Cantatas

~ Veröffentlichung von Johann Sebastian Bach; Karl Richter, Münchener Bach‐Orchester (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Advent un Weihnachten
2▶CD: Advent un Weihnachten
3▶CD: Advent un Weihnachten
4▶CD: Advent un Weihnachten
5▼CD: Ostern
Nr.TitelKünstlerBewertungLänge
1Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": I. Coro "Ich hab in Gottes Herz und Sinn"
recording engineer:
Klaus Scheibe (editor/engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1974-01)
Fagott:
Karl Kolbinger (bassoonist) (in 1974-01)
Kontrabass:
Herbert Duft (double bass player) (in 1974-01)
Oboe d’amore und Oboe d’amore [oboe d'amore II]:
Robert Eliscu (in 1974-01)
Oboe d’amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1974-01)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1974-01) und Elmar Schloter (organist) (in 1974-01)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-01)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1974-01)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": I. Coro "Ich hab in Gottes Herz und Sinn" (in 1974-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach6:46
2Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": II. Choral e Recitativo (Basso) "Es kann mir fehlen nimmermehr"
recording engineer:
Klaus Scheibe (editor/engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1974-01)
Fagott:
Karl Kolbinger (bassoonist) (in 1974-01)
Kontrabass:
Herbert Duft (double bass player) (in 1974-01)
Oboe d’amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1974-01)
Oboe d’amore [oboe d'amore II]:
Robert Eliscu (in 1974-01)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1974-01) und Elmar Schloter (organist) (in 1974-01)
Bass-Gesang:
Dietrich Fischer‐Dieskau (baritone) (in 1974-01)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-01)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1974-01)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": II. Choral e Recitativo (Bass) "Es kann mir fehlen nimmermehr" (in 1974-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach4:17
3Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": III. Aria (Tenore) "Seht, seht wie bricht, wie reisst, wie fallt"
recording engineer:
Klaus Scheibe (editor/engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1974-01)
Fagott:
Karl Kolbinger (bassoonist) (in 1974-01)
Kontrabass:
Herbert Duft (double bass player) (in 1974-01)
Oboe d’amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1974-01)
Oboe d’amore [oboe d'amore II]:
Robert Eliscu (in 1974-01)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1974-01) und Elmar Schloter (organist) (in 1974-01)
Tenor-Gesang:
Peter Schreier (German tenor and conductor) (in 1974-01)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1974-01)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": III. Aria (Tenor) "Seht, seht! wie reißt, wie bricht, wie fällt" (in 1974-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:17
4Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IV. Choral "Zudem ist Weisheit Verstand"
recording engineer:
Klaus Scheibe (editor/engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1974-01)
Fagott:
Karl Kolbinger (bassoonist) (in 1974-01)
Kontrabass:
Herbert Duft (double bass player) (in 1974-01)
Oboe d’amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1974-01)
Oboe d’amore [oboe d'amore II]:
Robert Eliscu (in 1974-01)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1974-01) und Elmar Schloter (organist) (in 1974-01)
Hochgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-01)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1974-01)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IV. Choral (Alt) "Zudem ist Weisheit und Verstand" (in 1974-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach2:58
5Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": V. Recitativo (Tenore) "Wir wollen nun nicht langer zagen"
recording engineer:
Klaus Scheibe (editor/engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1974-01)
Fagott:
Karl Kolbinger (bassoonist) (in 1974-01)
Kontrabass:
Herbert Duft (double bass player) (in 1974-01)
Oboe d’amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1974-01)
Oboe d’amore [oboe d'amore II]:
Robert Eliscu (in 1974-01)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1974-01) und Elmar Schloter (organist) (in 1974-01)
Tenor-Gesang:
Peter Schreier (German tenor and conductor) (in 1974-01)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1974-01)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": V. Recitativo (Tenor) "Wir wollen nun nicht länger zagen" (in 1974-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach1:27
6Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VI. Aria (Basso) "Das Brausen von den rauhen Winden"
recording engineer:
Klaus Scheibe (editor/engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1974-01)
Fagott:
Karl Kolbinger (bassoonist) (in 1974-01)
Kontrabass:
Herbert Duft (double bass player) (in 1974-01)
Oboe d’amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1974-01)
Oboe d’amore [oboe d'amore II]:
Robert Eliscu (in 1974-01)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1974-01) und Elmar Schloter (organist) (in 1974-01)
Bass-Gesang:
Dietrich Fischer‐Dieskau (baritone) (in 1974-01)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1974-01)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VI. Aria (Bass) "Das Stürmen von den rauhen Winden" (in 1974-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach4:37
7Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VII. Choral e Recitativo "Ein nun, mein Gott, sofall ich dir"
recording engineer:
Klaus Scheibe (editor/engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1974-01)
Fagott:
Karl Kolbinger (bassoonist) (in 1974-01)
Kontrabass:
Herbert Duft (double bass player) (in 1974-01)
Oboe d’amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1974-01)
Oboe d’amore [oboe d'amore II]:
Robert Eliscu (in 1974-01)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1974-01) und Elmar Schloter (organist) (in 1974-01)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-01)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1974-01)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VII. (Choral e) Recitativo (Bass, Tenor, Alt, Sopran) "Ei nun, mein Gott, so fall ich dir" (in 1974-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach2:47
8Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VIII. Aria (Soprano) "Meinen Hirten bleibt ich treu"
recording engineer:
Klaus Scheibe (editor/engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1974-01)
Fagott:
Karl Kolbinger (bassoonist) (in 1974-01)
Kontrabass:
Herbert Duft (double bass player) (in 1974-01)
Oboe d’amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1974-01)
Oboe d’amore [oboe d'amore II]:
Robert Eliscu (in 1974-01)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1974-01) und Elmar Schloter (organist) (in 1974-01)
Soprangesang:
Edith Mathis (soprano) (in 1974-01)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1974-01)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VIII. Aria (Sopran) "Meinem Hirten bleib ich treu" (in 1974-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:21
9Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IX. Choral "Soll ich denn auch des Todes Weg"
recording engineer:
Klaus Scheibe (editor/engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1974-01)
Fagott:
Karl Kolbinger (bassoonist) (in 1974-01)
Kontrabass:
Herbert Duft (double bass player) (in 1974-01)
Oboe d’amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1974-01)
Oboe d’amore [oboe d'amore II]:
Robert Eliscu (in 1974-01)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1974-01) und Elmar Schloter (organist) (in 1974-01)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-01)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1974-01)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IX. Choral "Soll ich denn auch des Todes Weg" (in 1974-01)
Texter:
Paul Gerhardt (17th century hymn writer)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Breitkopf 389 Choralgesänge (Nummer: 347)
Teil von:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach1:25
10Kantate, BWV 126 "Erhalt uns, Herr, bei deinem Wort": I. Chorale "Erhalt uns, Herr, bei deinem Wort"
recording engineer:
Hans‐Peter Schweigmann (engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1973-05, in 1974-02)
Fagott:
Karl Kolbinger (bassoonist) (in 1973-05, in 1974-02)
Kontrabass:
Herbert Duft (double bass player) (in 1973-05, in 1974-02)
Oboe [oboe I]:
Manfred Clement (oboist) (in 1973-05, in 1974-02)
Oboe [oboe II]:
Robert Eliscu (in 1973-05, in 1974-02)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1973-05, in 1974-02) und Elmar Schloter (organist) (in 1973-05, in 1974-02)
Trompete:
Pierre Thibaud (French trumpeter) (in 1974-02)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1973-05, in 1974-02)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1973-05, in 1974-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-05, in 1974-02)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1973-05, in 1974-02)
recording of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": I. Coro "Erhalt uns Herr bei deinem Wort" (in 1974-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
Johann Sebastian Bach2:46
11Kantate, BWV 126 "Erhalt uns, Herr, bei deinem Wort": II. Aria (Tenore) "Sende deine Macht von oben"
recording engineer:
Hans‐Peter Schweigmann (engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1973-05, in 1974-02)
Fagott:
Karl Kolbinger (bassoonist) (in 1973-05, in 1974-02)
Kontrabass:
Herbert Duft (double bass player) (in 1973-05, in 1974-02)
Oboe [oboe I]:
Manfred Clement (oboist) (in 1973-05, in 1974-02)
Oboe [oboe II]:
Robert Eliscu (in 1973-05, in 1974-02)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1973-05, in 1974-02) und Elmar Schloter (organist) (in 1973-05, in 1974-02)
Tenor-Gesang:
Peter Schreier (German tenor and conductor) (in 1973-05, in 1974-02)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1973-05, in 1974-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-05, in 1974-02)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1973-05, in 1974-02)
recording of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": II. Aria (Tenor) "Sende deine Macht von oben" (in 1974-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
Johann Sebastian Bach3:45
12Kantate, BWV 126 "Erhalt uns, Herr, bei deinem Wort": III. Recitativo (Alto, Tenore) e Chorale "Der Menschen Gunst und Macht"
recording engineer:
Hans‐Peter Schweigmann (engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1973-05, in 1974-02)
Fagott:
Karl Kolbinger (bassoonist) (in 1973-05, in 1974-02)
Kontrabass:
Herbert Duft (double bass player) (in 1973-05, in 1974-02)
Oboe [oboe I]:
Manfred Clement (oboist) (in 1973-05, in 1974-02)
Oboe [oboe II]:
Robert Eliscu (in 1973-05, in 1974-02)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1973-05, in 1974-02) und Elmar Schloter (organist) (in 1973-05, in 1974-02)
Hochgesang:
Anna Reynolds (alto) (in 1973-05, in 1974-02)
Tenor-Gesang:
Peter Schreier (German tenor and conductor) (in 1973-05, in 1974-02)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1973-05, in 1974-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-05, in 1974-02)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1973-05, in 1974-02)
recording of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": III. Recitativo e Choral (Alt, Tenor) "Der Menschen Gunst und Macht" (in 1974-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
Johann Sebastian Bach2:29
13Kantate, BWV 126 "Erhalt uns, Herr, bei deinem Wort": IV. Aria (Basso) "Stürze zu Boden schwülstige Stolze!"
recording engineer:
Hans‐Peter Schweigmann (engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1973-05, in 1974-02)
Fagott:
Karl Kolbinger (bassoonist) (in 1973-05, in 1974-02)
Kontrabass:
Herbert Duft (double bass player) (in 1973-05, in 1974-02)
Oboe [oboe I]:
Manfred Clement (oboist) (in 1973-05, in 1974-02)
Oboe [oboe II]:
Robert Eliscu (in 1973-05, in 1974-02)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1973-05, in 1974-02) und Elmar Schloter (organist) (in 1973-05, in 1974-02)
Bass-Gesang:
Theo Adam (German classical bass-baritone) (in 1973-05, in 1974-02)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1973-05, in 1974-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-05, in 1974-02)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1973-05, in 1974-02)
recording of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": IV. Aria (Bass) "Stürze zu Boden schwülstige Stolze!" (in 1974-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
Johann Sebastian Bach5:14
14Kantate, BWV 126 "Erhalt uns, Herr, bei deinem Wort": V. Recitativo (Tenore) "So wird dein Wort und Wahrheit offenbar"
recording engineer:
Hans‐Peter Schweigmann (engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1973-05, in 1974-02)
Fagott:
Karl Kolbinger (bassoonist) (in 1973-05, in 1974-02)
Kontrabass:
Herbert Duft (double bass player) (in 1973-05, in 1974-02)
Oboe [oboe I]:
Manfred Clement (oboist) (in 1973-05, in 1974-02)
Oboe [oboe II]:
Robert Eliscu (in 1973-05, in 1974-02)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1973-05, in 1974-02) und Elmar Schloter (organist) (in 1973-05, in 1974-02)
Tenor-Gesang:
Peter Schreier (German tenor and conductor) (in 1973-05, in 1974-02)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1973-05, in 1974-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-05, in 1974-02)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1973-05, in 1974-02)
recording of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": V. Recitativo (Tenor) "So wird dein Wort und Wahrheit offenbar" (in 1974-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
Johann Sebastian Bach0:58
15Kantate, BWV 126 "Erhalt uns, Herr, bei deinem Wort": VI. Chorale "Verleih uns Frieden gnädiglich"
recording engineer:
Hans‐Peter Schweigmann (engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1973-05, in 1974-02)
Fagott:
Karl Kolbinger (bassoonist) (in 1973-05, in 1974-02)
Kontrabass:
Herbert Duft (double bass player) (in 1973-05, in 1974-02)
Oboe [oboe I]:
Manfred Clement (oboist) (in 1973-05, in 1974-02)
Oboe [oboe II]:
Robert Eliscu (in 1973-05, in 1974-02)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1973-05, in 1974-02) und Elmar Schloter (organist) (in 1973-05, in 1974-02)
Trompete:
Pierre Thibaud (French trumpeter) (in 1974-02)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1973-05, in 1974-02)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1973-05, in 1974-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-05, in 1974-02)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1973-05, in 1974-02)
recording of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": VI. Choral "Verleih uns Frieden gnädiglich" (in 1974-02)
Texter:
Martin Luther (German theologian of the Reformation)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Teil von:
Breitkopf 389 Choralgesänge (Nummer: 321)
Teil von:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
Johann Sebastian Bach1:51
16Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": I. Aria (Duetto: Soprano, Alto) "Du wahrer Gott und Davids Sohn"
recording engineer:
Klaus Scheibe (editor/engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1973-05, in 1973-10, in 1974-01)
Fagott:
Karl Kolbinger (bassoonist) (in 1973-05, in 1973-10, in 1974-01)
Kontrabass:
Herbert Duft (double bass player) (in 1973-05, in 1973-10, in 1974-10)
Oboe [oboe I]:
Manfred Clement (oboist) (in 1973-05, in 1973-10, in 1974-01)
Oboe [oboe II]:
Robert Eliscu (in 1973-05, in 1973-10, in 1974-01)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1973-05, in 1973-10, in 1974-01) und Elmar Schloter (organist) (in 1973-05, in 1973-10, in 1974-01)
Hochgesang:
Anna Reynolds (alto) (in 1973-05, in 1973-10, in 1974-01)
Soprangesang:
Edith Mathis (soprano) (in 1973-05, in 1973-10, in 1974-01)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1973-05, in 1973-10, in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-05, in 1973-10, in 1974-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1973-05)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": I. Aria (Duetto: Soprano, Alto) "Du wahrer Gott und Davids Sohn" (in 1973-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
Johann Sebastian Bach7:02
17Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": II. Recitativo (Tenore) "Ach! gehe nicht vorüber"
recording engineer:
Klaus Scheibe (editor/engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1973-05, in 1973-10, in 1974-01)
Fagott:
Karl Kolbinger (bassoonist) (in 1973-05, in 1973-10, in 1974-01)
Kontrabass:
Herbert Duft (double bass player) (in 1973-05, in 1973-10, in 1974-10)
Oboe [oboe I]:
Manfred Clement (oboist) (in 1973-05, in 1973-10, in 1974-01)
Oboe [oboe II]:
Robert Eliscu (in 1973-05, in 1973-10, in 1974-01)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1973-05, in 1973-10, in 1974-01) und Elmar Schloter (organist) (in 1973-05, in 1973-10, in 1974-01)
Tenor-Gesang:
Peter Schreier (German tenor and conductor) (in 1973-05, in 1973-10, in 1974-01)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1973-05, in 1973-10, in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-05, in 1973-10, in 1974-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1973-05)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": II. Recitativo (Tenore) "Ach! gehe nicht vorüber" (in 1973-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
Johann Sebastian Bach1:42
18Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": III. Coro "Aller Augen warten, Herr"
recording engineer:
Klaus Scheibe (editor/engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1973-05, in 1973-10, in 1974-01)
Fagott:
Karl Kolbinger (bassoonist) (in 1973-05, in 1973-10, in 1974-01)
Kontrabass:
Herbert Duft (double bass player) (in 1973-05, in 1973-10, in 1974-10)
Oboe [oboe I]:
Manfred Clement (oboist) (in 1973-05, in 1973-10, in 1974-01)
Oboe [oboe II]:
Robert Eliscu (in 1973-05, in 1973-10, in 1974-01)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1973-05, in 1973-10, in 1974-01) und Elmar Schloter (organist) (in 1973-05, in 1973-10, in 1974-01)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1973-05, in 1973-10, in 1974-01)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1973-05, in 1973-10, in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-05, in 1973-10, in 1974-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1973-05)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": III. Coro "Aller Augen warten, Herr" (in 1973-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
Johann Sebastian Bach4:46
19Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": IV. Choral "Christe, du Lamm Gottes"
recording engineer:
Klaus Scheibe (editor/engineer)
leitende(r) Koproduzent(in):
Helen Kuzaj (producer)
Produzent(in):
Dr Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (in 1973-05, in 1973-10, in 1974-01)
Fagott:
Karl Kolbinger (bassoonist) (in 1973-05, in 1973-10, in 1974-01)
Kontrabass:
Herbert Duft (double bass player) (in 1973-05, in 1973-10, in 1974-10)
Oboe [oboe I]:
Manfred Clement (oboist) (in 1973-05, in 1973-10, in 1974-01)
Oboe [oboe II]:
Robert Eliscu (in 1973-05, in 1973-10, in 1974-01)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1973-05, in 1973-10, in 1974-01) und Elmar Schloter (organist) (in 1973-05, in 1973-10, in 1974-01)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1973-05, in 1973-10, in 1974-01)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1973-05, in 1973-10, in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-05, in 1973-10, in 1974-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1973-05)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": IV. Choral "Christe, du Lamm Gottes" (in 1973-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
Johann Sebastian Bach5:38
6▶CD: Ostern
7▶CD: Ostern
8▶CD: Ostern
9▶CD: Ostern
10▶CD: Himmelfahrt - Pfingsten - Trinitatis
11▶CD: Himmelfahrt - Pfingsten - Trinitatis
12▶CD: Himmelfahrt - Pfingsten - Trinitatis
13▶CD: Himmelfahrt - Pfingsten - Trinitatis
14▶CD: Himmelfahrt - Pfingsten - Trinitatis
15▶CD: Himmelfahrt - Pfingsten - Trinitatis
16▶CD: Sonntage nach Trinitatis I
17▶CD: Sonntage nach Trinitatis I
18▶CD: Sonntage nach Trinitatis I
19▶CD: Sonntage nach Trinitatis I
20▶CD: Sonntage nach Trinitatis I
21▶CD: Sonntage nach Trinitatis I
22▶CD: Sonntage nach Trinitatis II
23▶CD: Sonntage nach Trinitatis II
24▶CD: Sonntage nach Trinitatis II
25▶CD: Sonntage nach Trinitatis II
26▶CD: Sonntage nach Trinitatis II

Nennungen