The 70’s Mixtape

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1Supporto digitale
#TitoloArtistaValutazioneDurata
1Killing Me Softly With His Song
produttore:
Joel Dorn
pianoforte :
Roberta Flack (singer and pianist)
voce:
Roberta Flack (singer and pianist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 273) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 361)
registrazione cover di:
Killing Me Softly With His Song
paroliere:
Norman Gimbel
compositore:
Charles Fox (film/TV composer, also Latin pianist)
editore:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC e Fox-Gimbel Productions Inc. (nel 1972)
Roberta Flack3.554:47
2Brass in Pocket (2006 remaster)
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
Pretenders4.43:06
3Dreams (2018 remaster)
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977) e Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 9) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 17)
registrazione di:
Dreams
paroliere e compositore:
Stevie Nicks
editore:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) e Welsh Witch Music (BMI affiliated) (nel 1977)
Fleetwood Mac4.34:17
4Wuthering Heights
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrazione di:
Wuthering Heights
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush (il 1977-03-05)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated) (dal 1978 a oggi)
Kate Bush3:26
5Jane
registrazione di:
Jane (Jefferson Starship song)
paroliere:
David Freiberg e Jim McPherson (singer/songwriter)
compositore:
Craig Chaquico, David Freiberg, Paul Kantner e Jim McPherson (singer/songwriter)
editore:
Carlin Music Corp.
Jefferson Starship3.754:12
6Street Life (edit)Randy Crawford4:49
7If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:54
8Grease
tecnico e tecnico di missaggio:
Karl Richardson
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
chitarra :
Peter Frampton
voce di accompagnamento:
Barry Gibb
voce principale:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arrangiatore:
Albhy Galuten e Barry Gibb
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 11)
registrazione di:
Grease (Grease, 1978 film)
paroliere e compositore:
Barry Gibb
editore:
Careers–BMG Music Publishing, Inc. e Gibb Brothers Music
parte di:
Grease (1978 film)
Frankie Valli4.43:27
9You’re So Vain
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (The Rolling Stones) (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group
Carly Simon4.554:18
10I’d Really Love to See You Tonight
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1976)
registrazione di:
I’d Really Love to See You Tonight
paroliere e compositore:
Parker McGee
editore:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing e Sutjujo Music
England Dan & John Ford Coley52:39
11I’m Every WomanChaka Khan4:04
12Da Ya Think I’m Sexy
tecnico:
Andy Johns
produttore:
Tom Dowd
tecnico di missaggio:
Tom Dowd e Andy Johns
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) e WEA Records B.V. (nel 1978)
video musicali:
Da Ya Think I'm Sexy? di Rod Stewart
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 301)
registrazione di:
Da Ya Think I’m Sexy?
autore:
Carmine Appice, Duane Hitchings e Rod Stewart
editore:
Control (German electronic sub-label of edel, inactive for a time, but relaunched in 2015), EMI April Music Inc., EMI Full Keel Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
versione di:
Taj Mahal
Rod Stewart4.155:31
13Dream Weaver
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1975)
registrata presso e mixata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 25)
registrazione di:
Dream Weaver (Gary Wright)
paroliere e compositore:
Gary Wright (US singer/keyboardist) (nel 1975)
editore:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e WB Music Corp.
Gary Wright44:16
14Have You Never Been Mellow
co-tecnico:
Alan Rouse
tecnico:
Tony Clark (engineer, Abbey Road)
produttore:
John Farrar
arrangiatore:
John Fiddy (songwriter/singer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Have You Never Been Mellow
paroliere e compositore:
John Farrar
editore:
ATV Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambuck Music Ltd., John Farrar Music, Jumbuck Music, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal/MCA Music Publishing Pty Ltd e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Olivia Newton‐John3.53:34
15Angel From Montgomery
produttore:
Jerry Ragovoy
registrazione cover di:
Angel From Montgomery
paroliere e compositore:
John Prine
editore:
Cotillion-Sour Grapes (conclusa), Cotillion Music Inc. (BMI), Sour Grapes Music, Inc., Walden Music, Inc. e WB Music Corp. (1929–2019)
Bonnie Raitt43:59
16Dixie Chicken
produttore:
Lowell George
voce:
Lowell George
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1973)
registrazione di:
Dixie Chicken
autore:
Lowell George e Martin Kibbee (singer-songwriter)
editore:
Naked Snake Music
Little Feat43:56
17Rock Your Baby
voce:
George McCrae
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrazione di:
Rock Your Baby
autore:
Harry Wayne Casey, Richard Finch e KC (Harry Wayne Casey of the Sunshine Band)
editore:
EMI Longitude Music e Peer Music (UK) Ltd.
George McCrae3.253:20
18Fool (If You Think It’s Over)
tecnico:
Justin Shirley‐Smith
produttore:
Jon Kelly (engineer at Air London Studios) e Chris Rea
diritti fonografici (℗) detenuti da:
Magnet Records Ltd. (nel 1988)
registrata presso:
Sol Mill Studios (The Sol) in Windsor and Maidenhead, England, Regno Unito (nel 2007)
registrazione di:
Fool (If You Think It’s Over) (nel 2007)
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea54:07
19Everything I Own
voce principale:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
registrazione di:
Everything I Own
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. e Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:07
20Werewolves of London (2007 remaster)
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Jackson Browne (American singer-songwriter) e Waddy Wachtel
basso :
John McVie
batteria :
Mick Fleetwood
chitarra [guitars] :
Waddy Wachtel
pianoforte :
Warren Zevon
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e Rhino Entertainment Company (not for release label use!) (dal 2007 a oggi)
registrata presso:
The Sound Factory in Tucson, Arizona, Stati Uniti (nel 2007)
registrazione di:
Werewolves of London
autore:
LeRoy P. Marinell, Waddy Wachtel e Warren Zevon
editore:
Leadsheet Land Music, Polite Music, Tiny Tunes e Zevon Music Inc. (BMI)
Warren Zevon4.93:29
21Dark Star
assistente tecnico di registrazione:
Steve Gursky
tecnico di registrazione:
Howard Albert e Ron Albert
produttore:
David Crosby, Graham Nash e Stephen Stills
produttore aggiunto:
Howard Albert e Ron Albert
basso :
George Perry (bassist aka "Chocolate")
batteria e organo :
Joe Vitale
chitarra acustica :
David Crosby e Stephen Stills
congas :
Russ Kunkel (session drummer)
pianoforte elettrico :
Craig Doerge
voce:
David Crosby, Graham Nash e Stephen Stills
registrazione di:
Dark Star
paroliere e compositore:
Stephen Stills
Crosby, Stills & Nash4:46
22Cats in the Cradle
registrazione dal vivo di:
Cat’s in the Cradle
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3:32
23Love the One You’re With
tecnico:
Andy Johns
produttore:
Bill Halverson e Stephen Stills
basso :
Calvin Samuels (nel 1970-03)
chitarra , organo , percussione e voce principale:
Stephen Stills (nel 1970-03)
congas :
Jeff Whittaker (nel 1970-03)
steel pan :
Stephen Stills
voce di accompagnamento:
Rita Coolidge (nel 1970-03), David Crosby (nel 1970-03), Graham Nash (nel 1970-03), Priscilla Jones (American folk, rock and pop singer) (nel 1970-03) e John Sebastian (nel 1970-03)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1970)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (nel 1970-03)
registrazione di:
Love the One You’re With (nel 1970-03)
paroliere e compositore:
Stephen Stills
editore:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Gold Hill Music, Inc. (nel 1970)
sub-editore:
EMI Music Publishing Scandinavia AB (nel 1997)
Stephen Stills3.53:06
24Just What I Needed
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 112) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 369)
registrazione di:
Just What I Needed (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
BMG Music Publishing Ltd., Lido Music, Inc. e Lido Music (not for release label use!) (nel 1978)
The Cars4.33:46
25Blitzkrieg Bop (single version; remaster)Ramones2:12
26Baker Street (2011 remaster)
tecnico di registrazione:
Barry Hammond
produttore:
Hugh Murphy (UK producer, engineer) e Gerry Rafferty
tecnico di missaggio:
Declan O’Doherty
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
batteria :
Henry Spinetti
chitarra elettrica :
Hugh Burns e Nigel Jenkins
moog e tastiera :
Tommy Eyre
percussione :
Glen LeFleur
sassofono :
Raphael Ravenscroft
voce principale:
Gerry Rafferty
arrangiatore archi :
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 26) e Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 89)
registrazione di:
Baker Street
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.756:11
27Cold as Ice (2006 remaster)
tecnico:
Gary Lyons (UK engineer & producer)
tecnico associato:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron e Randy Mason
co-produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
produttore:
Gary Lyons (UK engineer & producer) e John Sinclair (engineer)
tecnico di missaggio:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
batteria :
Dennis Elliott
chitarra :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
chitarra basso :
Ed Gagliardi (bass player (Foreigner))
corno :
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
sintetizzatore :
Al Greenwood
tastiera :
Al Greenwood e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce di accompagnamento:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrazione di:
Cold as Ice
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31), Yamaha Music Publishing (fino al 2017-03-31), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner43:20
28Express Yourself
produttore:
Charles Wright
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2022)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 57)
registrazione di:
Express Yourself
paroliere e compositore:
Charles Wright (nel 1970)
Charles Wright & The Watts 103rd Street Rhythm Band4.53:50
29La Grange
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica :
Billy Gibbons
voce:
Billy Gibbons e Dusty Hill
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1973)
registrazione di:
La Grange
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic e Stage Three Songs
si basa su:
Boogie Chillen’
ZZ Top4.23:54
30What a Fool Believes
tecnico:
Donn Landee
tecnico aggiunto:
Loyd Clifft
produttore:
Ted Templeman
batteria :
John Hartman (drummer for the Doobie Brothers) (nel 1978-08)
chitarra :
Jeff “Skunk” Baxter (nel 1978-08) e Patrick Simmons (nel 1978-08)
chitarra basso :
Tiran Porter (nel 1978-08)
congas aggiunto e voce aggiuntiva:
Bobby LaKind (nel 1978-08)
sintetizzatore :
Michael McDonald (R&B & soul singer) (nel 1978-08) e Bill Payne (nel 1978-08)
sintetizzatore aggiunto:
Bill Payne (nel 1978-08)
tastiera e voce principale:
Michael McDonald (R&B & soul singer) (nel 1978-08)
voce:
Patrick Simmons (nel 1978-08)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 147) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 343)
registrazione di:
What a Fool Believes (nel 1978-08)
autore:
Ken Loggins e Mike McDonald (R&B & soul singer)
editore:
Milk Money Music (nel 1978) e Snug Music (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:40
31A Song for You
registrazione cover di:
A Song for You
paroliere e compositore:
Leon Russell
editore:
Irving Music (BMI), Irving Music, Inc., Rondor Music, Skyhill Pub. Co., Inc. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Donny Hathaway45:23
32Clean Up Woman
tecnico:
Willie Clarke
produttore:
Willie Clarke e Clarence Reid
arrangiatore archi e arrangiatore corno :
Mike Lewis (US composer, arranger and producer)
arrangiatore strumenti:
Little Beaver
registrazione di:
Clean Up Woman
autore:
Willie Clarke e Clarence Reid
editore:
EMI Longitude Music
Betty Wright52:47
33Black Night (single version; 2002 remaster)
basso elettrico :
Roger Glover (nel 1970-05)
batteria :
Ian Paice (nel 1970-05)
chitarra elettrica :
Ritchie Blackmore (nel 1970-05)
organo Hammond :
Jon Lord (nel 1970-05)
voce principale:
Ian Gillan (nel 1970-05)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1970-05)
registrazione di:
Black Night (nel 1970-05)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music e Henrees Music co.
sub-editore:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (fino al 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Deep Purple4.253:27
34Peaches (1996 remaster)
tecnico:
Alan Winstanley (English record producer)
produttore:
Martin Rushent
assistente tecnico di missaggio:
Benny King (engineer)
tecnico di missaggio:
Doug Bennett (producer, engineer)
batteria :
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (dal 1976-12-20 al 1977-01-28)
chitarra e voce principale:
Hugh Cornwell (English rock musician) (dal 1976-12-20 al 1977-01-28)
chitarra basso :
Jean‐Jacques Burnel (dal 1976-12-20 al 1977-01-28)
tastiera :
Dave Greenfield (dal 1976-12-20 al 1977-01-28)
editore:
EMI April Music Inc.
registrata presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1976-12-20 al 1977-01-28)
mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
prodotta presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1977-01 al 1977-02)
registrazione di:
Peaches (dal 1976-12-20 al 1977-01-28)
autore:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton GmbH e Universal Music Publishing MGB Ltd.
The Stranglers4.154:05
35Just When I Needed You Most
produttore:
Del Newman (British conductor, orchestrator, arranger)
diritti fonografici (℗) detenuti da:
Bearsville Records Inc. (nel 1979) e Rhino Records, Inc. (company credits only; not for release label use!) (nel 1979)
registrazione di:
Just When I Needed You Most
paroliere e compositore:
Randy VanWarmer
editore:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Randy VanWarmer4:02
36We Don’t Talk Anymore (2001 remaster)
produttore:
Bruce Welch (English guitarist, singer, songwriter and producer)
voce:
Cliff Richard (nel 1979)
diritti fonografici (℗) detenuti da:
EMI America (nel 1979) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
video musicali:
We Don’t Talk Anymore di Cliff Richard
registrazione di:
We Don’t Talk Anymore (nel 1979)
paroliere e compositore:
Alan Tarney
editore:
ATV Music Ltd., Sony/ATV Songs LLC e Warner Chappell
Cliff Richard34:17
37Desperado
tecnico:
John Haeny
produttore:
J.D. Souther
tecnico di missaggio:
Al Schmitt
basso :
Chris Ethridge
batteria :
Dennis St. John
chitarra elettrica :
J.D. Souther
pianoforte :
Spooner Oldham
tromba :
Darrell Leonard e Mac Johnson
trombone :
Gail Martin
voce di accompagnamento:
Clydie King, Sherlie Matthews (US vocalist) e Marti McCall (session vocalist)
arrangiatore corno e archi :
Jim Ed Norman
registrazione cover di:
Desperado
autore:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) e Don Henley
editore:
Benchmark Music, Cass County Music, Kicking Bear, Neue Welt Musikverlag GmbH (2017 – present), Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Warner Bros. Music GmbH (publisher) (nel 1981)
Linda Ronstadt3:32
38I’d Love You to Want Me
registrazione di:
I’d Love You to Want Me
paroliere e compositore:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
editore:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo34:04
39Living Next Door to Alice
registrazione di:
Living Next Door to Alice
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton GmbH e Universal Music Publishers MGB Australia Pty Ltd
New World3:44
40Summer Breeze
produttore:
Louie Shelton
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1972)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 10)
registrazione di:
Summer Breeze
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
editore:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals and Crofts4.253:26
41Riders on the Storm
produttore:
Bruce Botnick e The Doors
batteria :
John Densmore
chitarra [lead guitar] :
Robby Krieger (American guitarist, member of The Doors)
chitarra basso :
Jerry Scheff
piano Rhodes :
Ray Manzarek
voce principale:
Jim Morrison (lead vocalist of the Doors)
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1971)
registrata presso:
The Doors Workshop in West Hollywood, California, Stati Uniti (nel 1970)
remaster:
Riders on the Storm di The Doors
registrazione di:
Riders on the Storm (nel 1970)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company e Rondor Music (London) Ltd.
The Doors4.57:15
42Lonely Boy
assistente tecnico:
Dennis Kirk e Greg Ladanyi
tecnico:
Val Garay
produttore:
Peter Asher
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1976-03 al 1976-10)
batteria e campana [Sleigh] :
Michael Botts (dal 1976-03 al 1976-10)
battimani :
Peter Asher (dal 1976-03 al 1976-10) e Andrew Gold (dal 1976-03 al 1976-10)
campanaccio , pianoforte e tamburello :
Andrew Gold (dal 1976-03 al 1976-10)
chitarra :
Dan Dugmore (dal 1976-03 al 1976-10)
chitarra [Lead Guitar] :
Waddy (dal 1976-03 al 1976-10)
pianoforte elettrico e sintetizzatore [Arp String Ensemble] :
Brock Walsh (singer, producer, songwriter) (dal 1976-03 al 1976-10)
voce:
Andrew Gold (dal 1976-03 al 1976-10)
voce di accompagnamento:
Linda Ronstadt (dal 1976-03 al 1976-10)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (dal 1976-03 al 1976-10)
registrazione di:
Lonely Boy (dal 1976-03 al 1976-10)
paroliere e compositore:
Andrew Gold
editore:
Luckyu Music
Andrew Gold44:26
43The Rubberband Man
The Spinners4.653:35
44If You Could Read My Mind
tecnico di registrazione:
Gary Brandt e Lee Herschberg
produttore:
Lenny Waronker e Joe Wissert
tecnico di missaggio:
Lee Herschberg
voce:
Gordon Lightfoot
arrangiatore archi :
Nick de Caro
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1970)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 8)
registrazione di:
If You Could Read My Mind
paroliere e compositore:
Gordon Lightfoot
editore:
ATV Kirshner (publisher) (conclusa), Early Morning Music (conclusa), Laetrec Music (conclusa), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Gordon Lightfoot4.63:49
45That’s the Way (I Like It)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC & the Sunshine Band4.43:05
46School’s Out
tecnico:
Roy Cicala e Shelly Yakus
produttore:
Bob Ezrin
basso elettrico :
Dennis Dunaway (original bass player for Alice Cooper)
batteria :
Neil Smith (former Alice Cooper drummer)
chitarra e voce di accompagnamento:
Reggie Vincent
chitarra elettrica :
Michael Bruce (of Alice Cooper) e Glen Buxton (American guitarist)
tastiera :
Michael Bruce (of Alice Cooper) e Bob Ezrin
voce principale:
Alice Cooper (the singer, active as a solo artist 1975‐present)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
è stato produttore per:
Alive Enterprises Incorporated e Nimbus 9 Productions
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 293) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 319)
registrazione di:
School’s Out
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:30
47(Where Do I Begin) Love Story
produttore:
Johnny Harris (Scottish composer, conductor)
voce:
Shirley Bassey (Welsh singer)
direttore d'orchestra:
Johnny Harris (Scottish composer, conductor)
arrangiatore:
Johnny Harris (Scottish composer, conductor)
registrazione di:
(Where Do I Begin?) Love Story (Love Story)
paroliere:
Carl Sigman
compositore:
Francis Lai (French composer)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Melodie der Welt (publisher), Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony e Sony/ATV Music Publishing LLC (1995–2020)
sub-editore:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
versione di:
Theme From Love Story (Instrumental)
Shirley Bassey3:17
48Psycho Killer (2005 remaster)
tecnico:
Ed Stasium (US record producer & audio engineer)
tecnico aggiunto:
Matt Cohen (US producer and engineer)
produttore:
Tony Bongiovi, Lance Quinn e Talking Heads
produttore esecutivo:
Karen Ahmed e Robin Hurley
batteria :
Chris Frantz (dal 1976 al 1977)
chitarra :
David Byrne (Talking Heads) (dal 1976 al 1977) e Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
chitarra basso :
Tina Weymouth (dal 1976 al 1977)
chitarra e tastiera e tastiera :
Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
voce:
Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
voce principale:
David Byrne (Talking Heads) (dal 1976 al 1977)
diritti fonografici (℗) detenuti da:
Sire Records Inc. (nel 1977)
registrata presso:
Sundragon Studios in Flatiron District, New York, New York, Stati Uniti (dal 1976 al 1977)
mixata presso:
Mediasound Studios in New York, New York, Stati Uniti (nel 2005)
campionamenti da:
Lexicon Valley #190, "Beyond the Five Ws" di John McWhorter
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 108)
registrazione di:
Psycho Killer (dal 1976 al 1977)
paroliere:
David Byrne (Talking Heads), Chris Frantz e Tina Weymouth
autore:
David Byrne (Talking Heads), Christopher Frantz e Martina Weymouth
compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Talking Heads3.854:21
49Move On Up
edit di:
Move On Up di Curtis Mayfield
registrazione di:
Move On Up
paroliere e compositore:
Curtis Mayfield
editore:
Camad Music Company (conclusa), Curtom Publishing Co Inc (conclusa), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:46
50Low Rider
tecnico di registrazione:
Ed Barton (engineer), Andrew Berliner e Chris Huston
produttore:
Jerry Goldstein (producer, record label owner and publisher)
produttore associato:
Lonnie Jordan e Howard E. Scott (US funk/rock guitarist, member of War)
tecnico di missaggio:
Ed Barton (engineer)
registrazione di:
Low Rider
autore:
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein (producer, record label owner and publisher), Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar e Howard E. Scott (US funk/rock guitarist, member of War)
War4.653:11
51I’ll Never Fall in Love Again
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 95)
registrazione cover di:
I’ll Never Fall in Love Again (Promises, Promises) (nel 1969)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music Publishing Ltd. (PRS‐affiliated), JAC Music Co., Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Rondor, Sony/ATV Harmony, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Dionne Warwick42:55
52A Horse With No Name
tecnico:
Robin Black (engineer) e Ken Scott (UK record producer & engineer)
produttore:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Ian Samwell
produttore aggiunto:
America (US folk/soft rock band) e Jeff Dexter
tecnico di missaggio:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
batteria :
Kim Haworth (nel 1971)
chitarra a 12 corde :
Gerry Beckley (nel 1971)
chitarra acustica e voce principale:
Dewey Bunnell (nel 1971)
chitarra basso :
Dan Peek (nel 1971)
percussione :
Ray Cooper (percussionist) (nel 1971)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971, nel 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1971)
registrazione di:
A Horse With No Name (nel 1971)
paroliere e compositore:
Dewey Bunnell
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
America4.254:12
53Wishing on a Star (edit)
registrazione di:
Wishing on a Star
paroliere e compositore:
Billie Calvin (Billie Rae Calvin)
editore:
Warner/Chappell North America
Rose Royce43:59
54Love Hurts
tecnico e tecnico di missaggio:
Hugh Davies (US recording engineer)
produttore:
Gram Parsons
basso :
Emory Gordy (dal 1973-05 al 1973-09)
batteria :
Ron Tutt (drummer) (dal 1973-05 al 1973-09)
chitarra [rhythm guitar] :
Herb Pedersen (nel 1973)
chitarra acustica e voce principale:
Gram Parsons (dal 1973-05 al 1973-09)
chitarra elettrica :
James Burton (guitarist) (dal 1973-05 al 1973-09)
chitarra pedal steel :
Al Perkins (Texas born guitarist esp. steel guitar) (dal 1973-05 al 1973-09)
pianoforte :
Glen D. Hardin (dal 1973-05 al 1973-09)
voce:
Emmylou Harris (dal 1973-05 al 1973-09)
registrazione cover di:
Love Hurts (nel 1973)
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. e Acuff-Rose Publications, Inc. (BMI) (il 1960-08-30)
sub-editore:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Gram Parsons53:39
55Do You Want to Dance
tecnico di registrazione:
Lew Hahn
produttore:
Joel Dorn
batteria :
Ray Lucas (il 1972-01-19)
contrabbasso [bass] :
Ron Carter (US jazz double-bassist) (il 1972-01-19)
percussione :
Ralph MacDonald (il 1972-01-19)
pianoforte :
Barry Manilow (il 1972-01-19)
voce di accompagnamento:
Cissy Houston (il 1972-01-19), Beverly McKenzie (il 1972-01-19), Renelle Broxton (il 1972-01-19), Tender Loving Care (il 1972-01-19) e Deidre Tuck (il 1972-01-19)
voce principale:
Bette Midler (il 1972-01-19)
remixer:
Bob Liftin
arrangiatore archi e arrangiatore ottoni [horns] :
Thom Bell (keyboards, songwriter, producer)
arrangiatore:
Barry Manilow
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1972)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1972-01-19)
remixata presso:
Regent Sound Studios in New York, New York, Stati Uniti
registrazione cover di:
Do You Want to Dance (il 1972-01-19)
paroliere e compositore:
Bobby Freeman
editore:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp. e Sherwin Music (publisher)
sub-editore:
ミュージカル・ライツ・東京株式会社 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Bette Midler32:44
56Feel Like Makin’ Love (2015 remaster)
tecnico di registrazione:
Ron Nevison (nel 1974-09)
produttore:
Bad Company (British blues-rock supergroup)
tecnico di missaggio:
Ron Nevison
basso elettrico :
Boz Burrell (English musician) (nel 1974-09)
batteria :
Simon Kirke (nel 1974-09)
chitarra :
Mick Ralphs (nel 1974-09) e Paul Rodgers (nel 1974-09)
pianoforte e voce principale:
Paul Rodgers (nel 1974-09)
tastiera :
Mick Ralphs (nel 1974-09)
diritti fonografici (℗) detenuti da:
Swan Song Inc. (nel 1975)
registrata presso:
Clearwell Castle in Gloucestershire, England, Regno Unito (nel 1974-09)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 78)
registrazione di:
Feel Like Makin’ Love (nel 1974-09)
autore:
Mick Ralphs e Paul Rodgers
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Badco Music, Inc. (dal 1974 a oggi)
Bad Company4.255:15
57Right Back Where We Started From
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1994)
registrazione di:
Right Back Where We Started From (nel 1975)
autore:
J. Vincent Edwards e Pierre Tubbs
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sony/ATV Songs LLC
Maxine Nightingale4.153:12
58She’s Gone
registrata a:
New York, New York, Stati Uniti (nel 1973)
produttore:
Arif Mardin
basso :
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (nel 1973)
batteria :
Bernard “Pretty” Purdie (nel 1973)
chitarra :
John Oates (nel 1973)
chitarra elettrica, mellotron e sintetizzatore :
Chris Bond (producer, active circa 1970s) (nel 1973)
percussione :
Ralph MacDonald (nel 1973)
pianoforte elettrico :
Daryl Hall (nel 1973)
sassofono tenore :
Joe Farrell (nel 1973)
voce principale:
Daryl Hall (nel 1973) e John Oates (nel 1973)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1973)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 336)
registrazione di:
She’s Gone (nel 1973)
paroliere e compositore:
Daryl Hall e John Oates
editore:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
59Breezin’
tecnico di registrazione:
Al Schmitt (dal 1976-01-06 al 1976-01-08)
assistente tecnico:
Don Henderson (engineer)
assistente produttore:
Noel Newbolt
produttore:
Tommy LiPuma
tecnico di missaggio:
Al Schmitt
batteria :
Harvey Mason (jazz drummer) (dal 1976-01-06 al 1976-01-08)
chitarra [lead guitar] :
George Benson (jazz guitarist/singer) (dal 1976-01-06 al 1976-01-08)
chitarra basso e chitarra [rhythm guitar] :
Phil Upchurch (dal 1976-01-06 al 1976-01-08)
clavinet e pianoforte :
Jorge Dalto (dal 1976-01-06 al 1976-01-08)
minimoog [mini-moog] e pianoforte elettrico :
Ronnie Foster (dal 1976-01-06 al 1976-01-08)
percussione :
Ralph MacDonald (dal 1976-01-06 al 1976-01-08)
direttore d'orchestra:
Claus Ogerman (dal 1976-01-06 al 1976-01-08)
orchestratore:
Claus Ogerman
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1976)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (dal 1976-01-06 al 1976-01-08)
mixata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
Breezin’ (dal 1976-01-06 al 1976-01-08)
compositore:
Bobby Womack
editore:
Unart Music Corp. (conclusa), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e 日本アブコ音楽出版 (ABKCO Japan Publishing)
George Benson45:42
60Le Freak
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrazione di:
Le Freak (nel 1978)
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
CHIC4.43:30
612‒4‒6‒8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band43:17
62Disco Inferno (single edit)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 54)
registrazione di:
Disco Inferno
autore:
Leroy Green (disco/soul songwriter) e Ron Kersey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. e Six Strings Music
The Trammps4.353:12
63You’ve Got a Friend
tecnico:
Richard Sanford Orshoff
produttore:
Peter Asher
cabassa, congas e batteria :
Russ Kunkel (session drummer)
chitarra acustica :
James Taylor (singer-songwriter and guitarist)
chitarra acustica e congas :
Danny Kortchmar (Danny Kootch)
chitarra basso :
Leland Sklar (bassist, session musician)
voce di accompagnamento:
Joni Mitchell e James Taylor (singer-songwriter and guitarist)
registrazione cover di:
You’ve Got a Friend
paroliere e compositore:
Carole King
editore:
Colgems-EMI Music Inc. e Screen Gems–EMI Music Ltd.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
James Taylor4.44:29
64Must of Got Lost
registrazione di:
Must of Got Lost
autore:
The J. Geils Band
The J. Geils Band52:58
65Midnight at the Oasis
tecnico:
Lee Herschberg e Donn Landee
produttore:
Joe Boyd (US producer, founder of Hannibal Records) e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
batteria :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
David Nichtern
chitarra basso :
Freebo
chitarra elettrica :
Amos Garrett
pianoforte :
Mark T. Jordan
voce:
Maria Muldaur
voce parlata:
Greg Prestopino
arrangiatore archi :
Nick de Caro
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Midnight at the Oasis
paroliere e compositore:
David Nichtern
editore:
Space Potato Music (nel 1974)
Maria Muldaur43:50
66Day Dreaming (single version)
tecnico di registrazione:
Ron Albert (il 1971-02-16)
tecnico:
Howard Albert, Ron Albert e Chuck Kirkpatrick
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
basso :
Chuck Rainey (American bassist) (il 1971-02-16)
batteria :
Bernard “Pretty” Purdie (il 1971-02-16)
chitarra :
Cornell Dupree (il 1971-02-16)
chitarra acustica :
Don Arnone (il 1971-02-16)
flauto contralto :
Hubert Laws (il 1971-02-16)
pianoforte e voce principale:
Aretha Franklin (il 1971-02-16)
pianoforte elettrico :
Donny Hathaway (il 1971-02-16)
voce di accompagnamento:
Margaret Branch (il 1971-02-16), Ann S. Clark (il 1971-02-16), Carolyn Franklin (il 1971-02-16), Erma Franklin (il 1971-02-16) e Pat Smith (soul vocalist) (il 1971-02-16)
arrangiatore corno :
Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1971) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1972)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1971-02-16)
registrazione di:
Day Dreaming (Aretha Franklin song) (il 1971-02-16)
paroliere e compositore:
Aretha Franklin (dal 1970 al 1971)
editore:
Carlin Music Corporation e Pundit Music, Inc
Aretha Franklin4.54:01
67Supernatural Thing, Pt. 1
Ben E. King44:12
68Welcome Back (theme from “Welcome Back, Kotter”)
registrazione di:
Welcome Back (70’s Song by John Sebastian)
paroliere e compositore:
John Sebastian
John Sebastian52:52
69Ride Captain Ride (single version)
produttore:
Richard Podolor
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 32)
registrazione di:
Ride Captain Ride
paroliere:
Frank “Skip” Konte (US keyboardist)
compositore:
Mike Pinera
editore:
Atlantic (Warner Music imprint) e ATM Music
Blues Image4.53:42
70Ooh La La
assistente tecnico:
Phil Chapman (engineer)
tecnico e produttore:
Glyn Johns
armonium e pianoforte :
Ian McLagan
batteria e percussione :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra acustica :
Ronnie Lane e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
voce principale:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 246)
registrazione di:
Ooh La La
paroliere:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
compositore:
Ronnie Lane e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
WB Music Corp. (1929–2019)
Faces3.753:34
71Magic
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974, nel 1975, nel 2003)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 41)
registrazione di:
Magic
autore:
Billy Lyall e David Paton (of Pilot)
editore:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Robbins Music Corp. Ltd.
Pilot4.753:06
72Young Hearts Run Free
produttore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
batteria :
Ollie E. Brown (US drummer, session musician & record producer)
chitarra :
Jay Graydon e Ray Parker
chitarra basso :
Scotty Edwards (bassist)
congas :
Eddie Bongo
percussione :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
sintetizzatore :
Monty Stark
tastiera :
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) e Sonny Burke (soul/jazz/funk keyboardist)
vibrafono :
Vic Feldman
voce di accompagnamento:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells e June D. Williams
voce principale:
Candi Staton
arrangiatore:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
registrata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 424)
registrazione di:
Young Hearts Run Free
paroliere e compositore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. e IQ Music Ltd.
Candi Staton4.154:09
73You Sexy Thing
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984)
registrazione di:
You Sexy Thing (nel 1975)
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.854:04
74Year of the Cat
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Al Stewart (UK folk singer/songwriter) (nel 1976)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
mixata presso:
Davlen Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 13)
registrazione di:
Year of the Cat
autore:
Al Stewart (UK folk singer/songwriter) e Peter Wood (UK keyboardist/pianist)
editore:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.456:34
75I Saw the Light (2006 remaster)
produttore:
Todd Rundgren
strumenti e voce:
Todd Rundgren
arrangiatore:
Todd Rundgren
diritti fonografici (℗) detenuti da:
Bearsville Records (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 452)
registrazione di:
I Saw the Light
paroliere e compositore:
Todd Rundgren
editore:
Earmark Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Todd Rundgren52:59

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Warner Music Group (holding company – file NO releases) (nel 2023)
X5 Music Group (nel 2023)
streaming gratuito:https://open.spotify.com/album/03hwEP0HeA4vPD1eoqwRMk [info]
https://www.deezer.com/album/400812217 [info]
pagina di streaming:https://music.apple.com/gb/album/1668105734 [info]
https://tidal.com/album/273554815 [info]