Apollo 13

~ Pubblicazione di James Horner (visualizza tutte le versioni di questa pubblicazione: 12 disponibili)

Annotazione

Identifying This Release

  • The back cover of the jewel case has the notice “Made in the EC”.
  • The medium has the notice “MADE IN THE EC”.

Codes, Numbers, Etc.

Unless otherwise noticed, the following may help to identify this release, however other (not yet listed) sets of that data may match this release as well and should be a

Set 1

Added by calestyo.

Medium 1

Matrix Number: SONOPRESS K-9400/ MCD11241 A
Master SID Code: IFPI L024
Mould SID Code: IFPI 0745
Stamper: none
Other Inscriptions Near The Hub: none
Rights Society (As Printed On The Medium): BIEM/GEMA
Label Code (As Printed On The Medium): LC 1056

Annotazione modificata l'ultima volta il 2016-02-03 03:16 UTC.

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Main Title
assistente tecnico:
Andy Bass, Dave Marquette e Jay Selvester
produttore:
James Horner (American score composer)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente editor:
Kristen Johnson (editor)
editor:
Tom Drescher (US film music editor)
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
Steve Bramson (soundtrack composer) e James Horner (American score composer)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Main Title (Apollo 13)
compositore:
James Horner (American score composer)
parte di:
Apollo 13
James Horner2:30
2One Small Step
voce parlata:
Neil Armstrong (astronaut) e Walter Cronkite
[dialogue]0:43
3Night Train
registrazione cover di:
Night Train (James Brown lyrics version)
paroliere:
James Brown (The Godfather of Soul)
compositore:
Jimmy Forrest
versione di:
Night Train (Jimmy Forrest’s original instrumental version)
James Brown3:27
4Groovin’
produttore:
The Rascals (US soul & rock group, formerly known as The Young Rascals)
voce di accompagnamento:
David Brigati
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Groovin’
autore:
Eddie Brigati e Felix Cavaliere (American singer, songwriter, record producer, and musician)
editore:
Slacsar
The Young Rascals2:26
5Somebody to Love
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce:
Marty Balin (dal 1966-10-31 al 1966-11-22) e Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967) e RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 274)
registrazione di:
Somebody to Love (Jefferson Airplane song) (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.552:55
6I Can See for Miles
produttore:
Kit Lambert
produttore esecutivo:
Chris Stamp
batteria e percussione :
Keith Moon (drummer)
chitarra :
Pete Townshend (of The Who)
chitarra basso :
John Entwistle
voce principale:
Roger Daltrey
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1967)
registrata presso:
CBS Studios (London, 1967 - 1972) in London (Greater London), England, Regno Unito (dal 1967-05-28 al 1967-05-29), Talent Masters Studios in New York, New York, Stati Uniti (nel 1967-07) e Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1967-09)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 258)
registrazione di:
I Can See for Miles (dal 1967-05-28 al 1967-05-29)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) e TRO-Essex Music, Inc.
registrazione di:
I Can See for Miles (nel 1967-07)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) e TRO-Essex Music, Inc.
registrazione di:
I Can See for Miles (nel 1967-09)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) e TRO-Essex Music, Inc.
The Who4.454:10
7Purple Haze
tecnico:
Dave Siddle (De Lane Lea) (engineer) (il 1967-01-11) e Eddie Kramer (Olympic) (engineer) (il 1967-02-03)
produttore:
Chas Chandler
basso elettrico e voce di accompagnamento:
Noel Redding (dal 1967-01-11 al 1967-02-03)
batteria :
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (dal 1967-01-11 al 1967-02-03)
chitarra elettrica e voce principale:
Jimi Hendrix (dal 1967-01-11 al 1967-02-03)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1968) e Experience Hendrix, L.L.C. (nel 2010)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1967-01-11) e Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (il 1967-02-03, dal 1967-02-03 al 1967-02-08)
prodotta presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (il 1967-01-11)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 17) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 250)
registrazione di:
Purple Haze (dal 1967-01-11 al 1967-02-03)
paroliere e compositore:
Jimi Hendrix
editore:
Bella Godiva Music, Chappell Music (UK), Chappell Musikverlag GmbH, Experience Hendrix, L.L.C., Interworld Music Ltd., Sea-Lark Enterprises, Inc. e Yameta Co. Ltd.
cita la musica di:
The Ballad of Jimi Hendrix
Jimi Hendrix4.22:46
8Launch Control
voce parlata:
Ed Harris (American actor)
[dialogue]0:31
9All Systems Go - The Launch
assistente tecnico:
Andy Bass, Dave Marquette e Jay Selvester
produttore:
James Horner (American score composer)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente editor:
Kristen Johnson (editor)
editor:
Tom Drescher (US film music editor)
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
Steve Bramson (soundtrack composer) e James Horner (American score composer)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
All Systems Go - The Launch (Apollo 13)
compositore:
James Horner (American score composer)
parte di:
Apollo 13
James Horner10:04
10Welcome to Apollo 13
voce parlata:
Tom Hanks
[dialogue]0:26
11Spirit in the Sky
registrazione di:
Spirit in the Sky
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Norman Greenbaum3:51
12House Cleaning / Houston, We Have a Problem
voce parlata:
Kevin Bacon (actor, member of Bacon Brothers), Brett Cullen, Tom Hanks e Gary Sinise
[dialogue]0:54
13Master Alarm
assistente tecnico:
Andy Bass, Dave Marquette e Jay Selvester
produttore:
James Horner (American score composer)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente editor:
Kristen Johnson (editor)
editor:
Tom Drescher (US film music editor)
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
Steve Bramson (soundtrack composer) e James Horner (American score composer)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Master Alarm
compositore:
James Horner (American score composer)
James Horner3:36
14What’s Going On?
voce parlata:
Tom Hanks e Gary Sinise
[dialogue]0:51
15Into the LEM
assistente tecnico:
Andy Bass, Dave Marquette e Jay Selvester
produttore:
James Horner (American score composer)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente editor:
Kristen Johnson (editor)
editor:
Tom Drescher (US film music editor)
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
Steve Bramson (soundtrack composer) e James Horner (American score composer)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
James Horner4:18
16Out of Time / Shut Her Down
voce parlata:
Kevin Bacon (actor, member of Bacon Brothers), Brett Cullen, Tom Hanks e Ed Harris (American actor)
[dialogue]0:34
17The Darkside of the Moon
assistente tecnico:
Andy Bass, Dave Marquette e Jay Selvester
produttore:
James Horner (American score composer)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente editor:
Kristen Johnson (editor)
editor:
Tom Drescher (US film music editor)
voce:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
Steve Bramson (soundtrack composer) e James Horner (American score composer)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
The Darkside of the Moon (Apollo 13)
compositore:
James Horner (American score composer)
parte di:
Apollo 13
James Horner4:49
18Failure Is Not an Option
voce parlata:
Ed Harris (American actor)
[dialogue]0:23
19Honky Tonkin’
registrazione di:
Honky Tonkin’
paroliere e compositore:
Hank Williams (country music legend)
editore:
Acuff-Rose Publications, Inc. (BMI) (il 1948-11-16)
Hank Williams2:42
20Blue Moon
tecnico:
Greg Droman (American producer, mixing and audio engineer)
produttore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
basso :
Robert Reynolds (US bassist, member of The Mavericks)
chitarra acustica :
Billy Joe Walker, Jr.
chitarra elettrica :
Nick Kane (US guitarist and producer)
membranofono :
Paul Deakin (drummer for The Mavericks)
organo :
Jerry Dale McFadden
voce:
Raul Malo (The Mavericks lead singer, country music)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
The Mavericks4:01
21Waiting for Disaster / A Privilege
voce parlata:
Tom Hanks, Ed Harris (American actor) e Gary Sinise
[dialogue]0:30
22Re-Entry & Splashdown
assistente tecnico:
Andy Bass, Dave Marquette e Jay Selvester
produttore:
James Horner (American score composer)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente editor:
Kristen Johnson (editor)
editor:
Tom Drescher (US film music editor)
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
Steve Bramson (soundtrack composer) e James Horner (American score composer)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Re-Entry & Splashdown (Apollo 13)
compositore:
James Horner (American score composer)
parte di:
Apollo 13
James Horner8:52
23End Titles
assistente tecnico:
Andy Bass, Dave Marquette e Jay Selvester
produttore:
James Horner (American score composer)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente editor:
Kristen Johnson (editor)
editor:
Tom Drescher (US film music editor)
voce:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
Steve Bramson (soundtrack composer) e James Horner (American score composer)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
End Titles (Apollo 13)
compositore:
James Horner (American score composer)
parte di:
Apollo 13
James Horner3.56:59