Les Contes D'Hoffmann - Highlights

~ Release by Offenbach (see all versions of this release, 3 available)

Tracklist

1CD
#TitleRatingLength
1Allons, Allons Mes Enfants...Drig, Drig, Dring
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer) and Michael Woolcock (producer)
baritone vocals:
Paul Guigue (french baritone)
bass vocals:
Paul Guigue (french baritone) and Roland Jacques
choir vocals:
Chœur de la Suisse Romande, Chœur Pro Arte de Lausanne and Chorale du Brassus
tenor vocals:
Pedro di Proenza
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Allons, allons mes enfants ! Préparez cette salle » (Luther, Etudiants, Hermann, Nathanaël)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 3 « L'entr'acte commence » … « Drig, drig, drig, maître Luther » (Nathanaël, Hermann, les étudiants, Luther) (Chœur des étudiants)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
2:45
2Va Pour Kleinzach...Il Etait Une Fois A La Cour d'Eisenach
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer) and Michael Woolcock (producer)
additional tenor vocals [Nathanael]:
Pedro di Proenza (in 1972-06)
choir vocals:
Chœur de la Suisse Romande (in 1972-06), Choeur du Brassus (in 1972-06) and Chœur Pro Arte de Lausanne (in 1972-06)
tenor vocals [Hoffmann]:
Plácido Domingo (tenor) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
chorus master:
André Charlet (in 1972-06)
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). Chanson « Il était une fois à la cour d’Eisenach » (Hoffmann, les étudiants, Nathanaël) (Va pour Kleinzach: La Chanson de Kleinzach) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
5:32
3Entr'acte
producer:
John Mordler (producer) and Michael Woolcock (producer)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
1:18
4Allons! Courage Et Confiance
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer) and Michael Woolcock (producer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Allons ! courage et confiance » … « Ah ! vivre deux » (Hoffmann, Nicklausse)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
3:29
5Une Poupee Aux Yeux D'email
producer:
John Mordler (producer) and Michael Woolcock (producer)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
1:26
6J'ai Des Yeux
producer:
John Mordler (producer) and Michael Woolcock (producer)
baritone vocals:
Gabriel Bacquier (French baritone)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
1:30
7Les Oiseaux Dans La Charmille
producer:
John Mordler (producer) and Michael Woolcock (producer)
choir vocals:
Chœur de la Suisse Romande (in 1972-06), Chœur Pro Arte de Lausanne (in 1972-06) and Chorale du Brassus (in 1972-06)
soprano vocals [Olympia]:
Joan Sutherland (soprano) (in 1972-06)
tenor vocals [Spalanzani]:
Jacques Charon (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Les oiseaux dans la charmille » (Olympia, Spalanzani, Les invités, Hoffmann, Nicklausse, Cochenille) (Chanson d’Olympia) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
5:04
8Voici Les Valseurs
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer) and Michael Woolcock (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande, Chœur Pro Arte de Lausanne and Chorale du Brassus
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Jacques Charon, Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Voici les valseurs ! » (Spalanzani, Cochenille, Hoffmann, Olympia, Les invités, Nicklausse, Coppélius)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
5:12
9Belle Nuit, O Nuit D'amour (Barcarolle)
producer:
John Mordler (producer) and Michael Woolcock (producer)
choir vocals:
Chœur de la Radio Suisse Romande, Chœur Pro Arte de Lausanne (in 1972-06) and Chorale du Brassus (in 1972-06)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano) (in 1972-06)
soprano vocals:
Joan Sutherland (soprano) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
4:10
10Scintille, Diamant
producer:
John Mordler (producer) and Michael Woolcock (producer)
baritone vocals:
Gabriel Bacquier (French baritone)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
3:01
11Malheureux, Tu Ne Comprends Dons Pas...O Dieu! De Quelle Ivresse
producer:
John Mordler (producer) and Michael Woolcock (producer)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
6:05
12Elle A Fui, La Tourterelle
producer:
John Mordler (producer) and Michael Woolcock (producer)
soprano vocals:
Joan Sutherland (soprano)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
4:22
13Jour Et Nuit Je Me Mets En Quatre
producer:
John Mordler (producer) and Michael Woolcock (producer)
tenor vocals:
Hugues Cuénod (Swiss tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
3:15
14Viens La, Comme Autrefois...C'est Une Chanson D'amour
producer:
John Mordler (producer) and Michael Woolcock (producer)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
3:41
15Non, Ne Me Tente Plus...Chere Enfant Que J'appelle
producer:
John Mordler (producer) and Michael Woolcock (producer)
baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Margarita Lilova (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
6:29
16Adieu! Je Ne Veux Pas Te Suive
producer:
John Mordler (producer) and Michael Woolcock (producer)
baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
3:52