The No.1 DJ Collection: 50s (Digital Collection)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶Digitales Medium: 50s Volume 1: Number Ones 1 > 24
2▶Digitales Medium: 50s Volume 2: Number Ones 25 > 47
3▶Digitales Medium: 50s Volume 3: Number Ones 48 > 70
4▼Digitales Medium: 50s Volume 4: Number Ones 71 > 94
Nr.TitelKünstlerBewertungLänge
1Who’s Sorry Now
vocals:
Connie Francis (American former actress and chart-topping singer)
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1958)
cover recording of:
Who’s Sorry Now? (1923 song)
Texter:
Bert Kalmar (in 1923) und Harry Ruby (in 1923)
Komponist(in):
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (am 1923-03-07) und Mills Music Corporation (in 1929)
recording of:
Who’s Sorry Now? (1923 song)
Texter:
Bert Kalmar (in 1923) und Harry Ruby (in 1923)
Komponist(in):
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (am 1923-03-07) und Mills Music Corporation (in 1929)
Connie Francis4.52:17
2On the Street Where You Live
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1956)
cover recording of:
On the Street Where You Live (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
My Fair Lady (full musical)
Vic Damone42:42
3All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers52:18
4When
vocals:
Kalin Twins
conductor:
Jack Pleis
Teil von:
Billboard Hot 100: 1958-08-04 (Nummer: 5)
recording of:
When
Verfasser(in):
Paul Evans (50s US rock n roll singer/songwriter) und Jack Reardon (American songwriter)
Kalin Twins32:25
5Carolina Moon
recording of:
Carolina Moon (1928 song)
Texter:
Benny Davis (US vaudeville performer and songwriter)
Komponist(in):
Joe Burke (American composer)
publisher:
Burton Way Music Ltd., Cromwell Music, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Fred Ahlert Mus. Corp., Lawrence Wright Music Co., Ltd., Memory Lane Music (publishing company) und Redwood Music
Connie Francis2:33
6It’s All in the Game
conductor:
Leroy Holmes
arranger:
Leroy Holmes
cover recording of:
It’s All in the Game
Texter:
Carl Sigman (in 1951)
Komponist(in):
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
basiert auf:
Melody in A major (instrumental)
Tommy Edwards42:39
7Hoots Mon
recording of:
Hoots Mon (1958 song)
Verfasser(in):
Harry Robertson (UK composer)
publisher:
Southern Music Publishing Company Limited
Lord Rockingham's XI32:14
8It’s Only Make Believe
recording of:
It’s Only Make Believe
Verfasser(in):
Jack Nance (in 1958) und Conway Twitty (in 1958)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty2:12
9The Day the Rains Came
recording of:
The Day the Rains Came (from the French song "Le jour où la pluie viendra")
Komponist(in):
Gilbert Bécaud
Übersetzer:
Carl Sigman
übersetzte Version von:
Le Jour où la pluie viendra
Jane Morgan2:57
10One Night
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-15 bis 1957-01-18)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-15 bis 1957-01-18) und Tiny Timbrell (von 1957-01-15 bis 1957-01-18)
Klavier:
Dudley Brooks (von 1957-01-15 bis 1957-01-18)
Schlagzeug:
D.J. Fontana (von 1957-01-15 bis 1957-01-18)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-02-23)
vocals:
The Jordanaires (southern gospel group) (von 1957-01-15 bis 1957-01-18)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957, in 1959) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Paramount Scoring Stage in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-15 bis 1957-01-18), Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-02-23) und Metropolitan Sports Center in Bloomington, Minnesota, Vereinigte Staaten (am 1976-10-17)
cover recording of:
One Night (von 1957-01-15 bis 1957-02-23)
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
live cover recording of:
One Night (am 1976-10-17)
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
recording of:
One Night
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
Elvis Presley2.72:30
11As I Love You
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Wally Stott & His Orchestra & Chorus
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1958)
recording of:
As I Love You (1958 song from the film "The Big Beat")
Verfasser(in):
Ray Evans (American songwriter) und Jay Livingston
publisher:
Larry Shayne Enterprises und Warner Chappell Music, Inc.
Shirley Bassey32:52
12Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, Frankreich (am 1958-09-24)
Produzent(in):
Buck Ram
Sologesang:
Tony Williams (lead singer for The Platters)
Interpret(in):
The Platters
cover recording of:
Smoke Gets in Your Eyes (am 1958-09-24)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
The Platters3.752:37
13Side Saddle
Russ Conway1:53
14It Doesn’t Matter Anymore
recording of:
It Doesn’t Matter Anymore
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Robert Mellin Ltd.
Buddy Holly2:04
15A Fool Such as I
cover recording of:
(Now and Then There’s) a Fool Such as I
Texter und Komponist(in):
Bill Trader
publisher:
LeFevre Sing Pub. Co., MCA Music Inc. (US-based music publishers) und Universal/MCA Music Ltd. (not for release label use!)
Elvis Presley2:30
16Roulette
Russ Conway1:52
17Dream Lover
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1959)
recording of:
Dream Lover
Texter und Komponist(in):
Bobby Darin
publisher:
Screen Gems–EMI Music Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Bobby Darin3.752:29
18Living Doll
Produzent(in):
Norrie Paramor
vocals:
Cliff Richard
Interpret(in):
The Drifters (London group, pre-Shadows)
recording of:
Living Doll
Texter und Komponist(in):
Lionel Bart
publisher:
J. Albert & Son Pty. Ltd.
Cliff Richard & The Drifters2:36
19Only Sixteen
cover recording of:
Only Sixteen
Verfasser(in):
Barbara Campbell (collective songwriter pseudonym for Sam Cooke, Lou Adler and Herb Alpert)
publisher:
ABKCO Music und Ardmore and Beechwood Ltd.
Craig Douglas2:10
20Here Comes Summer
Jerry Keller2:07
21Mack the Knife
Produzent(in):
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun und Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 40) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:05
22Travlin’ Light
recording of:
Travellin’ Light
Verfasser(in):
Roy C. Bennett (US songwriter) und Sid Tepper
Cliff Richard & The Shadows2:37
23What Do You Want
Produzent(in):
John Barry (English score composer) und John Burgess (British record producer)
vocals:
Adam Faith (am 1959-09-25)
conductor und Interpret(in):
John Barry (English score composer) (am 1959-09-25)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1959-09-25)
recording of:
What Do You Want? (am 1959-09-25)
Texter und Komponist(in):
Les Vandyke
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:35
24What Do You Want to Make Those Eyes at Me For?
Emile Ford & the Checkmates2:06