Message of Love: Rock Love Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Message of Love
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
Pete Farndon
Gitarre:
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Schlagzeug:
Martin Chambers (drummer for The Pretenders)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Message of Love
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Pretenders43:26
2Fool (If You Think It’s Over)
Techniker(in):
Justin Shirley‐Smith
Produzent(in):
Jon Kelly (engineer at Air London Studios) und Chris Rea
phonographisches Urheberrecht (℗) von:
Magnet Records Ltd. (in 1988)
aufgenommen bei:
Sol Mill Studios (The Sol) in Windsor and Maidenhead, England, Vereinigtes Königreich (in 2007)
recording of:
Fool (If You Think It’s Over) (in 2007)
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea54:07
3Waiting for a Girl Like You
Foreigner5:39
4Love Ain’t No Stranger
recording of:
Love Ain’t No Stranger
Verfasser(in):
David Coverdale und Mel Galley
publisher:
WB Music Corp. (1929–2019), Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4:14
5Since You’re Gone
assistierende(r) Techniker(in):
Thom Moore (Syncro Sound engineer, Gang Green producer) und Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
Techniker(in):
Ian Taylor (rock producer/engineer)
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
aufgenommen bei:
Syncro Sound in Boston, Massachusetts, Vereinigte Staaten
recording of:
Since You’re Gone
publisher:
Ric Ocasek (in 1981)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars3.53:31
6Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
Produzent(in):
Bad Company (British blues-rock supergroup)
Mix:
Ron Nevison
E-Bass:
Boz Burrell (English musician) (in 1974-09)
Gitarre:
Mick Ralphs (in 1974-09) und Paul Rodgers (in 1974-09)
Keyboard:
Mick Ralphs (in 1974-09)
Klavier und Sologesang:
Paul Rodgers (in 1974-09)
Schlagzeug:
Simon Kirke (in 1974-09)
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1975)
aufgenommen bei:
Clearwell Castle in Gloucestershire, England, Vereinigtes Königreich (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
Verfasser(in):
Mick Ralphs und Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Badco Music, Inc. (vom 1974 bis heute)
Bad Company4.255:15
7Say You’ll Be Mine
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Klavier:
Michael Omartian
Perkussion:
Lenny Castro
Schlagzeug:
Tommy Taylor (US drummer)
Solo-Gitarre:
Jay Graydon
Hintergrundgesang:
Christopher Cross (US singer‐songwriter) und Nicolette Larson
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Say You’ll Be Mine
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross32:56
8Get Closer
Techniker(in):
Joe Bogan (Recording- and mixing engineer)
Produzent(in):
Louie Shelton
Hintergrundgesang:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews und Carolyn Willis
Solo Soprangesang:
Carolyn Willis
Interpret(in):
Seals & Crofts
Saiteninstrumente arranger:
David Paich
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Get Closer (in 1976)
Verfasser(in):
Dash Crofts und Jim Seals
Seals & Crofts53:58
9Kayleigh
recording engineer:
Thomas Stiehler
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Hansa Studios in Berlin, Deutschland (von 1985-03 bis 1985-05)
recording of:
Kayleigh (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. und Marillion Music
Marillion3.74:04
10Sweet Jane
Produzent(in):
Geoffrey Haslam, Shel Kagan und The Velvet Underground (Lou Reed’s seminal rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 335)
recording of:
Sweet Jane
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:09
11Love Will Find a Way
Produzent(in):
Paul DeVilliers, Trevor Rabin (South African musician and score composer) und Yes (British progressive rock band)
Mix:
Trevor Rabin (South African musician and score composer)
Mundharmonika:
James Zavala (harmonica & sax player James Zavala)
recording of:
Love Will Find a Way
Texter und Komponist(in):
Trevor Rabin (South African musician and score composer)
publisher:
Affirmative Music (publisher)
Yes44:50
12Be My Lover
Assistent recording engineer:
Joe Lopes (engineer)
recording engineer und Techniker(in):
Brian Christian
leitende(r) Produzent(in):
Jack Richardson
Produzent(in):
Bob Ezrin
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper)
Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neal Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
Horn arranger und Saiteninstrumente [string] arranger:
Bob Ezrin
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1987)
produced for:
Alive Enterprises und Nimbus 9 Productions, Ltd.
aufgenommen bei:
RCA Studios (Chicago, 1969-1972) in Chicago, Illinois, Vereinigte Staaten
recording of:
Be My Lover
Texter und Komponist(in):
Michael Bruce (of Alice Cooper)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Third Palm Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Alice Cooper3.73:23
13Lost Without Your Love
Techniker(in):
Bruce Morgan (American engineer, composer)
Produzent(in):
David Gates (singer/songwriter, lead singer of Bread)
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977)
recording of:
Lost Without Your Love
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Kipahulu Music Co.
Bread52:55
14Woman Tonight
assistierende(r) Techniker(in):
Tom Anderson (engineer)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
andere Instrumente:
America (US folk/soft rock band)
Bassgitarre:
David Dickey (U.S. drummer and bassist)
Schlagzeug und Perkussion:
Willie Leacox
Hintergrundgesang:
Venetta Fields, Jessica Smith (US R&B vocalist Jessica Mae Smith, 1941–2021) und Clydie King
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) und Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Woman Tonight
Texter und Komponist(in):
Dan Peek
America32:22
15This Old Heart of Mine
Produzent(in):
Tom Dowd
cover recording of:
This Old Heart of Mine (Is Weak for You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland–Dozier–Holland
Komponist(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Sylvia Moy
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) und Stone Agate Music Division
Rod Stewart34:06
16I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:39
17Hello It’s Me
Produzent(in):
Todd Rundgren
arranger:
Todd Rundgren
recording of:
Hello, It’s Me
Texter und Komponist(in):
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren34:38
18Falling in Love Again
David Gates2:19
19Never Let Her Slip Away
assistierende(r) Techniker(in):
George Ybara
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Andrew Gold und Brock Walsh (singer, producer, songwriter)
Perkussion:
Andrew Gold (in 1978) und Brock Walsh (singer, producer, songwriter) (in 1978)
Saxophon:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1978)
Synthesizer:
Andrew Gold (in 1978)
Hintergrundgesang:
Andrew Gold (in 1978), John David Souther (in 1978) und Brock Walsh (singer, producer, songwriter) (in 1978)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
aufgenommen bei und mixed at:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978)
recording of:
Never Let Her Slip Away (in 1978)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold53:22
20You Belong to Me
alto saxophone:
David Sanborn
Bass:
Gordon Edwards (funk/soul bassist)
E-Gitarre:
Cornell Dupree und Eric Gale
Hybrid-Piano:
Richard Tee
Schlagzeug:
Steve Gadd (drummer)
Hintergrundgesang:
Carly Simon und James Taylor (singer-songwriter and guitarist)
vocals:
Carly Simon
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (in 2015)
cover recording of:
You Belong to Me (Carly Simon/Michael McDonald song)
Verfasser(in):
Michael McDonald (R&B & soul singer) und Carly Simon
publisher:
C’est Music, Kobalt Music Publishing Ltd. (UK), Snug Music und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Carly Simon3:53
21Brand New Love Affair, Pt. I & II
Techniker(in):
Jeff Guercio, Mark Guercio (Engineer) und Wayne Tarnowski
Produzent(in):
James William Guercio
Mix:
Phil Ramone (in 1974-09)
Orchestrator(in):
Patrick Williams (composer, arranger)
phonographisches Urheberrecht (℗) von:
Warner Strategic Marketing (in 1975) und Rhino Entertainment Company (not for release label use!) (in 2002)
aufgenommen bei und mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (in 1974-09)
recording of:
Brand New Love Affair (in 1974-09)
Verfasser(in):
James Pankow
Chicago4:28
22How Sweet It Is (to Be Loved by You)
Techniker(in) und Mix:
Lee Herschberg
Produzent(in):
Russ Titelman und Lenny Waronker
Bass:
Lee Sklar (bassist, session musician)
E-Gitarre:
Danny Kortchmar (Danny Kootch)
Klavier und Rhodes Piano [Fender Rhodes]:
Clarence McDonald
Schlagzeug [drums]:
Jim Keltner und Russ Kunkel (session drummer)
Tamburin:
Russ Kunkel (session drummer)
Hintergrundgesang [vocal harmonies]:
Carly Simon
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
How Sweet It Is (to Be Loved by You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
James Taylor3.83:35
23Just Between You and Me
assistierende(r) Techniker(in):
Carlos Golliher (engineer)
Techniker(in):
Paul Ericksen (recording engineer) und Bino Espinoza
Produzent(in):
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Mix:
Bino Espinoza und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Bassgitarre:
Bruce Turgon
E-Gitarre:
Nils Lofgren und Peter Maunu
Keyboard:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Schlagzeug:
Benny Gramm (drummer)
arranger:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
mixed at:
41B Studios in Westlake Village, California (Kalifornien), Vereinigte Staaten
recording of:
Just Between You and Me
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Holly Knight
Lou Gramm54:56
24You’re Amazing
recording of:
You’re Amazing
Verfasser(in):
Stephen Fellows, Alan Mansfield, Robert Palmer (English singer‐songwriter), Guy Pratt und Steve Stevens (US guitarist and songwriter)
Robert Palmer33:50
25Just Remember I Love You
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Just Remember I Love You
Texter und Komponist(in):
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
publisher:
Stephen Stills Music
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Firefall3:15
26Long Distance Love
Produzent(in):
Lowell George
Gast Hintergrundgesang:
Valerie Carter und Fran Tate
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recording of:
Long Distance Love
Texter und Komponist(in):
Lowell George
publisher:
Naked Snake Music
Little Feat42:43