La Passion selon Saint Matthieu

~ Release by Johann Sebastian Bach; Hermann Scherchen (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1BWV 244, Kommt Ihr Töchter, helft mir klagen
choir vocals:
Wiener Akademie Kammerchor (Vienna Chamber Choir, choir)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach7:11
2BWV 244, Jésus : Da Jesus diese Rede vollendet hatte
bass vocals [Jesus]:
Heinz Rehfuss (baritone)
tenor vocals [Evangelist]:
Hugues Cuénod (Swiss tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:58
3BWV 244, Jésus, was hast du verbrochen
choir vocals:
Wiener Akademie Kammerchor (Vienna Chamber Choir, choir)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1953-06)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:25
4BWV 244, Du lieber Heiland du
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:50
5BWV 244, Buß und Reu
alto vocals:
Hilde Rössel‐Majdan (Austrian contralto)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:59
6BWV 244, Aber am ersten Tage der süßen Brot
bass vocals [Jesus]:
Heinz Rehfuss (baritone)
choir vocals:
Wiener Akademie Kammerchor (Vienna Chamber Choir, choir)
tenor vocals [Evangelist]:
Hugues Cuénod (Swiss tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:57
7BWV 244, Ich will dir mein Herze schenken
soprano vocals:
Magda László (soprano)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:12
8BWV 244, Jésus : Da kam Jesus mit ihnen zu einem Hofe
bass vocals [Jesus]:
Heinz Rehfuss (baritone)
tenor vocals [Evangelist]:
Hugues Cuénod (Swiss tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:11
9BWV 244, O Schmerz! Hier zittert das gequälte Herz
tenor vocals:
Petre Munteanu (Romanian tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:43
10BWV 244, So ist mein Jesus nun gefangen
alto vocals:
Hilde Rössel‐Majdan (Austrian contralto)
choir vocals:
Wiener Akademie Kammerchor (Vienna Chamber Choir, choir)
soprano vocals:
Magda László (soprano)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:18
11BWV 244, Und wiewohl viel falsche Zeugen herzutraten
tenor vocals [Evangelist]:
Hugues Cuénod (Swiss tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:06
12BWV 244, Mein Jesus schweigt zu falschen Lügen stille
tenor vocals:
Petre Munteanu (Romanian tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:55
13BWV 244, Geduld
tenor vocals:
Petre Munteanu (Romanian tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:31
14BWV 244, Gebt mir meinen Jesum wieder
bass vocals:
Richard Standen (English bass-baritone)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:17
15BWV 244, Auf das Fest aber hatte der Landpfleger Gewohnheit
choir vocals:
Wiener Akademie Kammerchor (Vienna Chamber Choir, choir)
tenor vocals [Evangelist]:
Hugues Cuénod (Swiss tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach2:41
16BWV 244, Wie wunderbarlich ist doch diese Strafe
choir vocals:
Wiener Akademie Kammerchor (Vienna Chamber Choir, choir)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1953-06)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:00
17BWV 244, Sie schrieen aber noch mehr
choir vocals:
Wiener Akademie Kammerchor (Vienna Chamber Choir, choir)
tenor vocals [Evangelist]:
Hugues Cuénod (Swiss tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:54
18BWV 244, Da nahmen die Kriegsknechte
choir vocals:
Wiener Akademie Kammerchor (Vienna Chamber Choir, choir)
tenor vocals [Evangelist]:
Hugues Cuénod (Swiss tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:08
19BWV 244, O Haupt, voll Blut und Wunden
choir vocals:
Wiener Akademie Kammerchor (Vienna Chamber Choir, choir)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1953-06)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:47
20BWV 244, Komm, süßes Kreuz, so will ich sagen
bass vocals:
Richard Standen (English bass-baritone)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:17
21BWV 244, Ach Golgatha
alto vocals:
Hilde Rössel‐Majdan (Austrian contralto)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:10
22BWV 244, Sehet, Jesus hat die Hand
alto vocals:
Hilde Rössel‐Majdan (Austrian contralto)
choir vocals:
Wiener Akademie Kammerchor (Vienna Chamber Choir, choir)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:20
23BWV 244, Und von der sechsten Stunde an
bass vocals [Jesus]:
Heinz Rehfuss (baritone)
choir vocals:
Wiener Akademie Kammerchor (Vienna Chamber Choir, choir)
tenor vocals [Evangelist]:
Hugues Cuénod (Swiss tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:05
24BWV 244, Wenn ich einmal soll scheiden
choir vocals:
Wiener Akademie Kammerchor (Vienna Chamber Choir, choir)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1953-06)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:41
25BWV 244, Und siehe da, der Vorhang im Tempel zerriß
tenor vocals [Evangelist]:
Hugues Cuénod (Swiss tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach2:03
26BWV 244, Nun ist der Herr zur Ruh gebracht
alto vocals:
Hilde Rössel‐Majdan (Austrian contralto)
bass vocals:
Richard Standen (English bass-baritone)
choir vocals:
Wiener Akademie Kammerchor (Vienna Chamber Choir, choir)
soprano vocals:
Magda László (soprano)
tenor vocals:
Petre Munteanu (Romanian tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:06
27BWV 244, Wir setzen uns mit Tränen nieder
choir vocals:
Wiener Akademie Kammerchor (Vienna Chamber Choir, choir)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1953-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach10:47