Das Kantatenwerk, Vol. 45

~ Release by Johann Sebastian Bach; Nikolaus Harnoncourt & Gustav Leonhardt (see all versions of this release, 1 available)

Annotation

liner notes:
https://www.bach-cantatas.com/Pic-Rec-BIG/HL-L45-5c[Teldec-2CD].pdf

Annotation last modified on 2020-12-13 14:37 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1BWV 198 - I. Chor "Laß, Füstin, laß noch einen Strahl"
alto vocals:
René Jacobs (conductor)
bass vocals:
Harry van der Kamp (operatic bass)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
soprano vocals:
Jan Patrick O'Farrell (boy soprano)
tenor vocals:
John Elwes (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach6:16
2BWV 198 - II. Recitativo (Soprano) "Dein Sachsen, dein bestürstes Meißen"
alto vocals:
René Jacobs (conductor)
bass vocals:
Harry van der Kamp (operatic bass)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
soprano vocals:
Jan Patrick O'Farrell (boy soprano)
tenor vocals:
John Elwes (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:16
3BWV 198 - III. Aria (Soprano) "Verstummt, verstummt, ihr holden Saiten"
alto vocals:
René Jacobs (conductor)
bass vocals:
Harry van der Kamp (operatic bass)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
soprano vocals:
Jan Patrick O'Farrell (boy soprano)
tenor vocals:
John Elwes (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach4:04
4BWV 198 - IV. Recitativo (Alto) "Der Glocken bebendes Getön"
alto vocals:
René Jacobs (conductor)
bass vocals:
Harry van der Kamp (operatic bass)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
soprano vocals:
Jan Patrick O'Farrell (boy soprano)
tenor vocals:
John Elwes (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach0:47
5BWV 198 - V. Aria (Alto) "Wie starb die Heldin so vergnügt"
alto vocals:
René Jacobs (conductor)
bass vocals:
Harry van der Kamp (operatic bass)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
soprano vocals:
Jan Patrick O'Farrell (boy soprano)
tenor vocals:
John Elwes (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:46
6BWV 198 - VI. Recitativo (Tenore) "Ihr Leben ließ die Kunst zu sterben"
alto vocals:
René Jacobs (conductor)
bass vocals:
Harry van der Kamp (operatic bass)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
soprano vocals:
Jan Patrick O'Farrell (boy soprano)
tenor vocals:
John Elwes (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:11
7BWV 198 - VII. Chor "An dir, du Vorbild großer Frauen"
alto vocals:
René Jacobs (conductor)
bass vocals:
Harry van der Kamp (operatic bass)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
soprano vocals:
Jan Patrick O'Farrell (boy soprano)
tenor vocals:
John Elwes (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:21
8BWV 198 - VIII. Aria (Tenore) "Der Ewigkeit saphirnes Haus"
alto vocals:
René Jacobs (conductor)
bass vocals:
Harry van der Kamp (operatic bass)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
soprano vocals:
Jan Patrick O'Farrell (boy soprano)
tenor vocals:
John Elwes (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach4:06
9BWV 198 - IX. Recitativo (Basso) "Was Wunder ist's?"
alto vocals:
René Jacobs (conductor)
bass vocals:
Harry van der Kamp (operatic bass)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
soprano vocals:
Jan Patrick O'Farrell (boy soprano)
tenor vocals:
John Elwes (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:32
10BWV 198 - X. Chor "Doch Königin! Du stirbest nicht"
alto vocals:
René Jacobs (conductor)
bass vocals:
Harry van der Kamp (operatic bass)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
soprano vocals:
Jan Patrick O'Farrell (boy soprano)
tenor vocals:
John Elwes (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:14
11BWV 199 - I. Recitativo "Mein Herze schwimmt im Blut"
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:09
12BWV 199 - II. Aria. Adagio "Stumme Seufzer, stille Klagen"
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach8:44
13BWV 199 - III. Recitativo "Doch Gott muß mir genädig sein"
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo "Doch Gott muß mir gnädig sein" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach1:02
14BWV 199 - IV. Aria. Andante "Tief gebrückt und voller Reue"
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria "Tief gebückt und voller Reue" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach6:36
15BWV 199 - V. Recitativo "Auf diese Schmerzensreu"
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo "Auf diese Schmerzensreu" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach0:15
16BWV 199 - VI. Chorale. Andante "Ich, dein betrübtes Kind"
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral "Ich, dein betrübtes Kind" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:06
17BWV 199 - VII. Recitativo "Ich lege mich in diese Wunden"
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo "Ich lege mich in diese Wunden" (catch-all for unknown versions)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach0:41
18BWV 199 - VIII. Aria. Allegro "Wie freudig ist mein Herz"
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano) (in 1988-09)
orchestra:
Concentus Musicus Wien (in 1988-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-09)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz" (catch-all for unknown versions) (in 1988-09)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:09

Credits

Release

ASIN:DE: B000000SBW [info]