12″ 80’s Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Copyright: © 2021 UMG Recordings, Inc.
℗ 2021 UMG Recordings, Inc.

Available Regions (as of 2026-01-12)

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Excluded Regions (as of 2026-01-12)

🇦🇩 Andorra, 🇦🇬 Antigua & Barbuda, 🇦🇲 Armenia, 🇦🇴 Angola, 🇦🇿 Azerbaijan, 🇧🇧 Barbados, 🇧🇩 Bangladesh, 🇧🇫 Burkina Faso, 🇧🇮 Burundi, 🇧🇯 Benin, 🇧🇳 Brunei, 🇧🇸 Bahamas, 🇧🇹 Bhutan, 🇧🇼 Botswana, 🇧🇾 Belarus, 🇧🇿 Belize, 🇨🇩 Congo - Kinshasa, 🇨🇬 Congo - Brazzaville, 🇨🇻 Cape Verde, 🇩🇯 Djibouti, 🇩🇲 Dominica, 🇩🇴 Dominican Republic, 🇪🇹 Ethiopia, 🇫🇯 Fiji, 🇫🇲 Micronesia, 🇬🇦 Gabon, 🇬🇩 Grenada, 🇬🇪 Georgia, 🇬🇲 Gambia, 🇬🇳 Guinea, 🇬🇶 Equatorial Guinea, 🇬🇼 Guinea-Bissau, 🇬🇾 Guyana, 🇭🇹 Haiti, 🇮🇳 India, 🇮🇶 Iraq, 🇯🇲 Jamaica, 🇯🇴 Jordan, 🇰🇬 Kyrgyzstan, 🇰🇮 Kiribati, 🇰🇲 Comoros, 🇰🇳 St. Kitts & Nevis, 🇰🇿 Kazakhstan, 🇱🇦 Laos, 🇱🇨 St. Lucia, 🇱🇮 Liechtenstein, 🇱🇷 Liberia, 🇱🇸 Lesotho, 🇱🇾 Libya, 🇲🇨 Monaco, 🇲🇩 Moldova, 🇲🇬 Madagascar, 🇲🇭 Marshall Islands, 🇲🇱 Mali, 🇲🇳 Mongolia, 🇲🇴 Macao SAR China, 🇲🇷 Mauritania, 🇲🇺 Mauritius, 🇲🇻 Maldives, 🇲🇼 Malawi, 🇲🇿 Mozambique, 🇳🇦 Namibia, 🇳🇪 Niger, 🇳🇵 Nepal, 🇳🇷 Nauru, 🇵🇬 Papua New Guinea, 🇵🇰 Pakistan, 🇵🇷 Puerto Rico, 🇵🇸 Palestinian Territories, 🇵🇼 Palau, 🇷🇼 Rwanda, 🇸🇧 Solomon Islands, 🇸🇨 Seychelles, 🇸🇱 Sierra Leone, 🇸🇲 San Marino, 🇸🇷 Suriname, 🇸🇹 São Tomé & Príncipe, 🇸🇿 Eswatini, 🇹🇩 Chad, 🇹🇬 Togo, 🇹🇯 Tajikistan, 🇹🇱 Timor-Leste, 🇹🇴 Tonga, 🇹🇹 Trinidad & Tobago, 🇹🇻 Tuvalu, 🇹🇿 Tanzania, 🇺🇬 Uganda, 🇺🇿 Uzbekistan, 🇻🇨 St. Vincent & Grenadines, 🇻🇺 Vanuatu, 🇼🇸 Samoa, 🇿🇲 Zambia, 🇿🇼 Zimbabwe, 🇦🇫 Afghanistan, 🇦🇮 Anguilla, 🇨🇨 Cocos (Keeling) Islands, 🇨🇫 Central African Republic, 🇨🇰 Cook Islands, 🇨🇽 Christmas Island, 🇪🇷 Eritrea, 🇫🇰 Falkland Islands, 🇮🇴 British Indian Ocean Territory, 🇰🇾 Cayman Islands, 🇲🇸 Montserrat, 🇳🇫 Norfolk Island, 🇳🇺 Niue, 🇵🇳 Pitcairn Islands, 🇸🇯 Svalbard & Jan Mayen, 🇸🇴 Somalia, 🇹🇨 Turks & Caicos Islands, 🇹🇰 Tokelau, 🇹🇲 Turkmenistan, 🇻🇬 British Virgin Islands, 🇾🇪 Yemen

Anmerkung zuletzt geändert am 2026-01-12 08:36 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Don’t You (Forget About Me) (12″ version)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Don’t You (Forget About Me)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds1.56:33
2Dancing on the Ceiling (12″ version)
recording of:
Dancing on the Ceiling
Texter:
Lionel Richie
Komponist(in):
Michael Frenchik, Lionel Richie und Carlos Rios (producer/guitarist)
publisher:
Brenda Richie Publishing, Concord Music Publishing LLC, Skegee Music und Brockman Music (in 1986)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lionel Richie7:11
3Super Freak (12″ version)
Techniker(in):
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez und Tom "Super" Flye
leitende(r) Produzent(in):
Alonzo Miller (Singer-songwriter, producer)
Produzent(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Hintergrundgesang:
Melvin Franklin, Richard Street und Otis Williams (US baritone singer, member of The Temptations & The Distants)
recording of:
Super Freak
Texter und Komponist(in):
Alonzo Miller (Singer-songwriter, producer) und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. und Stone Diamond Music Corporation
Rick James7:06
4Hot Stuff (12″ version)
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
arranger:
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2003) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2003)
recording of:
Hot Stuff
Verfasser(in):
Pete Bellotte (English lyricist and producer), Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer3.56:40
5Wouldn’t It Be Good (extended 12″ mix)
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
Remix von:
Wouldn’t It Be Good von Nik Kershaw
recording of:
Wouldn’t It Be Good
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw56:50
6Heart of Glass (12″ version)
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in) und Mix:
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1978-06)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 47)
recording of:
Heart of Glass (von 1978-06 bis 1978-07)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie4.75:51
7Fade to Grey (12″ version)
Produzent(in):
Midge Ure und Visage (new romantic band from London)
arranger:
Visage (new romantic band from London)
recording of:
Fade to Grey
Verfasser(in):
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) und Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) und Performance Music Ltd
Visage6:43
8Tainted Love / Where Did Our Love Go (extended version / medley)
Produzent(in):
Mike Thorne (UK producer & keyboardist)
remixer:
Mike Thorne (UK producer & keyboardist)
Interpret(in):
Soft Cell (1980s English synth‐pop duo)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1981)
medley including a cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
medley including a cover recording of:
Where Did Our Love Go
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
Soft Cell58:58
9Love Action (12″ version)
Produzent(in):
The Human League und Martin Rushent
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981)
Musikvideos:
Love Action (I Believe In Love) von The Human League
recording of:
Love Action (I Believe in Love)
Texter und Komponist(in):
Ian Burden und Philip Oakey
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), April Musikverlag GmbH (publisher) (in 1981), Dinsong Ltd. (in 1981), Sound Diagrams (publisher) (in 1981) und Virgin Music (Publishers) Ltd. (in 1981)
The Human League33:52
10Temptation (12″ version / remastered 2016)
recording of:
Temptation
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 174:43
11Sanctify Yourself (extended mix)
recording of:
Sanctify Yourself
Verfasser(in):
Charlie Burchill, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing und EMI Publishing Ltd.
Simple Minds7:14
12Ladies Night
recording of:
Ladies’ Night
Verfasser(in):
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens und Claydes Smith
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang6:36
13Oops Up Side Your Head (12″ single version)
recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
Verfasser(in):
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) und Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) und Total Experience Music (publisher) (in 1979)
The Gap Band8:40
14In My House (12″ version)
recording of:
In My House
Texter und Komponist(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 13)
Mary Jane Girls5:05
15Don’t Look Any Further (original 12″ M+M mix)Dennis Edwards feat. Siedah Garrett5:24
16Now That We Found Love (12″ version)
Third World3:43
17Se La (12″ version)
recording of:
Se La
Texter:
Lionel Richie
Komponist(in):
Greg Phillinganes und Lionel Richie
publisher:
Brockman Music
Lionel Richie8:16
18Shattered Dreams (12″ extended mix / 2008 digital remaster)
Johnny Hates Jazz5:11
19I Feel Love (12″ version)
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2003) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2003)
Remix von:
I Feel Love (album version) von Donna Summer (soul/disco diva) (in 1977)
recording of:
I Feel Love
Texter:
Pete Bellotte (English lyricist and producer)
Komponist(in):
Pete Bellotte (English lyricist and producer), Giorgio Moroder und Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music und Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer3.58:14
20(I Just) Died in Your Arms (extended remix)
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew44:46
21Shout (U.S. remix)
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
remixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) und Steve Thompson (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 2014)
recording of:
Shout (in 1984)
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. und Virgin Music (Publishers) Ltd.
Tears for Fears8:00
22Say Hello Wave Goodbye (12″ version)
Techniker(in):
Don Wershba (engineer)
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
Instrumente:
David Ball (UK electronic musician, part of Soft Cell)
Klarinette:
Dave Tofani
vocals:
Marc Almond (English pop singer and songwriter)
mixed at:
Media Sound in New York, New York, Vereinigte Staaten
recording of:
Say Hello, Wave Goodbye
Texter:
Marc Almond (English pop singer and songwriter)
Komponist(in):
Dave Ball (UK electronic musician, part of Soft Cell)
publisher:
Metropolis Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und WB Music Corp. (1929–2019)
Soft Cell8:54
23Dreiklangsdimensionen (’82 version / remastered 2005)
Remix von:
Dreiklangsdimensionen von Rheingold
recording of:
Dreiklangdimensionen (in 1980)
Texter:
Lothar Manteuffel und Bodo Staiger (German singer, sonhwriter and guitarist)
Komponist(in):
Bodo Staiger (German singer, sonhwriter and guitarist)
Rheingold6:25
24Hot Water (Master mix)
recording of:
Hot Water
Verfasser(in):
Wally Badarou, Phil Gould, Mark King (bass guitarist and vocalist) und Mike Lindup
Level 4210:25
25What Have You Done for Me Lately (extended mix)
Koproduzent(in):
Janet Jackson
remixer:
Steve Hodge (engineer and producer)
recording of:
What Have You Done for Me Lately
Verfasser(in):
Janet Jackson, James Samuel Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Flyte Tyme Tunes
Janet Jackson16:56
26Slave to the Rhythm (Hot Blooded version)
Synclavier-Programmierung:
Stephen Lipson
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
Bassgitarre und Perkussion:
Luís Jardim
Bassgitarre, Gitarre und Keyboard:
Stephen Lipson
Gitarre und Keyboard und Hintergrundgesang:
Bruce Woolley
Gitarre und membranophone:
J.J. Belle
Keyboard:
Andy Richards (Strawbs keyboard player/record producer)
membranophone:
Ju Ju (William "JuJu" House)
Perkussion:
Little Beats (UK percussionist Reginald Daughtry) und Shorty Tim
vocals:
Luís Jardim
Gast-Interpret(in):
The Strictly Unreasonable Zang Tuum Tumb Big Beat Colossus
Interpret(in):
Glenn Gregory, Gary Maughan und John Sinclair (brother of Jill Sinclair, ZTT session musician)
recording of:
Slave to the Rhythm
Verfasser(in):
Simon Darlow (songwriter, keyboardist & guitarist), Trevor Horn, Stephen Lipson und Bruce Woolley
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS), Sony/ATV Music Publishing Allegro (UK), SPZ Music, Inc. (BMI affiliated) und Unforgettable Songs Ltd.
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Sony Music Publishing France, Universal Music Publishing France (not for release label use!), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
basiert auf:
Ladies and Gentlemen: Miss Grace Jones (original version of “Slave to the Rhythm”)
Grace Jones8:19
27Harlem Shuffle (London mix)
cover recording of:
Harlem Shuffle
Verfasser(in):
Earl Nelson und Bob Relf
publisher:
Bug Music Ltd., Bug Music (music publishing) (in 1988), Keyman Music (publisher) (in 1988) und Marc-Jean Music (publisher) (in 1988)
The Rolling Stones6:22