Haydn Edition

~ Release by Joseph Haydn (see all versions of this release, 19 available)

Tracklist

1▶CD: Symphonies nos. 1–5
2▶CD: Symphonies nos. 6–8
3▶CD: Symphonies nos. 9–12
4▶CD: Symphonies nos. 13–16
5▶CD: Symphonies nos. 17–20
6▶CD: Symphonies nos. 21–24
7▶CD: Symphonies nos. 25–29
8▶CD: Symphonies nos. 30–33
9▶CD: Symphonies nos. 34–37
10▶CD: Symphonies nos. 38 & 39 / Symphonies “A” & “B”
11▶CD: Symphonies nos. 40–42
12▶CD: Symphonies nos. 43–45
13▶CD: Symphonies nos. 46–48
14▶CD: Symphonies nos. 49–51
15▶CD: Symphonies nos. 52–54
16▶CD: Symphonies nos. 55–57
17▶CD: Symphonies nos. 58–60
18▶CD: Symphonies nos. 61–63
19▶CD: Symphonies nos. 64–66
20▶CD: Symphonies nos. 67–69
21▶CD: Symphonies nos. 70–72
22▶CD: Symphonies nos. 73–75
23▶CD: Symphonies nos. 76–78
24▶CD: Symphonies nos. 79–81
25▶CD: Symphonies nos. 82–84
26▶CD: Symphonies nos. 85–87
27▶CD: Symphonies nos. 88–90
28▶CD: Symphonies nos. 91 & 92 / Sinfonia Concertante in B-flat
29▶CD: Symphonies nos. 93–95
30▶CD: Symphonies nos. 96–98
31▶CD: Symphonies nos. 99 & 100
32▶CD: Symphonies nos. 101 & 102
33▶CD: Symphonies nos. 103 & 104
34▶CD: Piano Concertos
35▶CD: Violin Concertos
36▶CD: Organ Concertos I
37▶CD: Organ Concertos II
38▶CD: Trumpet & Horn Concertos
39▶CD: Cello Concertos
40▶CD: Lira Concertos
41▶CD: Missa "In Tempore Belli", Missa Sancta Nicolai
42▶CD: Harmoniemesse, Mariazellermesse
43▶CD: Missa Sanctae Caeciliae
44▶CD: Große Orgelmesse / Salve Regina in G / Missa brevis / Salve Regina in E-flat
45▶CD: Stabat Mater
46▶CD: Creation Mass
47▶CD: Nelson Mass, Heiligmesse
48▶CD: Little Organ Mass, Theresienmesse
49▶CD: Die Jahreszeiten I
50▶CD: Die Jahreszeiten II
51▶CD: Die Schöpfung I
52▶CD: Die Schöpfung II
53▶CD: La vera costanza I
54▶CD: La vera costanza II
55▶CD: Die Feuersbrunst
56▶CD: La fedeltà premiata I
57▶CD: La fedeltà premiata II
58▶CD: L'infedeltà delusa I
59▶CD: L'infedeltà delusa II
60▶CD: L’anima del filosofo (Acts I & II)
61▼CD: L’anima del filosofo (Acts III & IV)
#TitleRatingLength
1L’anima del filosofo, Hob. XXVIII:13: 27. III/Nr. 21 Coro: Ah, Sposo Infelice! (Vergini, Uomini)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 21. Coro: “Ah, sposo infelice!” (Vergini, Uomini)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
4:18
2L’anima del filosofo, Hob. XXVIII:13: 28. III/Nr. 22 Recitativo: Al Cielo Te Ne Voli? (Orfeo, Creonte)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 22. Recitativo: “Al cielo te ne voli?” (Orfeo, Creonte)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
1:53
3L’anima del filosofo, Hob. XXVIII:13: 29. III/Nr. 23 Coro: Ah, Sposo Infelice! (Vergini)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 23. Coro: “Ah, sposo infelice!” (Vergini)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
1:20
4L’anima del filosofo, Hob. XXVIII:13: 30. III/Nr. 24 Recitativo: Che Sarà Ai d'Orfeo (Creonte, Corista V)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 24. Recitativo: “Che sarà ai d’Orfeo” (Creonte, Corista V)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
0:26
5L’anima del filosofo, Hob. XXVIII:13: 31. III/Nr. 25 Aria: Chi Spira E Non Spera (Creonte)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 25. Aria: “Chi spira e non spera” (Creonte)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
4:16
6L’anima del filosofo, Hob. XXVIII:13: 32. III/Nr. 26 Recitativo: Venerata Sibilla (Orfeo, Genio)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 26. Recitativo: “Venerata sibilla” (Orfeo, Genio)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
1:37
7L’anima del filosofo, Hob. XXVIII:13: 33. III/Nr. 27 Aria: Al Tuo Seno Fortunato (Genio)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 27. Aria: “Al tuo seno fortunato” (Genio)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
5:51
8L’anima del filosofo, Hob. XXVIII:13: 34. III/Nr. 28 Recitativo: Costanza A Me Si Chiede (Orfeo)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 28. Recitativo: “Costanza a me si chiede” (Orfeo)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
0:58
9L’anima del filosofo, Hob. XXVIII:13: 35. III/Nr. 29 Coro: La Giustizia In Cor Regina (Coro)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 29. Coro: “La giustizia in cor regina” (Coro)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
1:41
10L’anima del filosofo, Hob. XXVIII:13: 36. III/Nr. 30 Recitativo: Dove Mi Guidi? (Orfeo, Genio)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 30. Recitativo: “Dove mi guidi?” (Orfeo, Genio)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
0:25
11L’anima del filosofo, Hob. XXVIII:13: 37. III/Nr. 29: Coro (Da Capo): La Guistizia In Cor Regina (Coro)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 29. Coro (da capo): “La giustizia in cor regina” (Coro)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
2:00
12L’anima del filosofo, Hob. XXVIII:13: 38. IV/Nr. 31 Coro: Infelice Ombre Dolenti (Coro)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 31. Coro: “Infelice ombre dolenti” (Coro)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
3:47
13L’anima del filosofo, Hob. XXVIII:13: 39. IV/Nr. 32 Recitativo: Che Ascolto, Oh Numi! (Orfeo, Genio)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 32. Recitativo: “Che ascolto, oh numi!” (Orfeo, Genio)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
0:34
14L’anima del filosofo, Hob. XXVIII:13: 40. IV/Nr. 33 Coro Di Furie: Urli Orrendi, Disperati (Coro)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 33. Coro di furie: “Urli orrendi, disperati” (Coro)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
2:08
15L’anima del filosofo, Hob. XXVIII:13: 41. IV/Nr. 34 Recitativo: O Signor, Che All'ombre Imperi (Orfeo)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 34. Recitativo: “O signor, che all’ombre imperi” (Orfeo)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
0:25
16L’anima del filosofo, Hob. XXVIII:13: 42. IV/Nr. 35 Coro: Trionfi Oggi Pietà (Tenori, Bassi)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 35. Coro: “Trionfi oggi pietà” (Tenori, Bassi)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
0:52
17L’anima del filosofo, Hob. XXVIII:13: 43. IV/Nr. 36 Recitativo: O Della Reggia Mia (Pluto, Orfeo, Genio)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 36. Recitativo: “O della reggia mia” (Pluto, Orfeo, Genio)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
0:50
18L’anima del filosofo, Hob. XXVIII:13: 44. IV/Nr. 37 Intermezzo
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 37. Intermezzo
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
0:43
19L’anima del filosofo, Hob. XXVIII:13: 45. IV/Nr. 38 Recitativo: Quai Dolci E Care Note (Orfeo, Genio)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 38. Recitativo: “Quai dolci e care note” (Orfeo, Genio)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
0:32
20L’anima del filosofo, Hob. XXVIII:13: 46. IV/Nr. 39 Coro: Son Finite Le Tue Pene (Coro)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 39. Coro: “Son finite le tue pene” (Coro)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
0:38
21L’anima del filosofo, Hob. XXVIII:13: 47. IV/Nr. 40: Recitativo: Sovvengati La Legge (Genio, Euricide, Orfeo)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 40. Recitativo: “Sovvengati la legge” (Genio, Euricide, Orfeo)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
1:16
22L’anima del filosofo, Hob. XXVIII:13: 48. IV/Nr. 41a Recitativo Accompagnato: Perduto Un'altra Volta (Orfeo)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 41a. Recitativo accompagnato: “Perduto un’altra volta” (Orfeo)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
2:01
23L’anima del filosofo, Hob. XXVIII:13: 49. IV/Nr. 41b Aria: Mi Sento Languire (Orfeo)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 41b. Aria: “Mi sento languire” (Orfeo)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
3:37
24L’anima del filosofo, Hob. XXVIII:13: 50. IV/Nr. 42 Recitativo: Barbaro Infido Amore (Orfeo)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 42. Recitativo: “Barbaro infido amore” (Orfeo)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
0:11
25L’anima del filosofo, Hob. XXVIII:13: 51. IV/Nr. 43 Coro Di Baccanti: Vieni, Vieni, Amato Orfeo (Baccanti)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 43. Coro di baccanti: “Vieni, vieni, amato Orfeo” (Baccanti)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
1:24
26L’anima del filosofo, Hob. XXVIII:13: 52. IV/Nr. 44 Recitativo: Perfide, Non Turbate Di Più (Orfeo, Baccante)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 44. Recitativo: “Perfide, non turbate di più” (Orfeo, Baccante)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
0:22
27L’anima del filosofo, Hob. XXVIII:13: 53. IV/Nr. 45a Coro Con Recitativo Accompagnato: Bevi, Bevi In Questa Tazza (Orfeo, Baccanti)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 45a. Coro con recitativo accompagnato: “Bevi, bevi in questa tazza” (Orfeo, Baccanti)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
3:02
28L’anima del filosofo, Hob. XXVIII:13: 54. IV/Nr. 45c Coro: Oh, Che Orrore! (Baccanti)
bass-baritone vocals [Creonte]:
Thomas Quasthoff (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Baccante]:
Azuko Suzuki (soprano)
soprano vocals [Euridice]:
Helen Donath (soprano)
soprano vocals [Genio]:
Sylvia Greenberg
tenor vocals [Orfeo]:
Robert Swensen (tenor)
tenor vocals [Pluto]:
Paul Hansen (Bass vocalist)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recorded at:
Sendesaal des Bayerischen Rundfunks in München (Munich), Bayern (Bavaria), Germany (from 1992-02-01 until 1992-02-07)
recording of:
L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 45c. Coro: “Oh, che orrore!” (Baccanti)
composer:
Joseph Haydn (composer)
part of:
L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13
2:25
62▶CD: Il Ritorno di Tobia I
63▶CD: Il Ritorno di Tobia II
64▶CD: Il Ritorno di Tobia III
65▶CD: Die sieben letzten Worte
66▶CD: Scottish Songs for George Thomson I
67▶CD: Scottish Songs for George Thomson II
68▶CD: Scottish Songs for George Thomson III
69▶CD: Scottish Songs for George Thomson IV
70▶CD: Scottish Songs for George Thomson V
71▶CD: Scottish Songs for George Thomson VI
72▶CD: Scottish Songs for George Thomson VII
73▶CD: Welsh Songs for George Thomson I
74▶CD: Welsh Songs for George Thomson II
75▶CD: Welsh Songs for George Thomson III
76▶CD: Scottish Songs for William Whyte I
77▶CD: Scottish Songs for William Whyte II
78▶CD: Scottish Songs for William Whyte III
79▶CD: Scottish Songs for William Napier I
80▶CD: Scottish Songs for William Napier II
81▶CD: Scottish Songs for William Napier III
82▶CD: Scottish Songs for William Napier IV
83▶CD: Scottish Songs for William Napier V
84▶CD: Songs & Cantatas I
85▶CD: Songs & Cantatas II
86▶CD: String Quartets, op. 1 nos. 1–4
87▶CD: String Quartets, op. 1 nos. 0 & 6 & op. 2 no. 1
88▶CD: String Quartets, op. 2 nos. 2, 4 & 6
89▶CD: String Quartets, op. 9 nos. 1, 3 & 4
90▶CD: String Quartets, op. 9 nos. 2, 5 & 6
91▶CD: String Quartets, op. 17 nos. 1, 2 & 4
92▶CD: String Quartets, op. 17 nos. 3, 5 & 6
93▶CD: String Quartets “Sun Quartets”, op. 20 nos. 1, 3 & 4
94▶CD: String Quartets “Sun Quartets”, op. 20 nos. 2, 5 & 6
95▶CD: String Quartets, op. 33 nos. 1, 2 & 5
96▶CD: String Quartets, op. 33 nos. 3, 4 & 6 & op. 42
97▶CD: String Quartets “Prussian Quartets”, op. 50 nos. 1–3
98▶CD: String Quartets “Prussian Quartets”, op. 50 nos. 4-6
99▶CD: String Quartets “Tost Quartets”, op. 54 nos. 1-3
100▶CD: String Quartets, op. 55 nos. 1–3
101▶CD: String Quartets, op. 64 nos. 1–3
102▶CD: String Quartets, op. 64 nos. 4–6
103▶CD: String Quartets, op. 71 nos. 1–3
104▶CD: String Quartets “Apponyi Quartets”, op. 74 nos. 1–3
105▶CD: String Quartets, op. 76 nos. 1–3
106▶CD: String Quartets “Erdody Quartets”, op. 76 nos. 4-6
107▶CD: String Quartets, op. 77 nos. 1 & 2 & op. 103
108▶CD: Die Sieben Letzten Worte (String Quartet version)
109▶CD: Piano Trios Hob. XI: 1, 5, C1 & 37
110▶CD: Piano Trios, Hob. XV: 6, 7, 34, 35 & F1
111▶CD: Piano Trios Hob XV 11, 12, 36 & 38
112▶CD: Piano Trios, Hob. XV: 8, 9, 10, 40 & 41
113▶CD: Piano Trios, Hob. XV: 2, 13, 14 & 39
114▶CD: Piano Trios, Hob. XV: 15, 16 & 17
115▶CD: Piano Trios, Hob. XV: 18, 19 & 20, Hob. XIV:6
116▶CD: Piano Trios, Hob. XV: 21, 22, 23 & 31
117▶CD: Piano Trios, Hob XV: 24, 25, 26 & 32
118▶CD: Piano Trios, Hob. XV: 27 - 30
119▶CD: Baryton Trios nos. 1–7
120▶CD: Baryton Trios nos. 8–12 & 14
121▶CD: Baryton Trios nos. 15–17, 19–21 & 24
122▶CD: Baryton Trios nos. 25–31
123▶CD: Baryton Trios nos. 32–38
124▶CD: Baryton Trios nos. 39–45
125▶CD: Baryton Trios nos. 46–52
126▶CD: Baryton Trios nos. 53–59
127▶CD: Baryton Trios nos. 60–66
128▶CD: Baryton Trios nos. 67–73
129▶CD: Baryton Trios nos. 74–80
130▶CD: Baryton Trios nos. 81–87
131▶CD: Baryton Trios nos. 88–95
132▶CD: Baryton Trios nos. 96–98, 100–103
133▶CD: Baryton Trios nos. 104–110
134▶CD: Baryton Trios nos. 111–117
135▶CD: Baryton Trios nos. 118 & 120–126
136▶CD: Baryton Octets I
137▶CD: Baryton Octets II
138▶CD: Baryton Trios (appendix)
139▶CD: Sonatas for Violin and Viola
140▶CD: Duos Concertantes for 2 Flutes
141▶CD: Concertini and Divertimenti for Piano Trio I
142▶CD: Concertini and Divertimenti for Piano Trio II
143▶CD: Notturni Nos. 1-4
144▶CD: Notturni Nos. 5-8
145▶CD: Violin Sonatas, op. 23
146▶CD: Piano Sonatas, Hob. XVI: 41, 16, 2, 32 & 46
147▶CD: Piano Sonatas, Hob. XVI: 33, 1, 12, 42 & 50
148▶CD: Piano Sonatas, Hob. XVI: G1, 3, 13, 30, 44 & 43
149▶CD: Piano Sonatas, Hob. XVI: 10, 5, 22, 37 & 49
150▶CD: Piano Sonatas, Hob. XVI: 7, 47, 23, 27 & 52
151▶CD: Piano Sonatas, Hob. XVI: 11, 19, 35, 34 & 51
152▶CD: Piano Sonatas, Hob. XVII: D1, Hob. XVI: 24, 25, 29 & 39
153▶CD: Piano Sonatas, Hob. XVI: 45, 18, 38, 40 & 48
154▶CD: Piano Sonatas, Hob. XVI: 21, 20, 26, 4 & 31
155▶CD: Piano Sonatas, Hob. XVI: 28, 36, 14, 6, 9 & 8
156▶CD: Klavierstücke Variations
157▶CD: Klavierstücke Menuets & Marches
158▶CD: Klavierstücke Sonatas and Minuets
159▶CD: Klavierstücke Arrangements
160▶CD: Die sieben letzten Worte for Fortepiano