Memories Are Made of This

~ Veröffentlichung von Dean Martin (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1Memories Are Made of This
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Memories Are Made of This
Verfasser(in):
Richard Dehr (in 1955), Terry Gilkyson (in 1955) und Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
2:14
A2Volare
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1958-07-14)
Orchester:
Dick Stabile and His Orchestra (am 1958-07-14)
conductor:
Gus Levene (am 1958-07-14)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (am 1958-07-14)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
Übersetzer:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Robbins Music Corp.
übersetzte Version von:
Nel blu dipinto di blu (Volare)
42:57
A3Sway
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
Orchester:
Dick Stabile and His Orchestra (in 1952)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (am 1954-04-22)
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
Version von:
¿Quién será?
42:40
A4That’s Amore
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1953-08-13)
Orchester:
Dick Stabile and His Orchestra (am 1953-08-13)
conductor:
Dick Stabile (am 1953-08-13)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-13)
recording of:
That’s Amore (am 1953-08-13)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, volume I)
4.353:05
A5Mambo Italiano
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1954-11-26)
Orchester:
Dick Stabile and His Orchestra (am 1954-11-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Mambo Italiano (original english version) (am 1954-11-26)
Texter und Komponist(in):
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
2:16
A6Arrivederci Roma
recording of:
Arrivederci Roma (English version)
Texter:
Pietro Garinei und Sandro Giovannini
Komponist(in):
Renato Rascel (Italian singer)
Übersetzer:
Carl Sigman
übersetzte Version von:
Arrivederci Roma (italian original)
2:39
A7Amor
recording of:
Amor (More and More Amor)
Texter:
Ricardo López Méndez (Mexican poet, lyricist and radio host)
Komponist(in):
Gabriel Ruiz (Mexican composer)
Teil von:
Broadway Rhythm (film)
3:09
A8The Naughty Lady of Shady Lane
vocals:
Dean Martin (American singer/actor)
cover recording of:
The Naughty Lady of Shady Lane
Verfasser(in):
Roy Bennett (US songwriter) und Sid Tepper
52:52
B1I Can’t Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Verfasser(in):
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:39
B2Dream
cover recording of:
Dream
Texter und Komponist(in):
Johnny Mercer (in 1944)
publisher:
Capitol Songs Inc., Mercer Music, Michael H. Goldsen Inc., Warner Bros. Music Corp., Warner Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
3:17
B3I’ve Got My Love to Keep Me Warm
Produzent(in):
Lee Gillette
Sologesang:
Dean Martin (American singer/actor)
conductor:
Gus Levene (in 1959)
arranger:
Irving Berlin
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1959)
cover recording of:
I’ve Got My Love to Keep Me Warm (in 1959)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
I’ve Got My Love to Keep Me Warm
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
42:40
B4Promise Her Anything
2:56
B5You’re Nobody ’til Somebody Loves You
Produzent(in):
Lee Gillette
Bass:
Joe Comfort (am 1960-05-10)
Bratsche / Viola:
Alvin Dinkin (am 1960-05-10) und Paul Robyn (am 1960-05-10)
Cello:
Jacques Gasselin (am 1960-05-10), Edgar Lustgarten (am 1960-05-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-05-10)
Geige / Violine:
Victor Bay (am 1960-05-10), Alex Beller (am 1960-05-10), Dan Lube (am 1960-05-10), Felix Slatkin (am 1960-05-10), Marshall Sosson (am 1960-05-10) und Gerald Vinci (American violinist and strings conductor) (am 1960-05-10)
Gitarre:
Al Hendrickson (am 1960-05-10)
Klavier:
Bill Miller (pianist) (am 1960-05-10)
Posaune:
Russell Brown (Swing trombonist) (am 1960-05-10), Dick Noel (trombone) (am 1960-05-10), Tom Pederson (am 1960-05-10) und Thomas Shepard (am 1960-05-10)
Saxophon:
Buddy Collette (am 1960-05-10), Plas Johnson (am 1960-05-10), Harry Klee (am 1960-05-10), Joe Koch (am 1960-05-10) und Wilbur Schwartz (am 1960-05-10)
Schlagzeug:
Alvin Stoller (am 1960-05-10)
Trompete:
Pete Candoli (am 1960-05-10), Conrad Gozzo (am 1960-05-10), Carroll Lewis (trumpeter) (am 1960-05-10) und Shorty Sherock (am 1960-05-10)
vocals:
Dean Martin (American singer/actor) (am 1960-05-10)
Orchester:
Nelson Riddle and His Orchestra (am 1960-05-10)
conductor:
Nelson Riddle (am 1960-05-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (am 1960-05-10)
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
4.352:11
B6Louise
cover recording of:
Louise (from "Innocents of Paris")
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Richard A. Whiting (composer)
2:18
B7When You’re Smiling
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
When You’re Smiling (the Whole World Smiles With You)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
53:02
B8Please Don’t Talk About Me When I’m Gone
Bass:
Joe Comfort (am 1960-05-10)
Bratsche / Viola:
Alvin Dinkin (am 1960-05-10) und Paul Robyn (am 1960-05-10)
Cello:
Jacques Gasselin (am 1960-05-10), Edgar Lustgarten (am 1960-05-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-05-10)
Geige / Violine:
Victor Bay (am 1960-05-10), Alex Beller (am 1960-05-10), Dan Lube (am 1960-05-10), Felix Slatkin (am 1960-05-10), Marshall Sosson (am 1960-05-10) und Gerald Vinci (American violinist and strings conductor) (am 1960-05-10)
Gitarre:
Al Hendrickson (am 1960-05-10)
Klavier:
Bill Miller (pianist) (am 1960-05-10)
Posaune:
Russell Brown (Swing trombonist) (am 1960-05-10), Dick Noel (trombone) (am 1960-05-10), Tom Pederson (am 1960-05-10) und Thomas Shepard (am 1960-05-10)
Saxophon:
Buddy Collette (am 1960-05-10), Plas Johnson (am 1960-05-10), Harry Klee (am 1960-05-10), Joe Koch (am 1960-05-10) und Wilbur Schwartz (am 1960-05-10)
Schlagzeug:
Alvin Stoller (am 1960-05-10)
Trompete:
Pete Candoli (am 1960-05-10), Conrad Gozzo (am 1960-05-10), Carroll Lewis (trumpeter) (am 1960-05-10) und Shorty Sherock (am 1960-05-10)
vocals:
Dean Martin (American singer/actor) (am 1960-05-10)
Orchester:
Nelson Riddle and His Orchestra (am 1960-05-10)
conductor:
Nelson Riddle (am 1960-05-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-05-10)
cover recording of:
Please Don’t Talk About Me When I’m Gone (am 1960-05-10)
Texter:
Sidney Clare
Komponist(in):
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Remick Music Corp.
2:22

Nennungen