Peter and the Wolf

~ Veröffentlichung von Prokofiev; Philadelphia Orchestra, Eugene Ormandy, David Bowie (alle Versionen dieser Veröffentlichung ansehen, 9 vorhanden)

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1Peter and the Wolf, op. 67: Introduction
recorded in:
New York City, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19: Sprecher)
Techniker(in):
Paul Goodman (engineer)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Sprecher [narrator]:
David Bowie (English singer‐songwriter) (von 1977-11-17 bis 1977-11-19)
Orchester:
The Philadelphia Orchestra (am 1975-10-08)
conductor:
Eugene Ormandy (conductor) (am 1975-10-08)
aufgenommen bei:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1975-10-08) und RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 1. Introduction (von 1975-10-08 bis 1977-11-19)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Peter and the Wolf, op. 67
Sergei Prokofiev42:47
2Peter and the Wolf, op. 67: The Story Begins
recorded in:
New York City, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19: Sprecher)
Techniker(in):
Paul Goodman (engineer)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Sprecher [narrator]:
David Bowie (English singer‐songwriter) (von 1977-11-17 bis 1977-11-19)
Orchester:
The Philadelphia Orchestra (am 1975-10-08)
conductor:
Eugene Ormandy (conductor) (am 1975-10-08)
aufgenommen bei:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1975-10-08) und RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 2. The Story Begins (von 1975-10-08 bis 1977-11-19)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Peter and the Wolf, op. 67
Sergei Prokofiev50:57
3Peter and the Wolf, op. 67: The Bird
recorded in:
New York City, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19: Sprecher)
Techniker(in):
Paul Goodman (engineer)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Sprecher [narrator]:
David Bowie (English singer‐songwriter) (von 1977-11-17 bis 1977-11-19)
Orchester:
The Philadelphia Orchestra (am 1975-10-08)
conductor:
Eugene Ormandy (conductor) (am 1975-10-08)
aufgenommen bei:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1975-10-08) und RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 3. The Bird (von 1975-10-08 bis 1977-11-19)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Peter and the Wolf, op. 67
Sergei Prokofiev41:33
4Peter and the Wolf, op. 67: The Duck, Dialogue with the Bird, Attack of the Cat
recorded in:
New York City, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19: Sprecher)
Techniker(in):
Paul Goodman (engineer)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Sprecher [narrator]:
David Bowie (English singer‐songwriter) (von 1977-11-17 bis 1977-11-19)
Orchester:
The Philadelphia Orchestra (am 1975-10-08)
conductor:
Eugene Ormandy (conductor) (am 1975-10-08)
aufgenommen bei:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1975-10-08) und RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 4. The duck / Dialogue with the birds / Attack of the cat (von 1975-10-08 bis 1977-11-19)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Peter and the Wolf, op. 67
Sergei Prokofiev44:13
5Peter and the Wolf, op. 67: Grandfather
recorded in:
New York City, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19: Sprecher)
Techniker(in):
Paul Goodman (engineer)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Sprecher [narrator]:
David Bowie (English singer‐songwriter) (von 1977-11-17 bis 1977-11-19)
Orchester:
The Philadelphia Orchestra (am 1975-10-08)
conductor:
Eugene Ormandy (conductor) (am 1975-10-08)
aufgenommen bei:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1975-10-08) und RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 5. Grandfather (von 1975-10-08 bis 1977-11-19)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Peter and the Wolf, op. 67
Sergei Prokofiev42:14
6Peter and the Wolf, op. 67: The Wolf
recorded in:
New York City, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19: Sprecher)
Techniker(in):
Paul Goodman (engineer)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Sprecher [narrator]:
David Bowie (English singer‐songwriter) (von 1977-11-17 bis 1977-11-19)
Orchester:
The Philadelphia Orchestra (am 1975-10-08)
conductor:
Eugene Ormandy (conductor) (am 1975-10-08)
aufgenommen bei:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1975-10-08) und RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 6. The Wolf (von 1975-10-08 bis 1977-11-19)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Peter and the Wolf, op. 67
Sergei Prokofiev42:01
7Peter and the Wolf, op. 67: The Duck Is Caught
recorded in:
New York City, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19: Sprecher)
Techniker(in):
Paul Goodman (engineer)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Sprecher [narrator]:
David Bowie (English singer‐songwriter) (von 1977-11-17 bis 1977-11-19)
Orchester:
The Philadelphia Orchestra (am 1975-10-08)
conductor:
Eugene Ormandy (conductor) (am 1975-10-08)
aufgenommen bei:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1975-10-08) und RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 7. The Duck Is Caught (von 1975-10-08 bis 1977-11-19)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Peter and the Wolf, op. 67
Sergei Prokofiev40:53
8Peter and the Wolf, op. 67: The Wolf Stalks the Bird and the Cat
recorded in:
New York City, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19: Sprecher)
Techniker(in):
Paul Goodman (engineer)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Sprecher [narrator]:
David Bowie (English singer‐songwriter) (von 1977-11-17 bis 1977-11-19)
Orchester:
The Philadelphia Orchestra (am 1975-10-08)
conductor:
Eugene Ormandy (conductor) (am 1975-10-08)
aufgenommen bei:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1975-10-08) und RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 8. The wolf stalks the bird and cat (von 1975-10-08 bis 1977-11-19)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Peter and the Wolf, op. 67
Sergei Prokofiev41:42
9Peter and the Wolf, op. 67: Peter Prepares to Catch the Wolf
recorded in:
New York City, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19: Sprecher)
Techniker(in):
Paul Goodman (engineer)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Sprecher [narrator]:
David Bowie (English singer‐songwriter) (von 1977-11-17 bis 1977-11-19)
Orchester:
The Philadelphia Orchestra (am 1975-10-08)
conductor:
Eugene Ormandy (conductor) (am 1975-10-08)
aufgenommen bei:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1975-10-08) und RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 9. Peter prepares to catch the wolf (von 1975-10-08 bis 1977-11-19)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Peter and the Wolf, op. 67
Sergei Prokofiev41:06
10Peter and the Wolf, op. 67: The Bird Diverts the Wolf
recorded in:
New York City, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19: Sprecher)
Techniker(in):
Paul Goodman (engineer)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Sprecher [narrator]:
David Bowie (English singer‐songwriter) (von 1977-11-17 bis 1977-11-19)
Orchester:
The Philadelphia Orchestra (am 1975-10-08)
conductor:
Eugene Ormandy (conductor) (am 1975-10-08)
aufgenommen bei:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1975-10-08) und RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 10. The bird diverts the wolf (von 1975-10-08 bis 1977-11-19)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Peter and the Wolf, op. 67
Sergei Prokofiev41:31
11Peter and the Wolf, op. 67: Peter Catches the Wolf
recorded in:
New York City, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19: Sprecher)
Techniker(in):
Paul Goodman (engineer)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Sprecher [narrator]:
David Bowie (English singer‐songwriter) (von 1977-11-17 bis 1977-11-19)
Orchester:
The Philadelphia Orchestra (am 1975-10-08)
conductor:
Eugene Ormandy (conductor) (am 1975-10-08)
aufgenommen bei:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1975-10-08) und RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 11. Peter Catches the Wolf (von 1975-10-08 bis 1977-11-19)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Peter and the Wolf, op. 67
Sergei Prokofiev41:49
12Peter and the Wolf, op. 67: The Hunters Arrive
recorded in:
New York City, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19: Sprecher)
Techniker(in):
Paul Goodman (engineer)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Sprecher [narrator]:
David Bowie (English singer‐songwriter) (von 1977-11-17 bis 1977-11-19)
Orchester:
The Philadelphia Orchestra (am 1975-10-08)
conductor:
Eugene Ormandy (conductor) (am 1975-10-08)
aufgenommen bei:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1975-10-08) und RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 12. The Hunters Arrive (von 1975-10-08 bis 1977-11-19)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Peter and the Wolf, op. 67
Sergei Prokofiev41:18
13Peter and the Wolf, op. 67: The Procession to the Zoo
recorded in:
New York City, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19: Sprecher)
Techniker(in):
Paul Goodman (engineer)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Sprecher [narrator]:
David Bowie (English singer‐songwriter) (von 1977-11-17 bis 1977-11-19)
Orchester:
The Philadelphia Orchestra (am 1975-10-08)
conductor:
Eugene Ormandy (conductor) (am 1975-10-08)
aufgenommen bei:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1975-10-08) und RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (von 1977-11-17 bis 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 13. The Procession to the Zoo (von 1975-10-08 bis 1977-11-19)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Peter and the Wolf, op. 67
Sergei Prokofiev44:56
14The Young Person’s Guide to the Orchestra: Theme: Full Orchestra
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten40:29
15The Young Person’s Guide to the Orchestra: Theme: Woodwinds
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten30:22
16The Young Person’s Guide to the Orchestra: Theme: Brass
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten20:18
17The Young Person’s Guide to the Orchestra: Theme: Strings
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten20:17
18The Young Person’s Guide to the Orchestra: Theme: Percussion
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten20:14
19The Young Person’s Guide to the Orchestra: Theme: Full Orchestra
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten20:18
20The Young Person’s Guide to the Orchestra: Variation I: Flute, Piccolo (Presto)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten30:34
21The Young Person’s Guide to the Orchestra: Variation II: Oboes (Lento)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten40:59
22The Young Person’s Guide to the Orchestra: Variation III: Clarinets (Moderato)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten30:37
23The Young Person’s Guide to the Orchestra: Variation IV: Bassoons (Allegro alla marcia)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten30:56
24The Young Person’s Guide to the Orchestra: Variation V: Violins (Brilliante alla polacca)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten40:43
25The Young Person’s Guide to the Orchestra: Variation VI: Violas (Meno mosso)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten41:07
26The Young Person’s Guide to the Orchestra: Variation VII: Cellos
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten41:13
27The Young Person’s Guide To The Orchestra: Variation VIII: Doublebasses (Comminciando lento, Ma poco accel.)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten41:03
28The Young Person’s Guide to the Orchestra: Variation IX: Harp (Maestoso)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten30:44
29The Young Person’s Guide to the Orchestra: Variation X: French Horns (Il stesso tempo)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten30:39
30The Young Person’s Guide to the Orchestra: Variation XI: Trumpets (Vivace)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten30:33
31The Young Person’s Guide to the Orchestra: Variation XII: Trombones & Tuba (Allegro pomposo)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten41:09
32The Young Person’s Guide To The Orchestra: Variation XIII: Percussion (Moderato)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten41:55
33The Young Person’s Guide to the Orchestra: Fugue: Full Orchestra (Allegro molto)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
basiert auf:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Teil von:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten52:57
34Carnival of the Animals: Introduction
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (Karneval der Tiere: I. Introduktion und königlicher Marsch des Löwen, strings and two pianos)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:42
35Carnival of the Animals: Royal March of the Lion
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (Karneval der Tiere: I. Introduktion und königlicher Marsch des Löwen, strings and two pianos)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:22
36Carnival of the Animals: Hens and Cocks
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : II. Poules et coqs (The Carnival of the Animals: II. Hens and Cocks, violins, viola, two pianos and clarinet)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:50
37Carnival of the Animals: Wild Horses
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : III. Hémiones (Animaux véloces) (The Carnival of the Animals: III. Wild Asses, two pianos)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:40
38Carnival of the Animals: Tortoises
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : IV. Tortues (The Carnival of the Animals: IV. Tortoises, strings and piano)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
quotes music from:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in der Unterwelt: Höllengalopp, widely known as “Can-can”)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:42
39Carnival of the Animals: The Elephant
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : V. L’Éléphant (Der Karneval der Tiere: V. Der Elefant, double bass and piano)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:36
40Carnival of the Animals: Kangaroos
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : VI. Kangourous (The Carnival of the Animals: VI. Kangaroos, two pianos)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:56
41Carnival of the Animals: Aquarium
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : VII. Aquarium (Der Karneval der Tiere: VII. Das Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:25
42Carnival of the Animals: Personages with Long Ears
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (The Carnival of the Animals: VIII. Personages With Long Ears, two violins)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:35
43Carnival of the Animals: The Cuckoo in the Depth of the Forest
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (The Carnival of the Animals: IX. The Cuckoo in the Heart of the Woods, two pianos and clarinet)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:11
44Carnival of the Animals: Aviary
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : X. Volière (The Carnival of the Animals: X. Aviary, strings, pianos and flute)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:20
45Carnival of the Animals: Pianists
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : XI. Pianistes (The Carnival of the Animals: XI. Pianists, strings and two pianos)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:13
46Carnival of the Animals: Fossils
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:19
47Carnival of the Animals: The Swan
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (Der Karneval der Tiere: XIII. Der Schwan, two pianos and cello)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:49
48Carnival of the Animals: Finale
Sprecher [narrator]:
Hugh Downs (American radio and television broadcaster)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : XIV. Finale (Der Karneval der Tiere: XIV. Finale, full ensemble)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:04

Nennungen

Veröffentlichung

Teil von:60+ (RCA Victor)
RCA Victor Basic 100 (Nummer: 43) (Reihenfolge: 27)
ASIN:US: B000003FPB [Info]