The Genius of Astrud Gilberto

~ Release by Astrud Gilberto (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1The Girl From Ipanema
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (jazz bassist) (from 1963-03-18 until 1963-03-19)
double bass [bass]:
Tommy Williams (jazz bassist) (in 1963-03)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
drums (drum set) [drums]:
Milton Banana (in 1963-03)
guest piano and piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (from 1963-03-18 until 1963-03-19)
vocals:
Astrud Gilberto (from 1963-03-18 until 1963-03-19) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
performer:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) and Antônio Carlos Jobim
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (from 1963-03-18 until 1963-03-19)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 461)
recording of:
The Girl From Ipanema (from 1963-03-18 until 1963-03-19)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, volume I)
45:22
2Fly Me to the Moon
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
Claus Ogerman (from 1964-10-21 until 1965-02-04)
arranger:
Claus Ogerman
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1964-10-21)
cover recording of:
Fly Me to the Moon (from 1964-10-21 until 1965-02-04)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
2:22
3Crickets Sing for Anamaria
recorded in:
New York, New York, United States (on 1968-05-14)
producer:
Pete Spargo
mixer:
David Greene (engineer recording, mixing)
vocals:
Astrud Gilberto (on 1968-05-14)
conductor:
Eumir Deodato (on 1968-05-14)
arranger:
Eumir Deodato
cover recording of:
Crickets Sing for Anamaria (on 1968-05-14)
lyricist:
Ray Gilbert and Paulo Sérgio Valle
composer:
Marcos Valle
version of:
Os grilos
1:35
4Day by Day
recording of:
Day by Day
lyricist:
Sammy Cahn
composer:
Axel Stordahl and Paul Weston
publisher:
Barton Music Corp. and Hanover Music Corp.
2:07
5So Nice (Samba de Verao)
2:41
6Come Softly to Me / Hushabye
recorded in:
New York, New York, United States (on 1964-01-29)
vocals:
Astrud Gilberto (on 1964-01-29)
conductor:
Norman Bergen (on 1964-01-29)
arranger:
Norman Bergen
cover recording of:
Come Softly to Me (on 1964-01-29)
writer:
Gretchen Christopher, Barbara Ellis and Gary Troxel (The Fleetwoods’ lead singer and songwriter)
publisher:
Chappell Morris, EMI Unart Catalog Inc. and Unart Music Corp. (in 1958, in 1959)
cover recording of:
Hushabye (on 1964-01-29)
writer:
Doc Pomus (in 1959) and Mort Shuman (US singer, pianist & songwriter) (in 1959)
is based on:
All the Pretty Little Horses
2:53
7Trains and Boats and Planes
conductor:
Albert Gorgoni (guitarist, composer, arranger, and producer) (on 1968-12-12)
arranger:
Albert Gorgoni (guitarist, composer, arranger, and producer)
recorded at:
Century Sound Recording Studio in New York, New York, United States (on 1968-12-12)
cover recording of:
Trains and Boats and Planes (on 1968-12-12)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Warner/Chappell Music Ltd. (1996–2019)
2:50
8Canto de Ossanha (Let Go)
double bass [bass]:
Joseph Macho (on 1969-12-17) and Julio Ruggiero (on 1969-12-17)
drums (drum set) [drums]:
Bill LaVorgna (on 1969-12-17) and Al Rogers (drummer) (on 1969-12-17)
flugelhorn:
Burt Collins (on 1969-12-17) and Joe Shepley (on 1969-12-17)
guitar:
Sal DiTroia (on 1969-12-17)
keyboard:
Benny Aranov (on 1969-12-17), Stan Free (on 1969-12-17), Paul Griffin (American pianist, session musician) (on 1969-12-17) and Frank Owens (American pianist) (on 1969-12-17)
percussion:
Robert Gregg (on 1969-12-17) and Airto Moreira (percussionist) (on 1969-12-17)
saxophone:
Joseph Ferrantello (on 1969-12-17), Leon S. Cohen (woodwind player) (on 1969-12-17) and Seldon Powell (on 1969-12-17)
trombone:
Mickey Gravine (on 1969-12-17)
vocals:
Astrud Gilberto (on 1969-12-17)
arranger:
Albert Gorgoni (guitarist, composer, arranger, and producer)
vocals arranger:
Brooks Arthur
recorded at:
Century Sound Recording Studio in New York, New York, United States (on 1969-12-17)
recording of:
Let Go (Canto de Ossanha) (on 1969-12-17)
lyricist:
Norman Gimbel
composer:
Baden Powell
version of:
Canto de Ossanha
3:07
9Goodbye Sadness (Tristeza)
double bass [bass]:
José Marino (bassist) (on 1966-09-21)
drums (drum set) [drums]:
Claudio Slon (on 1966-09-21)
organ and piano:
Walter Wanderley (on 1966-09-21)
percussion:
Bobby Rosengarden (on 1966-09-21)
vocals:
Astrud Gilberto (on 1966-09-21)
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1966-09-21)
recording of:
Goodbye Sadness
writer:
Haroldo Lobo and Niltinho
translator:
Norman Gimbel
3:35
10Dindi
recording of:
Dindi
lyricist:
Aloysio de Oliveira
composer:
Antônio Carlos Jobim
2:43
11Berimbau
recording of:
Berimbau (Portuguese original)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Baden Powell
2:23
12Insensatez
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
double bass [bass]:
Joe Mondragon (in 1965-01)
flute:
Bud Shank (in 1965-01, from 1965-01-27 until 1965-01-28)
guitar:
Antonio Carlos Jobim (in 1965-01), João Donato (in 1965-01) and Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (in 1965-01, from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (in 1965-01, from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (in 1965-01, from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (in 1965-01, from 1965-01-27 until 1965-01-28)
cover recording of:
How Insensitive (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Duchess Music Corporation (BMI-affiliated) and Songs of Universal, Inc. (BMI)
translated version of:
Insensatez
recording of:
Insensatez
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
2:46
13The Shadow of Your Smile
recorded in:
Los Angeles, California, United States (on 1965-06-03)
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (on 1965-06-03)
conductor:
Don Sebesky (on 1965-06-03)
arranger:
Don Sebesky
recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (on 1965-06-03)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
32:31
14The Gentle Rain
2:26
15Wish Me a Rainbow
vocals:
Astrud Gilberto (on 1965-05-13)
conductor:
Don Sebesky (on 1965-05-13)
arranger:
Don Sebesky
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1965-05-13)
2:27
16I’m Nothin’ Without You
vocals:
Astrud Gilberto (in 1986)
conductor:
James Last (German big band leader & composer, 1929–2015) (in 1986)
arranger:
Astrud Gilberto and James Last (German big band leader & composer, 1929–2015)
recorded at:
New River Sound Studio in Fort Lauderdale, Florida, United States (in 1986) and Studio Hamburg in Hamburg, Germany (in 1986)
4:25
17It Might as Well Be Spring
double bass [bass]:
Gene Cherico (on 1964-10-06)
drums (drum set) [drums]:
Helcio Milito (on 1964-10-06)
guitar:
Kenny Burrell (on 1964-10-06)
tenor saxophone:
Stan Getz (on 1964-10-06)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (on 1964-10-06)
vocals:
Astrud Gilberto (on 1964-10-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-10-06)
live recording of:
It Might as Well Be Spring (State Fair) (on 1964-10-06)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
24:24
18Photograph
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
recording of:
Photograph (in 1965-01)
lyricist:
Ray Gilbert
composer:
Antônio Carlos Jobim
2:15
19The Face I Love
recorded in:
New York, New York, United States (in 1967-06)
recording engineer:
Brooks Arthur
double bass [bass]:
Ron Carter (US jazz double-bassist) (in 1967-06) and Julio Ruggiero (in 1967-06)
drums (drum set) [drums]:
Bobby Rosengarden (in 1967-06), Claudio Slon (in 1967-06) and Grady Tate (in 1967-06)
French horn:
Ray Alonge (french horn) (in 1967-06), Earl Chapin (in 1967-06), Jimmy Buffington (US jazz, studio and classical hornist) (in 1967-06) and Tony Miranda (US French hornist) (in 1967-06)
guitar:
Barry Galbraith (in 1967-06), Toots Thielemans (in 1967-06) and Marcos Valle (in 1967-06)
percussion:
Alan Douglas (American record producer) (in 1967-06), Jack Jennings (in 1967-06) and Dom Um Romão (in 1967-06)
piano:
Ben Aronov (in 1967-06) and Warren Bernhardt (in 1967-06)
strings:
Eumir Deodato (in 1967-06)
trombone:
Wayne Andre (in 1967-06), Warren Covington (in 1967-06), Urbie Green (in 1967-06) and Tony Studd (in 1967-06)
trumpet:
Bernie Glow (in 1967-06), Jimmy Nottingham (in 1967-06), Ernie Royal (in 1967-06) and Marvin Stamm (in 1967-06)
tuba:
John Barber (Jazz tuba player) (in 1967-06)
vibraphone:
George Devens (in 1967-06)
woodwind:
Phil Bodner (Woodwind player) (in 1967-06), Bill Hammond (flautist) (in 1967-06), Hubert Laws (in 1967-06), Seldon Powell (in 1967-06) and Stan Webb (US jazz saxophone, flute) (in 1967-06)
vocals:
Astrud Gilberto (in 1967-06)
conductor:
Eumir Deodato (in 1967-06)
arranger:
Eumir Deodato
recording of:
The Face I Love (in 1967-06)
lyricist:
Carlos Pingarhilo, Ray Gilbert and Paulo Sérgio Valle
composer:
Ray Gilbert, Carlos Pingarilho and Marcos Valle
2:09
20Aruanda (take Me to Aruanda)
2:31
21Who Needs Forever?
orchestra:
Quincy Jones and orchestra (in 1966-12)
conductor:
Quincy Jones (in 1966-12)
arranger:
Quincy Jones
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1966-12)
3:10
22Look to the Rainbow
recorded in:
New York, New York, United States (on 1965-12-06)
instrumental recording of:
Look to the Rainbow (from “Finian’s Rainbow”) (on 1965-12-06)
lyricist:
EY. Harburg
composer:
Burton Lane
publisher:
Chappell & Co. and Glocca Morra Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Finian’s Rainbow (1947 Broadway musical)
cover recording of:
Look to the Rainbow (from “Finian’s Rainbow”)
lyricist:
EY. Harburg
composer:
Burton Lane
publisher:
Chappell & Co. and Glocca Morra Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Finian’s Rainbow (1947 Broadway musical)
recording of:
Look to the Rainbow (from “Finian’s Rainbow”)
lyricist:
EY. Harburg
composer:
Burton Lane
publisher:
Chappell & Co. and Glocca Morra Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Finian’s Rainbow (1947 Broadway musical)
3:29
23Meditation
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
Meditation (from 1965-01-27 until 1965-01-28)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
additional translator:
Eddy Marnay (French lyricist)
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), New Thunder Music Co., Songs of Universal, Inc. (BMI) and 大洋音楽 (Taiyō Music)
translated version of:
Meditação
2:43
24Once Upon a Summertime
3:06
25Frevo
recording of:
Frevo
lyricist and composer:
Antônio Carlos Jobim and Vinicius de Moraes (O poetinha)
2:28
2▶CD