The Pirates of Penzance (1967 D’Oyly Carte cast)

~ Veröffentlichung von Gilbert & Sullivan; The D’Oyly Carte Opera Company (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

cast: Donald Adams, Jean Allister, Owen Brannigan, George Cook, Susan Maisey, Valerie Masterson, Christene Palmer, Philip Potter, John Reed, Pauline Wales – source

Anmerkung zuletzt geändert am 2026-04-17 09:03 UTC.

Titelliste

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Nr.TitelKünstlerBewertungLänge
1The Pirates of Penzance: Act I. "O, men of dark and dismal fate"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Baritongesang [Major‐General Stanley]:
John Reed (actor, member of the D’Oyly Carte Opera Company) (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act I Finale, no. 14 “Oh, Men of dark and dismal fate” (Major‐General) (first song of Act I Finale) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act I, Finale no. 14. “Oh, men of dark and dismal fate …” (Mabel, Edith, Kate, Frederic, Samuel, Pirate King, Major‐General, Ruth, Chorus) (has sub-parts)
Gilbert & Sullivan3:50
2The Pirates of Penzance: Act I. "Hail Poetry, thou heav’n born maid!"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act I Finale, no. 14 “Hail, Poetry, Thou Heav’n Born Maid” (Ensemble) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act I, Finale no. 14. “Oh, men of dark and dismal fate …” (Mabel, Edith, Kate, Frederic, Samuel, Pirate King, Major‐General, Ruth, Chorus) (has sub-parts)
Gilbert & Sullivan1:03
3The Pirates of Penzance: Act I. "You may go, for you’re at liberty"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Baritongesang [Major‐General Stanley]:
John Reed (actor, member of the D’Oyly Carte Opera Company) (von 1967-12-04 bis 1967-12-08)
Baritongesang [Samuel]:
George Cook (operatic bass-baritone and actor)
bass-baritone vocals [The Pirate King]:
Donald Adams (operatic bass-baritone) (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act I Finale, no. 14 “You may go, for you’re at liberty” (Pirate King, Samuel, Major‐General, Chorus) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act I, Finale no. 14. “Oh, men of dark and dismal fate …” (Mabel, Edith, Kate, Frederic, Samuel, Pirate King, Major‐General, Ruth, Chorus) (has sub-parts)
Gilbert & Sullivan1:45
4The Pirates of Penzance: Act I. "Pray observe the magnanimity"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act I Finale, no. 14 “Pray Observe the Magnanimity” (Ensemble) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act I, Finale no. 14. “Oh, men of dark and dismal fate …” (Mabel, Edith, Kate, Frederic, Samuel, Pirate King, Major‐General, Ruth, Chorus) (has sub-parts)
Gilbert & Sullivan1:44
5The Pirates of Penzance: Act II. "Oh, dry the glist’ning tear"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Soprangesang [Mabel]:
Valerie Masterson (soprano) (von 1967-12-04 bis 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 15. “Oh, dry the glist’ning tear” (Mabel, Girls) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan5:11
6The Pirates of Penzance: Act II. "Then Frederic"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Baritongesang [Major‐General Stanley]:
John Reed (actor, member of the D’Oyly Carte Opera Company) (von 1967-12-04 bis 1967-12-08)
Tenor-Gesang [Frederic]:
Philip Potter (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 16. “Then, Frederic, let your escort lion‐hearted” (Frederic, Major‐General) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan0:20
7The Pirates of Penzance: Act II. "When the foeman bares his steel"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Bass-Gesang [Sergeant of Police]:
Owen Brannigan (operatic bass) (von 1967-12-04 bis 1967-12-08)
Mezzosoprangesang [Edith]:
Jean Allister (von 1967-12-04 bis 1967-12-08)
Soprangesang [Mabel]:
Valerie Masterson (soprano) (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 17. “When the foeman bares his steel” (Mabel, Edith, Sergeant, Policemen, Girls) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan4:50
8The Pirates of Penzance: Act II. "Now for the pirates lair!"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
bass-baritone vocals [The Pirate King]:
Donald Adams (operatic bass-baritone) (von 1967-12-04 bis 1967-12-08)
contralto vocals [Ruth]:
Christene Palmer (von 1967-12-04 bis 1967-12-08)
Tenor-Gesang [Frederic]:
Philip Potter (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 18 “Now for the Pirates’ Lair!…” (Frederic, Ruth, Pirate King) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan1:22
9The Pirates of Penzance: Act II. "When you had left our pirate fold"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
bass-baritone vocals [The Pirate King]:
Donald Adams (operatic bass-baritone) (von 1967-12-04 bis 1967-12-08)
contralto vocals [Ruth]:
Christene Palmer (von 1967-12-04 bis 1967-12-08)
Tenor-Gesang [Frederic]:
Philip Potter (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 19. “When you had left our pirate fold” (Ruth, Frederic, Pirate King) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan5:58
10The Pirates of Penzance: Act II. "Away, away, my heart’s on fire"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
bass-baritone vocals [The Pirate King]:
Donald Adams (operatic bass-baritone) (von 1967-12-04 bis 1967-12-08)
contralto vocals [Ruth]:
Christene Palmer (von 1967-12-04 bis 1967-12-08)
Tenor-Gesang [Frederic]:
Philip Potter (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 20. “Away, away, my heart’s on fire” (Ruth, Frederic, Pirate King) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan1:31
11The Pirates of Penzance: Act II. "All is prepared"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Soprangesang [Mabel]:
Valerie Masterson (soprano) (von 1967-12-04 bis 1967-12-08)
Tenor-Gesang [Frederic]:
Philip Potter (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 21. “All is prepar’d! Your gallant crew await you” (Mabel, Frederic) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan1:26
12The Pirates of Penzance: Act II. "Stay, Fred’ric stay!"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Soprangesang [Mabel]:
Valerie Masterson (soprano) (von 1967-12-04 bis 1967-12-08)
Tenor-Gesang [Frederic]:
Philip Potter (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!” (Mabel, Frederic) (first duet only) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!…” (Mabel, Frederic, Ensemble) (has sub‐parts)
Gilbert & Sullivan1:00
13The Pirates of Penzance: Act II. "Ah, leave me not to pine alone and desolate"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Soprangesang [Mabel]:
Valerie Masterson (soprano) (von 1967-12-04 bis 1967-12-08)
Tenor-Gesang [Frederic]:
Philip Potter (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 22. “Ah, Leave Me Not to Pine” (Mabel, Frederic) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!…” (Mabel, Frederic, Ensemble) (has sub‐parts)
recording of:
The Pirates of Penzance: Act II, no. 22. “In 1940 I of Age Shall Be” (Frederic, Mabel) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!…” (Mabel, Frederic, Ensemble) (has sub‐parts)
Gilbert & Sullivan3:58
14The Pirates of Penzance: Act II. "Oh, here is love and here is truth"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 22. “Oh, Here Is Love, and Here Is Truth” (Ensemble) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!…” (Mabel, Frederic, Ensemble) (has sub‐parts)
Gilbert & Sullivan1:02
15The Pirates of Penzance: Act II. "No, I’ll be brave"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Bass-Gesang [Sergeant of Police]:
Owen Brannigan (operatic bass) (von 1967-12-04 bis 1967-12-08)
Soprangesang [Mabel]:
Valerie Masterson (soprano) (von 1967-12-04 bis 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 23. “No, I’ll be brave…” (Mabel, Sergeant, Policemen) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan1:23
16The Pirates of Penzance: Act II. "Sergeant approach"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
Gilbert & Sullivan1:52
17The Pirates of Penzance: Act II. "when a Felon’s Not Engaged in His Employment"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Bass-Gesang [Sergeant of Police]:
Owen Brannigan (operatic bass) (von 1967-12-04 bis 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 24. “When a felon’s not engaged in his employment” (Sergeant, Policemen) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan2:31
18The Pirates of Penzance: Act II. "A Rollicking Band of Pirates We"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Bass-Gesang [Sergeant of Police]:
Owen Brannigan (operatic bass) (von 1967-12-04 bis 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 25. “A Rollicking Band of Pirates We” (Sergeant, Pirates, Policemen) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan0:58
19The Pirates of Penzance: Act II. "With cat-like tread"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Baritongesang [Samuel]:
George Cook (operatic bass-baritone and actor)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 26. “With cat-like tread, upon our prey we steal” (Samuel, Pirates, Policemen) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan2:45
20The Pirates of Penzance: Act II. "Hush! Hush! Not a word"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Baritongesang [Major‐General Stanley]:
John Reed (actor, member of the D’Oyly Carte Opera Company) (von 1967-12-04 bis 1967-12-08)
bass-baritone vocals [The Pirate King]:
Donald Adams (operatic bass-baritone) (von 1967-12-04 bis 1967-12-08)
Tenor-Gesang [Frederic]:
Philip Potter (von 1967-12-04 bis 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 27. “Hush! Hush! Not a word” (Frederic, Pirate King, Major‐General, Policemen, Pirates) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan1:21
21The Pirates of Penzance: Act II. "Sighing softly to the river"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Baritongesang [Major‐General Stanley]:
John Reed (actor, member of the D’Oyly Carte Opera Company) (von 1967-12-04 bis 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II Finale, no. 28. “Sighing softly to the river” (Major‐General, Men) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan1:15
22The Pirates of Penzance: Act II. "Now what is this, and what is that"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
bass-baritone vocals [The Pirate King]:
Donald Adams (operatic bass-baritone) (von 1967-12-04 bis 1967-12-08)
Mezzosoprangesang [Edith]:
Jean Allister (von 1967-12-04 bis 1967-12-08)
Mezzosoprangesang [Kate]:
Pauline Wales (operatic mezzo-soprano) (von 1967-12-04 bis 1967-12-08)
Soprangesang [Mabel]:
Valerie Masterson (soprano) (von 1967-12-04 bis 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II Finale, no. 28 “Now What Is This” (Daughters, Pirate King, Pirates) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II Finale, no. 28. “Now what is this” (Major‐General, Pirate King, Frederic, Mabel, Sergeant, Ruth, Pirates, Girls, Policemen)
Gilbert & Sullivan1:59
23The Pirates of Penzance: Act II. "We triumph now"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
bass-baritone vocals [The Pirate King]:
Donald Adams (operatic bass-baritone) (von 1967-12-04 bis 1967-12-08)
Bass-Gesang [Sergeant of Police]:
Owen Brannigan (operatic bass) (von 1967-12-04 bis 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II Finale, no. 28 “We Triumph Now” (Sergeant, Pirate King, Police, Pirates) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II Finale, no. 28. “Now what is this” (Major‐General, Pirate King, Frederic, Mabel, Sergeant, Ruth, Pirates, Girls, Policemen)
Gilbert & Sullivan2:05
24The Pirates of Penzance: Act II. "Away with them, and place them at the bar"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
Baritongesang [Major‐General Stanley]:
John Reed (actor, member of the D’Oyly Carte Opera Company) (von 1967-12-04 bis 1967-12-08)
contralto vocals [Ruth]:
Christene Palmer (von 1967-12-04 bis 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II Finale, no. 28 “Away with them” (Major‐General, Ruth, Ensemble) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II Finale, no. 28. “Now what is this” (Major‐General, Pirate King, Frederic, Mabel, Sergeant, Ruth, Pirates, Girls, Policemen)
Gilbert & Sullivan1:13
25The Pirates of Penzance: Act II. "Poor wand’ring ones, though ye have surely strayed"
sonstige Unterstützung:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (Aufgabe: recorded under the supervision/direction of)
vocals:
The D’Oyly Carte Opera Company (von 1967-12-04 bis 1967-12-08)
Orchester:
Royal Philharmonic Orchestra (von 1967-12-04 bis 1967-12-08)
conductor:
Isidore Godfrey (conductor) (von 1967-12-04 bis 1967-12-08)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1967-12-04 bis 1967-12-08)
recording of:
The Pirates of Penzance: Act II Finale, no. 28 “Poor Wand’ring Ones!” (Ensemble) (von 1967-12-04 bis 1967-12-08)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II Finale, no. 28. “Now what is this” (Major‐General, Pirate King, Frederic, Mabel, Sergeant, Ruth, Pirates, Girls, Policemen)
Gilbert & Sullivan1:52