A arte de Nina Simone

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Part of the A Arte De series from Brazil.

Anmerkung zuletzt geändert am 2025-03-31 18:42 UTC.

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1Nobody Knows You When You’re Down and Out
Produzent(in):
Hal Mooney
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3.52:39
A2Tell Me More and More and Then Some
Produzent(in):
Hal Mooney
Bassgitarre und Perkussion:
Lisle Atkinson
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
arranger:
Nina Simone
cover recording of:
Tell Me More and More and Then Some (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Billie Holiday
43:08
A3End of the Line
Produzent(in):
Hal Mooney
recording of:
End of the Line (von 1965-05-19 bis 1965-05-20)
Verfasser(in):
John Edmondson und Cynthia Medley
42:55
A4Strange Fruit
Produzent(in):
Hal Mooney
cover recording of:
Strange Fruit (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
4.653:30
A5Take Care of Business
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Take Care of Business
Texter und Komponist(in):
Andy Stroud (former husband of Nina Simone.)
42:04
A6The Laziest Gal in Town
recorded in:
New York, New York, Vereinigte Staaten (in 1964)
Klavier:
Nina Simone (in 1964)
vocals:
Nina Simone (in 1964)
Orchester:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
The Laziest Gal in Town (in 1964)
Texter und Komponist(in):
Cole Porter (composer) (in 1927)
32:16
B1Love Me or Leave Me
Bassgitarre und Perkussion:
Lisle Atkinson (am 1965-10-01)
flute und Gitarre:
Rudy Stevenson (am 1965-10-01)
Klavier:
Nina Simone (am 1965-10-01)
Mundharmonika:
Al Schackman (am 1965-10-01)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1965-10-01)
cover recording of:
Love Me or Leave Me (am 1965-10-01)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
44:06
B2Mood Indigo
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Phillips (publisher; do NOT use as release label) (in 1966)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
52:26
B3Ne Me Quitte Pas
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Ne me quitte pas (original French version) (in 1965-01)
Texter und Komponist(in):
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales und Warner Chappell Music France
43:35
B4Don’t You Pay Them No Mind
Bassgitarre und Perkussion:
Lisle Atkinson
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
cover recording of:
Don’t You Pay Them No Mind
Verfasser(in):
Fred Ahlert, Richard Ahlert, Arthur Scott (Motown composer signed to Jobete Music Co) und Bobby Scott (vocals, piano, US musician & producer)
33:06
B5The Gal From Joe’s
Bassgitarre und Perkussion:
Lisle Atkinson
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
cover recording of:
The Gal From Joe’s
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
4.652:44
B6I Hold No Grudge
recording of:
I Hold No Grudge (in 1966)
Verfasser(in):
Angelo Badalamenti (American score composer) und John W. Clifford
3.52:18
2▶12"-Vinyl

Nennungen