Duos d’opéras italiens

~ Veröffentlichung von Maria Callas, Giuseppe Di Stefano (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1I puritani: “Fini … Me lassa!”
Soprangesang [Elvira]:
Maria Callas (soprano)
Tenor-Gesang [Arturo]:
Giuseppe Di Stefano (tenor)
conductor:
Tullio Serafin (conductor) (von 1953-03-24 bis 1953-03-30)
recording of:
I puritani: Atto III. N°20a “Finì … me lassa!” (Elvira, Arturo)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Carlo Pepoli (Italian librettist, 19th c.)
Teil von:
I puritani: Atto III
Vincenzo Bellini2:14
2I puritani: “Nel mirati un solo istante”
Soprangesang [Elvira]:
Maria Callas (soprano)
Tenor-Gesang [Arturo]:
Giuseppe Di Stefano (tenor)
conductor:
Tullio Serafin (conductor) (von 1953-03-24 bis 1953-03-30)
recording of:
I puritani: Atto III. N°20b. “Arturo? Si, ê desso!” (Elvira, Arturo)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Carlo Pepoli (Italian librettist, 19th c.)
Teil von:
I puritani: Atto III
Vincenzo Bellini4:03
3I puritani: “Vieni fra queste braccia”
Soprangesang [Elvira]:
Maria Callas (soprano)
Tenor-Gesang [Arturo]:
Giuseppe Di Stefano (tenor)
conductor:
Tullio Serafin (conductor) (von 1953-03-24 bis 1953-03-30)
recording of:
I puritani: Atto III. N°20c. “Vieni, fra queste braccia” (Elvira, Arturo)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Carlo Pepoli (Italian librettist, 19th c.)
Teil von:
I puritani: Atto III
Vincenzo Bellini2:50
4Rigoletto: “Giovanna, ho dei rimorsi”
Mezzosoprangesang [Giovanna]:
Giuse Gerbino (Italian mezzo-soprano)
Soprangesang [Gilda]:
Maria Callas (soprano)
Tenor-Gesang [Duca]:
Giuseppe Di Stefano (tenor)
conductor:
Tullio Serafin (conductor) (von 1955-09-03 bis 1955-09-16)
recording of:
Rigoletto: Atto I, scena 2. N°5 “Giovanna, ho dei rimorsi …” (Gilda, Giovanna) / Duetto “T'amo! T'amo” (Duca, Gilda)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
übersetzte Version von:
Rigoletto: Act I, Scene II. “Giovanna, I should have told him” (Gilda, Giovanna, Duke)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi3:12
5Rigoletto: “E il sol dell’anima”
Bass-Gesang [Ceprano]:
Carlo Forti (operatic bass)
Mezzosoprangesang [Giovanna]:
Giuse Gerbino (Italian mezzo-soprano)
Soprangesang [Gilda]:
Maria Callas (soprano)
Tenor-Gesang [Borsa]:
Renato Ercolani (tenor)
Tenor-Gesang [Duca]:
Giuseppe Di Stefano (tenor)
conductor:
Tullio Serafin (conductor) (von 1955-09-03 bis 1955-09-16)
recording of:
Rigoletto: Atto I, scena 2. “È il sol dell’anima” (Duca, Gilda, Ceprano, Borsa, Giovanna)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1850)
Librettist:
Francesco Maria Piave (in 1850)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi4:18
6Rigoletto: “Addio, addio… Speranza ed anima”
Soprangesang [Gilda]:
Maria Callas (soprano)
Tenor-Gesang [Duca]:
Giuseppe Di Stefano (tenor)
conductor:
Tullio Serafin (conductor) (von 1955-09-03 bis 1955-09-16)
recording of:
Rigoletto: Atto I, scena 2. “Addio! speranza ed anima” (Duca, Gilda)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Rigoletto: Atto I
Giuseppe Verdi0:54
7Il trovatore: “Miserere… Ah! che la morte ognora”
Chorgesang:
Coro del Teatro alla Scala di Milano
Soprangesang [Leonora]:
Maria Callas (soprano)
Tenor-Gesang [Manrico]:
Giuseppe Di Stefano (tenor)
conductor:
Herbert von Karajan (conductor) (von 1956-09-04 bis 1956-09-09)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:59
8Un ballo in maschera: “Teco io sto”
Soprangesang [Amelia]:
Maria Callas (soprano)
Tenor-Gesang [Riccardo]:
Giuseppe Di Stefano (tenor)
conductor:
Antonino Votto (conductor) (von 1956-09-04 bis 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 13a. Scena "Teco io sto - Gran Dio!" (Riccardo, Amelia)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Somma
Teil von:
Un ballo in maschera: Atto II
Giuseppe Verdi1:32
9Un ballo in maschera: “Non sai tu che se l’anima mia”
Soprangesang [Amelia]:
Maria Callas (soprano)
Tenor-Gesang [Riccardo]:
Giuseppe Di Stefano (tenor)
conductor:
Antonino Votto (conductor) (von 1956-09-04 bis 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 13b. Duetto "Non sai tu che se l'anima mia" (Riccardo, Amelia)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Somma
Teil von:
Un ballo in maschera: Atto II
Giuseppe Verdi4:13
10Un ballo in maschera: “Oh, qual soave brivido”
Soprangesang [Amelia]:
Maria Callas (soprano)
Tenor-Gesang [Riccardo]:
Giuseppe Di Stefano (tenor)
conductor:
Antonino Votto (conductor) (von 1956-09-04 bis 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 13d. Cabaletta "Oh, qual soave brivido" (Riccardo, Amelia)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Somma
Teil von:
Un ballo in maschera: Atto II
Giuseppe Verdi3:48
11Manon Lescaut: “Tu, tu amore? Tu?”
Soprangesang [Manon]:
Maria Callas (soprano)
Tenor-Gesang [Des Grieux]:
Giuseppe Di Stefano (tenor)
conductor:
Tullio Serafin (conductor) (von 1957-07-18 bis 1957-07-27)
teilweise recording of:
Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” (Manon, Des Grieux)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
Giacomo Puccini3:37
12Manon Lescaut: “O tentatrice!”
Soprangesang [Manon]:
Maria Callas (soprano)
Tenor-Gesang [Des Grieux]:
Giuseppe Di Stefano (tenor)
conductor:
Tullio Serafin (conductor) (von 1957-07-18 bis 1957-07-27)
teilweise recording of:
Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” (Manon, Des Grieux)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
Giacomo Puccini3:45
13La Bohème: “Non sono in vena”
Soprangesang [Mimì]:
Maria Callas (soprano)
Tenor-Gesang [Rodolfo]:
Giuseppe Di Stefano (tenor)
conductor:
Antonino Votto (conductor) (von 1956-08-20 bis 1956-09-04)
recording of:
La bohème: Atto I, no. 5. “Non sono in vena. Chi è là?” (Rodolfo, Mimì)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:10
14La Bohème: “Che gelida manina”
Tenor-Gesang [Rodolfo]:
Giuseppe Di Stefano (tenor)
conductor:
Antonino Votto (conductor) (von 1956-08-20 bis 1956-09-04)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:41
15La Bohème: “Si, mi chiamano Mimi”
Baritongesang [Marcello]:
Rolando Panerai (baritone)
Baritongesang [Schaunard]:
Manuel Spatafora (baritone)
Bass-Gesang [Colline]:
Nicola Zaccaria (operatic bass)
Soprangesang [Mimì]:
Maria Callas (soprano)
Tenor-Gesang [Rodolfo]:
Giuseppe Di Stefano (tenor)
conductor:
Antonino Votto (conductor) (von 1956-08-20 bis 1956-09-04)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:39
16La Bohème: “O soave fanciulla”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (in 1956)
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Baritongesang:
Manuel Spatafora (baritone)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1956, von 1956-08-20 bis 1956-09-12)
Bass-Gesang:
Nicola Zaccaria (operatic bass)
Chorgesang:
Coro del Teatro alla Scala di Milano
Soprangesang:
Anna Moffo (soprano)
Soprangesang [Mimì]:
Maria Callas (soprano) (in 1956, von 1956-08-20 bis 1956-09-12)
Tenor-Gesang [Rodolfo]:
Giuseppe Di Stefano (tenor) (in 1956, von 1956-08-20 bis 1956-09-12)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956, von 1956-08-20 bis 1956-09-12)
conductor:
Antonino Votto (conductor) (in 1956, von 1956-08-20 bis 1956-09-04, von 1956-08-20 bis 1956-09-12)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1957) und EMI Italiana SpA (not for release label use! Italian subsidiary of EMI 1967–1997) (in 1958)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1956-08-20 bis 1956-09-12)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (von 1956-08-20 bis 1956-09-12)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1956)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:11
17Tosca: “E lucevan le stelle”
Tenor-Gesang [Cavaradossi]:
Giuseppe Di Stefano (tenor)
conductor:
Vittorio de Sabata (conductor and composer) (von 1953-08-10 bis 1953-08-21)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:47
18Tosca: “Franchigia a Floria Tosca”
Soprangesang [Tosca]:
Maria Callas (soprano)
Tenor-Gesang [Cavaradossi]:
Giuseppe Di Stefano (tenor)
conductor:
Vittorio de Sabata (conductor and composer) (von 1953-08-10 bis 1953-08-21)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:33
19Tosca: “O dolci mani”
Soprangesang [Tosca]:
Maria Callas (soprano)
Tenor-Gesang [Cavaradossi]:
Giuseppe Di Stefano (tenor)
conductor:
Vittorio de Sabata (conductor and composer) (von 1953-08-10 bis 1953-08-21)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:58
20Tosca: “Amaro sol per te”
Soprangesang [Tosca]:
Maria Callas (soprano)
Tenor-Gesang [Cavaradossi]:
Giuseppe Di Stefano (tenor)
conductor:
Vittorio de Sabata (conductor and composer) (von 1953-08-10 bis 1953-08-21)
recording of:
Tosca: Atto III. “Amaro sol per te m’era il morire” (Cavaradossi, Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini7:48

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