Sex Tape : 50 chansons pour le sexe

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Exactly as on covers

Tu n'utiliseras pas la poésie, l'art ou la musique pour te
glisser dans la culotte des filles, ricanait récemment le
rappeur anglais Dan Le Sac dans une chanson en forme de
dix commandements goguenards. On le sait pourtant depuis
qu'Elvis Presley a commencé à remuer les hanches ou qu'Eve
s'est mise à jouer du pipeau dans le jardin d'Eden : la
musique peut être un véritable pousse-au-sexe. Comme
substitut au Viagra ou comme BO des siestes coquines, Les
Inrockuptibles proposent le coffret Sex Tape. Soit
cinquante chansons venues du R&B, de la soul, de la pop,
de la chanson ou du rock pour, comme l'indique le sous
titre de ce triple album, "faire le sexe". Travaux
pratiques obligatoires.

Les Inrockuptibles

Annotation last modified on 2022-11-23 04:14 UTC.

Tracklist

1▶CD: Sensuel
2▶CD: Érotique
3▼CD: Hot
#TitleArtistRatingLength
1Hot Pants
producer:
James Brown (The Godfather of Soul)
lead vocals:
James Brown (The Godfather of Soul)
performer:
The J.B.’s
partial recording of:
Hot Pants (She Got to Use What She Got to Get What She Wants)
lyricist and composer:
James Brown (The Godfather of Soul) and Fred Wesley
James Brown43:09
2Let Me Put It In
Andre Williams43:50
3Pink & Blue
recording engineer:
Reginald Dozier, John Frye (hip hop / R&B mix engineer), Pete Novak and Darrell Thorp (record producer, mixer and engineer)
producer:
André 3000
mixer:
Dexter Simmons
cello:
Catherine Chan, Lisa Chien, John Krovoza and Martin Smith (cellist)
double bass:
Kelvin Brandon and Kelvin O'Neal
viola:
Marcy Dicterow Vaj, Patrick Morgan, Michele Nardone and Robin Ross
violin:
Richard Adkins, Mark Cargill (violinist), Mark Casillas, Louis Kabok, Yaroslav Kettner, Gina Kronstadt, Marisa McLeod, Jim Sitterly (violinist), Charles Veal Jr. (violinist, conductor and arranger) and Tibor Zelig
lead vocals:
André 3000
conductor:
Benjamin Wright
strings arranger:
Benjamin Wright
samples:
Age Ain’t Nothing but a Number (original album version) by Aaliyah (American R&B singer)
recording of:
Pink & Blue
writer:
André Benjamin and R. Kelly
OutKast2.655:07
4Give It to Me Baby
recording engineer and mixer:
Tom "Super" Flye
assistant engineer:
Rick "Port Hole" Sanchez
engineer:
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez and Tom "Super" Flye
producer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
bass:
Oscar Alston
drums (drum set):
Lanise Hughes
electric piano and synthesizer [Crumar]:
Levi Ruffin, Jr.
guitar:
Tom McDermott (guitarist)
handclaps:
Teena Marie
percussion:
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) and Tom McDermott (guitarist)
saxophone:
Daniel LeMelle
trombone:
John Ervin
trumpet:
Cliff Ervin, Fernando Harkless and Roy Poper
background vocals:
Melvin Franklin and Teena Marie
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recorded at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Give It To Me Baby
lyricist and composer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. and Stone City Music Co.
Rick James4.654:12
5Controversy
engineer:
Mick Guzauski, Bob Mockler (engineer) and Ross Pallone
producer:
Prince (“The Artist Formerly Known as…”)
instruments and vocals:
Prince (“The Artist Formerly Known as…”)
background vocals:
Lisa Coleman (US pianist/keyboardist & composer)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Kiowa Trail Home Studio in Chanhassen, Minnesota, United States (in 1981)
mixed at:
Sunset Sound in Hollywood, Los Angeles, California, United States (from 1981-08-14 until 1981-08-23)
recording of:
Controversy (from 1981-04-01 until 1981-08-13)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince47:18
6My Love (Diplo remix)
recording of:
My Love
writer:
Clifford J. Harris (Atlanta US rapper & producer Clifford Harris), Danjahandz (US producer Nate Hills), Timbaland and Justin Timberlake
publisher:
Crown Club Publishing, Danjahandz Muzik, Tennman Tunes, Virginia Beach Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), WBM Music and Zomba Enterprises, Inc.
Justin Timberlake54:22
7Sex Style
Kool Keith53:25
8To Catch a Thief
executive producer:
Nathaniel Merriweather
producer and mixer:
Dan the Automator
keyboard [keyboards]:
Daniel Spills
phonographic copyright (℗) by:
75 Ark (in 2001)
recorded at and mixed at:
The Glue Factory in San Francisco, California, United States
recording of:
To Catch a Thief
writer:
Jennifer Charles and Dan Nakamura
Lovage3.653:16
9What’s Your Fantasy
Ludacris4:39
10Laffy Taffy
recording engineer:
Mook B
producer:
K-Rab (US hip hop producer)
mixer:
Mike Wilson (hip hop engineer)
recorded at:
D4L Studios in Atlanta, Georgia, United States
mixed at:
Patchwerk Recording Studios in Atlanta, Georgia, United States
part of:
The SPIN Essential Mix (SPIN magazine, 2006-01) (number: 15)
recording of:
Laffy Taffy
writer:
Dennis Butler, Lefabian Williams (US rapper, now known as "2$ Fabo"), Adrian Parks (US Hip Hop) and Richard W. Sims, Jr.
publisher:
30318 Publishing (ASCAP), Dennis Butler Publishing Designee, Perry Homes Music Publishing and Stuntman Publishing
D4L3.253:47
11Me So Horny
engineer and mixer:
Ron Taylor (engineer and producer) and Ted Stein (Audio Engineer)
producer:
Luke Skyywalker (US rapper Luther Campbell (2 Live Crew); aka Luke Skyywalker, Uncle Luke) and The 2 Live Crew
phonographic copyright (℗) by:
Lil’ Joe Records, Inc. (in 1989) and Luke Records (in 1989)
recorded at:
Skyywalker Studios in Miami, Florida, United States
samples:
Firecracker by Mass Production
recording of:
Me So Horny
writer:
Brother Marquis, Chris Wong Won, David Hobbs (US hip-hop DJ and producer Mr. Mixx), Luther Campbell (US rapper Luther Campbell (2 Live Crew); aka Luke Skyywalker, Uncle Luke) and Ricardo Williams
publisher:
Pac-Jam Publishing
2 Live Crew44:39
12How Many Licks?
Lil’ Kim3:43
13Promiscuous
additional recording engineer:
Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer)
recording engineer and mixer:
Demacio "Demo" Castellon
additional programming:
Demacio "Demo" Castellon
engineer:
Vadim Chislov, Demacio "Demo" Castellon, Ben Jost (engineer), James Roach (engineer) and Kobla Tetey
producer:
Jim Beanz (lead vocals), Danja (US producer Nate Hills) and Timbaland
drums (drum set) [drums] and keyboard [keyboards]:
Danja (US producer Nate Hills) and Timbaland
additional background vocals:
Jim Beanz
background vocals:
Nelly Furtado
guest vocals:
Timbaland
phonographic copyright (℗) by:
Mosley Music Group LLC (Do not use as a release company, use Mosley Music Group instead) and Geffen Records (in 2006)
mixed for:
Storm Circle Entertainment
produced for:
Danja Handz Productions, Pettaway Music, Sunset Entertainment and Timbaland Productions
recorded at:
The Hit Factory Miami in Miami, Florida, United States
mixed at:
Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 456)
recording of:
Promiscuous
lyricist:
Attitude (US rapper/producer Tim Clayton), Nelly Furtado and Timbaland
composer:
Timothy Clayton, Nelly Furtado, Nate Hills (US producer Nate Hills) and Timothy Mosley
Nelly Furtado3.854:04
14Just a Lil Bit
recording engineer:
Kameron Houff and Steve “Steve B” Baughman (mix/recording engineer)
assistant engineer:
Robert “Roomio” Reyes and Rouble Kapoor
producer:
Scott Storch (producer)
mixer:
Dr. Dre (Andre Young, rap producer) and Mauricio “Veto” Iragorri
additional keyboard:
Mike Elizondo
sitar:
Mike Elizondo
lead vocals:
50 Cent
phonographic copyright (℗) by:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) and Shady Records (Eminem's US rap label) (in 2005)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States and Sound Villa in Miami, Florida, United States
mixed at:
Record One in Sherman Oaks, Los Angeles, California, United States
music videos:
Just a Lil Bit (music video, explicit) by 50 Cent
recording of:
Just a Lil Bit
writer:
Curtis Jackson (50 Cent) and Scott Storch (producer)
publisher:
50 Cent Music, Kobalt Music Copyrights SARL, Reservoir Media Music, Scott Storch Music, TVT Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent3.954:00
15I Can’t Get With That (Schmoove version)
assistant recording engineer:
Edward Douglas (engineer) and Juan Garcia (assistant at Magic Shop)
recording engineer, engineer and mixer:
Tim Latham
producer:
Fun Lovin’ Criminals
performer:
Fun Lovin’ Criminals
arranger:
Fun Lovin’ Criminals
recorded at:
The Magic Shop in Manhattan, New York, New York, United States
mixed at:
Platinum Island Studios in New York, New York, United States (on 1995-07-19)
recording of:
I Can’t Get With That
writer:
Stephen Borgovini, Brian Leiser and Huey Morgan (DJ for the BBC)
publisher:
DiFontaine Carting & Asbestos Removal, Co.
Fun Lovin’ Criminals35:35
16Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:57

Credits

Release

photography:Galith Sultan
graphic design:Calou (graphic designer)
Discogs:https://www.discogs.com/release/11418434 [info]
purchase for mail-order:http://musique.fnac.com/a2639718/ [info]