| # | Title | Artist | Rating | Length |
|---|
| 1 | Close to Me | The Cure | 3.85 | 3:42 |
| 2 | Faded | Alan Walker | 3.7 | 3:33 |
| 3 | My Life Would Suck Without You | Kelly Clarkson | 3.95 | 3:34 |
| 4 | Walk on the Wild Side- producer:
- David Bowie , Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4.25 | 4:14 |
| 5 | Let’s Get Loud | Jennifer Lopez | 3.6 | 4:00 |
| 6 | Call On Me | Eric Prydz | 4.1 | 2:51 |
| 7 | Torn | Natalie Imbruglia | 4.1 | 4:08 |
| 8 | Catch & Release (Deepend remix) | Matt Simons | 4 | 3:16 |
| 9 | Tonight Tonight | Hot Chelle Rae | 3.85 | 3:20 |
| 10 | Another Chance | Roger Sanchez | 3.5 | 3:30 |
| 11 | Sunshine | Ginger Ninja | | 3:18 |
| 12 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan , Ben Fowler, Lolly Grodner, Robert Hart , John Herman , Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc. , EMI April Music Inc., EMI Music Publishing Australia Pty. Limited , EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. , Sony Music Publishing , Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal , Universal Music Publishing , Universal Music Publishing Group, Universal Music Publishing Ltd. , Universal PolyGram International Publishing, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB , Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.4 | 4:30 |
| 13 | Two Tribes | Frankie Goes to Hollywood | 3.65 | 3:56 |
| 14 | She’s So High | Kurt Nilsen | | 4:10 |
| 15 | Killing Me Softly With His Song | Fugees | 4.15 | 4:54 |
| 16 | Maneater- assistant engineer:
- Bruce Buckhalter , Barry Harris and Michael Somer-Abbott
- engineer:
- Neil Kernon
- co-producer:
- Neil Kernon
- producer:
- Daryl Hall and John Oates
- mixer:
- Hugh Padgham
- phonographic copyright (℗) by:
- BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (in 1982), Sony BMG Music Entertainment (in 1982) and Sony Music Entertainment (in 1982)
- recording of:
- Maneater (in 1981-12)
- lyricist:
- Sara Allen, Daryl Hall and John Oates
- composer:
- Daryl Hall and John Oates
- publisher:
- BMG Rights Management (UK) Ltd. , Copyright Control , Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music and Warner/Chappell Music Ltd.
| Daryl Hall & John Oates | 4.4 | 4:32 |
| 17 | Photograph | Nickelback | 3.55 | 4:20 |
| 18 | Left Outside Alone | Anastacia | 3.6 | 3:55 |
| 19 | From Yesterday | 30 Seconds to Mars | 4 | 3:53 |
| 20 | Easy Lover- producer:
- Phil Collins
- recording of:
- Easy Lover (in 1984)
- writer:
- Philip Bailey, Phil Collins and Nathan East
- publisher:
- Concord Music GmbH, Concord Music Publishing LLC, Concord Sounds, Musik-Edition Discoton GmbH, Pun Music Inc., Universal Music Publishing GmbH , Universal Music Publishing International Ltd., Universal Music Publishing International MGB Ltd., Hit & Run Music (Publishing) Ltd (in 1984), New East Music (in 1984), Philip Collins Ltd. (in 1984), Sir & Trini Music (in 1984) and Warner Chappell Music Ltd. (in 1984)
| Philip Bailey & Phil Collins | 3.5 | 4:43 |
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