Geistliche Kantaten

~ Release by J.S. Bach, Thomanerchor Leipzig, Gewandhausorchester Leipzig, Neues Bachisches Collegium Musicum Leipzig, Hans-Joachim Rotzsch (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Magnificat D-Dur, BWV 243: Chorus: Magnificat
choir vocals:
Thomanerchor Leipzig
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1978-11 until 1978-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach?:??
2Magnificat D-Dur, BWV 243: Aria (S): Et exultavit spiritus meus
vocals:
Mitsuko Shirai (mezzo-soprano)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1978-11 until 1978-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach?:??
3Magnificat D-Dur, BWV 243: Aria (S): Quia respexit humilitatem
vocals:
Mitsuko Shirai (mezzo-soprano)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (from 1978-11 until 1978-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach?:??
4Magnificat D-Dur, BWV 243: Chorus: Omnes generationes
choir vocals:
Thomanerchor Leipzig
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (from 1978-11 until 1978-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach?:??
5Magnificat D-Dur, BWV 243: Aria (B): Quia fecit mihi magna
bass vocals:
Hermann Christian Polster (operatic bass)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (from 1978-11 until 1978-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach?:??
6Magnificat D-Dur, BWV 243: Duet (A, T): Et misericordia eius
alto vocals:
Doris Soffel (mezzo soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (from 1978-11 until 1978-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach?:??
7Magnificat D-Dur, BWV 243: Chorus: Fecit potentiam
choir vocals:
Thomanerchor Leipzig
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (from 1978-11 until 1978-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach?:??
8Magnificat D-Dur, BWV 243: Aria (T): Deposuit potentes
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (from 1978-11 until 1978-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach?:??
9Magnificat D-Dur, BWV 243: Aria (A): Esurientes implevit bonis
alto vocals:
Doris Soffel (mezzo soprano)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" (catch-all for arrangements) (from 1978-11 until 1978-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Andreas N. Tarkmann (German composer)
arrangement of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
Johann Sebastian Bach?:??
10Magnificat D-Dur, BWV 243: Terzett (S I & Ii, A): Suscepit Israel puerum suum
choir vocals:
Thomanerchor Leipzig
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (from 1978-11 until 1978-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach?:??
11Magnificat D-Dur, BWV 243: Chorus: Sicut locutus est
choir vocals:
Thomanerchor Leipzig
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (from 1978-11 until 1978-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach?:??
12Magnificat D-Dur, BWV 243: Chorus: Gloria patri / Sicut erat in principio
choir vocals:
Thomanerchor Leipzig
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (from 1978-11 until 1978-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach?:??
13Meine Seel erhebt den Herren, BWV 10: Chorus: Meine Seel erhebt den Herren
choir vocals:
Thomanerchor Leipzig
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (from 1978-11 until 1978-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach?:??
14Meine Seel erhebt den Herren, BWV 10: Aria (S): Herr, der du stark und mächtig bist
vocals:
Mitsuko Shirai (mezzo-soprano)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (from 1978-11 until 1978-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach?:??
15Meine Seel erhebt den Herren, BWV 10: Recitativo (T): Des Höchsten Güt und Treu
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (from 1978-11 until 1978-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach?:??
16Meine Seel erhebt den Herren, BWV 10: Aria (B): Gewaltige stößt Gott vom Stuhl
bass vocals:
Hermann Christian Polster (operatic bass)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (from 1978-11 until 1978-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach?:??
17Meine Seel erhebt den Herren, BWV 10: Duett (A, T): Er denket der Barmherzigkeit
alto vocals:
Doris Soffel (mezzo soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (from 1978-11 until 1978-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach?:??
18Meine Seel erhebt den Herren, BWV 10: Recitativo (T): Was Gott den Vätern alter Zeiten
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (from 1978-11 until 1978-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach?:??
19Meine Seel erhebt den Herren, BWV 10: Chorale: Lob und Preis sei Gott
choir vocals:
Thomanerchor Leipzig
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (from 1978-11 until 1978-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach?:??
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