I ♥ Sixties

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Got You Babe
vocals:
Sonny Bono (in 1965) und Cher (in 1965)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 331) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 444)
recording of:
I Got You Babe (in 1965)
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:07
2Baby Now That I’ve Found You
recording of:
Baby Now That I’ve Found You (in 1967)
Texter und Komponist(in):
Tony Macaulay und John MacLeod (producer & songwriter, partner of Tony Macaulay)
publisher:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Pub. Ltd.
The Foundations42:35
3Reach Out, I’ll Be There
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (in 1966)
Hintergrundgesang:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) und Lawrence Payton (in 1966)
Sologesang:
Levi Stubbs (in 1966)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 78) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Four Tops42:55
4This Old Heart of Mine (Is Weak for You)
Produzent(in):
Lamont Dozier, Holland–Dozier (with Brian Holland) und Brian Holland (Motown producer & songwriter)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966)
recording of:
This Old Heart of Mine (Is Weak for You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland–Dozier–Holland
Komponist(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Sylvia Moy
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) und Stone Agate Music Division
The Isley Brothers4.252:50
5Bend Me, Shape Me
recording of:
Bend Me, Shape Me
Verfasser(in):
Scott English und Larry Weiss (American singer-songwriter)
publisher:
Carlin Music Corporation, Ebony Musikverlag, Helios Music Company und シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Amen Corner2:38
6It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Peter Sullivan (UK producer)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 393)
recording of:
It’s Not Unusual
Verfasser(in):
Gordon Mills (60s/70s UK producer and songwriter) und Les Reed
publisher:
Leeds Music (beendet), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) und Universal Duchess Music Corp. (in 1964)
Tom Jones4.51:58
7Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.43:00
8Wouldn’t It Be Nice
Techniker(in):
Larry Levine (am 1966-01-22) und Ralph Valentin (von 1966-03 bis 1966-04)
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
accordion:
Carl Fortina (am 1966-01-22) und Frank Marocco (am 1966-01-22)
baritone saxophone:
Jay Migliori (am 1966-01-22)
Bassgitarre:
Lyle Ritz (am 1966-01-22)
E-Bass:
Carol Kaye (am 1966-01-22) und Ray Pohlman (am 1966-01-22)
Gitarre:
Bill Pitman (am 1966-01-22)
Klavier:
Al De Lory (am 1966-01-22)
Klavier [track piano]:
Larry Knechtel (am 1966-01-22)
Mandoline:
Barney Kessel (am 1966-01-22)
Perkussion:
Frank Capp (am 1966-01-22)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1966-01-22)
Tenorsaxophon:
Steve Douglas (American saxophonist, flautist and clarinetist) (am 1966-01-22) und Plas Johnson (am 1966-01-22)
Trompete:
Roy Caton (trumpet player) (am 1966-01-22)
zwölfsaitige Gitarre:
Jerry Cole (am 1966-01-22)
Hintergrundgesang:
Al Jardine (guitarist and singer) (am 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (am 1966-01-22), Carl Wilson (Beach Boys) (am 1966-01-22) und Dennis Wilson (Beach Boys) (am 1966-01-22)
Sologesang:
Mike Love (Beach Boys) (am 1966-01-22) und Brian Wilson (Beach Boys co‐founder) (am 1966-01-22)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-01-22) und Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-01-22)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 297)
recording of:
Wouldn’t It Be Nice (am 1966-01-22)
Texter:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.352:21
9Sherry
Produzent(in):
Bob Crewe
Bassgitarre:
Nick Massi
Gitarre:
Tommy DeVito
Keyboard und Klavier:
Bob Gaudio
vocals:
Bob Gaudio, Tommy DeVito, Nick Massi und Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
vocals arranger:
Nick Massi
recording of:
Sherry
Texter und Komponist(in):
Bob Gaudio
The Four Seasons52:31
10Cathy’s Clown
Bass:
Floyd Chance (am 1960-03-18)
Gitarre:
Don Everly (am 1960-03-18)
Klavier:
Floyd Cramer (am 1960-03-18)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1960-03-18)
Interpret(in):
The Everly Brothers (am 1960-03-18)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 30) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 149)
recording of:
Cathy’s Clown (am 1960-03-18)
Texter und Komponist(in):
Don Everly
Verfasser(in):
Don Everly und Phil Everly
publisher:
Acuff-Rose (BMI) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers3.52:24
11You’ve Got Your Troubles
recording of:
You’ve Got Your Troubles
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
Concord Sounds, Greenaway Operations and Activities Limited und Mills Music
The Fortunes3:21
12Bus Stop
Produzent(in):
The Hollies und Ron Richards
Bass:
Bernie Calvert (am 1966-05-18)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2003) und Parlophone (Parlophon) (in 1966)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-05-18)
recording of:
Bus Stop (am 1966-05-18)
Texter und Komponist(in):
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited und Music Sales Corporation (American copyright holder in both popular and classical music)
The Hollies4.752:52
13Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-08-13)
Bass:
James Jamerson (am 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (am 1964-08-13)
Gitarre:
Eddie Willis (am 1964-08-13)
Instrumente:
The Funk Brothers (am 1964-08-13)
Klavier:
Earl Van Dyke (am 1964-08-13)
Schlagzeug:
Richard "Pistol" Allen (am 1964-08-13)
Tenorsaxophon:
Henry Cosby (am 1964-08-13)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-08-13)
Hintergrundgesang:
Florence Ballard (am 1964-08-13) und Mary Wilson (am 1964-08-13)
Sologesang:
Diana Ross (am 1964-08-13)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-08-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 324) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 499)
recording of:
Baby Love (am 1964-08-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes4.452:33
14Gimme Little Sign
recording of:
Gimme Little Sign
Verfasser(in):
Alfred Smith, Joseph Hooven (songwriter, producer, label owner, publisher & trumpeter [Joseph Davis Hooven]) und Jerry Winn
publisher:
Arlovol Music, Bonnyview Music Corp., EMI Catalogue Partnership Australia Pty Ltd und I’m Hip Productions (Active in the late 60’s)
Brenton Wood2:15
15Time Is Tight
recording of:
Time Is Tight
Komponist(in):
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) und Booker T. Jones
publisher:
Al Jackson Jr. Music und Irving Music (BMI)
Booker T. & the MG’s3:15
16If You Gotta Go, Go Now
cover recording of:
If You Gotta Go, Go Now (or Else You Got to Stay All Night)
Texter und Komponist(in):
Bob Dylan (in 1964)
publisher:
Sony/ATV Music Publishing (UK) Ltd. und Special Rider Music (in 1993)
Manfred Mann2:29
17Bringing on Back the Good Times
recording of:
Bringing on Back the Good Times
Verfasser(in):
John Cokell und Phillip Goodhand-Tait
Love Affair3:23
18Black Is Black
recording of:
Black Is Black (in 1966)
Verfasser(in):
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) und Steve Wadey (UK songwriter, co-wrote “Black is Black”)
publisher:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Los Bravos42:56
19We’ve Gotta Get Out of This Place
Produzent(in):
Mickie Most (English record producer)
vocals:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) und Columbia Pictures Industries, Inc. (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 233)
recording of:
We Gotta Get Out of This Place
Texter:
Cynthia Weil
Komponist(in):
Barry Mann
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Francis, Day & Hunter (publisher) (in 1979)
sub-publisher:
EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Animals3.83:12
20Blackberry Way
recording of:
Blackberry Way
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd. und Essex Music International, Inc. (in 1968)
The Move53:36
21Mellow Yellow
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1966)
Produzent(in):
Mickie Most (English record producer)
Akustikgitarre:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
Bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1966)
Horn [horns]:
Danny Moss (in 1966) und Ronnie Ross (in 1966)
Schlagzeug:
Bobby Orr (in 1966)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographisches Urheberrecht (℗) von:
Epic (US label founded by CBS in 1953, now owned by Sony) (in 1966)
recording of:
Mellow Yellow (in 1966)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd.
Donovan43:36
22Happy Together
phonographisches Urheberrecht (℗) von:
White Whale (late 60s/early 70s California) (in 1967)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 257)
recording of:
Happy Together (in 1967)
Verfasser(in):
Garry Bonner (singer and songwriter) und Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) und Trio Music Co., Inc.
Teil von:
Freaky Friday (2003)
The Turtles4.352:53
23Do You Wanna Dance
cover recording of:
Do You Want to Dance
Texter und Komponist(in):
Bobby Freeman
publisher:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp., Sherwin Music (publisher), ミュージカル・ライツ・東京 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Cliff Richard & The Shadows2:14
24Long Live Love
vocals:
Sandie Shaw (in 1965)
phonographisches Urheberrecht (℗) von:
Glissando Music Ltd. (in 1965)
recording of:
Long Live Love (in 1965)
Texter und Komponist(in):
Chris Andrews (UK singer-songwriter)
publisher:
PolyGram Music Publishing
Sandie Shaw2:38
25Bang Bang (My Baby Shot Me Down)
recording of:
Bang Bang (My Baby Shot Me Down) (original version, first recorded by Cher)
Texter und Komponist(in):
Sonny Bono
publisher:
April Music (private press label?), Chris Marc Music, Cotillion Music Inc. (BMI), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cher32:46
26No Milk Today
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1966) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
No Milk Today (in 1966-10)
Texter und Komponist(in):
Graham Gouldman
publisher:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hournew Music Ltd.
Herman’s Hermits4.652:56
27Ferry Cross the Mersey
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Ferry Cross the Mersey
Texter und Komponist(in):
Gerry Marsden
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing
Gerry & the Pacemakers2:23
28Wichita Lineman
Produzent(in):
Al De Lory
Sologesang:
Glen Campbell (US country singer, guitarist & actor)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968) und Capitol Records Nashville (in 2016)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-05-27)
zusätzlich aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-08-14)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 12), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 192) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 206)
recording of:
Wichita Lineman (am 1968-05-27)
Texter:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer) (in 1968)
Glen Campbell3.653:03
2▶CD
3▶CD

Nennungen

Veröffentlichung

ASIN:UK: B000BOWT9A [Info]