Nostalgie: Classics Top 2018

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
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5CD
#TitleArtistRatingLength
1Private Dancer
producer:
Carter
solo guitar:
Jeff Beck (English rock guitarist)
lead vocals:
Tina Turner
remixer:
Humberto Gatica
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
lyricist and composer:
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) and Universal Music Publishing, Synch Division
Tina Turner3.54:00
2Hello
producer:
James Anthony Carmichael and Lionel Richie
performer:
Ocobamba
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
lyricist and composer:
Lionel Richie
additional writer:
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:07
3You’re the One That I Want
engineer and mixer:
David J. Holman
producer:
John Farrar
electric bass guitar:
David Hungate
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
Robert Stigwood Organisation Ltd. (in 1978) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
karaoke version of:
You’re the One That I Want (sing‐a‐long version) by John Farrar
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 13) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 250)
recording of:
You’re the One That I Want (Grease, 1978 film)
lyricist and composer:
John Farrar
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Sony/ATV Melody, Unichappell Music, Inc., Ensign Music, Inc. (publisher) (in 1978), John Farrar Music (in 1978), Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
Grease (1978 film)
John Travolta & Olivia Newton‐John42:47
4Fame
recording of:
Fame
lyricist:
Dean Pitchford
composer:
Michael Gore (composer)
publisher:
EMI Affiliated Catalog Inc.
part of:
The 53rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1980 winner)
Irene Cara53:47
5Don’t You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:56
6When the Lady Smiles
recording of:
When the Lady Smiles
lyricist:
Barry Hay
composer:
George Kooymans
Golden Earring5:38
7Blauw
recording of:
Blauw
lyricist and composer:
M.J. Lau
publisher:
Peermusic Holland B.V., Tenyor Music and Warner Basart Publ. Group
The Scene4:34
8It’s All Coming Back to Me Now
cover recording of:
It’s All Coming Back to Me Now
lyricist and composer:
Jim Steinman
publisher:
Lost Boys Music (BMI affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Céline Dion5:19
9I Don’t Like MondaysThe Boomtown Rats3:46
10Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:01
11Karma Chameleon
engineer:
Simon Frith, Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest harmonica:
Judd Lander (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2002, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club44:12
12Upside Down
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980) and Motown Records (not for label use; use “Motown” instead) (in 1980)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 89)
recording of:
Upside Down
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC and Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:04
13I Got You (I Feel Good)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good))
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown2:46
14Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin3.92:23
15I’m Outta Love
programming:
Louis Biancaniello (in 2000)
producer:
Louis Biancaniello and Sam Watters
mixer:
Louis Biancaniello and David Frazier (engineer)
drums (drum set) [drums]:
Louis Biancaniello (in 2000) and Sam Watters (in 2000)
guitar [guitars]:
Vernon Black (in 2000)
keyboard [all keyboards]:
Louis Biancaniello (in 2000)
background vocals:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) (in 2000) and Sam Watters (in 2000)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999, in 2000) and Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2000)
produced for:
Breakthrough Entertainment
recorded at:
Homesite 13 in Novato, California, United States (in 2000)
mixed at:
Homesite 13 in Novato, California, United States
music videos:
I’m Outta Love by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
a cappella versions:
I'm Outta Love (a cappella) by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
instrumental versions:
I'm Outta Love (instrumental) by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
I’m Outta Love (in 2000)
lyricist:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello and Sam Watters
composer:
Louis Biancaniello and Sam Watters
publisher:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3.84:03
16You Ain’t Seen Nothing Yet
engineer:
Mark Smith (Canadian engineer)
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. and Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:37
17Love of the Common People
producer:
Laurie Latham
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987) and Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Love of the Common People
lyricist and composer:
John Hurley and Ronnie Wilkins
publisher:
Kassner Associated Publishers, Sony/ATV Music Publishing Ltd., Tideland Music Publishing Corporation, Tree Pub. Co. Inc., TRO Essex Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) (in 1983) and Westminster Music Ltd. (in 1983)
Paul Young33:37
18Kronenburg Park (Ga die wereld uit)
recording of:
Kronenburg Park
lyricist and composer:
Frank Boeijen (Dutch singer, founder of Frank Boeijen Groep)
Frank Boeijen Groep4:02
19I Want to Know What Love Is
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner4:56
20I Will Always Love You
engineer:
David Reitzas, Bill Schnee and Peter Yianilos
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Whitney Houston
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
David Reitzas
creative direction:
Rickey Minor (bass player, music director, composer, music producer)
solo saxophone:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
part of:
The Co-Op: Top 10 British Funeral Songs (number: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 60), New York Post: 100 Greatest Covers (2007) (number: 59), Billboard: Greatest of All Time Hot 100 Songs (number: 60) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 94)
cover recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. and Velvet Apple Music
Whitney Houston4.54:29