101 Sixties Party Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Can’t Take My Eyes Off You
vocals:
Andy Williams (US pop/jazz vocalist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Andy Williams43:10
2Things
Bobby Darin2:35
3I Got You Babe
vocals:
Sonny Bono (in 1965) and Cher (in 1965)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 331) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 444)
recording of:
I Got You Babe (in 1965)
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) and Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:07
4Come On Over to My Place
recording of:
Come on Over to My Place
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Drifters2:27
5Hold Me Tight
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
recording of:
Hold Me Tight
lyricist and composer:
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Johnny Nash2:43
6Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin3.92:24
7Comin’ Home Baby
Mel Tormé2:41
8Dream Baby (How Long Must I Dream)
phonographic copyright (℗) by:
Monument Records (company credits for Monument; do NOT use as release label) (in 1962)
recording of:
Dream Baby (How Long Must I Dream) (on 1962-01-09)
lyricist and composer:
Cindy Walker (US songwriter, singer and dancer)
publisher:
Acuff-Rose Music Ltd. (UK), Combine Music Corp. and Acuff-Rose (BMI) (in 1971)
Roy Orbison32:35
9The Wanderer
recording of:
The Wanderer
lyricist and composer:
Ernie Maresca
publisher:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. and Warner/Chappell North America
Dion & The Belmonts2:41
10Pretty Flamingo
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
Pretty Flamingo
lyricist and composer:
Mark Barkan
publisher:
Campbell Connelly (Australia) P/L and Campbell Connelly & Co. Ltd.
Manfred Mann52:33
11Walk Like a Man
The Four Seasons2:16
12(I Get the) Sweetest Feeling
recording of:
I Get the Sweetest Feeling
writer:
Alicia Evelyn (songwriter and performer) and Van McCoy
publisher:
Alley Music, TM Music Ltd., Trio Music (publisher) and Van McCoy Music
Jackie Wilson2:54
13Everlasting Love
cover recording of:
Everlasting Love
writer:
James “Buzz” Cason and Mac Gayden
publisher:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. and Rising Sons Music Inc. (in 1967)
Love Affair42:59
14Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.43:01
15Twist & Shout
cover recording of:
Twist and Shout (in 1962)
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
recording of:
Twist and Shout
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Isley Brothers3.652:28
16Everybody Needs Somebody to Love
recording of:
Everybody Needs Somebody to Love
writer:
Bert Russell Berns, Solomon Burke and Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC and Musical Lights Tokyo
Solomon Burke2:42
17Mustang Sally
cover recording of:
Mustang Sally
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett3:06
18One Way Love
cover recording of:
One Way Love
writer:
Bert Russell Berns and Norman Meade
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Robert Mellin Ltd.
Cliff Bennett & the Rebel Rousers2:20
19Sweet Soul Music
engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 351)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) and Otis Redding
publisher:
ABKCO Music and Rondor
is based on:
Yeah Man
Arthur Conley42:20
20River Deep Mountain High
engineer:
Larry Levine
producer:
Phil Spector and Ike Turner
lead vocals:
Tina Turner
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1966-03)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 33) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 221)
recording of:
River Deep – Mountain High (in 1966-03)
writer:
Jeff Barry (in 1966), Ellie Greenwich (in 1966) and Phil Spector (in 1966)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Co., Inc., Trio Music Company, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日本アブコ音楽出版 (ABKCO Japan Publishing)
Ike & Tina Turner3.53:39
21Ain’t Got No – I Got Life
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-05-13)
producer:
Joe René
drums (drum set):
Buck Clarke (on 1968-05-13)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1968-05-13)
electric guitar:
Rudy Stevenson (on 1968-05-13)
organ:
Sam Waymon (on 1968-05-13)
piano and lead vocals:
Nina Simone (on 1968-05-13)
phonographic copyright (℗) by:
BMG Ariola (company mostly named as distributor in Europe) (in 1968) and BMG Music (in 1968)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-05-13)
edit of:
Ain’t Got No / I Got Life (’Nuff Said’ version without overdubs and with studio banter at the end (“It’s groovy”)) by Nina Simone
cover recording of:
Ain’t Got No, I Got Life (on 1968-05-13)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
Nina Simone3.62:15
22Soul Man
recorded in:
Memphis, Tennessee, United States (on 1967-08-10)
producer:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) and Jim Stewart (US producer, founder for Stax & Volt Records)
instruments:
Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
lead vocals:
Sam Moore (singer, ex “Sam and Dave”) (in 1967) and David Prater (soul artist) (in 1967)
phonographic copyright (℗) by:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 458)
recording of:
Soul Man (on 1967-08-10)
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:38
23Hard to Handle
producer:
Steve Cropper
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
vocals:
Otis Redding
recording of:
Hard to Handle
writer:
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell and Otis Redding
publisher:
Irving Music (BMI), Carlin Music Corporation (in 1968) and Irving Music, Inc. (in 1968)
Otis Redding4.152:18
24Do You Know the Way to San José
recording of:
Do You Know the Way to San Jose
lyricist:
Hal David (in 1968)
composer:
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. and JAC Music Co., Inc.
Dionne Warwick2:56
25Just One Look
recorded in:
New York, New York, United States (on 1963-03-05)
producer:
Artie Ripp
bass:
Barney Richmond (on 1963-03-05)
drums (drum set):
Bruno Carr (on 1963-03-05)
guitar:
Napoleon "Snags" Allen (on 1963-03-05)
piano:
Horace Ott (on 1963-03-05)
background vocals [harmony vocals] and lead vocals:
Doris Troy (on 1963-03-05)
vocals:
Doris Troy (on 1963-03-05)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 7) and Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 29)
recording of:
Just One Look (on 1963-03-05)
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:32
26Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:59
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Credits

Release

ASIN:UK: B004707ASY [info]