| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Fast Car- Techniker(in) und Mix:
- Kevin Smith
- Produzent(in):
- David Kershenbaum
- Akustikgitarre, E-Gitarre und Perkussion:
- Tracy Chapman
- Bassgitarre:
- Larry Klein
- Schlagzeug:
- Denny Fongheiser
- Steel-Gitarre:
- Ed Black
- vocals:
- Tracy Chapman
- phonographisches Urheberrecht (℗) von:
- Elektra/Asylum Records (in 1988) und Elektra Entertainment (in 2015)
- aufgenommen bei und mixed at:
- Powertrax Studio in Hollywood, Los Angeles, California , Vereinigte Staaten
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 71), BILLIONS CLUB, Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 113), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 165) und Billboard: The 500 Best Pop Songs (Nummer: 275)
- recording of:
- Fast Car
- Texter und Komponist(in):
- Tracy Chapman
- publisher:
- April Music Inc., EMI April Music Inc., Kobalt Music Publishing Ltd. , Purple Rabbit Music, Sony Music Publishing (Japan) Inc. und ヤマハミュージックエンタテインメントホールディングス
- sub-publisher:
- Kobalt Music Publishing France, Kobalt Music Publishing Italia Ltd und Kobalt Music Publishing Ltd.
| Tracy Chapman | 4.4 | 4:56 |
| 2 | Summer Breeze | Seals & Crofts | 4.35 | 3:25 |
| 3 | Listen to the Music | The Doobie Brothers | 4 | 3:47 |
| 4 | Hymn to Her (2007 remaster) | Pretenders | | 4:58 |
| 5 | Grenade (acoustic)- phonographisches Urheberrecht (℗) von:
- Elektra Entertainment Group Inc. (in 2011) und WEA International Inc. (in 2011)
- recording of:
- Grenade
- Verfasser(in):
- Brody Brown, Claude Kelly, Philip Lawrence , Ari Levine, Bruno Mars und Andrew Wyatt
- publisher:
- Art for Art's Sake Music, Bughouse, Concord Road , Downtown DMP Songs, Late 80’s Music, Mars Force Music, Roc Nation Music, Studio Beast Music , Toy Plane Music, Warner–Tamerlane Publishing Corp. und Westside Independent Music Publishing
| Bruno Mars | 3 | 4:06 |
| 6 | Running on Empty | Jackson Browne | | 4:58 |
| 7 | Bad Day (acoustic version) | Daniel Powter | | 3:33 |
| 8 | Don’t Go | Rae Morris | | 3:58 |
| 9 | Songbird | Fleetwood Mac | 3.65 | 3:18 |
| 10 | Both Sides Now | Joni Mitchell | 3.85 | 4:33 |
| 11 | Army Dreamers | Kate Bush | 4.05 | 2:54 |
| 12 | Mexico | The Staves | | 4:06 |
| 13 | Lost & Found | Lianne La Havas | 3.65 | 4:27 |
| 14 | The Scientist | Coldplay | 4.25 | 5:09 |
| 15 | Skinny Love | Birdy | 3.55 | 3:21 |
| 16 | Into the Mystic (1999 remaster) | Van Morrison | 3.35 | 3:29 |
| 17 | Nothing Stays the Same | Luke Sital‐Singh | | 4:01 |
| 18 | I Will Follow You Into the Dark | Death Cab for Cutie | 3.3 | 3:09 |
| 19 | Twist in My Sobriety | Tanita Tikaram | 4.7 | 4:50 |
| 20 | Drive (symphonic version)- recording engineer und Mix:
- Gavin Goldberg
- Produzent(in):
- Andy Wright
- arranger und Orchestrator(in):
- Sam Swallow
- phonographisches Urheberrecht (℗) von:
- Rhino Entertainment (in 2018)
- aufgenommen bei:
- Abbey Road Studios in St John's Wood, Westminster, London , England, Vereinigtes Königreich
- recording of:
- Drive
- publisher:
- Ric Ocasek
- Texter und Komponist(in):
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal Music Publishing, Inc., Universal‐MCA Music Publishing und Warner/Chappell Music Ltd.
| The Cars | | 3:57 |
| 21 | Song to the Siren (2017 remaster) | Tim Buckley | 5 | 3:28 |
| 22 | Chuck E’s in Love (45 version)- Techniker(in):
- Loyd Clifft und Lee Herschberg
- zusätzliche(r) Techniker(in):
- Tom Knox und Roger Nichols
- Produzent(in):
- Russ Titelman und Lenny Waronker
- Mix:
- Lee Herschberg
- vocals:
- Rickie Lee Jones
- phonographisches Urheberrecht (℗) von:
- Warner Bros. Records Inc. (in 1979) und WEA International Inc. (in 1979)
- aufgenommen bei:
- The Burbank Studios in Burbank, California , Vereinigte Staaten und Warner Bros. Recording Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- recording of:
- Chuck E.’s in Love
- Texter und Komponist(in):
- Rickie Lee Jones
- publisher:
- Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. , ソニー・ミュージックパブリッシング A事業部 , ヤマハミュージックEH(CM) und ヤマハミュージックエンタテインメントホールディングス
| Rickie Lee Jones | 4.25 | 3:29 |
| 23 | Pure Shores | All Saints | 3.65 | 4:28 |
| 24 | Resolution | Matt Corby | | 4:16 |
| 25 | Respect- recording engineer:
- Tom Dowd (am 1967-02-14)
- Produzent(in):
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (am 1967-02-14)
- Bassgitarre:
- Tommy Cogbill (am 1967-02-14)
- Gitarre:
- Jimmy Johnson (am 1967-02-14)
- Klavier:
- Aretha Franklin (am 1967-02-14)
- Kornett:
- Melvin Lastie (am 1967-02-14)
- Orgel:
- Spooner Oldham (am 1967-02-14)
- Schlagzeug:
- Roger Hawkins (am 1967-02-14)
- Tenorsaxophon:
- Charles Chalmers (am 1967-02-14) und King Curtis (am 1967-02-14)
- Hintergrundgesang:
- Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
- vocals:
- Aretha Franklin (am 1967-02-14)
- conductor:
- Tom Dowd (am 1967-02-14)
- arranger:
- Tom Dowd und Arif Mardin
- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 1967) und WEA International Inc. (in 1967)
- aufgenommen bei:
- Atlantic Studios in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (am 1967-02-14)
- Texter und Komponist(in):
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:27 |
| 26 | Stand by Me- recorded in:
- New York, New York, Vereinigte Staaten (am 1960-10-27)
- Produzent(in):
- Leiber and Stoller
- vocals:
- Ben E. King (am 1960-10-27)
- conductor:
- Stan Applebaum (am 1960-10-27)
- arranger:
- Stan Applebaum
- phonographisches Urheberrecht (℗) von:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961), Atlantic Recording Corporation (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
- recording of:
- Stand by Me (am 1960-10-27)
- publisher:
- Mike Stoller
- Verfasser(in):
- Ben E. King, Jerry Leiber und Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music und Universal Music Publishing
| Ben E. King | 4.65 | 3:00 |
| 27 | Say a Little Prayer (live) | Lianne La Havas | | 3:23 |
| 28 | Fading Into Grey | Billy Lockett | | 3:38 |
| 29 | The Blower’s Daughter | Damien Rice | 4.6 | 4:46 |
| 30 | Panic | L Devine | | 3:21 |
| 31 | Middle Names | Devendra Banhart | | 3:28 |
| 32 | Lost in the Middle (acoustic) | Catherine McGrath | | 3:27 |
| 33 | You’ve Got a Friend | James Taylor | 4.4 | 4:28 |
| 34 | Riptide | Vance Joy | 3.6 | 3:21 |
| 35 | The First Time Ever I Saw Your Face | Roberta Flack | | 4:20 |
| 36 | Iris | The Goo Goo Dolls | 4.1 | 4:49 |
| 37 | What’s Love Got to Do With It (symphonic version)- recording engineer und Mix:
- Gavin Goldberg
- Produzent(in):
- Andy Wright
- arranger und Orchestrator(in):
- Sam Swallow
- aufgenommen bei:
- Abbey Road Studios in St John's Wood, Westminster, London , England, Vereinigtes Königreich
- recording of:
- What’s Love Got to Do With It
- Verfasser(in):
- Graham Lyle und Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
| Tina Turner | | 4:16 |
| 38 | Details | Maisie Peters | 3.5 | 3:08 |
| 39 | Cool With It (acoustic) | Josie Dunne | | 3:07 |
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