Country: The Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Honky Tonk Man
Produzent(in):
Pete Anderson (US producer/guitarist)
Akustikgitarre:
Dwight Yoakam (in 1986)
Bass:
J.D. Foster (in 1986)
E-Gitarre:
Pete Anderson (US producer/guitarist) (in 1986)
Fiddle:
Brantley Kearns (in 1986)
Klavier:
Glen D. Hardin (in 1986)
Schlagzeug:
Jeff Donovan (in 1986)
Hintergrundgesang:
Brantley Kearns (in 1986) und Dwight Yoakam (in 1986)
vocals:
Dwight Yoakam (in 1986)
cover recording of:
Honky Tonk Man (1956 song) (in 1986)
Verfasser(in):
Tillman Franks, Johnny Horton und Howard Hausey
publisher:
Universal Cedarwood Publishing
Dwight Yoakam4.52:48
2Shotgun Willie
Produzent(in):
David Briggs (US producer and musician) und Arif Mardin
Akustikgitarre:
Willie Nelson (in 1973)
baritone saxophone:
James Mitchell (US saxophonist/arranger) (in 1973)
Bass:
Bee Spears (in 1973)
E-Gitarre:
Steve Burgh (in 1973)
Hybrid-Piano:
Jeff Gutcheon (in 1973)
Klavier:
Bobbie Nelson (in 1973)
kleine Trommel / Snare:
Steve Mosley (in 1973)
Posaune:
Jack Hale (trombone) (in 1973)
Resonatorgitarre [dobro]:
James Clayton Day (in 1973)
Schlagzeug:
Paul English (US drummer for Willie Nelson) (in 1973)
Tenorsaxophon:
Andrew Love (in 1973)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1973)
vocals:
Willie Nelson (in 1973)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1973)
recording of:
Shotgun Willie (in 1973)
Texter und Komponist(in):
Willie Nelson
publisher:
EMI Full Nelson Music
Willie Nelson3.52:42
3Dueling Banjos
arranger:
Eric Weissberg
recording of:
Dueling Banjos (Deliverance arrangement)
Komponist(in):
Arthur Smith (“Guitar Boogie” Smith US country artist)
arranger:
Steve Mandell (US bluegrass guitarist "Duelling Banjos") und Eric Weissberg
vorher zugeschrieben zu:
Eric Weissberg
Arrangement von:
Feuding Banjos
Eric Weissberg & Deliverance3.83:16
4Sold (The Grundy County Auction Incident)
assistierende(r) Techniker(in):
Thomas Johnson (engineer, mostly country) (Aufgabe: mixing), John Kunz (Aufgabe: mixing) und Mike Purcell (Aufgabe: mixing)
Techniker(in):
John Jaszcz (Aufgabe: mixing)
assistierende(r) Produzent(in):
John Kunz
Produzent(in):
Scott Hendricks (producer)
Akustikgitarre:
Billy Joe Walker, Jr.
Bass:
Glenn Worf
E-Gitarre:
Brent Mason
Fiddle:
Rob Hajacos
Instrumente:
John Jarvis (American pianist, keyboardist and songwriter)
Mundharmonika:
Terry McMillan
Schlagzeug:
Lonnie Wilson (drummer, songwriter, and producer)
Steel-Gitarre:
Paul Franklin (steel guitarist)
Hintergrundgesang:
John Wesley Ryles und Dennis Wilson (country vocals, bassist)
recording of:
Sold (The Grundy County Auction Incident)
Verfasser(in):
Richard Fagan (Country songwriter) und Robb Royer (American composer, songwriter, multi-instrumentalist, and producer)
John Michael Montgomery4.652:30
5Still in Love With You
Travis Tritt3:22
6Old Home Place
Banjo:
Doug Dillard (bluegrass and country-rock banjo player)
Gitarre und Sologesang:
Rodney Dillard (US bluegrass musician)
Kontrabass:
Mitch Jayne
Mandoline:
Dean Webb (US bluegrass mandolinist, member of The Dillards)
recording of:
Old Home Place (bluegrass standard: "what have they done to the old home place...")
Verfasser(in):
Mitch Jayne und Dean Webb (US bluegrass mandolinist, member of The Dillards)
publisher:
Lansdowne Music Publishers und WINSTON MUSIC PUBLISHERS
The Dillards2:08
7Drink, Swear, Steal & Lie
Michael Peterson3:02
8Border Town
recording of:
Border Town
The Souther, Hillman, Furay Band3:49
9Wild and Blue
recording engineer:
Lou Bradley (American producer, engineer, also songwriter)
Produzent(in):
John Anderson (US country music singer-songwriter) und Lou Bradley (American producer, engineer, also songwriter)
Akustikgitarre und Gitarre:
Vern Pilder
Baritongitarre:
X. Lincoln (country/rockabilly)
Bassgitarre:
Larry Emmons
Fiddle und Mandoline:
Tom Morley (fiddle & guitar)
flute und Saxophon:
Billy Puett
Gitarre:
John Anderson (US country music singer-songwriter)
Orgel und Klavier:
Mike Jordan (country pianist)
Schlagzeug:
James Wolfe (country drummer)
Steel-Gitarre:
Buck Reed
Hintergrundgesang:
Donna Kay Anderson und Deanna Anderson Wall
aufgenommen bei:
Columbia Studio B (Nashville) in Nashville, Tennessee, Vereinigte Staaten
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 85)
recording of:
Wild and Blue
Texter, Verfasser(in) und Komponist(in):
Sherill (American country songwriter)
publisher:
Candy Cane Music und Sweet Baby Music
John Anderson52:42
10God Blessed Texas
recording of:
God Blessed Texas (Little Texas song)
Little Texas3:28
11Polk Salad Annie
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1969)
recording of:
Polk Salad Annie
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Blackwood Music Inc.
Tony Joe White3:43
12That's Enough of That
Mila Mason2:45
13The Shake
Musikvideos:
The Shake von Neal McCoy
Neal McCoy13:31
14Keep Your Hands to Yourself
Techniker(in) und Produzent(in):
Jeff Glixman
Bassgitarre:
Rick Price (Georgia Satellites)
Gitarre:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder) und Rick Richards (US rock/metal guitarist)
Schlagzeug:
Mauro Magellan
Sologesang:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 46)
recording of:
Keep Your Hands to Yourself
Texter und Komponist(in):
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
publisher:
Eleksylum Music Inc., No Surrender Music und Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label)
The Georgia Satellites4.43:24
15Time Marches On
Tracy Lawrence43:01
16My Heart Has a History
recording of:
My Heart Has a History
Verfasser(in):
Paul Brandt und Mark D. Sanders (American Country Music songwriter)
Paul Brandt53:22
17Cowboy Logic
Michael Martin Murphey3:35
18Whiskey, If You Were a Woman
Highway 1013:03
19Rita Ballou
Techniker(in):
Donivan Cowart
Produzent(in):
Rodney Crowell
Gitarre [lead guitar]:
Frank Reckard
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
produced for:
Free Flow Productions
aufgenommen bei:
Magnolia Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Rita Ballou (in 1981)
Texter und Komponist(in):
Guy Clark
publisher:
Sunbury Music, Inc. (ASCAP), World Song Publishing Inc. und Chappell & Co. (vom 1981 bis heute)
Guy Clark33:11
20Streets of Baltimore
Techniker(in):
Ed Barton (engineer) und Hugh Davies (US recording engineer)
Produzent(in):
Ric Grech und Gram Parsons
Akustikgitarre und Sologesang:
Gram Parsons (von 1972-09 bis 1972-10)
Bass:
Jack Conrad (producer and songwriter) (von 1972-09 bis 1972-10) und Ric Grech (von 1972-09 bis 1972-10)
E-Gitarre und Resonatorgitarre [dobro]:
James Burton (guitarist) (von 1972-09 bis 1972-10)
Fiddle:
Byron Berline (von 1972-09 bis 1972-10)
Gitarre:
Barry Tashian (von 1972-09 bis 1972-10)
Orgel und Klavier:
Glen D. Hardin (von 1972-09 bis 1972-10)
Pedal-Steel-Gitarre:
Buddy Emmons (von 1972-09 bis 1972-10) und Al Perkins (Texas born guitarist esp. steel guitar) (von 1972-09 bis 1972-10)
Schlagzeug:
Sam Goldstein (von 1972-09 bis 1972-10), John Guerin (von 1972-09 bis 1972-10) und Ron Tutt (drummer) (von 1972-09 bis 1972-10)
vocals:
Emmylou Harris (von 1972-09 bis 1972-10) und Barry Tashian (von 1972-09 bis 1972-10)
aufgenommen bei:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1972-09 bis 1972-10)
cover recording of:
Streets of Baltimore
Verfasser(in):
Tompall Glaser (country music vocalist) und Harlan Howard
recording of:
Streets of Baltimore
Verfasser(in):
Tompall Glaser (country music vocalist) und Harlan Howard
Gram Parsons32:52

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