50 Timeless Top Retro Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1La Bamba (remastered)
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 142) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 346)
registrazione di:
La bamba (additional lyrics by Ritchie Valens) (il 1958-11-17)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Ritchie Valens4.752:02
2Stand by Me (remastered 2015)
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:53
3At Last (remastered)
produttore:
Leonard Chess, Phil Chess e Leonard and Phil Chess (legendary US production duo)
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
diritti fonografici (℗) detenuti da:
Windswept Pacific Music Ltd.
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 115) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 356)
registrazione cover di:
At Last (nel 1960-10)
autore:
Mack Gordon e Harry Warren (US composer and lyricist)
editore:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Etta James4.52:58
4My Baby Just Cares for Me (remastered 2013)
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.93:39
5(We’re Gonna) Rock Around the Clock (remastered)
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets4.352:09
6Unchain My Heart (remastered 2020)
produttore:
Sid Feller
basso :
Edgar Willis (bass) (il 1961-07-05)
batteria :
Edward "Bruno" Carr (il 1961-07-05)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1961-07-05)
sassofono baritono [baritone sax] :
Leroy "Hog" Cooper (saxophonist) (il 1961-07-05)
sassofono contralto [alto sax] :
Bennie "Hank" Crawford (il 1961-07-05)
sassofono tenore [tenor sax] solista :
David “Fathead” Newman (American jazz saxophonist) (il 1961-07-05)
tromba :
Phillip Guilbeau (il 1961-07-05) e John Hunt (trumpeter) (il 1961-07-05)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1961-07-05)
voce di accompagnamento:
The Raelettes (il 1961-07-05)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrata presso:
Bell Sound Studios in New York, New York, Stati Uniti (il 1961-07-05)
registrazione cover di:
Unchain My Heart (il 1961-07-05)
paroliere e compositore:
Bobby Sharp
autore:
Teddy Powell
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (nel 1987)
parte di:
The Real Book (compilation of jazz standards, volume I)
Ray Charles and His Orchestra32:51
7Moon River (Analog Remastering)
registrazione di:
Moon River
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
Audrey Hepburn1:48
8Johnny B. Goode (remastered)
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Jasper Thomas (il 1958-01-06)
chitarra e voce principale:
Chuck Berry (il 1958-01-06)
contrabbasso :
Willie Dixon (il 1958-01-06)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1958-01-06)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (il 1958-01-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 53) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Johnny B. Goode (il 1958-01-06)
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry4.252:43
9The Great Pretender (remastered)
registrata a:
Chicago, Illinois, Stati Uniti (nel 1955-09)
voce principale:
Tony Williams (lead singer for The Platters)
diritti fonografici (℗) detenuti da:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 352)
registrazione di:
The Great Pretender (nel 1955-09)
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) e Southern Music Publishing Company Limited
The Platters52:39
10Love Me Tender (remastered)
banjo :
Luther "Red" Roundtree (dal 1956-08-24 al 1956-09-04)
basso :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (dal 1956-08-24 al 1956-09-04)
batteria :
Richard Cornell (Percussion) (dal 1956-08-24 al 1956-09-04)
chitarra :
Vito Mumolo (Session Musician (Guitar)) (dal 1956-08-24 al 1956-09-04)
fisarmonica :
Carl Fortina (dal 1956-08-24 al 1956-09-04) e Dominic Frontiere (dal 1956-08-24 al 1956-09-04)
voce:
Jon Dodson (dal 1956-08-24 al 1956-09-04, il 1956-09-01), Charles Prescott (dal 1956-08-24 al 1956-09-04, il 1956-09-01) e Rad Robinson (dal 1956-08-24 al 1956-09-04, il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
20th Century Fox Music Stage 1 in Los Angeles, California, Stati Uniti (il 1956-08-24, il 1956-09-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 437)
registrazione di:
Love Me Tender (dal 1956-08-24 al 1956-09-04)
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
Elvis Presley3.552:42
11Summertime Blues (remastered)
registrazione di:
Summertime Blues (nel 1958-05)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran1:55
12Great Balls of Fire (remastered 2015)
produttore:
Jerry Bruckheimer, Jack Clement, Don Simpson (American film producer, screenwriter, and actor) e Sam Phillips (founder of Sun Records) (nel 1957)
batteria :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
chitarra basso :
Sidney Stokes
pianoforte :
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (nel 1957-10)
voce:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (nel 1957-10)
diritti fonografici (℗) detenuti da:
Sun Record Company (nel 1957)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1957-10-08)
edit di:
Great Balls of Fire (chat & master) di Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 96) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 242)
registrazione di:
Great Balls of Fire (nel 1957-10)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
registrazione cover di:
Great Balls of Fire
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis4.351:51
13Please Mr. Postman (remastered 2017)
produttore:
Robert Bateman (R&B singer/songwriter/record producer) e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (nel 1961-04)
batteria :
Benny Benjamin (US drummer) (nel 1961-04) e Marvin Gaye (nel 1961-04)
battimani :
Katherine Anderson (United States motown singer) (nel 1961-04), Wyanetta “Juanita” Cowart (nel 1961-04), Georgeanna Tillman (nel 1961-04) e Wanda Young (aka Wanda Young, singer in The Marvelettes) (nel 1961-04)
chitarra :
Eddie Willis (nel 1961-04)
percussione :
Eddie “Bongo” Brown (nel 1961-04)
pianoforte :
Richard ‘Popcorn’ Wylie (Pianist, singer, producer, band director and songwriter) (nel 1961-04)
strumenti:
The Funk Brothers (nel 1961-04)
voce di accompagnamento:
Katherine Anderson (United States motown singer) (nel 1961-04), Wyanetta “Juanita” Cowart (nel 1961-04), Gladys Horton (nel 1961-04), Georgeanna Tillman (nel 1961-04) e Wanda Young (aka Wanda Young, singer in The Marvelettes) (nel 1961-04)
voce principale:
Gladys Horton (nel 1961-04)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1961-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 331) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 410)
registrazione di:
Please Mr. Postman (nel 1961-04)
autore:
Robert Bateman (R&B singer/songwriter/record producer) (nel 1961), Georgia Dobbins (nel 1961), William Garrett (nel 1961), Freddie Gorman (nel 1961) e Brian Holland (Motown producer & songwriter) (nel 1961)
editore:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
The Marvelettes4.62:28
14Misirlou (original Soundtrack from “Pulp Fiction” - remastered)
produttore:
Jim Pewter
Dick Dale2:38
15Hit the Road Jack (remastered 2019)
produttore:
Sid Feller
basso :
Edgar Willis (bass) (il 1961-07-05)
batteria :
Edward "Bruno" Carr (il 1961-07-05)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1961-07-05)
sassofono baritono [baritone sax] :
Leroy "Hog" Cooper (saxophonist) (il 1961-07-05)
sassofono contralto [alto sax] :
Bennie "Hank" Crawford (il 1961-07-05)
sassofono tenore [tenor sax] :
David “Fathead” Newman (American jazz saxophonist) (il 1961-07-05)
tromba :
Phillip Guilbeau (il 1961-07-05) e John Hunt (trumpeter) (il 1961-07-05)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1961-07-05) e Margie Hendrix (il 1961-07-05)
voce di accompagnamento:
The Raelettes (il 1961-07-05)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrata presso:
Bell Sound Studios in New York, New York, Stati Uniti (il 1961-07-05)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 6) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 248)
registrazione di:
Hit the Road Jack (il 1961-07-05)
paroliere e compositore:
Percy Mayfield
editore:
Tangerine Music, Tangerine Music Corp. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles4.351:56
16You Are My Destiny (remastered)
registrata a:
New York, New York, Stati Uniti
produttore:
Joe Sherman
direttore d'orchestra:
Joe Sherman
arrangiatore:
Joe Sherman
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1963)
registrazione di:
You Are My Destiny (nel 1963)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Pamco Music Inc. (conclusa), Epa Publishing, PW Ballads e Songs of Universal, Inc. (BMI)
Paul Anka2:28
17Tous les garçons et les filles (remastered)
voce:
Françoise Hardy (il 1962-04-25)
orchestra:
Roger Samyn et son orchestre (il 1962-04-25)
direttore d'orchestra:
Roger Gustave Samyn (il 1962-04-25)
registrazione di:
Tous les garçons et les filles (All the Boys and Girls) (il 1962-04-25)
paroliere:
Françoise Hardy
compositore:
Françoise Hardy e Roger Gustave Samyn
editore:
Alpha Éditions Musicales
Françoise Hardy3.053:06
18You’ve Really Got a Hold on Me (remastered)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 10) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
You’ve Really Got a Hold on Me
paroliere e compositore:
Smokey Robinson (nel 1962-10)
editore:
Dominion Music, Jobete Music (UK), Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Smokey Robinson4.52:57
19Lollipop (remastered)
produttore:
Archie Bleyer
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1958)
registrazione cover di:
Lollipop
autore:
Julius Dixson e Beverly Ross (musician (piano) and songwriter)
editore:
Anglo-Pic Music Co. Ltd. e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
registrazione di:
Lollipop
autore:
Julius Dixson e Beverly Ross (musician (piano) and songwriter)
editore:
Anglo-Pic Music Co. Ltd. e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Chordettes42:07
20I Walk the Line (remastered 2020)
produttore:
Sam Phillips (founder of Sun Records)
chitarra acustica e voce principale:
Johnny Cash (country music legend) (il 1956-04-02)
chitarra elettrica :
Luther Perkins (il 1956-04-02)
contrabbasso :
Marshall Grant (il 1956-04-02)
diritti fonografici (℗) detenuti da:
Sun Entertainment Corporation (company credits only; do not use as release label!) (nel 1956) e Sun Record Company (nel 1956)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1956-04-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 30), Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 33) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 76)
registrazione di:
I Walk the Line (il 1956-04-02)
paroliere e compositore:
John R. Cash (country music legend) (nel 1956)
editore:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) e House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.152:43
21He’s So Fine (remastered)
registrazione di:
He’s So Fine (nel 1962)
paroliere e compositore:
Ronnie Mack (1960s US songwriter)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Chiffons3.351:53
22Runaway (remastered)
claviolino [musitron] solista :
Max Crook
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 100) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 466)
registrazione di:
Runaway (il 1961-01-24)
autore:
Max Crook e Del Shannon
editore:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. e Vicki Music
Del Shannon4.42:18
23Let’s Twist Again (remastered 2017)
voce:
Chubby Checker (nel 1961-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 40)
registrazione di:
Let’s Twist Again (nel 1961-06)
paroliere:
Kal Mann
compositore:
Dave Appell
editore:
Kalmann Music Inc., Warner/Chappell Music Australia Pty. Ltd. e Belinda (Scandinavia) AB (nel 1974)
Chubby Checker4.652:14
24Theme From a Summer Place (remastered 2017 from “A Summer Place” original Sondtrack)
esecutore:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione cover di:
Theme from “A Summer Place” (original instrumental version)
compositore:
Max Steiner (nel 1959)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America
registrazione di:
Theme from “A Summer Place” (original instrumental version)
compositore:
Max Steiner (nel 1959)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America
Percy Faith3.652:22
25Mr. Sandman (remastered 2017)
produttore:
Archie Bleyer
esecutore:
The Chordettes
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
registrazione di:
Mr. Sandman
paroliere e compositore:
Pat Ballard
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
The Chordettes4.32:23
26Roll Over Beethoven (remastered)
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Melvin Billups (il 1956-04-19)
chitarra e voce principale:
Chuck Berry (il 1956-04-19)
contrabbasso :
Willie Dixon (il 1956-04-19)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1956-04-19)
sassofono tenore :
Leroy C. Davis (il 1956-04-19)
tromba :
Vincent Pitts (il 1956-04-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1956)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (il 1956-04-19)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 97)
registrazione di:
Roll Over Beethoven (il 1956-04-19)
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Chuck Berry4.152:22
27Diana (remastered)
voce:
Paul Anka (Canadian singer, songwriter and actor)
direttore d'orchestra:
Don Costa (US pop music arranger & producer)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 26)
registrazione di:
Diana (il 1957-05-20)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Pamco Music Inc. (conclusa), Epa Publishing, Robert Mellin Music Publishing Corp. e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.22:18
28Zou Bisou Bisou (remastered 2017)
Gillian Hills2:14
29Dream Lover (remastered 2018)
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1959)
registrazione di:
Dream Lover
paroliere e compositore:
Bobby Darin
editore:
Screen Gems–EMI Music Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Bobby Darin3.752:30
30Only the Lonely (remastered)
registrata a:
Nashville, Tennessee, Stati Uniti (il 1960-03-26)
produttore:
Fred Foster
batteria [drums] :
Buddy Harman (Session drummer and songwriter) (il 1960-03-26)
chitarra :
Hank Garland (il 1960-03-26) e Harold Bradley (il 1960-03-26)
contrabbasso [bass] :
Bob Moore (U.S. bassist and bandleader) (il 1960-03-26)
pianoforte :
Floyd Cramer (il 1960-03-26)
voce:
Roy Orbison (il 1960-03-26)
voce di accompagnamento:
Joe Melson (il 1960-03-26) e The Anita Kerr Singers (mixed vocal group) (il 1960-03-26)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 2) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Only the Lonely (Know the Way I Feel) (il 1960-03-26)
autore:
Joe Melson e Roy Orbison
editore:
Acuff-Rose Music Limited (UK) e Acuff-Rose Publications, Inc. (BMI) (il 1960-05-04)
è stata commissionata da:
Rondor Music (London) Ltd.
Roy Orbison4.72:24
31Green Onions (remastered)
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-06)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (nel 1962-06)
chitarra :
Steve Cropper (nel 1962-06)
chitarra basso [bass] :
Lewie Steinberg (nel 1962-06)
organo Hammond :
Booker T. Jones (nel 1962-06)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 181) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 418)
registrazione di:
Green Onions (nel 1962-06)
compositore:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones e Lewie Steinberg
editore:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. e Irving Music (BMI)
Booker T. & the MG’s3.852:53
32Venus (remastered)
voce:
Frankie Avalon (American actor, singer)
direttore d'orchestra e maestro del coro:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Chancellor Records Inc. (nel 1959)
registrazione di:
Venus
paroliere e compositore:
Ed Marshall
editore:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:21
33The Loco‐Motion (remastered 2018)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 351)
registrazione di:
The Loco‐Motion (aka Locomotion) (nel 1962)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Little Eva22:27
34(The Man Who Shot) Liberty Valance (remastered 2015)
direttore d'orchestra:
Irvin Talbot
registrazione di:
The Man Who Shot Liberty Valance
paroliere:
Hal David
compositore:
Burt Bacharach
Gene Pitney42:55
35Hound Dog (remastered)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956, nel 1972), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
registrazione cover di:
Hound Dog (il 1956-07-02)
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
Elvis Presley3.652:15
36Will You Love Me Tomorrow (remastered 2017 From “dirty Dancing” original Soundtrack)
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:41
37Marina (remastered)
Marino Marini2:55
38Smile (remastered 2019)
produttore:
Lee Gillette
ance :
John Hacker (il 1954-07-27), Harry Klee (il 1954-07-27) e Dominic Mumolo (il 1954-07-27)
basso :
Charlie Harris (jazz bassist) (il 1954-07-27)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1954-07-27)
chitarra :
John Collins (US jazz guitarist) (il 1954-07-27)
corno francese :
Vincent DeRosa (il 1954-07-27) e William Hinshaw (American horn player) (il 1954-07-27)
percussione :
Louis Singer (percussionist) (il 1954-07-27)
pianoforte :
Bill Miller (pianist) (il 1954-07-27)
trombone :
Francis Howard (trombone) (il 1954-07-27)
trombone basso :
George Roberts (american bass trombone) (il 1954-07-27)
viola :
Stanley Harris (US big band viola player) (il 1954-07-27), Paul Robyn (il 1954-07-27), Barbara Simons (il 1954-07-27) e Dave Sterkin (il 1954-07-27)
violino :
Leonard Atkins (il 1954-07-27), Victor Bay (il 1954-07-27), Alex Beller (il 1954-07-27), Harry Bluestone (il 1954-07-27), Walter Edelstein (il 1954-07-27), Nathan Ross (il 1954-07-27), Mischa Russell (violinist) (il 1954-07-27), Eudice Shapiro (Violinist) (il 1954-07-27), Paul Shure (il 1954-07-27), Felix Slatkin (il 1954-07-27), Marshall Sosson (il 1954-07-27) e Gerald Vinci (American violinist and strings conductor) (il 1954-07-27)
violoncello :
Cy Bernard (il 1954-07-27), Armand Kaproff (il 1954-07-27), Ray Kramer (il 1954-07-27) e Eleanor Slatkin (US cellist, b. Aller) (il 1954-07-27)
voce:
Nat King Cole (il 1954-07-27)
orchestra:
Nelson Riddle and His Orchestra (nel 1954)
direttore d'orchestra:
Nelson Riddle (il 1954-07-27)
arrangiatore:
Nelson Riddle
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-07-27)
registrazione cover di:
Smile (song version w/ lyrics) (il 1954-07-27)
paroliere:
Geoffrey Parsons (lyricist) e John Turner (lyricist)
compositore:
Charlie Chaplin (filmmaker)
editore:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. e Bourne Co. (not for release label use, this is a music publisher) (nel 1954)
sub-editore:
Editions Vedette Sprl e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Smile (Modern Times; original instrumental version)
parte di:
Chaplin
Nat King Cole2:53
39Things (remastered 2015)
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
registrazione di:
Things
paroliere e compositore:
Bobby Darin
editore:
Alley Music Corp. e Trio Music Company
Bobby Darin2:33
40These Arms of Mine (remastered 2017 From “dirty Dancing” original Soundtrack)
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-10)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1962-10)
chitarra :
Steve Cropper (nel 1962-10) e Johnny Jenkins (US blues guitarist) (nel 1962-10)
chitarra basso :
Lewie Steinberg (nel 1962-10)
organo :
Booker T. Jones (nel 1962-10)
pianoforte :
Steve Cropper (nel 1962-10)
sassofono baritono :
Floyd Newman (nel 1962-10)
sassofono tenore :
Charles “Packy” Axton (nel 1962-10)
voce:
Otis Redding (nel 1962-10)
registrazione di:
These Arms of Mine (nel 1962-10)
paroliere e compositore:
Otis Redding
editore:
Irving Music, Inc. e Regent Music Corp. (BMI)
Otis Redding3.52:28
41Sway (Quien Sera) (remastered 2016)
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (nel 1952)
orchestra:
Dick Stabile and His Orchestra (nel 1952)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1952)
registrazione cover di:
Sway (il 1954-04-22)
paroliere:
Norman Gimbel
compositore:
Pablo Beltrán Ruiz
editore:
Latin-American Music Publishing Co. Ltd.
versione di:
¿Quién será?
Dean Martin42:41
42Breaking Up Is Hard to Do (remastered 2018)
voce:
Neil Sedaka
direttore d'orchestra:
Al Lorber
arrangiatore:
Al Lorber
registrazione di:
Breaking Up Is Hard to Do
paroliere e compositore:
Howard Greenfield e Neil Sedaka
editore:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Careers e Aldon (nel 1962)
Neil Sedaka3.252:16
43Mambo Italiano (remastered)
registrazione di:
Mambo Italiano (italian)
paroliere e compositore:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
traduttore:
Gaspare Gabriele Abbate (SIAE songwriter) e Gian Carlo Testoni
versione tradotta di:
Mambo Italiano (original english version)
Renato Carosone53:01
44Put Your Head on My Shoulder (remastered 2019)
registrazione di:
Put Your Head on My Shoulder
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Spanka Music (conclusa), Chrysalis Standards Inc. e Epa Publishing
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Paul Anka2:42
45Surfin’ Safari (remastered)
tecnico:
Chuck Britz
produttore:
Nick Venet e Murry Wilson
voce principale:
Mike Love (Beach Boys) (nel 1962-06, il 1962-06-13)
registrazione di:
Surfin’ Safari (il 1962-06-13)
autore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
editore:
Guild Music Company
The Beach Boys42:04
46Tammy (remastered 2015)
registrazione cover di:
Tammy
autore:
Ray Evans (American songwriter) e Jay Livingston
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), MCA Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 30th Academy Award for Best Original Song (numero: 2)
Sam Cooke3:32
47That’s Amore (remastered 2016)
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (il 1953-08-13)
direttore d'orchestra:
Dick Stabile (il 1953-08-13)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1953)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-08-13)
registrazione di:
That’s Amore (il 1953-08-13)
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:05
48I Just Want to Make Love to You (remastered)
produttore:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) e Phil Chess
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
registrazione cover di:
I Just Wanna Make Love to You (nel 1960-05)
paroliere e compositore:
Willie Dixon
editore:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hoochie Coochie Music
Etta James33:03
49Rawhide (remastered 2015)
voce:
Frankie Laine (il 1958-06-19)
orchestra:
Jimmy Carroll & His Orchestra (il 1958-06-19)
registrazione di:
Rawhide (il 1958-06-19)
editore:
Mrs. Ned Washington (wife of American lyricist Ned Washington)
paroliere:
Ned Washington
compositore:
Dimitri Tiomkin
editore:
Catharine Hinen Music, Largo Music, MCA Music Ltd., Patti Washington Music e Volta Music Corporation
Frankie Laine42:00
50Don’t Play That Song (You Lied) (remastered)
registrata a:
New York, New York, Stati Uniti (il 1962-03-03)
produttore:
Leiber and Stoller (songwriting team)
archi [eight strings] e voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1962-03-03)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1962-03-03)
chitarra :
Al Caiola (il 1962-03-03), Charles Macey (il 1962-03-03) e Art Ryerson (il 1962-03-03)
contrabbasso [bass] :
Jack Lesberg (il 1962-03-03)
pianoforte :
Robert Mosely (US rhythm & blues singer/songwriter) (il 1962-03-03)
trombone :
Eddie Bert (il 1962-03-03)
voce:
Ben E. King (il 1962-03-03)
direttore d'orchestra:
Jimmy Haskell (il 1962-03-03)
arrangiatore:
Jimmy Haskell
registrazione di:
Don’t Play That Song (You Lied) (il 1962-03-03)
autore:
Ahmet Ertegun (US songwriter/producer) e Betty Nelson
editore:
Carlin Music Corporation e Unichappell Music, Inc.
Ben E. King52:52

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