Leonard Bernstein Edition: The Vocal Works

~ Release by Leonard Bernstein (see all versions of this release, 1 available)

Tracklist

1▶CD: J.S. Bach - St Matthew Passion (Abridged, Sung in English) (1)
2▶CD: J.S. Bach - St Matthew Passion (Abridged, Sung in English) (2)
3▶CD: Beethoven: Missa Solemnis (Beginning)
4▶CD: Beethoven: Missa Solemnis (Conclusion); Fantasia in C Minor / Haydn: Mass in B-flat Major, Hob. XXII;12 "Theresia"
5▶CD: Berlioz: Requiem, op. 5 (Beginning)
6▶CD: Berlioz: Requiem, op. 5 (Conclusion) / Ravel: Shéhérazade / Berlioz: La mort de Cléopâtre
7▶CD: Bernstein: Trouble in Tahiti; Chichester Psalms; I Hate Music; La bonne cuisine (Four Recipes)
8▶CD: Bernstein: Mass - A Theatre Piece for Singers, Players and Dancers (1)
9▶CD: Bernstein: Mass - A Theatre Piece for Singers, Players and Dancers (2)
10▶CD: Bloch: Avodath Hakodesh
11▶CD: Copland: In the Beginning; The Second Hurricane
12▶CD: Debussy: Le martyre de Saint Sébastian (Sung in English)
13▶CD: Foss: Time Cycle & Song of Songs
14▶CD: Handel: Messiah, HWV 56 (Abridged) (I)
15▶CD: Handel: Messiah, HWV 56 (Abridged) (II)
16▶CD: Handel: Ode to St. Cecilia's Day
17▶CD: Haydn: Die Schöpfung (Parts I & II)
18▶CD: Haydn: Die Schöpfung (Part III); Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse"
19▶CD: Haydn: Missa in Tempore Belli
20▶CD: Haydn: Nelsonmesse / Bach: Magnificat
21▶CD: Janáček: Glagolitic Mass / Poulenc: Gloria
22▶CD: Mahler: Symphony No. 2 "Resurrection" (1974 London Recording) (Beginning)
23▶CD: Mahler: Symphony No. 2 "Resurrection" (1974 London Recording) (Finale)
24▶CD: Mahler: Das Lied von der Erde; Symphony No. 5 Adagietto (RFK Memorial Service)
25▶CD: Mahler: Kindertotenlieder (Janet Baker, Israel Philharmonic); Symphony No. 2 Finale (Israel Philharmonic)
26▶CD: Mahler: Das Knaben Wunderhorn (Orchestral Version)
27▶CD: Mahler: Kindertotenlieder; 4 Songs (Jennie Tourel, New York Philharmonic)
28▶CD: Mahler: Das Knaben Wunderhorn (Piano Version)
29▶CD: Mahler: Lieder (Dietrich Fischer-Dieskau)
30▶CD: Milhaud: Les Choéphores / Messiaen: 3 Petites Liturgies de la Présence Divine
31▶CD: Ravel: Shéhérazade (Jennie Tourel, Columbia Symphony) / Mussorgsky: Songs and Dances of Death / Poulenc: Hôtel; Voyage à Paris; C
32▶CD: Richard Strauss: Der Rosenkavalier (Act I)
33▶CD: Richard Strauss: Der Rosenkavalier (Act II)
34▶CD: Richard Strauss: Der Rosenkavalier (Act III)
35▶CD: Stravinsky: Oedipus Rex
36▶CD: Verdi: Falstaff (Acts I & II, Scene 1)
37▶CD: Verdi: Falstaff (Act II, Scene 2 & Act III)
38▶CD: Verdi: Messa da Requiem (Beginning)
39▶CD: Verdi: Messa da Requiem (Conclusion)
40▶CD: Wagner: Brünhilde's Immolation Scene; Wesendonck Lieder
41▶CD: Villa-Lobos: Bachianas brasileiras / Sibelius: Luonnotar / Ravel: Shéhérazade (Marilyn Horne) / Bernstein: To My Dear and Loving Husband & Take Care of This House
42▶CD: First Performance - Lincoln Center For The Performing Arts (I)
43▼CD: First Performance - Lincoln Center For The Performing Arts (II) / Tchaikovsky: Pater Noster / Handel: Hallelujah Chorus / HaTikvah
#TitleRatingLength
1Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): Andante sostenuto
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: Andantino (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
2:27
2Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "How sweet the moonlight sleeps"
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “How Sweet the Moonlight” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
recording of:
Serenade to Music: “How Sweet the Moonlight” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
2:25
3Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "Look how the floor of heaven is thick inlaid"
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “Look How the Floor of Heaven…” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
1:55
4Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "Come, ho! and wake Diana with a hymn"
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “Come, Ho! and Wake Diana With a Hymn” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
1:18
5Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "I am never merry when I hear sweet music"
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “I Am Never Merry When I Hear Sweet Music” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
1:22
6Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "Music! Hark!"
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “Music! Hark!” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
1:08
7Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "How many things by season"
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “How Many Things by Season…” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
1:10
8Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "Soft stillness and the night"
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “Soft Stillness and the night” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
1:48
9Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Veni, creator spiritus!
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
1:28
10Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Imple superna gratia
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
4:20
11Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Infirma nostri corporis I
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
1:52
12Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Tempo I. Allegro, etwas hastig
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (on 1962-09-23)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
1:26
13Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Infirma nostri corporis II
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (on 1962-09-23)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
2:49
14Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Accende lumen sensibus
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
5:40
15Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Qui Parcalitus deceris
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Tu septiformis munere (7 Soli, Chor, Knaben Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
3:51
16Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Gloria Patri Domino
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
2:33
17Nine Sacred Pieces, TH. 78, No. 6: Pater Noster
producer:
Thomas Frost (classical music producer)
choir vocals:
The Oratorio Society (on 1976-05-18)
conductor:
Lyndon Woodside (American choral conductor) (on 1976-05-18)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1976-05-18)
live recording of:
Nine Church Pieces: no. 6. Our Father (on 1976-05-18)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1885-04 until 1885-08)
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 84)
part of:
Nine Church Pieces, TH 78, ČW 79-87 (for mixed choir)
3:53
18Messiah, HWV 56, Pt. II, No. 44: Hallelujah Chorus
producer:
Thomas Frost (classical music producer)
choir vocals:
The Oratorio Society (on 1976-05-18)
orchestra:
Members of the New York Philharmonic (New York Philharmonic) (on 1976-05-18)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1976-05-18)
chorus master:
Lyndon Woodside (American choral conductor) (on 1976-05-18)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1976-05-18)
live recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (on 1976-05-18)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
4:02
19haTikvah
recording engineer:
George Engler and Hellmuth Kolbe
producer:
Ernest Fleischmann
choir vocals:
Tel Aviv Philharmonic Choir (on 1967-07-09)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1967-07-09) and The Kol Yisrael Symphony Orchestra (on 1967-07-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1967-07-09)
recorded at:
Hebrew University of Jerusalem (on 1967-07-09)
recording of:
התקווה (Hatikvah) (on 1967-07-09)
anthem of:
Israel
lyricist:
Naphtali Herz Imber
composer:
Samuel Cohen
is based on:
La Mantovana
2:30
44▶CD: Jennie Tourel and Leonard Bernstein at Carngie Hall (I)
45▶CD: Jennie Tourel and Leonard Bernstein at Carngie Hall (II)
46▶CD: Brahms: Lieder
47▶CD: The Joy of Christmas
48▶CD: Berlioz: Symphonie Fantastique (1968 Recording) / Berlioz Takes a Trip
49▶CD: Prokofiev: Symphony No. 5 (Israel Philharmonic)
50▶CD: Shostakovich: Symphony No. 5 (Live in Japan)
51▶CD: Tchaikovsky: Symphony No. 5 (1958 Recording)
52▶CD: Schumann: String Quintet in E-flat Major / Mozart: Piano Quartet in G Minor
53▶CD: Ravel: Piano Concerto in G Major / Bernstein: 7 Anniversaries; Afterthought; I Hate Music! / Copland: Piano Sonata / Blitzstein: Dusty Sun
54▶CD: Blitzstein: Airborne Symphony (1946 Recording) / Bernstein: Facsimile (1947 Recording)
55▶CD: Bernstein: Symphony No. 1 "Jeremiah" (1945 Recording); On the Town Dances (1945 Recording) / Copland: Billy the Kid (1947 Recording); Statements for Orchestra: Jingo (1947 Recording) / Gershwin: An American in Paris (1947 Recording)
56▶CD: Stravinsky: L'Histoire du Soldat; Octet for Winds / Milhaud: La Création du Monde
57▶CD: Beethoven: Symphony No. 7 (1958 Recording)
58▶CD: Bernstein: On the Town (1960 Original Cast Recording)