Nirvana the Band the Show Webseries OST

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1Opening
Nirvana the Band2:06
2Pop Goes Bach
recording of:
Pop Looks Bach
Komponist(in):
Sam Fonteyn
Sam Fonteyn2:05
3Guarding a Bridge
Nirvana the Band2:31
4Your Smiling Face
recording engineer und Mix:
Val Garay
Produzent(in):
Peter Asher
Akustikgitarre, Hintergrundgesang und Sologesang:
James Taylor (singer-songwriter and guitarist)
Bassgitarre:
Leland Sklar (bassist, session musician)
Gitarre [guitars]:
Danny Kortchmar (Danny Kootch)
Keyboard:
Dr. Clarence McDonald
Perkussion und Schlagzeug:
Russell Kunkel (session drummer)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) und CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
aufgenommen bei und mixed at:
The Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1977-03-15 bis 1977-04-24)
recording of:
Your Smiling Face
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
James Taylor4.652:48
5Autumn Leaves
Crash Parallel3:24
6Smells Like Teen Spirit
assistierende(r) Techniker(in):
James Johnson (engineer) und Jeff Sheehan
Techniker(in) und Produzent(in):
Nirvana (1980s–1990s US grunge band) und Butch Vig
Mix:
Andy Wallace (engineer)
Bassgitarre:
Chris Novoselic (in 1991-05)
Gitarre und Sologesang:
Kurt Cobain (lead singer and guitarist for Nirvana) (in 1991-05)
Schlagzeug:
David Grohl (in 1991-05)
Hintergrundgesang:
Chris Novoselic (in 1991-05) und David Grohl (in 1991-05)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2011)
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten (in 1991-05)
mixed at:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Smells Like Teen Spirit (official music video) von Nirvana (1980s–1990s US grunge band)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 2), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 2), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1991 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1992 (All-time)), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 5), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 9), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2009 (All-time)), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 110)
recording of:
Smells Like Teen Spirit (in 1991-05)
Texter:
Kurt Cobain (lead singer and guitarist for Nirvana)
Komponist(in):
Chris Novoselic, Kurt Cobain (lead singer and guitarist for Nirvana) und David Grohl
publisher:
EMI‐Virgin Songs, Inc., MJ Twelve Music, Murky Slough Music, Primary Wave Tunes, The End of Music LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), The End of Music (in 1991) und Virgin Songs, Inc. (in 1991)
Nirvana4.255:01
7Army
recording engineer und Produzent(in):
Caleb Southern
Mix:
Andy Wallace (engineer)
alto saxophone und baritone saxophone:
Ken Mosher
Flügelhorn und Ventilposaune:
John Mark Painter
Tenorsaxophon:
Tom Maxwell (formerly of Squirrel Nut Zippers) und Paul Shapiro
Trompete:
Frank London
recording of:
Army (von 1998-11 bis 1999-01)
Texter und Komponist(in):
Ben Folds
Ben Folds Five3.953:24
8As Long as We Got Each Other
vocals:
B.J. Thomas und Jennifer Warnes
recording of:
Growing Pains (As Long as We Got Each Other)
Texter:
John Bettis
Komponist(in):
Steve Dorff (composer)
B.J. Thomas and Dusty Springfield1:06
9Rainbow Road (from "Mario Kart 64")
recording of:
レインボーロード (Rainbow Road, Mario Kart 64)
Komponist(in):
永田権太 (Kenta Nagata)
Teil von:
Mario Kart 64 (video game soundtrack)
Kenta Nagata4:40
10Tossed Salads and Scrambled Eggs
Interpret(in):
Kelsey Grammer
recording of:
Frasier
Texter:
Darryl Phinnessee
Komponist(in):
Bruce Miller (US composer and arranger)
Kelsey Grammer0:36
11The Night Has a Thousand Eyes
recording of:
The Night Has a Thousand Eyes
Verfasser(in):
Marilyn Garrett, Dottie Wayne und Ben Weisman
publisher:
Blen Music, Mabs Music Co. (ASCAP-affiliated), Music Publishing Company of America und Shelby Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Vee2:37
12Cross of the Blue Moon (from "Castlevania Dawn of Sorrow")
Masahiko Kimura51:00
13Main Title (from "Lost")
recording engineer:
Dan Wallin
sonstige Unterstützung:
Reggie Wilson (orchestra contractor)
leitende(r) Produzent(in):
Robert Townson (soundtrack producer)
Produzent(in):
Michael Giacchino (American score composer)
Editing:
Michael T. Andreas und Stephen M. Davis
Bassposaune:
William Reichenbach (trombone) und Craig Ware (trombonist)
Bratsche / Viola:
Caroline Buckman (violist), Alma Fernandez, Pamela Goldsmith (American violist), Darrin McCann, Jorge Moraga, Maria Newman, Andrew Picken (violist), Karie Prescott, Shanti Randall, Richard Rintoul (viola player), Harry Shirinian, David Stenske und Marda Todd
Cello:
John Acosta (cellist), Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Miguel Martinez (cellist), Richard Naill (cellist), Steven Richards (cellist), Daniel Smith (cellist) und Kevan Torfeh
Geige / Violine:
Robert Brosseau, Becky Bunnell, Ron Clark (violinist), Charles Everett, Armen Garabedian, Berj Garabedian, Terry Glenny, Harris Goldman, Galina Golovin, Alan Grunfeld, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Robert Matsuda, Alyssa Park (violinist), Vladimir Polimatidi (violinist), Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenberg, Ken Yerke und Shari Zippert (Violinist)
Gitarre:
Grant‐Lee Phillips (American singer‐songwriter and multi‐instrumentalist)
Harfe:
Ellie Choate, Marcia Dickstein (American harpist) und Gayle Levant (American studio musician, harpist)
Kontrabass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) und Karl Vincent (bassist)
Perkussion:
Daniel Greco (percussion), Emil Radocchia und Alan Vavrin
Posaune:
William Booth (US trombonist), Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Andy Martin (jazz trombonist), Bob McChesney, Bruce Otto und Robert Sanders (trombone)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
Orchestrator(in):
Michael Giacchino (American score composer)
zusätzliche(r) Orchestrator(in):
Chad Seiter
concertmaster:
Jim Sitterly (violinist)
phonographisches Urheberrecht (℗) von:
Touchstone Television (in 2006) und ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2008)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Eastwood Scoring Stage in Burbank, California (Kalifornien), Vereinigte Staaten, O’Henry Sound Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Lost (Main Title)
Komponist(in):
J.J.Abrams
Michael Giacchino0:17
14End Title (from "Lost")
recording engineer:
Dan Wallin
leitende(r) Produzent(in):
Robert Townson (soundtrack producer)
Produzent(in):
Michael Giacchino (American score composer)
Editing:
Michael T. Andreas und Stephen M. Davis
Bassposaune:
William Reichenbach (trombone) und Craig Ware (trombonist)
Bratsche / Viola:
Caroline Buckman (violist), Pamela Goldsmith (American violist), Darrin McCann, Jorge Moraga, Maria Newman, Andrew Picken (violist), Karie Prescott, Shanti Randall, Richard Rintoul (viola player), Harry Shirinian, David Stenske und Marda Todd
Cello:
John Acosta (cellist), Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Miguel Martinez (cellist), Richard Naill (cellist), Steven Richards (cellist), Daniel Smith (cellist) und Kevan Torfeh
Geige / Violine:
Robert Brosseau, Becky Bunnell, Ron Clark (violinist), Charles Everett, Armen Garabedian, Berj Garabedian, Terry Glenny, Harris Goldman, Galina Golovin, Alan Grunfeld, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Robert Matsuda, Alyssa Park (violinist), Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenberg, Ken Yerke und Shari Zippert (Violinist)
Gitarre:
Grant‐Lee Phillips (American singer‐songwriter and multi‐instrumentalist)
Harfe:
Ellie Choate, Marcia Dickstein (American harpist) und Gayle Levant (American studio musician, harpist)
Kontrabass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) und Karl Vincent (bassist)
Perkussion:
Daniel Greco (percussion), Emil Radocchia und Alan Vavrin
Posaune:
William Booth (US trombonist), Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Andy Martin (jazz trombonist), Bob McChesney, Bruce Otto und Robert Sanders (trombone)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
Orchestrator(in):
Michael Giacchino (American score composer)
zusätzliche(r) Orchestrator(in):
Chad Seiter
concertmaster:
Jim Sitterly (violinist)
phonographisches Urheberrecht (℗) von:
Touchstone Television (in 2006) und ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2008)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Eastwood Scoring Stage in Burbank, California (Kalifornien), Vereinigte Staaten, O’Henry Sound Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
End Title
Komponist(in):
Michael Giacchino (American score composer)
Michael Giacchino0:33
15Going Up the Country
Produzent(in):
Canned Heat und Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (von 1968-08-06 bis 1968-08-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
aufgenommen bei:
I.D. Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1968-08-06 bis 1968-08-07)
recording of:
Going Up the Country (von 1968-08-06 bis 1968-08-07)
Texter, Verfasser(in) und Komponist(in):
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. und United Artists Music Ltd.
Version von:
Bull Doze Blues
Canned Heat32:54
16Won't Get Fooled Again
recording engineer:
Glyn Johns und Pete Townshend (of The Who) (Synthesizer)
leitende(r) Produzent(in):
Pete Kameron, Kit Lambert und Chris Stamp
Partner-Produzent(in):
Glyn Johns
Produzent(in):
The Who
Mix:
Glyn Johns
Akustikgitarre und E-Gitarre, Orgel und Synthesizer:
Pete Townshend (of The Who) (von 1971-04-06 bis 1971-04-07)
Bassgitarre:
John Entwistle (von 1971-04-06 bis 1971-04-07)
Perkussion und Schlagzeug:
Keith Moon (drummer) (von 1971-04-06 bis 1971-04-07)
Sologesang:
Roger Daltrey (von 1971-04-06 bis 1971-04-07)
vocals:
John Entwistle (von 1971-04-06 bis 1971-04-07) und Pete Townshend (of The Who) (von 1971-04-06 bis 1971-04-07)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1971)
aufgenommen bei:
Rolling Stones Mobile Studio in Vereinigtes Königreich (von 1971-04-06 bis 1971-04-07)
zusätzlich aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1971-04-06 bis 1971-04-07)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (am 1971-05-28)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 133) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 295)
recording of:
Won’t Get Fooled Again (von 1971-04-06 bis 1971-04-07)
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) und Towser Tunes, Inc.
The Who4.558:26
17Mr. Bojangles
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1974)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Nitty Gritty Dirt Band53:32
18These Eyes
Audio-Engineering:
David Greene (engineer recording, mixing) und Elliot Scheiner
Produzent(in):
Jack Richardson
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1968)
aufgenommen bei:
A & R Studios (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten
recording of:
These Eyes
Verfasser(in):
Burton Cummings und Randall Bachman (Canadian guitarist, singer & songwriter)
publisher:
Bug Music, Inc.
The Guess Who3.43:47
19Blinded by the Light
Bass:
Colin Pattenden (British bass player) (in 1976)
Gitarre:
Chris Hamlet Thompson (vocalist with Manfred Mann’s Earth Band) (in 1976)
Gitarre [lead guitar]:
Dave Flett (guitar player in Manfred Mann’s Earth Band) (in 1976)
Horn [horn arrangement]:
Derek Wadsworth (in 1976)
Keyboard [keyboards]:
Manfred Mann (the person) (in 1976)
Perkussion und Schlagzeug:
Chris Slade (in 1976)
Saiteninstrumente:
David Millman (in 1976)
Solo-Saxophon:
Barbara Thompson (in 1976)
Chorgesang:
Jane Bunting (in 1976), Chris Sennett (in 1976), Gillian Ainscow (in 1976), Graham Jenkins (in 1976), Hilary Farmborough (in 1976), Jacqueline Nicholls (in 1976), Jeremy Paynton-Jones (in 1976), Laurence Holden (in 1976), Marilyn Bennet (in 1976), Peter Cudmore (in 1976), Philip Keywood (in 1976) und Stan Bailey (in 1976)
Hintergrundgesang:
Doreen Chanter (in 1976), Irene Chanter (in 1976), Mick Rogers (of Manfred Mann’s Earth Band) (in 1976), Chris Slade (in 1976) und Susanne Lynch (in 1976)
vocals:
Chris Hamlet Thompson (vocalist with Manfred Mann’s Earth Band) (in 1976) und Manfred Mann (the person) (in 1976)
phonographisches Urheberrecht (℗) von:
Creature Music Ltd.
aufgenommen bei:
The Workhouse in London (Greater London), England, Vereinigtes Königreich (in 1976)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 76)
cover recording of:
Blinded by the Light (in 1976)
Texter und Komponist(in):
Bruce Springsteen (von 1972-08 bis 1972-09)
publisher:
Eldridge Publishing Co., Intersong Music Ltd., Sioux City Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Pop Music Publishing, Zomba Music und Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1972)
Manfred Mann’s Earth Band4.87:08
20Anti Matter
recording of:
Anti Matter
Komponist(in):
Chad Hugo und Pharrell Williams
N*E*R*D4:02
21封印の扉 / Sealed Door (from "Chrono Trigger")
arranger:
植松伸夫 (Nobuo Uematsu, video game, film & anime composer known for Final Fantasy)
recording of:
封印の扉 (Sealed Door, “Sealed Door” from Chrono Trigger)
Komponist(in):
植松伸夫 (Nobuo Uematsu, video game, film & anime composer known for Final Fantasy)
Teil von:
OverClocked ReMix works catalog (Nummer: 61)
Teil von:
Chrono Trigger (video game soundtrack)
Teil von:
クロノ・トリガーGAME MUSIC (Chrono Trigger (game music), 植松伸夫)
Nobuo Uematsu12:57
22Trap Door
Produzent(in):
Jake One (producer Jacob Dutton)
Mix:
Vitamin D (Derrick Brown; Seattle-based DJ, MC and producer)
Bass, Gitarre und Keyboard:
G Koop
Sologesang:
MF DOOM
instrumental versions:
Trap Door (instrumental) von Jake One (producer Jacob Dutton)
recording of:
Trap Door
Verfasser(in):
Jacob Dutton (producer Jacob Dutton)
Jake One feat. MF DOOM52:14
23Brand Nubian
Produzent(in):
Buckwild (US hip-hop producer Anthony Best)
phonographisches Urheberrecht (℗) von:
Tommy Boy Music, LLC (not for release label!) (in 2020)
Samples:
Rigor mortis von Cameo (American soul-influenced funk group)
recording of:
Brand Nubian
Brand Nubian4:39
24Ex-Factor
Bearbeitung von:
Ex‐Factor von Lauryn Hill
recording of:
Ex-Factor (Lauryn Hill Song incorporating The Way We Were)
Texter:
Ms. Lauryn Hill
Komponist(in):
Alan Bergman (American lyricist), Marilyn Bergman, Ghostface Killah, GZA/Genius (Wu‐Tang Clan), Marvin Hamlisch, Ms. Lauryn Hill, Inspectah Deck (east coast hip hop), Method Man (of the Wu‐Tang Clan), Ol’ Dirty Bastard (Wu‐Tang founder, NYC rapper/producer), Raekwon (US rapper, Wu‐Tang Clan), RZA (American rapper and actor) und U‐God
publisher:
Colgems-EMI Music Inc., Obverse Creation Music, Sony/ATV Tunes LLC (ASCAP), Universal Music Careers, Universal Music–MGB Songs, Wu‐Tang Publishing, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
basiert auf:
The Way We Were
Lauryn Hill4:37
25B-Day Masquerade
Nirvana the Band0:30
26Milkshake
Produzent(in):
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
vocals:
Kelis
recording of:
Milkshake
Verfasser(in):
Chad Hugo und Pharrell Williams
Kelis3.83:03
27Uh-Ohhhhh
Ja Rule feat. Lil Wayne & Merc Montana4:54
28Linus and Lucy (from "A Charlie Brown Christmas")
Produzent(in):
Vince Guaraldi (pianist) und Nick Phillips (US jazz trumpeter/composer/producer)
Klavier:
Vince Guaraldi (pianist) (am 1964-10-26)
Kontrabass [bass]:
Monty Budwig (am 1964-10-26)
Schlagzeug:
Colin Bailey (drummer) (am 1964-10-26)
aufgenommen bei:
Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten (am 1964-10-26)
Teil von:
Billboard Hot 100: 2026-01-03 (Nummer: 47)
recording of:
Linus and Lucy (am 1964-10-26)
Komponist(in):
Vince Guaraldi (pianist)
publisher:
Lee Mendelson Film Productions, Inc. (publishing – affiliated to BMI)
Vince Guaraldi Trio43:07
29Sole Brother
Techniker(in):
Chris Crerar
Produzent(in) und Mix:
Rusty Santos
Born Ruffians34:26
30Monster Mash
Nirvana the Band & The Mark Inside0:20
31Kick in the Door
Nirvana the Band & Josh Boles0:24
32Walking in the Sand
Nirvana the Band & Josh Boles0:57
33Kid Skewer
Jay McCarrol & Reid Janisse0:14
34Tonight, Tonight
Techniker(in):
Jeff Moleski
Produzent(in) und Mix:
Billy Corgan, Flood (British producer Mark Ellis) und Alan Moulder (producer and engineer)
assistierende(r) Mix:
Barry “Sounds Like Gold” Goldberg (audio engineer)
Sologesang:
Billy Corgan
Orchester:
Chicago Symphony Orchestra
Saiteninstrumente arranger:
Billy Corgan und Audrey Riley
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1995)
Musikvideos:
Tonight, Tonight von The Smashing Pumpkins
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 197)
recording of:
Tonight, Tonight
Texter und Komponist(in):
Billy Corgan
The Smashing Pumpkins4.454:15
35Way Down in the Hole (from "The Wire")
The Blind Boys of Alabama3:20
36The Ruler's Back
recording engineer:
Young Guru (American audio engineer and producer)
Programmierung und Produzent(in):
Bink!
Mix:
Doug Wilson (engineer)
Bassgitarre [bass]:
Eric “E‐Bass” Johnson (hip hop guitarist & producer)
Saiteninstrumente:
Keyamo
aufgenommen bei:
Baseline Studios in New York, New York, Vereinigte Staaten
mixed at:
Sound on Sound Studios (New York) in New York, New York, Vereinigte Staaten
Samples:
If von Jackie Moore (US R&B/disco singer)
recording of:
The Ruler’s Back
Verfasser(in):
Phil Hurtt, R. Harrell, Shawn Carter (US rapper) und Walter Sigler
JAY‐Z2.353:50
37X-Men Theme
cover recording of:
X-Men Theme (X-Men: The Animated Series)
Komponist(in):
Ron Wasserman
Teil von:
X-Men: The Animated Series (TV soundtrack)
Shuki Levy1:00
38Christmas Time Is Here (vocal) (from "A Charlie Brown Christmas")
Produzent(in):
Vince Guaraldi (pianist)
Klavier:
Vince Guaraldi (pianist) (von 1965-09-17 bis 1965-09-22)
Kontrabass [bass]:
Fred Marshall (bassist) (von 1965-09-17 bis 1965-09-22)
Schlagzeug:
Jerry Granelli (von 1965-09-17 bis 1965-09-22)
Chorgesang:
St. Paul’s Episcopal Church Children’s Choir (von 1965-09-17 bis 1965-09-22)
chorus master:
Barret Mineah (von 1965-09-17 bis 1965-09-22)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1965-09-17 bis 1965-09-22)
Teil von:
Billboard Hot 100: 2026-01-03 (Nummer: 23), Billboard Hot 100: 2025-12-27 (Nummer: 36), Billboard Hot 100: 2025-12-20 (Nummer: 37) und Billboard Hot 100: 2025-12-13 (Nummer: 38)
recording of:
Christmas Time Is Here (von 1965-09-17 bis 1965-09-22)
Texter:
Lee Mendelson (American television producer)
Komponist(in):
Lee Mendelson (American television producer) und Vince Guaraldi (pianist)
publisher:
Lee Mendelson Film Productions, Inc. (publishing – affiliated to BMI) und Shifty Music (US work publisher, affiliated with BMI)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Vince Guaraldi Trio32:47
39The Fall
recording of:
The Fall
Komponist(in):
Blake Leyh
Blake Leyh41:50
40With a Little Help From My Friends
Produzent(in):
Denny Cordell
Mix:
Tony Visconti
Bassgitarre:
Chris Stainton (keyboard player, session musician and songwriter)
Gitarre:
Jimmy Page
Orgel:
Tommy Eyre
Schlagzeug:
Barrie James Wilson
Hintergrundgesang:
Madeline Bell, Rosetta Hightower und Sunny Weetman
phonographisches Urheberrecht (℗) von:
Straight Ahead Productions Ltd. (in 1968)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 86)
cover recording of:
With a Little Help From My Friends
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP) (vom 1967 bis heute)
Joe Cocker3.85:12
41Turn! Turn! Turn! (To Everything There Is a Season)
Produzent(in):
Terry Melcher
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 95)
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Pete Seeger (in 1959)
publisher:
Melody Trails und TRO Essex Music Ltd.
The Byrds4.853:52
42I Feel Free
Techniker(in):
John Timperley
Produzent(in):
Robert Stigwood
Bass und Klavier:
Jack Bruce (von 1966-07 bis 1966-09)
Gitarre:
Eric Clapton (von 1966-07 bis 1966-09)
Schlagzeug:
Ginger Baker (von 1966-07 bis 1966-09)
vocals:
Ginger Baker (von 1966-07 bis 1966-09), Jack Bruce (von 1966-07 bis 1966-09) und Eric Clapton (von 1966-07 bis 1966-09)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1966) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1966)
aufgenommen bei:
Chalk Farm Studios in London (Greater London), England, Vereinigtes Königreich (von 1966-07 bis 1966-09) und Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich (von 1966-07 bis 1966-09)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich (am 1966-12-08)
recording of:
I Feel Free (von 1966-07 bis 1966-09)
Texter:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
Komponist(in):
Jack Bruce
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) und Unichappell-Stigwood Music (in 1967)
Cream4.22:56
43Star Wars
Nirvana the Band1:03
44Ride Captain Ride
Produzent(in):
Richard Podolor
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 32)
recording of:
Ride Captain Ride
Texter:
Frank “Skip” Konte (US keyboardist)
Komponist(in):
Mike Pinera
publisher:
Atlantic (Warner Music imprint) und ATM Music
Blues Image4.53:46
45Lights Out
Keyboard:
Alex Lipsen
Teil von:
Pitchfork Presents: The 100 Best Tracks of 2008 (Nummer: 22)
recording of:
Lights Out
Santigold4.53:13
46End Credits (from "The Wonder Years")
W.G. Snuffy Walden0:39
47Lovefool
Techniker(in) und Produzent(in):
Tore Johansson
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Perkussion und Schlagzeug:
Bengt Lagerberg
Hintergrundgesang:
Magnus Sveningsson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records und Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
Musikvideos:
Lovefool von The Cardigans (Swedish rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 242)
recording of:
Lovefool
Texter:
Nina Persson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal–Songs of PolyGram International, Inc.
The Cardigans3.653:18
48Movie Studio Logos
Nirvana the Band1:03
49Break-In Reenactment
Nirvana the Band2:30
50Show Rehearsal
Nirvana the Band1:32
51Helter Skelter
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
John Lennon (The Beatles) (am 1968-09-09)
E-Gitarre:
Paul McCartney (The Beatles) (am 1968-09-09) und George Harrison (The Beatles) (am 1968-09-10)
Schlagzeug:
Ringo Starr (The Beatles) (am 1968-09-09, am 1968-09-10)
Tenorsaxophon:
John Lennon (The Beatles) (am 1968-09-10)
Trompete:
Mal Evans (am 1968-09-10)
Hintergrundgesang:
George Harrison (The Beatles) (am 1968-09-10) und John Lennon (The Beatles) (am 1968-09-10)
Sologesang:
Paul McCartney (The Beatles) (am 1968-09-10)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1968-09-09, am 1968-09-10)
recording of:
Helter Skelter (von 1968-09-09 bis 1968-09-10)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
The Beatles4.254:30
52The Eyeland
recording engineer:
Dan Wallin
sonstige Unterstützung:
Reggie Wilson (orchestra contractor)
leitende(r) Produzent(in):
Robert Townson (soundtrack producer)
Produzent(in):
Michael Giacchino (American score composer)
Editing:
Michael T. Andreas und Stephen M. Davis
Bassposaune:
William Reichenbach (trombone) und Craig Ware (trombonist)
Bratsche / Viola:
Robert Becker (strings), Caroline Buckman (violist), Alma Fernandez, Pamela Goldsmith (American violist), Darrin McCann, Jorge Moraga, Maria Newman, Andrew Picken (violist), Karie Prescott, Shanti Randall, Richard Rintoul (viola player), Harry Shirinian, David Stenske, Jean Sudbury, Marda Todd und Evan Wilson (viola player)
Cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Timothy Lauderer (cellist), Victor Lawrence (cellist), Miguel Martinez (cellist), Richard Naill (cellist), Steven Richards (cellist) und Daniel Smith (cellist)
Geige / Violine:
Robert Brosseau, Becky Bunnell, Susan Chatman, Ron Clark (violinist), Charles Everett, Armen Garabedian, Berj Garabedian, Terry Glenny, Harris Goldman, Galina Golovin, Alan Grunfeld, Steve Holtman (trombonist), Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Robert Matsuda, Alyssa Park (violinist), Vladimir Polimatidi (violinist), Debra L. Price, Mark Robertson (US violinist), Shalini Vijayan, John Wittenberg, Ken Yerke und Shari Zippert (Violinist)
Gitarre:
Lorin Ellis Lathrop (guitar player), Kevin Riepl und Carl Verheyen
Harfe:
Marcia Dickstein (American harpist), Katie Kirkpatrick, Gayle Levant (American studio musician, harpist) und Amy Shulman
Kontrabass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) und Karl Vincent (bassist)
Perkussion:
Daniel Greco (percussion), Emil Radocchia und Alan Vavrin
Posaune:
William Booth (US trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Andy Martin (jazz trombonist), Bob McChesney und Bruce Otto
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
Orchestrator(in):
Michael Giacchino (American score composer)
zusätzliche(r) Orchestrator(in):
Chad Seiter
concertmaster:
Jim Sitterly (violinist)
phonographisches Urheberrecht (℗) von:
Touchstone Television (in 2006)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Eastwood Scoring Stage in Burbank, California (Kalifornien), Vereinigte Staaten, O’Henry Sound Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Eyeland
Komponist(in):
Michael Giacchino (American score composer)
Michael Giacchino1:59
53Low Five
recording engineer:
Line of Flight (Sneaker Pimps)
Mastering:
Howie Weinberg (mastering engineer)
Produzent(in):
Line of Flight und Line of Flight (Sneaker Pimps)
Mix:
Mark “Spike” Stent (producer, engineer)
vocals:
Chris Corner
Interpret(in):
Chris Corner, Liam Howe, David Westlake (UK drummer for The Sneaker Pimps) und Joe Wilson (Member of Sneaker Pimps)
phonographisches Urheberrecht (℗) von:
Clean Up Records Ltd. (in 1999)
recording of:
Low Five
Texter und Komponist(in):
Corner, Howe und Pickering
publisher:
BMG Music Publishing Ltd.
Sneaker Pimps44:35
54Deacon Blues
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker
Gitarre:
Larry Carlton und Lee Ritenour
Hybrid-Piano und Rhodes Piano [Fender Rhodes]:
Victor Feldman (jazz musician)
Schlagzeug:
Bernard Purdie
Synthesizer und Sologesang:
Donald Fagen
Tenorsaxophon:
Pete Christlieb
Hintergrundgesang:
Venetta Fields, Clydie King und Sherlie Matthews (US vocalist)
conductor:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (Horn)
Horn arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1977) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 100) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 214)
recording of:
Deacon Blues
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Universal/MCA Music Ltd. (not for release label use!), ABC/Dunhill Music, Inc. (in 1977) und Anchor Music Ltd. (in 1977)
Steely Dan4.357:37
55Star Trek Theme (from "Star Trek")
Alexander Courage1:19
56El cuarto de Tula
recording engineer und Mix:
Jerry Boys
Produzent(in):
Ry Cooder
Bass:
Orlando “Cachaíto” López
Bongos und cowbell:
Carlos González (Cuban percussionist)
Conga und Darbuka:
Joachim Cooder
Gitarre:
Ry Cooder und Eliades Ochoa
Laute:
Barbarito Torres
Maracas / Rumba-Rasseln:
Alberto "Virgilio" Valdés (Cuban vocalist and percussionist)
Timbales:
Julienne Oviedo Sánchez
Trompete:
Manuel "Guajiro" Mirabal
Hintergrundgesang:
Luis Barzaga und Alberto "Virgilio" Valdés (Cuban vocalist and percussionist)
Sologesang:
Ibrahim Ferrer (Cuban singer), Manuel “Puntillita” Licea und Eliades Ochoa
conductor:
Juan de Marcos González
phonographisches Urheberrecht (℗) von:
World Circuit (in 1997)
recording of:
El cuarto de Tula
Texter und Komponist(in):
Sergio González Siaba
Buena Vista Social Club3.757:26
57Calabria 2007 (radio edit)
Enur3:54
58Chan Chan
recording engineer und Mix:
Jerry Boys
Produzent(in):
Ry Cooder
Bass:
Orlando “Cachaíto” López
Bongos:
Carlos González (Cuban percussionist)
Conga:
Compay Segundo
Gitarre:
Eliades Ochoa
guitar family:
Ry Cooder
Maracas / Rumba-Rasseln:
Alberto "Virgilio" Valdés (Cuban vocalist and percussionist)
Trompete:
Manuel "Guajiro" Mirabal
udu:
Joachim Cooder
Hintergrundgesang:
Ibrahim Ferrer (Cuban singer) und Compay Segundo
vocals:
Eliades Ochoa
phonographisches Urheberrecht (℗) von:
World Circuit (in 1997)
recording of:
Chan Chan
Texter und Komponist(in):
Francisco Repilado
Buena Vista Social Club3.654:18
59Candela
recording engineer und Mix:
Jerry Boys
Produzent(in):
Ry Cooder
Akustikgitarre und Slide-Gitarre:
Ry Cooder
Bass:
Orlando “Cachaíto” López
Bongos und cowbell:
Carlos González (Cuban percussionist)
Gitarre:
Eliades Ochoa
Instrumente:
Joachim Cooder
Maracas / Rumba-Rasseln:
Alberto "Virgilio" Valdés (Cuban vocalist and percussionist)
Trompete:
Manuel "Guajiro" Mirabal
Chorgesang:
Luis Barzaga, Juan de Marcos González, Manuel “Puntillita” Licea und Alberto "Virgilio" Valdés (Cuban vocalist and percussionist)
vocals:
Ibrahim Ferrer (Cuban singer) und Eliades Ochoa
conductor:
Juan de Marcos González
phonographisches Urheberrecht (℗) von:
World Circuit (in 1997)
recording of:
Candela
Komponist(in):
Faustino Oramas (el Guayabero)
Buena Vista Social Club3.655:29
60Everybody's Talkin'
Produzent(in):
Steve Clark (Former Executive at Vee Jay Records.)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Leonard Nimoy2:59
61Oh My God
recording of:
Oh My God
Verfasser(in):
Nick Baines, Nick J.D. Hodgson (ex Kaiser Chiefs), Simon Rix, Andrew White (Guitarist for the Kaiser Chiefs) und Ricky Wilson (Kaiser Chiefs)
Mark Ronson feat. Lily Allen5:26
62Voodoo People
Produzent(in) und Mix:
Liam Howlett und Neil McLellan
Gast-Gitarre und Gitarre:
Lance Riddler
recording of:
Voodoo People
Komponist(in):
Liam Howlett
publisher:
EMI/Virgin Music Publishing Ltd.
The Prodigy3.754:05
63Evening Sun
Techniker(in) und Produzent(in):
David Kahne
assistierende(r) Mix:
Steve Sisco
Mix:
Andy Wallace (engineer)
mixed at:
Soundtrack Studios in New York, New York, Vereinigte Staaten
recording of:
Evening Sun
Texter und Komponist(in):
Julian Casablancas
The Strokes3.53:06
64B-Day Masquerade
Nirvana the Band0:30
65Testify
recording engineer:
Nick DiDia
zusätzliche(r) Techniker(in):
Russ Fowler und Sugar D
Koproduzent(in):
Rage Against the Machine
Produzent(in) und Mix:
Brendan O’Brien (engineer)
E-Bass:
Y.tim.K.
Gitarre [guitars]:
Tom Morello
Schlagzeug:
Brad Wilk
Sologesang:
Zack de la Rocha
arranger:
Tom Morello, Zack de la Rocha, Tim.Com und Brad Wilk
recording of:
Testify
Texter:
Zack de la Rocha
Komponist(in):
Tim Commerford, Tom Morello, Zack de la Rocha und Brad Wilk
publisher:
Retribution Music, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Rage Against the Machine3.653:31
66Christmas Time Is Here (instrumental) (from "A Charlie Brown Christmas")
Produzent(in):
Vince Guaraldi (pianist) und Nick Phillips (US jazz trumpeter/composer/producer)
Klavier:
Vince Guaraldi (pianist) (von 1965-09-17 bis 1965-09-22)
Kontrabass [bass]:
Fred Marshall (bassist) (von 1965-09-17 bis 1965-09-22)
Schlagzeug:
Jerry Granelli (von 1965-09-17 bis 1965-09-22)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1965-09-17 bis 1965-09-22)
instrumental recording of:
Christmas Time Is Here (von 1965-09-17 bis 1965-09-22)
Texter:
Lee Mendelson (American television producer)
Komponist(in):
Lee Mendelson (American television producer) und Vince Guaraldi (pianist)
publisher:
Lee Mendelson Film Productions, Inc. (publishing – affiliated to BMI) und Shifty Music (US work publisher, affiliated with BMI)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Vince Guaraldi Trio6:03
67The Night They Drove Old Dixie Down
Techniker(in):
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) und Joe Zagarino
Koproduzent(in):
John Simon (US producer, arranger, composer, songwriter and musician)
Produzent(in):
The Band (Canadian-American rock band)
Mix:
Tony May (engineer) und Joe Zagarino
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1969)
recording of:
The Night They Drove Old Dixie Down
Texter und Komponist(in):
Robbie Robertson
publisher:
Canaan Music Inc, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
The Band4.43:31
68Low Five
recording engineer:
Line of Flight (Sneaker Pimps)
Mastering:
Howie Weinberg (mastering engineer)
Produzent(in):
Line of Flight und Line of Flight (Sneaker Pimps)
Mix:
Mark “Spike” Stent (producer, engineer)
vocals:
Chris Corner
Interpret(in):
Chris Corner, Liam Howe, David Westlake (UK drummer for The Sneaker Pimps) und Joe Wilson (Member of Sneaker Pimps)
phonographisches Urheberrecht (℗) von:
Clean Up Records Ltd. (in 1999)
recording of:
Low Five
Texter und Komponist(in):
Corner, Howe und Pickering
publisher:
BMG Music Publishing Ltd.
Sneaker Pimps44:35
69I'm Past My Prime
Imogene Lynn & Stubby Kaye2:26
70If You Leave Me Now
Nirvana the Band0:18
71To the End
recording of:
To the End (First version in French. Starts with "Et tous ces mots sales")
Texter:
Damon Albarn
Komponist(in):
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) und Dave Rowntree
übersetzte Version von:
To the End (Original, sung in English)
Blur3:52
72Iron Man
Techniker(in) und Produzent(in):
Tore Johansson
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Perkussion und Schlagzeug:
Bengt Lagerberg
Hintergrundgesang:
Magnus Sveningsson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
cover recording of:
Iron Man
Texter:
Geezer Butler
Komponist(in):
Geezer Butler, Tony Iommi, Ozzy Osbourne und Bill Ward
publisher:
Doug Moody Music, Essex Music International Ltd., Essex Music International, Inc., TRO Essex Music International, Inc., TRO Essex Music Ltd., Tro-Andover Music, Inc., ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) und Westminster Music Ltd. (in 1970)
The Cardigans3.14:21
73Born Ruffians Jam
Nirvana the Band & Born Ruffians1:31
74Game Start (from "Mega Man")
Manami Matsumae0:07
75Overworld (from "Super Mario World")
Koji Kondo0:20
76In Your Eyes
recording engineer:
David Bascombe
Techniker(in):
Kevin Killen und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Produzent(in):
Peter Gabriel (formerly of Genesis) und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Bassgitarre:
Larry Klein
E-Bass:
Tony Levin (US rock bassist/Chapman stick player)
Gitarre und Gitarre [guitars]:
David Rhodes (guitarist, singer, and songwriter)
Klavier:
Peter Gabriel (formerly of Genesis) und Richard Tee
Perkussion, Schlagzeug und Tama / Dundun / Talking Drum:
Manu Katché
Sampler, Sampler [CMI], Synthesizer und Sologesang:
Peter Gabriel (formerly of Genesis)
zusätzlich Schlagzeug:
Jerry Marotta (drummer and composer)
Bass-Gesang:
Ronnie Bright
Gast vocals:
Youssou N’Dour
Hintergrundgesang:
Michael Been (US rock musician), Peter Gabriel (formerly of Genesis), Jim Kerr (of Simple Minds) und David Rhodes (guitarist, singer, and songwriter)
phonographisches Urheberrecht (℗) von:
Charisma Records Ltd. (in 1986)
aufgenommen bei:
Real World Studios in Box, Wiltshire, England, Vereinigtes Königreich und Ashcombe House in Bath, Somerset, England, Vereinigtes Königreich (von 1985-02 bis 1985-12)
mixed at:
Real World Studios in Box, Wiltshire, England, Vereinigtes Königreich
recording of:
In Your Eyes (in 1985)
Texter und Komponist(in):
Peter Gabriel (formerly of Genesis)
publisher:
Cliofine Limited, EMI Music Publishing Ltd. (PRS‐affiliated) und Real World Music, Ltd.
Peter Gabriel4.45:29
77He Packed His Bags
Nirvana the Band0:50
78Deacon Blues
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker
Gitarre:
Larry Carlton und Lee Ritenour
Hybrid-Piano und Rhodes Piano [Fender Rhodes]:
Victor Feldman (jazz musician)
Schlagzeug:
Bernard Purdie
Synthesizer und Sologesang:
Donald Fagen
Tenorsaxophon:
Pete Christlieb
Hintergrundgesang:
Venetta Fields, Clydie King und Sherlie Matthews (US vocalist)
conductor:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (Horn)
Horn arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1977) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 100) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 214)
recording of:
Deacon Blues
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Universal/MCA Music Ltd. (not for release label use!), ABC/Dunhill Music, Inc. (in 1977) und Anchor Music Ltd. (in 1977)
Steely Dan4.357:37
79Too Deep
Girl Talk42:29
80Beetlejuice
Jay McCarrol0:24
81Edward Scissorhands
Jay McCarrol0:37
82DotA
Matt Johnson0:05
83Wii Shop Channel Theme
recording of:
Wii Shop Channel
Komponist(in):
戸高一生 (Kazumi Totaka)
Teil von:
Nintendo Wii (system soundtrack)
Kazumi Totaka2:08
84Update Day
recording of:
Update Day
Arrangement von:
Wii Shop Channel
Nirvana the Band51:05
85Pop Goes Bach
recording of:
Pop Looks Bach
Komponist(in):
Sam Fonteyn
Sam Fonteyn2:05
86Autumn Leaves (Les Feuilles Mortes)
Nirvana the Band1:03
87Your Pokemon Are Dead
Nirvana the Band0:17
88Smells Like Teen Spirit
Nirvana5:01
89Everybody's Talkin' (from "Midnight Cowboy")
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
früheste Veröffentlichung:
Everybody’s Talkin’ von Nilsson (US singer-songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 51)
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Harry Nilsson3.92:45
90Kiss Kiss
recording engineer:
Brian Sumner (Los Angeles based recording engineer)
Produzent(in):
T‐Pain
assistierende(r) Mix:
Chad Jolley (engineer)
Mix:
Fabian Marasciullo
Gast vocals:
T‐Pain
vocals:
Chris Brown (US R&B/pop singer and dancer)
gemixt für:
Hustla Music
produced for:
NappyPub Music
aufgenommen bei:
Chalice Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Hit Factory Criteria in Miami, Florida, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 19)
recording of:
Kiss Kiss
Verfasser(in):
Christopher Maurice Brown (US R&B/pop singer and dancer) und Faheem Rashad Najm (T‐Pain)
publisher:
Culture Beyond Ur Experience Publishing, Inc., NappyPub Music, Songs of Universal, Inc. (BMI) und Zomba Songs
Chris Brown feat. T‐Pain2.64:18
91Warcraft II
Matt Johnson & Born Ruffians1:35
92Kick in the Door (alternate take)
Nirvana the Band & Josh Boles0:59
93The O.J. Song
Jay McCarrol1:14
94Wooly Bully
Jay McCarrol & The Mark Inside0:33
95Jay & Geordie Jam
Jay McCarrol & The Mark Inside0:19
96I'll Be There For You
Jay McCarrol0:33
97Jay & J.M. Jam
Jay McCarrol & J.M. McNab0:11
98Piano Sessions - Jurassic Park
Nirvana the Band1:35
99Piano Sessions - Zelda
Nirvana the Band1:13
100Fucking Boyfriend
recording of:
Fucking Boyfriend
the bird and the bee3:15
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Veröffentlichung

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