The All Time Greatest R&B of the Last 3 Decades

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1If I Could Turn Back the Hands of Time
Assistent recording engineer:
Jason Bacher, Rick Behrens und Trey Fratt
recording engineer:
Chris Brickley, Stephen George und Carl Robinson (US bassist, guitarist & recording engineer)
Programmierung:
Chris Brickley und Stephen George
zusätzliche(r) Techniker(in):
Tony Black (producer, engineer)
Produzent(in):
R. Kelly
assistierende(r) Mix:
Mark Johnson (engineer)
Mix:
Stephen George und R. Kelly
Editing:
Chaz Harper
zusätzlich Keyboard:
LaFayette Carthon, Jr.
Hintergrundgesang:
Bruce Kelly, R. Kelly und Sparkle (US R&B singer)
Sologesang:
R. Kelly
Orchester:
The Motown Romance Orchestra
conductor:
Paul Riser
zusätzliche(r) Interpret(in):
Hart Hollman (violist)
Horn arranger und Saiteninstrumente arranger:
Paul Riser
arranger:
R. Kelly
recording of:
If I Could Turn Back the Hands of Time
Texter und Komponist(in):
R. Kelly
publisher:
R. Kelly Publishing Inc. und Zomba Songs Inc.
R. Kelly2.754:57
2Teardrops
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack45:01
3Pony
Sologesang:
Ginuwine (US R&B singer)
Bearbeitung von:
Pony von Ginuwine (US R&B singer)
recording of:
Pony
Verfasser(in):
Ginuwine (US R&B singer), Static Major (US rapper, songwriter & producer, aka Static) und Timbaland
Ginuwine54:11
4I’ll Make Love to You
Schlagzeug-Programmierung:
Rayford Griffin
assistierende(r) Techniker(in):
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg und Jamie Seyberth
Techniker(in):
Brad Gilderman
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Mick Guzauski
Bass:
Reggie Hamilton
Synthesizer:
Babyface (R&B musician Kenny Edmonds)
produced for:
ECAF Productions, Inc.
aufgenommen bei:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 185)
recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.653:57
5Fu-Gee-La
recording of:
Fu-Gee-La
Komponist(in):
Ms. Lauryn Hill, Wyclef Jean (Haitian rapper, musician and actor), Pras Michel (Pras, American rapper, member of The Fugees) und Salaam Remi
Fugees3:31
6Nobody
Keith Sweat feat. Athena Cage4:13
7Coming Home
recording of:
Coming Home
Roméo3:33
8Never Knew Love Like This Before
Produzent(in):
Reggie Lucas und James Mtume (jazz/funk musician)
Blasinstrumente [Horn Arrangements] arranger und Saiteninstrumente arranger:
Wade Marcus
vocals arranger:
Tawatha Agee, Reggie Lucas und James Mtume (jazz/funk musician)
phonographisches Urheberrecht (℗) von:
20th Century-Fox Record Corporation (in 1977)
aufgenommen bei und mixed at:
Sigma Sound Studios (New York) in New York, New York, Vereinigte Staaten
recording of:
Never Knew Love Like This Before
Verfasser(in):
Reggie Lucas und James Mtume (jazz/funk musician)
publisher:
Frozen Butterfly Publishing Co.
Stephanie Mills5:19
9Best of My Love
Produzent(in):
Al McKay
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 334)
recording of:
Best of My Love
Verfasser(in):
Al McKay und Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:39
10For the Cool in You
recording of:
For the Cool in You
Verfasser(in):
Babyface (R&B musician Kenny Edmonds) und Daryl Simmons
publisher:
Boobie and DJ Songs Inc., Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Babyface4:52
11There’ll Be Sad Songs (To Make You Cry)
Produzent(in):
Wayne Brathwaite und Barry Eastmond
Mix:
Nigel Green (engineer)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recording of:
There’ll Be Sad Songs (to Make You Cry)
Verfasser(in):
Wayne Brathwaite, Barry Eastmond und Billy Ocean
publisher:
Zomba Enterprises, Inc.
Billy Ocean34:50
12Just Kickin’ It
Xscape3:25
13Never Too Much
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
Bass:
Marcus Miller (jazz musician)
Conga:
Bashiri Johnson
Gitarre:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
Horn [horns] und Saiteninstrumente:
Paul Riser
Keyboard [keyboards]:
Nat Adderley, Jr.
Perkussion:
Crusher Bennett
Schlagzeug:
Buddy Williams (drummer)
Hintergrundgesang [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis und Sybil Thomas
Hintergrundgesang [male backup vocals] und Sologesang:
Luther Vandross
arranger:
Nat Adderley, Jr. und Paul Riser
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
Musikvideos:
Never Too Much von Luther Vandross
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 468) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 466)
recording of:
Never Too Much
Texter und Komponist(in):
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. und Uncle Ronnie’s Music Company Inc.
Luther Vandross3.93:51
14Tha Crossroads
recording of:
Tha Crossroads (DJ U‐Neek’s Mo Thug remix)
Verfasser(in):
Byron McCane, Charles Scruggs, Anthony Henderson (aka Krayzie Bone), Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley, Chris Jasper und Steve Howse
gewidmet:
Eazy‐E
publisher:
Bovina Music Inc., EMI April Music Inc., Keenu Songs, Mo Thugs Muzik und Ruthless Attack Muzick
basiert auf:
Crossroad (different from "Tha Crossroads")
Bone Thugs‐n‐Harmony3:46
15Kiss and Say Goodbye
Instrumente:
MFSB (Mother Father Sister Brother)
Hintergrundgesang:
Carla Benson, Evette Benton, Barbara Ingram und The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
Sologesang [singing voice on 1st lead]:
Gerald Alston
Sprecher [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
recording of:
Kiss and Say Goodbye
Texter und Komponist(in):
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. und EMI Songs Ltd.
The Manhattans3.54:27
16Fire
recording engineer:
Kevin McMahon (producer, engineer) und Barry Mraz
Produzent(in):
Kevin McMahon (producer, engineer) und Ohio Players
Mix:
Kevin McMahon (producer, engineer)
Agogô, Conga und Timbales:
James “Diamond” Williams (US drummer for Ohio Players)
Bassgitarre:
Sandy Davis
Gitarre:
Amy Klein
Perkussion und Sologesang:
Clarence "Satch" Satchell, Leroy "Sugarfoot" Bonner (funk guitarist, aka Sugarfoot), William "Billy" Beck und James “Diamond” Williams (US drummer for Ohio Players)
Rhodes Piano [Fender Rhodes]:
William "Billy" Beck
Schlagzeug:
Colin Brooks (US guitarist/drummer)
Tenorsaxophon:
Clarence "Satch" Satchell
Trompete:
Ralph “Pee Wee” Middlebrooks und Marvin “Merv” Pierce
Hintergrundgesang:
Clarence "Satch" Satchell, Leroy "Sugarfoot" Bonner (funk guitarist, aka Sugarfoot), Ralph “Pee Wee” Middlebrooks, Marvin “Merv” Pierce, William "Billy" Beck und James “Diamond” Williams (US drummer for Ohio Players)
vocals:
Amy Klein
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1991) und Don Giovanni Records (in 2016)
aufgenommen bei und mixed at:
Marcata Recording in New York, Vereinigte Staaten
produced at:
Marcata Recording in New York, Vereinigte Staaten
recording of:
Fire
Texter, Verfasser(in) und Komponist(in):
Billy Beck, Leroy Bonner (funk guitarist, aka Sugarfoot), Marshall Jones (US bassist & songwriter, member of Ohio Players), Ralph “Pee Wee” Middlebrooks, Marvin “Merv” Pierce, Clarence Satchell und James “Diamond” Williams (US drummer for Ohio Players)
publisher:
Charlotte Phillips Publishing (BMI), Rick’s Music, Inc. (publishing company associated with Casablanca) und Segundo Sueños LLC
Ohio Players4:22
17Don’t Let Go (Love)
recording of:
Don't Let Go (Love)
Verfasser(in):
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) und Rico Wade
En Vogue4:04
18Back Stabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Back Stabbers (in 1972)
Verfasser(in):
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden und John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:06
19Everyday People
Bassgitarre:
Larry Graham (US bassist & singer) (in 1968)
Gitarre:
Freddie Stone (in 1968)
Gitarre und Keyboard:
Sly Stone (in 1968)
Keyboard:
Rose Stone (in 1968)
Saxophon:
Jerry Martini (in 1968)
Schlagzeug:
Greg Errico (in 1968)
Trompete:
Cynthia Robinson (in 1968)
vocals:
Larry Graham (US bassist & singer) (in 1968), Jerry Martini (in 1968), Freddie Stone (in 1968), Rose Stone (in 1968) und Sly Stone (in 1968)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 109), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 145) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 293)
recording of:
Everyday People (in 1968)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.152:22

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