Coastal Grandmother Summer

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1How Sweet It Is (To Be Loved By You)
tecnico e tecnico di missaggio:
Lee Herschberg
produttore:
Russ Titelman e Lenny Waronker
basso :
Lee Sklar (bassist, session musician)
batteria [drums] :
Jim Keltner e Russ Kunkel (session drummer)
chitarra elettrica :
Danny Kortchmar (Danny Kootch)
piano Rhodes [Fender Rhodes] e pianoforte :
Clarence McDonald
tamburello :
Russ Kunkel (session drummer)
voce di accompagnamento [vocal harmonies]:
Carly Simon
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1975)
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
How Sweet It Is (to Be Loved by You)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
James Taylor3.83:34
2You’re All I Need to Get By
tecnico di registrazione e tecnico:
Gene Paul
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
arrangiatore archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1971) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1971)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione cover di:
You’re All I Need to Get By
autore:
Nickolas Ashford e Valerie Simpson
editore:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin3.53:36
3The Way You Look Tonight
voce:
Michael Bublé
registrazione cover di:
The Way You Look Tonight (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
Michael Bublé3.54:40
4Dreams - 2018 Remaster
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977) e Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 9) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 17)
registrazione di:
Dreams
paroliere e compositore:
Stevie Nicks
editore:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) e Welsh Witch Music (BMI affiliated) (nel 1977)
Fleetwood Mac4.34:17
5December, 1963 (Oh What a Night!)
tecnico di registrazione:
Steve Maslow
produttore:
Bob Gaudio
tecnico di missaggio:
Val Garay
basso :
Don Ciccone
batteria :
Gerry Polci
chitarra :
John Paiva
pianoforte :
Bob Gaudio
tastiera :
Bob Gaudio e Lee Shapiro
voce:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci e John Paiva
arrangiatore archi e arrangiatore ottoni [horns] :
Lee Shapiro
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 64)
registrazione di:
December, 1963 (Oh, What a Night)
paroliere:
Bob Gaudio e Judy Parker
compositore:
Bob Gaudio
editore:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. e Seasons Music Co.
Frankie Valli & The Four Seasons3.853:21
6I’m Yours
assistente tecnico di registrazione:
Iain Hill (UK engineer)
tecnico di registrazione:
Dyre Gormsen
produttore:
Martin Terefe
tecnico di missaggio:
Tony Maserati (engineer / mixer)
basso :
Martin Terefe
batteria :
Kristoffer Sonne
chitarra :
Jason Mraz
tastiera :
Nikolaj Torp Larsen
voce:
Jason Mraz
voce di accompagnamento:
Toca Rivera
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2008) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2008)
registrata presso:
Kensaltown Recording Studios in London (Greater London), England, Regno Unito
mixata presso:
Canaan Road Studios in New York, New York, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2009 (numero: 7), Billboard Year-End Hot 100 singles of 2008 (numero: 27) e BILLIONS CLUB
registrazione di:
I’m Yours
paroliere e compositore:
Jason Mraz
editore:
Goo Eyed Music
Jason Mraz3.454:02
7Crazy Love
produttore:
Van Morrison
produttore esecutivo:
Lewis Merenstein
tecnico di missaggio:
Elliot Scheiner (nel 1969-12)
voce di accompagnamento:
Judy Clay (American soul and gospel singer) (nel 1969), Emily Houston (nel 1969) e Jackie Verdell (nel 1969)
voce principale:
Van Morrison (nel 1969)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1970)
è stato produttore per:
Inherit Productions
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (nel 1969)
mixata presso:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti (nel 1969-12)
registrazione di:
Crazy Love (nel 1969)
paroliere e compositore:
Van Morrison
editore:
Caledonia Soul Music (, nel 1970), Van-Jan Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America e WB Music Corp. (1929–2019) (nel 1970)
Van Morrison3.72:35
8A Love That Will Last
tecnico di registrazione e tecnico di missaggio:
Humberto Gatica
supporto a vario titolo:
Jochem van der Saag (incarico: sound design)
programmazione:
Jochem van der Saag
programmazione aggiuntiva:
Neil Devor
produttore:
David Foster (Canadian music producer, arranger and composer) e Humberto Gatica
assistente tecnico di missaggio:
Courtney Blooding e Jorge Vivo (engineer)
basso :
Brian Bromberg
batteria :
Vinnie Colaiuta (drummer)
pianoforte :
David Foster (Canadian music producer, arranger and composer)
arrangiatore archi :
Chris Boardman (composer) e David Foster (Canadian music producer, arranger and composer)
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
registrata presso e mixata presso:
Chartmaker Studios in Malibu, California, Stati Uniti
registrazione di:
A Love That Will Last
paroliere:
Linda Thompson (American actress, lyricist)
compositore:
David Foster (Canadian music producer, arranger and composer)
editore:
Brandon Brody Music, One Four Three Music, Peermusic Ltd. (BMI) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Renee Olstead3:32
9Saturday In the Park
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 1972, nel 2002)
registrata presso e mixata presso:
Columbia Studios in New York, New York, Stati Uniti (dal 1971-09-20 al 1971-09-29)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 9)
registrazione di:
Saturday in the Park (dal 1971-09-20 al 1971-09-29)
paroliere e compositore:
Robert Lamm (nel 1971)
editore:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. e Warner Chappell North America Ltd.
Chicago43:56
10Thank You
tecnico:
Dave Ray (Engineering) e Sylvia Ray
produttore:
Willie Murphy
basso senza tasti :
Freebo (nel 1971-08)
batteria :
Steven Bradley (drummer) (nel 1971-08)
chitarra :
Willie Murphy (nel 1971-08)
pianoforte :
Bonnie Raitt (nel 1971-08)
strumenti:
Maurice Jacox (nel 1971-08)
tromba :
Voyle Harris (nel 1971-08)
remixer:
Kendall “Do the Dog” Pacios
registrata presso:
Sweet Jane, Ltd. Studios in Minneapolis, Minnesota, Stati Uniti (nel 1971-08)
registrazione dal vivo di:
Thank You (nel 1971-08)
autore:
Bonnie Raitt
editore:
Kokomo Music
Bonnie Raitt3.52:51
11You Make Me Feel Like Dancing (Single Version)
tecnico di registrazione:
Bill Schnee
assistente tecnico:
Dana Latham
produttore:
Richard Perry (producer)
basso :
Chuck Rainey (American bassist)
batteria :
Steve Gadd (drummer)
chitarra :
Larry Carlton e Ray Parker Jr.
clavinet :
John Barns
voce:
Leo Sayer
voce di accompagnamento:
Clydie King, Becky Louis e Sherlie Matthews (US vocalist)
direttore d'orchestra:
Gene Page (conductor, composer, arranger and record producer)
arrangiatore archi :
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1976) e Silverbird Ltd. (nel 1976)
registrazione di:
You Make Me Feel Like Dancing
paroliere:
Leo Sayer
compositore:
Vini Poncia
editore:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music e Silverbird Songs Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:39
12Am I the Same Girl?Dusty Springfield2:58
13Bring It On Home to Me
tecnico di registrazione e tecnico di missaggio:
Adam Greenholtz e Bob Rock
produttore:
Bob Rock
diritti fonografici (℗) detenuti da:
Reprise Records (nel 2022)
registrata presso:
EastWest Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
EastWest Studios in Hollywood, Los Angeles, California, Stati Uniti, Kitchen Table Studios e The Warehouse Studio in Vancouver, British Columbia (Columbia Britannica), Canada
registrazione cover di:
Bring It On Home to Me
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Kags Music Corp.
Michael Bublé24:36
14Move On Up
edit di:
Move On Up di Curtis Mayfield
registrazione di:
Move On Up
paroliere e compositore:
Curtis Mayfield
editore:
Camad Music Company (conclusa), Curtom Publishing Co Inc (conclusa), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:46
15Easy
produttore:
Faith No More e Matt Wallace (US producer & engineer)
chitarra elettrica :
Jim Martin (ex-Faith No More guitarist) (dal 1992-01 al 1992-03)
diritti fonografici (℗) detenuti da:
Slash Records (company, do not use as release label!) (nel 1992)
video musicali:
Easy di Faith No More
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 9)
registrazione cover di:
Easy (dal 1992-01 al 1992-03)
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Faith No More3.73:07
16A Beautiful Morning
produttore:
The Rascals (US soul & rock group, formerly known as The Young Rascals)
voce di accompagnamento:
David Brigati
arrangiatore:
Arif Mardin
registrazione di:
A Beautiful Morning
autore:
Eddie Brigati e Felix Cavaliere (American singer, songwriter, record producer, and musician)
editore:
Eddie Brigati Publishing, EMI April Music Inc. e EMI Jemaxal Music Inc.
The Rascals4.52:32
17Love, Love, Love
registrazione cover di:
Love, Love, Love
compositore:
J.R. Bailey (singer and songwriter) e Ken Williams (songwriter)
editore:
A Dish A Tunes LLC e Chrysalis Standards Inc.
Donny Hathaway3:22
18Beyond the Sea
produttore:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun e Jerry Wexler
voce:
Bobby Darin (il 1958-08-24)
direttore d'orchestra:
Richard Wess (il 1958-08-24)
arrangiatore:
Richard Wess
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 397)
registrazione cover di:
Beyond the Sea (il 1958-08-24)
paroliere:
Jack Lawrence (US songwriter)
compositore:
Charles Trenet
editore:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
versione tradotta di:
La Mer
Bobby Darin52:52
19You’ve Got a Friend
tecnico:
Richard Sanford Orshoff
produttore:
Peter Asher
cabassa, congas e batteria :
Russ Kunkel (session drummer)
chitarra acustica :
James Taylor (singer-songwriter and guitarist)
chitarra acustica e congas :
Danny Kortchmar (Danny Kootch)
chitarra basso :
Leland Sklar (bassist, session musician)
voce di accompagnamento:
Joni Mitchell e James Taylor (singer-songwriter and guitarist)
registrazione cover di:
You’ve Got a Friend
paroliere e compositore:
Carole King
editore:
Colgems-EMI Music Inc. e Screen Gems–EMI Music Ltd.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
James Taylor4.44:29
20I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:37
21Dance with Me
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1975)
registrazione di:
Dance With Me
paroliere:
Johanna Hall
compositore:
John Hall (US guitarist/vocalist for Orleans, later US congressman)
editore:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Orleans53:01
22Can’t Take My Eyes Off You
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 151)
registrazione di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Valli3.753:23
23Boogie Shoes
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2004)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 324)
registrazione di:
Boogie Shoes
autore:
Harry Wayne Casey e Richard Finch
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
KC and the Sunshine Band4.252:12
24At Last
Randy Crawford2:29
25My Girl (Mono)
tecnico di registrazione:
Tom Dowd
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1965-07)
chitarra :
Steve Cropper (nel 1965-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1965-07)
sassofono baritono :
Floyd Newman (nel 1965-07)
sassofono tenore :
Andrew Love (nel 1965-07)
tastiera :
Isaac Hayes (nel 1965-07) e Booker T. Jones (nel 1965-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (nel 1965-07) e Gene “Bowlegs” Miller (American trumpeter) (nel 1965-07)
voce di accompagnamento:
Earl Sims (nel 1965-07)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (dal 1965-07-09 al 1965-07-10)
registrazione cover di:
My Girl (nel 1965-07)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Otis Redding3.82:56
26I Keep Forgettin (Every Time You’re Near)
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:42
27Solitaire
tecnico di registrazione:
Rudy van Gelder (nel 1959)
produttore:
Hecky Krasnow
pianoforte :
Nina Simone (nel 1959)
voce:
Nina Simone (nel 1959)
arrangiatore:
Robert Mersey
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1969)
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (nel 1959)
registrazione cover di:
Solitaire (nel 1959)
autore:
Reneé Borek, King Guion (jazz tenor saxophonist, clarinetist and bass clarinetist) e Carl Nutter
Nina Simone53:25
28I’ll Be Around
registrata a:
New York, New York, Stati Uniti (il 1973-06-13)
produttore:
Eugene McDaniels e Roberta Flack (singer and pianist)
voce:
Roberta Flack (singer and pianist) (il 1973-06-13)
arrangiatore:
Roberta Flack (singer and pianist) e L. Leon Pendarvis
registrazione di:
Feel Like Makin’ Love (il 1973-06-13)
paroliere e compositore:
Eugene McDaniels
editore:
Skyforest Music Co., Inc. e 日音 Synch事業部 (NICHION, INC. Synch Division)
The Spinners3:09
29Feel Like Makin’ Love
registrata a:
New York, New York, Stati Uniti (il 1973-06-13)
produttore:
Eugene McDaniels e Roberta Flack (singer and pianist)
voce:
Roberta Flack (singer and pianist) (il 1973-06-13)
arrangiatore:
Roberta Flack (singer and pianist) e L. Leon Pendarvis
registrazione di:
Feel Like Makin’ Love (il 1973-06-13)
paroliere e compositore:
Eugene McDaniels
editore:
Skyforest Music Co., Inc. e 日音 Synch事業部 (NICHION, INC. Synch Division)
Roberta Flack2:55
30I Only Have Eyes for You
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 21), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 98), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 157) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 175)
registrazione cover di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. e Warner Bros. Inc. (not for release label use!)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
The Flamingos4.253:20
31What a Wonderful World
Etta Cameron3:24
32Feeling Good
tecnico di registrazione e tecnico di missaggio:
Humberto Gatica
programmazione:
Neil Devor e Jochem van der Saag
tecnico aggiunto:
Neil Devor e Alejandro Rodríguez (engineer based in Los Angeles)
tecnico audio:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) e Joe Wohlmuth
produttore:
David Foster (Canadian music producer, arranger and composer) e Humberto Gatica
assistente tecnico di missaggio:
Courtney Blooding e Christian Robles
batteria :
Vinnie Colaiuta (drummer)
chitarra :
Dean Parks (American session guitarist)
chitarra basso :
Brian Bromberg
percussione :
Rafael Padilla
pianoforte :
Randy Waldman
arrangiatore:
David Foster (Canadian music producer, arranger and composer) e Don Sebesky
diritti fonografici (℗) detenuti da:
Reprise Records (nel 2005) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2005)
registrata presso e mixata presso:
Chartmaker Studios in Malibu, California, Stati Uniti
registrazione cover di:
Feeling Good
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd e Musical Comedy Prods.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
registrazione di:
Feeling Good
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd e Musical Comedy Prods.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
Michael Bublé3.953:57
33Right Back Where We Started From
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1994)
registrazione di:
Right Back Where We Started From (nel 1975)
autore:
J. Vincent Edwards e Pierre Tubbs
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sony/ATV Songs LLC
Maxine Nightingale4.153:12
34Stand By Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
35Higher & Higher (Your Love Keeps Lifting Me)
tecnico di registrazione:
Lew Hahn e Gene Paul
produttore:
Barry Manilow e Arif Mardin
tecnico di missaggio:
Lew Hahn e Arif Mardin
voce:
Bette Midler
direttore d'orchestra:
Barry Manilow
arrangiatore:
Barry Manilow
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1973)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione cover di:
(Your Love Keeps Lifting Me) Higher and Higher
autore:
Gary Jackson (songwriter), Raynard Miner e Carl Smith (US country music singer)
editore:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
Bette Midler44:06
36Don’t Dream It’s Over
tecnico di registrazione:
The Head and the Heart
tecnico:
Scott McDowell
produttore:
The Head and the Heart e Scott McDowell
tecnico di missaggio:
Jim Eno
registrazione cover di:
Don’t Dream It’s Over
paroliere e compositore:
Neil Finn
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing e Roundhead Music (Neil Finn)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 2)
The Head and the Heart3:40
37La vie en Rose (From “Piaf”)
voce:
Elaine Paige
registrazione cover di:
La Vie en rose (English translation)
paroliere:
Édith Piaf
compositore:
Louiguy (French composer Louis Guglielmi)
traduttore:
Mack David (American lyricist and songwriter)
editore:
Éditions Beuscher Arpège
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
versione tradotta di:
La Vie en rose (French original)
Elaine Paige2:43
38I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:10
39Girl from Ipanema
tecnico:
Tom Dowd
voce:
Esther Phillips (Little Esther)
direttore d'orchestra:
Ray Ellis (US producer, arranger and conductor)
arrangiatore:
Ray Ellis (US producer, arranger and conductor)
registrazione cover di:
The Girl From Ipanema
paroliere:
Vinicius de Moraes (O poetinha)
compositore:
Antônio Carlos Jobim
traduttore:
Norman Gimbel
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. e Words West LLC
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
versione tradotta di:
Garota de Ipanema
parte di:
The Real Book (compilation of jazz standards, volume I)
Esther Phillips2:46
40Easy (Cooler Version)
produttore:
Faith No More e Matt Wallace (US producer & engineer)
chitarra elettrica :
Jim Martin (ex-Faith No More guitarist) (dal 1992-01 al 1992-03)
diritti fonografici (℗) detenuti da:
Slash Records (company, do not use as release label!) (nel 1992)
video musicali:
Easy di Faith No More
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 9)
registrazione cover di:
Easy (dal 1992-01 al 1992-03)
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Faith No More3.73:09
41When I Fall In Love
Renee Olstead & Chris Botti4:43
42Under the Boardwalk
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
produttore:
Bert Berns e Mike Leander
archi [nine strings] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1964-05-21)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1964-05-21)
chitarra :
Everett Barksdale (il 1964-05-21), Bill Suyker (il 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21) e Bob Bushnell (il 1964-05-21)
contrabbasso [bass] :
Milt Hinton (il 1964-05-21)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1964-05-21)
vibrafono [vibes] :
George Devens (il 1964-05-21)
voce di baritono:
Gene Pearson (il 1964-05-21)
voce di basso:
Winifred Terry (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1964-05-21)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 304) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 487)
registrazione di:
Under the Boardwalk (il 1964-05-21)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. e Trio Music Company
The Drifters4.352:42
43You Send Me
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-16)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1968-04-16)
chitarra basso :
Jerry Jemmott (il 1968-04-16)
organo :
Spooner Oldham (il 1968-04-16)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-16)
sassofono baritono :
Willie Bridges (il 1968-04-16) e Floyd Newman (il 1968-04-16)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-16) e Andrew Love (il 1968-04-16)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-16)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-16)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-16)
registrazione cover di:
You Send Me (il 1968-04-16)
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
autore aggiunto:
L. C. Cooke
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Aretha Franklin32:30
44What a Fool Believes
tecnico:
Donn Landee
tecnico aggiunto:
Loyd Clifft
produttore:
Ted Templeman
batteria :
John Hartman (drummer for the Doobie Brothers) (nel 1978-08)
chitarra :
Jeff “Skunk” Baxter (nel 1978-08) e Patrick Simmons (nel 1978-08)
chitarra basso :
Tiran Porter (nel 1978-08)
congas aggiunto e voce aggiuntiva:
Bobby LaKind (nel 1978-08)
sintetizzatore :
Michael McDonald (R&B & soul singer) (nel 1978-08) e Bill Payne (nel 1978-08)
sintetizzatore aggiunto:
Bill Payne (nel 1978-08)
tastiera e voce principale:
Michael McDonald (R&B & soul singer) (nel 1978-08)
voce:
Patrick Simmons (nel 1978-08)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978)
registrata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 147) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 343)
registrazione di:
What a Fool Believes (nel 1978-08)
autore:
Ken Loggins e Mike McDonald (R&B & soul singer)
editore:
Milk Money Music (nel 1978) e Snug Music (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:40
45Just One Look
registrata a:
New York, New York, Stati Uniti (il 1963-03-05)
produttore:
Artie Ripp
basso :
Barney Richmond (il 1963-03-05)
batteria :
Bruno Carr (il 1963-03-05)
chitarra :
Napoleon "Snags" Allen (il 1963-03-05)
pianoforte :
Horace Ott (il 1963-03-05)
voce:
Doris Troy (il 1963-03-05)
voce di accompagnamento [harmony vocals] e voce principale:
Doris Troy (il 1963-03-05)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 7) e Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 29)
registrazione di:
Just One Look (il 1963-03-05)
autore:
Gregory Carroll e Doris Payne
editore:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:32
46Lucky
tecnico di registrazione:
Dyre Gormsen
tecnico:
Iain Hill (UK engineer) e Jason Mraz
produttore:
Martin Terefe
tecnico di missaggio:
Tony Maserati (engineer / mixer)
basso e pianoforte :
Martin Terefe
batteria :
Kristoffer Sonne
chitarra :
Jason Mraz
voce:
Colbie Caillat e Jason Mraz
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2008), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2008) e Universal Republic Records (2006–2012) (nel 2009)
mixata presso:
Canaan Road Studios in New York, New York, Stati Uniti e Looking Glass Studios in Manhattan, New York, New York, Stati Uniti
registrazione di:
Lucky
autore:
Colbie Caillat, Timothy Fagan e Jason Mraz
Jason Mraz & Colbie Caillat43:11
47Still the One
voce principale:
Larry Hoppen
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1976) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1976)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 18)
registrazione di:
Still the One
autore:
Johanna Hall e John Hall (US guitarist/vocalist for Orleans, later US congressman)
editore:
Siren Songs
Orleans53:54
48Dream Lover
Bobby Darin2:31
49Who Loves You
Frankie Valli & The Four Seasons4:12
50Sway
Ben E. King52:19