Dear Old Southland

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Blue, Turning Grey Over You
recorded in:
New York, New York, Vereinigte Staaten (am 1930-02-01)
Gitarre:
Will Johnson (jazz musician) (am 1930-02-01)
Klarinette:
Teddy Hill (am 1930-02-01), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1930-02-01) und William Thornton Blue (American jazz reed player) (am 1930-02-01)
Klavier:
Luis Russell (am 1930-02-01)
Kontrabass:
George "Pops" Foster (am 1930-02-01)
Posaune:
J.C. Higginbotham (am 1930-02-01)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1930-02-01)
Trompete:
Henry “Red” Allen (jazz musician) (am 1930-02-01), Louis Armstrong (am 1930-02-01) und Otis Johnson (trumpet) (am 1930-02-01)
vocals:
Louis Armstrong (am 1930-02-01)
recording of:
Blue, Turning Grey Over You (am 1930-02-01)
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
3:26
2Dear Old Southland
recording of:
Dear Old Southland (jazz standard)
Texter:
Henry Creamer (Lyricist) (in 1921)
Komponist(in):
Turner Layton (in 1921)
publisher:
Mills Music
3:17
3My Sweet
recorded in:
New York, New York, Vereinigte Staaten (am 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-04-05) und Ted McCord (am 1930-04-05)
Gitarre:
Bernard Addison (am 1930-04-05)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-04-05) und Buck Washington (am 1930-04-05)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-04-05)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-04-05)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-04-05)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-04-05) und Louis Armstrong (am 1930-04-05)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-04-05)
Vibraphon:
Unknown, probably Joe Turner ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-04-05)
vocals:
Louis Armstrong (am 1930-04-05)
recording of:
My Sweet (am 1930-04-05)
Texter:
Stuart Gorrell
Komponist(in):
Hoagy Carmichael
3:21
4I Can't Believe That You're In Love With Me
cover recording of:
I Can’t Believe That You’re in Love With Me
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:08
5Indian Cradle Song
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
2:58
6Exactly Like You
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
Vibraphon:
Unknown, probably Joe Turner ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
recording of:
Exactly Like You (am 1930-05-04)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1930)
Verfasser(in):
Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
3:26
7Dinah
recording of:
Dinah
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
3:20
8Tiger Rag
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
recording of:
Tiger Rag (original 1917 instrumental version) (am 1930-05-04)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
3:13
9I'm A Ding Dong Daddy (From Dumas)
recording of:
I'm a Ding Dong Daddy (am 1930-07-21)
Verfasser(in):
Phil Baxter (US songwriter, singer and band leader)
3:10
10I'm In The Market For You
3:16
11Confessin'
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-08-19)
alto saxophone:
Leon Herriford (am 1930-08-19) und Willie Stark (am 1930-08-19)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-08-19)
Posaune:
Lawrence Brown (jazz trombonist) (am 1930-08-19)
Schlagzeug:
Lionel Hampton (am 1930-08-19)
Steel-Gitarre:
Ceele Burke (am 1930-08-19)
Tenorsaxophon:
William Franz (am 1930-08-19)
Trompete:
Louis Armstrong (am 1930-08-19) und Leon Elkins (am 1930-08-19)
Tuba:
Reggie Jones (am 1930-08-19)
recording of:
I’m Confessin’ (That I Love You) (am 1930-08-19)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
3:24
12If I Could Be With You One Hour Tonight
recording of:
If I Could Be With You (One Hour Tonight)
Texter:
Henry Creamer (Lyricist) (in 1926)
Komponist(in):
James P. Johnson (in 1926)
3:38
13Body And Soul
recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:18
14Memories Of You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Les Hite (am 1930-10-16) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
Memories of You (am 1930-10-16)
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:13
15You're Lucky To Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
baritone saxophone:
Les Hite (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
You’re Lucky to Me (am 1930-10-16)
Texter:
Andy Razaf
Komponist(in):
Eubie Blake
3:26
16Sweethearts On Parade
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Klavier:
Henry Prince (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
Sweethearts on Parade (am 1930-12-23)
Texter:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
Komponist(in):
Carmen Lombardo (in 1928)
3:17
17You're Drivin' Me Crazy!
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Banjo:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Klavier:
Henry Prince (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug und Sprecher:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
You’re Driving Me Crazy (am 1930-12-23)
Texter:
Walter Donaldson
Komponist(in):
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
3:08
18The Peanut Vendor
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Perkussion:
Henry Prince (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
The Peanut Vendor (am 1930-12-23)
Texter:
L. Wolfe Gilbert und Marion Sunshine
Komponist(in):
Moisés Simons
übersetzte Version von:
El manisero
3:32
19Just A Gigolo
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1931-03-09)
Celesta [celeste] und Klavier:
Henry Prince (am 1931-03-09)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1931-03-09)
Klarinette:
Les Hite (am 1931-03-09) und Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Kontrabass und Tuba:
Joe Bailey (US double bassist and songwriter) (am 1931-03-09)
Posaune:
Luther Craven (am 1931-03-09)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1931-03-09)
Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Trompete:
Louis Armstrong (am 1931-03-09), McClure Morris (am 1931-03-09) und Harold Scott (am 1931-03-09)
vocals:
Louis Armstrong (am 1931-03-09)
conductor:
Les Hite (am 1931-03-09)
recording of:
Just a Gigolo (English version) (am 1931-03-09)
Texter:
Julius Brammer
Komponist(in):
Leonello Casucci
Übersetzer:
Irving Caesar
übersetzte Version von:
Schöner Gigolo
3:21
20Shine
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1931-03-09)
alto saxophone [alto sax]:
Les Hite (am 1931-03-09) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1931-03-09)
Banjo:
Bill Perkins (jazz guitar and banjo) (am 1931-03-09)
Klarinette und Tenorsaxophon [tenor sax]:
Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Klavier:
Henry Prince (am 1931-03-09)
Kontrabass [bass] und Tuba:
Joe Bailey (US double bassist and songwriter) (am 1931-03-09)
Posaune:
Luther Craven (am 1931-03-09)
Schlagzeug:
Lionel Hampton (am 1931-03-09)
Trompete:
Louis Armstrong (am 1931-03-09), McLure "Red Mac" Morris (am 1931-03-09) und Harold Scott (am 1931-03-09)
vocals:
Louis Armstrong (am 1931-03-09)
recording of:
Shine (am 1931-03-09)
Texter:
Lew Brown (in 1910) und Cecil Mack (in 1910)
Komponist(in):
Ford Dabney (in 1910)
3:23