:19
6The Closest Thing to Crazy
tecnico:
Steve Sale
produttore:
Mike Batt
voce principale:
Katie Melua
arrangiatore:
Mike Batt
diritti fonografici (℗) detenuti da:
Dramatico Entertainment Ltd. (not release label) (nel 2003) e BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 2023)
registrazione di:
The Closest Thing to Crazy
paroliere e compositore:
Mike Batt
editore:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) e Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:12
7Dilemma
produttore:
BAM e Ryan Bowser
voce ospite:
Kelly Rowland
voce principale:
Nelly (US rapper) e Kelly Rowland
esecutore:
Kelly Rowland
è stato produttore per:
Suga Shack Entertainment
campionamenti:
Love, Need and Want You di Patti LaBelle
registrazione di:
Dilemma
paroliere:
Kenneth Gamble (songwriter for Philadelphia International), Nelly (US rapper) e Bunny Sigler
compositore:
BAM e Ryan Bowser
editore:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (conclusa), Jackie Frost Music (conclusa), Phat Nasty (conclusa), Suga Shack (conclusa), EMI April Music Inc., Hipgnosis SFH I Limited, Kobalt Songs Music Publishing (USA, ASCAP affiliated), Shack Suga Entertainment, Universal Music–MGB Songs e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
si basa su:
Love, Need and Want You
Nelly feat. Kelly3.353:56
8Tired of Being Alone
registrata presso:
Royal Studios in Memphis, Tennessee, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 293)
registrazione di:
Tired of Being Alone
paroliere e compositore:
Al Green (US soul singer, songwriter, pastor and record producer)
editore:
Burlington Music Ltd., Irving Music, Inc. e Universal Music Publishing Group
Al Green4.452:49
9You’re Still the One
registrazione di:
You’re Still the One
autore:
Eilleen Shania Lange e Robert John Lange
editore:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. e PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3:33
10Too Much Heaven
assistente tecnico:
John Blanche e Dennis Hetzendorfer
tecnico:
Karl Richardson
produttore:
Bee Gees, Albhy Galuten e Karl Richardson
corno :
Boneroo Horns (dal 1978-03 al 1978-11), Neal Bonsanti (dal 1978-03 al 1978-11), Ken Faulk (trumpet player) (dal 1978-03 al 1978-11), Peter Graves (trombonist) (dal 1978-03 al 1978-11), Bill Purse (songwriter, keyboard player, producer and horn chart arranger) (dal 1978-03 al 1978-11), Whit Sidener (dal 1978-03 al 1978-11) e Stan Webb (US jazz saxophone, flute) (dal 1978-03 al 1978-11)
direttore d'orchestra:
Albhy Galuten
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1978, nel 1979), Maurice Gibb (nel 1978), Robin Gibb (nel 1978) e Yvonne Gibb (nel 1979)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1978), PolyGram International Music B.V. (not for release label use!) (nel 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978), RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978) e The Estate of Robin Gibb (nel 1979)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (dal 1978-03 al 1978-11)
registrazione di:
Too Much Heaven (dal 1978-03 al 1978-11)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell Music Ltd., Gibb Brothers Music, Music For Unicef, RSO Publishing Inc., Unichappell Music, Inc., Warner Chappell (Warner/Chappell Music, Inc.) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bee Gees3.74:56
11Maybe That’s What It TakesAlex Parks2.353:53
12The Look of Love
registrazione cover di:
The Look of Love (il 1967-01-29)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
registrazione di:
The Look of Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
Dusty Springfield53:32
13Love and Affection
registrazione di:
Love and Affection
paroliere e compositore:
Joan Armatrading
editore:
Irving Music (BMI)
Joan Armatrading4:20
14Always
edit di:
Always di Atlantic Starr
registrazione di:
Always
autore:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
Atlantic Starr33:59
15Tracks of My Tears
produttore:
Bill “Smokey” Robinson
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 50) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 54)
registrazione di:
The Tracks of My Tears (il 1965-05-19)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
registrazione di:
The Tracks of My Tears (il 1971-05-06)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
Smokey Robinson & The Miracles4.253:01
16The Crying Game
esecutore:
Dave Berry
registrazione cover di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
registrazione di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Dave Berry32:41
17Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E King4.652:58
18Reach Out I’ll Be There
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (nel 1966)
voce di accompagnamento:
The Andantes (nel 1966), Marlene Barrow (nel 1966), Renaldo Benson (nel 1966), Louvain Demps (nel 1966), Abdul “Duke” Fakir (nel 1966), Jackie Hicks (nel 1966) e Lawrence Payton (nel 1966)
voce principale:
Levi Stubbs (nel 1966)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 78) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 206)
registrazione di:
Reach Out, I’ll Be There (nel 1966)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops42:59
19I Get the Sweetest Feeling
diritti fonografici (℗) detenuti da:
Brunswick Recordings (nel 1968)
registrazione di:
I Get the Sweetest Feeling (nel 1968)
autore:
Alicia Evelyn (songwriter and performer) e Van McCoy
editore:
Alley Music, TM Music Ltd., Trio Music (publisher) e Van McCoy Music
Jackie Wilson4.52:54
20Hang on in There Baby
registrazione di:
Hang on in There Baby
paroliere e compositore:
Johnny W. Bristol
editore:
Bushka Music (publishing) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Johnny Bristol3:22
2CD

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