Cantatas

~ Release by Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 2 available)

Tracklist

1▼CD
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1Cantata n.º 12 “Weinen, Klagen, Sorgen, Zagen”, BWV 12: I. Sinfonía
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:32
2Cantata n.º 12 “Weinen, Klagen, Sorgen, Zagen”, BWV 12: II. Coro
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:57
3Cantata n.º 12 “Weinen, Klagen, Sorgen, Zagen”, BWV 12: III. Recitativo (alto)
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:47
4Cantata n.º 12 “Weinen, Klagen, Sorgen, Zagen”, BWV 12: IV. Aria (alto)
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:04
5Cantata n.º 12 “Weinen, Klagen, Sorgen, Zagen”, BWV 12: V. Aria (bajo)
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:20
6Cantata n.º 12 “Weinen, Klagen, Sorgen, Zagen”, BWV 12: VI. Aria (bajo)
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach3:59
7Cantata n.º 12 “Weinen, Klagen, Sorgen, Zagen”, BWV 12: VII. Coral
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (in 1996-04)
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach1:08
8Cantata n.º 178 “Wo Gott der Herr nicht bei uns hält”, BWV 178: I. Coro
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": I. Coro "Wo Gott der Herr nicht bei uns hält" (from 2002-05-31 until 2002-06-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach4:20
9Cantata n.º 178 “Wo Gott der Herr nicht bei uns hält”, BWV 178: II. Recitativo (alto) & Coral
producer:
Thore Brinkmann
countertenor vocals:
Matthew White (countertenor) (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": II. Recitativo (Alt) "Was Menschenkraft und -witz anfäht" (from 2002-05-31 until 2002-06-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach2:15
10Cantata n.º 178 “Wo Gott der Herr nicht bei uns hält”, BWV 178: III. Aria (bajo)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": III. Aria (Bass) "Gleichwie die wilden Meereswellen" (from 2002-05-31 until 2002-06-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach3:23
11Cantata n.º 178 “Wo Gott der Herr nicht bei uns hält”, BWV 178: IV. Coral (tenor)
producer:
Thore Brinkmann
tenor vocals:
Makoto Sakurada (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": IV. Choral (Tenor) "Sie stellen uns wie Ketzern nach" (from 2002-05-31 until 2002-06-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach1:41
12Cantata n.º 178 “Wo Gott der Herr nicht bei uns hält”, BWV 178: V. Coral y recitativo (alto, tenor, bajo)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2002-05-31 until 2002-06-04)
countertenor vocals:
Matthew White (countertenor) (from 2002-05-31 until 2002-06-04)
tenor vocals:
Makoto Sakurada (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": V. Choral e Recitativo (Coro, Bass, Tenor, Alt) "Auf sperren sie den Rachen weit" (from 2002-05-31 until 2002-06-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach1:34
13Cantata n.º 178 “Wo Gott der Herr nicht bei uns hält”, BWV 178: VI. Aria (tenor)
producer:
Thore Brinkmann
tenor vocals:
Makoto Sakurada (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": VI. Aria (Tenor) "Schweig, schweig nur, taumelnde Vernunft" (from 2002-05-31 until 2002-06-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach3:54
14Cantata n.º 178 “Wo Gott der Herr nicht bei uns hält”, BWV 178: VII. Coral
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": VII. Choral "Die Feind sind all in deiner Hand" (from 2002-05-31 until 2002-06-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 384)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach1:56
15Cantata n.º 77 “Du sollst Gott, deinen Herren, lieben”, BWV 77: I. Coro
sound engineer:
Marion Schwebel (in 1999-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-10)
performer:
Bach Collegium Japan (in 1999-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-10)
recording of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben": I. Coro con Choral "Du sollt Gott, deinen Herren, lieben" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben"
Johann Sebastian Bach3:38
16Cantata n.º 77 “Du sollst Gott, deinen Herren, lieben”, BWV 77: II. Recitativo (bajo)
sound engineer:
Marion Schwebel (in 1999-10)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1999-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-10)
performer:
Bach Collegium Japan (in 1999-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-10)
recording of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben": II. Recitativo (Bass) "So muß es sein!" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben"
Johann Sebastian Bach0:39
17Cantata n.º 77 “Du sollst Gott, deinen Herren, lieben”, BWV 77: III. Aria (soprano)
sound engineer:
Marion Schwebel (in 1999-10)
soprano vocals:
Yoshie Hida (in 1999-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-10)
performer:
Bach Collegium Japan (in 1999-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-10)
recording of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben": III. Aria (Sopran) "Mein Gott, ich liebe dich von Herzen" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben"
Johann Sebastian Bach3:54
18Cantata n.º 77 “Du sollst Gott, deinen Herren, lieben”, BWV 77: IV. Recitativo (tenor)
sound engineer:
Marion Schwebel (in 1999-10)
tenor vocals:
Makoto Sakurada (in 1999-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-10)
performer:
Bach Collegium Japan (in 1999-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-10)
recording of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben": IV. Recitativo (Tenor) "Gib mir dabei, mein Gott! ein Samariterherz" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben"
Johann Sebastian Bach1:12
19Cantata n.º 77 “Du sollst Gott, deinen Herren, lieben”, BWV 77: V. Aria (alto)
sound engineer:
Marion Schwebel (in 1999-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-10)
performer:
Bach Collegium Japan (in 1999-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-10)
recording of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben": V. Aria (Alt) "Ach, es bleibt in meiner Liebe" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben"
Johann Sebastian Bach4:22
20Cantata n.º 77 “Du sollst Gott, deinen Herren, lieben”, BWV 77: VI. Coral
sound engineer:
Marion Schwebel (in 1999-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-10)
performer:
Bach Collegium Japan (in 1999-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-10)
recording of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben": VI. Choral "Herr, durch den Glauben wohn in mir" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 6)
part of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben"
Johann Sebastian Bach1:24
21Cantata n.º 4 “Christ lag in Todesbanden”, BWV 4: I. Sinfonía
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:11
22Cantata n.º 4 “Christ lag in Todesbanden”, BWV 4: II. Coro
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:04
23Cantata n.º 4 “Christ lag in Todesbanden”, BWV 4: III. Dueto (soprano, alto)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
countertenor vocals:
太刀川昭 (Akira Tachikawa) (from 1995-06 until 1995-07)
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:40
24Cantata n.º 4 “Christ lag in Todesbanden”, BWV 4: IV. Aria (tenor)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:56
25Cantata n.º 4 “Christ lag in Todesbanden”, BWV 4: V. Coro
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:28
26Cantata n.º 4 “Christ lag in Todesbanden”, BWV 4: VI. Aria (bajo)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:38
27Cantata n.º 4 “Christ lag in Todesbanden”, BWV 4: VII. Dueto (soprano, tenor)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:29
28Cantata n.º 4 “Christ lag in Todesbanden”, BWV 4: VIII. Coral
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:13

Credits

Release

part of:Clásica El País (Fifty 56-pages-CD-books issued in 2004 by Spanish newspaper El País in collaboration with Diverdi and sponsored by BBVA Spanish bank.) (number: 33) (order: 16)
Discogs:https://www.discogs.com/release/11416986 [info]