The Complete Albums Collection

~ Release by Booker Little (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Milestones
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
recording of:
Milestones (originally titled “Miles”) (in 1958-10)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, or EMI Music only if there is no other imprint), Jazz Horn Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Booker Little & Max Roach5:37
2Sweet and Lovely
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass [bass]:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
instrumental recording of:
Sweet and Lovely (in 1958-10)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
cover recording of:
Sweet and Lovely
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
Booker Little & Max Roach4:16
3Rounder's Mood
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
recording of:
Rounder's Mood (in 1958-10)
composer:
Booker Little
Booker Little & Max Roach5:23
4Dungeon Waltz
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
Booker Little & Max Roach4:30
5Jewel's Tempo
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
Booker Little & Max Roach6:38
6Moonlight Becomes You
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass [bass]:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
cover recording of:
Moonlight Becomes You (in 1958-10)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1942)
composer:
Jimmy Van Heusen (in 1942)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Booker Little & Max Roach5:43
7Opening Statement
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
Booker Little6:43
8Minor Sweet
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
Booker Little5:41
9Bee Tee's Minor Plea
recorded in:
New York, New York, United States (on 1960-04-15)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-15)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-15)
piano:
Wynton Kelly (on 1960-04-15)
trumpet:
Booker Little (on 1960-04-15)
Booker Little5:41
10Life's a Little Blue
recorded in:
New York, New York, United States (on 1960-04-15)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-15)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-15)
piano:
Wynton Kelly (on 1960-04-15)
trumpet:
Booker Little (on 1960-04-15)
Booker Little6:53
11The Grand Valse
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
Booker Little4:58
12Who Can I Turn To?
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
recording of:
Who Can I Turn To (on 1960-04-13)
lyricist:
William Engvick
composer:
Alec Wilder (American composer)
Booker Little5:27
2▶CD
3▶CD
4▶CD

Credits

Release group

includes:At the Five Spot (1961/07/16, Five Spot, NYC, US - bootlegs and late / shady reissues with no master provenance indications) by Eric Dolphy Quintet & Booker Little
At the Five Spot, Volume 1 (1961/07/16, Five Spot, NYC, US, "Volume 1") by Eric Dolphy with Booker Little, Mal Waldron (American jazz pianist), Richard Davis (American jazz bassist), Eddie Blackwell
At the Five Spot, Volume 2 (1961/07/16, Five Spot, NYC, US, "Volume 2") by Eric Dolphy
Booker Little
Booker Little 4 & Max Roach by Booker Little 4 & Max Roach (20th century US jazz drummer & composer)
Booker Little and Friend
Far Cry (Dolphy third studio album released on New Jazz, notably featuring Booker Little) by Eric Dolphy with Booker Little
Out Front
The Third World by Donald Byrd (American jazz trumpeter) & Booker Little
Discogs:https://www.discogs.com/master/2855446 [info]