Mass in B minor (live for NHK television)

~ Veröffentlichung von Johann Sebastian Bach; Münchener Bach‐Orchester, Münchener Bach‐Chor, Karl Richter (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Rich Rosenwald said:

This is probably a reissue of a deleted disc. This is a live recording in 1969 for Japanese Television. Please note that this is NOT a reissue of Archiv 427 155. This is live and the soloists are different.

http://www.jsbach.org/massb.html

Anmerkung zuletzt geändert am 2012-01-20 13:02 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Hohe Messe in h-Moll, BWV 232: IIIa. Coro "Credo in unum Deum"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:15
2Hohe Messe in h-Moll, BWV 232: IIIb. Coro "Patrem omnipotentem"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:08
3Hohe Messe in h-Moll, BWV 232: IIIc. Duetto (Soprano I, Alto) "Et in unum Dominum"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Hochgesang:
Marga Höffgen (contralto) (in 1969-05)
Soprangesang:
Ursula Buckel (soprano) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:54
4Hohe Messe in h-Moll, BWV 232: IIId. Coro "Et incarnatus est"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:37
5Hohe Messe in h-Moll, BWV 232: IIIe. Coro "Crucifixus"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:26
6Hohe Messe in h-Moll, BWV 232: IIIf. Coro "Et resurrexit"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:25
7Hohe Messe in h-Moll, BWV 232: IIIg. Aria (Basso) "Et in Spiritum Sanctum"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Bass-Gesang:
Ernst Gerold Schramm (German baritone) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach5:51
8Hohe Messe in h-Moll, BWV 232: IIIh. Coro "Confiteor unum baptisma"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:52
9Hohe Messe in h-Moll, BWV 232: IIIi. Coro "Et expecto"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:21
10Hohe Messe in h-Moll, BWV 232: IVa. Coro "Sanctus"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach6:15
11Hohe Messe in h-Moll, BWV 232: IVb. Coro "Hosanna"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:21
12Hohe Messe in h-Moll, BWV 232: IVc. Aria (Tenore) "Benedictus"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Tenor-Gesang:
Ernst Haefliger (tenor) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach6:06
13Hohe Messe in h-Moll, BWV 232: IVd. Coro "Hosanna"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:08
14Hohe Messe in h-Moll, BWV 232: IVe. Aria (Alto) "Agnus Dei"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Hochgesang:
Marga Höffgen (contralto) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach6:01
15Hohe Messe in h-Moll, BWV 232: IVf. Coro "Dona nobis pacem"
Cello:
Fritz Kiskalt (cellist) (in 1969-05)
Fagott:
Peter Dienstbier (bassoonist) (in 1969-05) und Richard Popp (bassoonist) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) und Herbert Segl (flautist) (in 1969-05)
Geige / Violine:
Kurt Guntner (violinist) (in 1969-05)
Horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
Kontrabass:
Herbert Duft (double bass player) (in 1969-05)
Oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) und Edgar Shann (oboist) (in 1969-05)
Oboe d’amore:
Manfred Clement (oboist) (in 1969-05) und Kurt Hausmann (oboist) (in 1969-05)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
Pauke:
Mathias Holm (German timpanist) (in 1969-05)
Trompete:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) und Josef Wiendl (trumpeter) (in 1969-05)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-05)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
aufgenommen bei:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō (Taitō-ku), Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1969-05)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Dona nobis pacem
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:50