Young Sassy

~ Veröffentlichung von Sarah Vaughan (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Individual barcodes:

CD 1: 604988920529
CD 2: 604988920628
CD 3: 604988920727
CD 4: 604988920826

Anmerkung zuletzt geändert am 2012-09-21 15:59 UTC.

Titelliste

1CD: I’ll Wait and Pray
2CD: Tenderly
3CD: It’s Magic
4CD: You’re Mine You
Nr.TitelBewertungLänge
1You’re Mine You
cover recording of:
You’re Mine, You
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green)
3:13
2I’m Crazy to Love You
recording of:
I’m Crazy to Love You
Verfasser(in):
Larry Marino, Kay Werner (Songwriter, along with her sister Sue) und Sue Werner (Songwriter, along with her sister Kay)
3:01
3Summertime
vocals:
Sarah Vaughan (am 1949-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1949-12-21)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:18
4The Nearness of You
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975)
vocals:
Sarah Vaughan
cover recording of:
The Nearness of You
Texter:
Ned Washington (in 1938)
Komponist(in):
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
3:22
5Ev’ry Day
recording of:
Ev’ry Day
Verfasser(in):
Sammy Fain und Irving Kahal
2:59
6I Love You
vocals:
Billy Eckstine (am 1949-12-22) und Sarah Vaughan (am 1949-12-22)
Orchester:
Orchestra conducted by Joe Lipman (am 1949-12-22)
cover recording of:
I Love You (Mexican Hayride musical) (in 1957)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:41
7Dedicated to You2:46
8You’re All I Need
cover recording of:
You’re All I Need
Texter:
Gus Kahn
Komponist(in):
Walter Jurmann und Bronisław Kaper
3:05
9Our Very Own
cover recording of:
Our Very Own
Texter:
Jack Elliott (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
3:16
10Don’t Be Afraid
recording of:
Don’t Be Afraid
Verfasser(in):
Lionel Newman
2:57
11Ain’t Misbehavin’
Produzent(in):
George Treadwell
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
George Treadwell and his All Stars (am 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, Vereinigte Staaten (am 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (am 1950-05-18)
Texter:
Andy Razaf (in 1929)
Verfasser(in):
Andy Razaf
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
3:01
12Goodnight My Love
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
George Treadwell & His All Stars (am 1950-05-18)
cover recording of:
Goodnight, My Love (1936) (am 1950-05-18)
Texter:
Harry Revel (British-born American composer)
Komponist(in):
Mack Gordon
3:30
13Can’t Get Out of This Mood
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Solo-Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Solo-Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Solo-Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
with George Treadwell and his All Stars (am 1950-05-18)
cover recording of:
Can’t Get Out of This Mood (am 1950-05-18)
Texter:
Frank Loesser
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Peermusic Ltd (UK) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
sub-publisher:
SEMI Société (SEMI Société)
2:51
14It Might as Well Be Spring
Produzent(in):
George Treadwell
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
with George Treadwell and his All Stars (am 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, Vereinigte Staaten (am 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1950-05-18)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
3:14
15Mean to Me
Bass:
Billy Taylor Jr. (jazz bassist)
E-Gitarre:
Mundell Lowe
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975)
Posaune:
Bennie Green (jazz trombonist)
Schlagzeug:
J.C. Heard
Solo-Tenorsaxophon:
Budd Johnson
Solo-Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter)
vocals:
Sarah Vaughan
cover recording of:
Mean to Me
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
2:55
16Come Rain or Come Shine
recorded in:
New York, New York, Vereinigte Staaten
Produzent(in):
George Treadwell
Bass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-19)
Gitarre:
Mundell Lowe (am 1950-05-19)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-19)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-19)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-19)
Schlagzeug:
J.C. Heard (am 1950-05-19)
Solo-E-Gitarre:
Mundell Lowe
Solo-Tenorsaxophon:
Budd Johnson
Tenorsaxophon:
Budd Johnson (am 1950-05-19)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-19)
vocals:
Sarah Vaughan (am 1950-05-19)
Orchester:
with George Treadwell and his All Stars (am 1950-05-19)
cover recording of:
Come Rain or Come Shine (am 1950-05-19)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
3:26
17Nice Work If You Can Get It
recorded in:
New York, New York, Vereinigte Staaten (am 1950-05-19)
Produzent(in):
George Treadwell
Bass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-19)
E-Gitarre:
Mundell Lowe (am 1950-05-19)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-19)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-19)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-19)
Schlagzeug:
J.C. Heard (am 1950-05-19)
Solo-Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-19)
Tenorsaxophon:
Budd Johnson (am 1950-05-19)
vocals:
Sarah Vaughan (am 1950-05-19)
Orchester:
George Treadwell & His All Stars und with George Treadwell and his All Stars (am 1950-05-19)
cover recording of:
Nice Work If You Can Get It (am 1950-05-19)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:37
18East of the Sun
Produzent(in):
Zev Feldman (producer and author) (am 1978-05-31)
E-Gitarre:
Mundell Lowe (am 1978-05-31)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1978-05-31) und Carl Schroeder (pianist) (am 1978-05-31)
Kontrabass:
Walter Booker (am 1978-05-31) und Billy Taylor Jr. (jazz bassist) (am 1978-05-31)
Posaune:
Bennie Green (jazz trombonist) (am 1978-05-31)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1978-05-31) und J.C. Heard (am 1978-05-31)
Tenorsaxophon:
Budd Johnson (am 1978-05-31)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1978-05-31)
vocals:
Sarah Vaughan (am 1978-05-31)
aufgenommen bei:
Rosy's in New Orleans, Louisiana, Vereinigte Staaten (am 1978-05-31)
live cover recording of:
East of the Sun (and West of the Moon) (am 1978-05-31)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
3:08
19I Love the Guy
2:36
20Thinking of You
cover recording of:
Thinking of You
Texter:
Bert Kalmar (in 1929)
Komponist(in):
Harry Ruby (in 1929)
3:05
21Perdido
cover recording of:
Perdido (with lyrics)
Texter:
Ervin Drake (songwriter) (in 1944) und Hans J. Lengsfelder (in 1944)
Komponist(in):
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Version von:
Perdido (original instrumental version)
2:32
22Whippa‐Whippa‐Woo
recording of:
Whippa‐Whippa‐Woo
Texter:
William Webster
Komponist(in):
Conrad Miller (American composer)
3:10
23I’ll Know
recording of:
I’ll Know (from “Guys and Dolls”)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
Teil von:
Guys and Dolls (Broadway musical)
Teil von:
Guys and Dolls (1955 musical film)
3:20
24De Gas Pipe She’s Leakin’ Joe2:44

Nennungen