Ultimate Divas

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1[track overview]
[unknown]7:09
2My Man (Mon Homme)
cover recording of:
My Man (Mon homme) (Channing Pollock lyrics)
Texter:
Jacques Charles (French librettist and theatre producer) und Albert Willemetz
Komponist(in):
Maurice Yvain
Übersetzer:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (beendet) und Éditions Salabert France
übersetzte Version von:
Mon homme
Billie Holiday42:58
3Stormy Weather
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-12-15)
Orchester:
Lou Bring’s Orchestra
conductor:
Lou Bring (conductor and pianist)
cover recording of:
Stormy Weather (am 1941-12-15)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Lena Horne3:21
4Over the Rainbow
recording of:
Over the Rainbow (The Wizard of Oz) (in 1955)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Judy Garland43:30
5What a Difference a Day Makes
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-19)
Produzent(in):
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (am 1959-02-19)
flute:
Jerome Richardson (am 1959-02-19)
Gitarre:
Kenny Burrell (am 1959-02-19)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1959-02-19)
Kontrabass:
Milt Hinton (am 1959-02-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-02-19)
Sologesang:
Dinah Washington (am 1959-02-19)
vocals:
Dinah Washington (am 1959-02-19)
Orchester:
Belford Hendricks' Orchestra (am 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (am 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (am 1959-02-19)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Dinah Washington2.82:29
6Broken Hearted Melody
vocals:
Sarah Vaughan (am 1958-01-08)
recording of:
Broken-Hearted Melody (am 1958-01-08)
Texter:
Hal David
Komponist(in):
Sherman Edwards
Sarah Vaughan42:23
7Someone To Watch Over Me
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1950-09-12)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
Ella Fitzgerald3:15
8Midnight Train to Georgia
Gladys Knight4:37
9What's Love Got To Do With It
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
Perkussion:
Simon Morton
Schlagzeug:
Graham Jarvis (UK session drummer)
Hintergrundgesang:
Terry Britten und Tessa Niles
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 160) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 309)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
recording of:
What’s Love Got to Do With It (Kygo version)
Verfasser(in):
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) und Graham Lyle
publisher:
Kobalt Music (publisher) (vom 2020 bis heute) und WC Music Corp. (vom 2020 bis heute)
basiert auf:
What’s Love Got to Do With It
Tina Turner4.053:46
10My Funny Valentine
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Sologesang:
Chaka Khan
cover recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chaka Khan4:05
11Why
Programmierung:
Marius de Vries, Stephen Lipson und Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Techniker(in):
Heff Moraes
Produzent(in):
Stephen Lipson
assistierende(r) Mix:
Will O'Donovan
Gitarre:
Stephen Lipson
Keyboard:
Marius de Vries, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Stephen Lipson und Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
recorder:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographisches Urheberrecht (℗) von:
BMG Ariola Muenchen GmbH (in 1992) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1992)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich und The Church Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Why
Texter und Komponist(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Records (not for release label use! primarily named as distributor in the UK), La Lennoxa Music Co. Ltd. und Universal Music Publishing MGB Ltd.
Annie Lennox3.54:55
12Touch Me in the Morning
Produzent(in):
Tom Baird (Motown producer) und Michael Masser
arranger:
Tom Baird (Motown producer) und Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
Touch Me in the Morning
Verfasser(in):
Michael Masser und Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Diana Ross3.53:26
13I'll Never Love This Way Again
assistierende(r) Techniker(in):
Peter Darmi
Techniker(in):
Michael DeLugg
Produzent(in):
Barry Manilow
Bassgitarre [bass]:
Will Lee (US jazz/rock bassist)
Gitarre:
Mitch Holder (guitarist)
Keyboard:
Bill Mays
Klavier:
Barry Manilow
Perkussion:
Alan Estes
Schlagzeug:
Rick Schlosser (drummer)
Hintergrundgesang:
Ron Dante und Barry Manilow
Sologesang:
Dionne Warwick
arranger:
Barry Manilow
Orchestrator(in):
Artie Butler
concertmaster:
Sid Sharp
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1979)
aufgenommen bei:
United Western Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I’ll Never Love This Way Again
Texter:
Will Jennings
Komponist(in):
Richard Kerr
publisher:
Irving Music (BMI) und Irving Music, Inc.
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick2.53:29
14If Only You Knew
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Dexter Wansel
arranger:
John R. Faith
recording of:
If Only You Knew
Verfasser(in):
Cynthia Biggs, Kenneth Gamble (songwriter for Philadelphia International) und Dexter Wansel
publisher:
Cynthia Demari Biggs El und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Patti LaBelle4:47
15Not Gon' Cry
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Sologesang:
Mary J. Blige
recording of:
Not Gon’ Cry
Texter und Komponist(in):
Babyface (R&B musician Kenny Edmonds)
publisher:
ECAF Music, Fox Film Music Corporation (BMI-affiliated) und Sony/ATV Songs LLC
Teil von:
Waiting to Exhale (1995 film)
Mary J. Blige4:56
16Un-Break My Heart
Assistent recording engineer:
Brandon Harris (US engineer) (in 1995)
recording engineer:
Felipe Elgueta (in 1995)
Keyboard-Programmierung:
David Foster (Canadian music producer, arranger and composer) (in 1995)
Synclavier-Programmierung:
Simon Franglen (English score composer) (in 1995)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Marnie Riley
Mix:
Mick Guzauski
Akustikgitarre:
Dean Parks (American session guitarist) (in 1995)
E-Gitarre:
Michael Thompson (session guitarist) (in 1995)
Hintergrundgesang:
Toni Braxton (in 1995) und Shanice (in 1995)
Sologesang:
Toni Braxton (in 1995) und Shanice Wilson (in 1995)
arranger:
David Foster (Canadian music producer, arranger and composer), L.A. Reid und Tim Thomas (from Tim & Ted)
phonographisches Urheberrecht (℗) von:
LaFace Records, Inc. (in 1996)
arranged for und produced for:
Chartmaker, Inc.
aufgenommen bei:
Chartmaker Studios in Malibu, California (Kalifornien), Vereinigte Staaten (in 1995) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1995)
mixed at:
Barking Doctor in Mount Kisco, New York, Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 16)
recording of:
Un-Break My Heart (in 1995)
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Realsongs
Toni Braxton3.74:31
17I Have Nothing
Techniker(in):
David Reitzas
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Mix:
Mick Guzauski
Saiteninstrumente arranger:
David Foster (Canadian music producer, arranger and composer) und Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1993)
aufgenommen bei:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten, Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
I Have Nothing
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und Linda Thompson (American actress, lyricist)
Teil von:
The 65th Academy Award for Best Original Song (Nummer: 2)
Whitney Houston4.24:51
18Nessun Dorma
recording engineer:
David Hewitt (engineer) (am 1998-02-25), Elliot Scheiner (am 1998-02-25) und Gerard Smerek (am 1998-02-25)
Produzent(in):
Aretha Franklin (Sologesang) und Phil Ramone
Mix:
Elliot Scheiner
conductor:
Rob Mounsey
arranger:
Rob Mounsey
phonographisches Urheberrecht (℗) von:
Arista Records, LLC (holding company - file NO releases here!) (in 1998)
live cover recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (am 1998-02-25)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Aretha Franklin23:16