French Melodies

~ Release by Saint‐Saëns, Gounod, Debussy, Franck, Chausson, Fauré, Bizet, Duparc, Offenbach, Massenet, Delibes, Ravel, Hahn; Victoria de los Ángeles (see all versions of this release, 1 available)

Annotation

℗ & © «2023 Parlophone Records Limited»
℗ & © «A Warner Classics release»

Countries excluded (Spotify + Deezer)

(As of 2024-05-19).

  • Eastern Europe: 🇧🇾 Belarus (by)
Annotation last modified on 2024-05-19 11:07 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Les contes d’Hoffmann, Act 4: Entr’acte - “Elle a fui, la tourterelle !” (Antonia)
bass vocals [Crespel]:
Robert Geay (bass vocals) (from 1964-09-01 until 1965-05-27)
soprano vocals [Antonia]:
Victoria de los Ángeles (Spanish soprano) (from 1964-09-01 until 1965-05-27)
tenor vocals [Frantz]:
Jacques Loreau (french tenor) (from 1964-09-01 until 1965-05-27)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-09-01 until 1965-05-27)
conductor:
André Cluytens (Belgian-born French conductor) (from 1964-09-01 until 1965-05-27)
recording of:
Les Contes d’Hoffmann: Acte IV. “Elle a fui, la tourterelle” (Antonia, Crespel, Frantz) (from 1964-09-01 until 1965-05-27)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte IV. Entr’acte (orchestre) (from 1964-09-01 until 1965-05-27)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach4:45
25 Mélodies populaires grecques: No. 1, Chanson de la mariée, M. A 9
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: I. Chanson de la mariée (from 1962-02-20 until 1962-02-24)
composer:
Maurice Ravel (French composer) (from 1905 until 1906)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel1:24
35 Mélodies populaires grecques: No. 2, Là-bas, vers l’église, M. A 10
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: II. Là-bas, vers l'église (from 1962-02-20 until 1962-02-24)
lyricist:
Michel-Dimitri Calvocoressi
composer:
Francis Poulenc (French composer and pianist) and Maurice Ravel (French composer) (from 1905 until 1906)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel1:19
45 Mélodies populaires grecques: No. 3, Quel galant m’est comparable, M. A 4
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: III. Quel galant m'est comparable (from 1962-02-20 until 1962-02-24)
composer:
Maurice Ravel (French composer) (in 1904)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel0:51
55 Mélodies populaires grecques: No. 4, Chanson des cueilleuses de lentisques, M. A 5
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: IV. Chanson des cueilleuses de lentisques (from 1962-02-20 until 1962-02-24)
composer:
Maurice Ravel (French composer) (in 1904)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel2:22
65 Mélodies populaires grecques: No. 5, Tout gai !, M. A 11
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: V. Tout gai! (from 1962-02-20 until 1962-02-24)
composer:
Maurice Ravel (French composer) (from 1905 until 1906)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel1:03
7Plaisir d’amour
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Rafael Frühbeck de Burgos (conductor)
recording of:
Plaisir d’amour (Romance du chevrier)
lyricist:
Jean-Pierre Claris de Florian
composer:
Jean‐Paul‐Égide Martini (Plaisir d'amour)
publisher:
Warlock Music Ltd.
Jean‐Paul‐Égide Martini3:14
8Les filles de Cadix
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Rafael Frühbeck de Burgos (conductor)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
Les Filles de Cadix (Chanson espagnole)
lyricist:
Alfred de Musset
composer:
Léo Delibes (French composer)
Léo Delibes3:02
9Pastorale
recorded in:
Berlin, Germany (from 1960-12-01 until 1960-12-03)
producer:
Christfried Bickenbach and Fritz Ganss (producer)
piano:
Gerald Moore (pianist) (from 1960-12-01 until 1960-12-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-12-01 until 1960-12-03)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1960-12-01 until 1960-12-03)
balance engineer:
Horst Lindner (engineer) (from 1960-12-01 until 1960-12-03)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recorded at:
Gemeindehaus Studios in Berlin, Germany (from 1960-12-01 until 1960-12-03)
recording of:
Pastorale (from 1960-12-01 until 1960-12-03)
lyricist:
Antoine Houdar de la Motte
composer:
Camille Saint‐Saëns (composer)
previously attributed to:
Philippe Néricault Destouches (French actor and playwright)
Camille Saint‐Saëns2:11
10Carmen, WD 31, Act 1: “Quand je vous aimerai ?” - Habanera. “L’amour est un oiseau rebelle” (Carmen, Chœur)
choir vocals:
Chœurs national de la Radiodiffusion française
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1959-09-01 until 1959-09-06)
vocals:
Chœurs de la Radiodiffusion Française (from 1959-09-01 until 1959-09-06)
orchestra:
Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1959-09-01 until 1959-09-06)
conductor:
Sir Thomas Beecham (conductor) (from 1959-09-01 until 1959-09-06)
chorus master:
René Alix
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1959-09-01 until 1959-09-06)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet5:03
11Carmen, WD 31, Act 1: Séguedille. “Près des ramparts de Séville” (Carmen, José)
soprano vocals and soprano vocals [Carmen]:
Victoria de los Ángeles (Spanish soprano)
tenor vocals and tenor vocals [Don José]:
Nicolai Gedda (tenor)
orchestra:
Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1959-09-01 until 1959-09-06)
conductor:
Sir Thomas Beecham (conductor) (from 1959-09-01 until 1959-09-06)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1959-09-01 until 1959-09-06)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet5:01
12Carmen, WD 31, Act 2: “Les tringles des sistres tintaient” (Carmen)
orchestra:
Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1959-09-01 until 1959-09-06)
conductor:
Sir Thomas Beecham (conductor) (from 1959-09-01 until 1959-09-06)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1959-09-01 until 1959-09-06)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:47
133 Mélodies, Op. 6: No. 2, Tristesse
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Tristesse, op. 6 no. 2 (from 1966-01-19 until 1966-01-26)
lyricist:
Théophile Gautier
composer:
Gabriel Fauré (French composer) (in 1873)
part of:
3 Songs, op. 6
Gabriel Fauré2:29
143 Mélodies, Op. 8: No. 1, Au bord de l’eau
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Au bord de l’eau, op. 8 no. 1 (from 1966-01-19 until 1966-01-26)
lyricist:
Sully Prudhomme
composer:
Gabriel Fauré (French composer) (in 1875)
part of:
3 Songs, op. 8
Gabriel Fauré2:24
154 Mélodies, Op. 39: No. 4, Les roses d’Ispahan
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Les Roses d'lspahan, op. 39 no. 4 (from 1966-01-19 until 1966-01-26)
lyricist:
Leconte de Lisle
composer:
Gabriel Fauré (French composer) (in 1884)
part of:
4 Songs, op. 39
Gabriel Fauré2:55
16Poème d’un jour, Op. 21: No. 2, Toujours
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Poème d’un jour, op. 21 : 2. Toujours (from 1966-01-19 until 1966-01-26)
lyricist:
Charles Grandmougin
composer:
Gabriel Fauré (French composer) (in 1878)
part of:
Poème d’un jour, op. 21
Gabriel Fauré1:26
17Werther, Act 3: Prélude
orchestra:
Orchestre de Paris (from 1968-09 until 1969-06)
conductor:
Georges Prêtre (French conductor) (from 1968-09 until 1969-06)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1968-09 until 1969-06)
recording of:
Werther : Acte III. Prélude (from 1968-09 until 1969-06)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet3:01
18Werther, Act 3: “Werther ! Werther ! Qui m’aurait dit la place” (Charlotte)
soprano vocals [Charlotte]:
Victoria de los Ángeles (Spanish soprano) (from 1968-09 until 1969-06)
orchestra:
Orchestre de Paris (from 1968-09 until 1969-06)
conductor:
Georges Prêtre (French conductor) (from 1968-09 until 1969-06)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1968-09 until 1969-06)
recording of:
Werther : Acte III. « Werther ! Qui m'aurait dit » (Charlotte) (from 1968-09 until 1969-06)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet1:19
19Werther, Act 3: “Ces lettres ! Ces lettres !” Air des lettres. “Je vous écris de ma petite chambre” (Charlotte)
soprano vocals [Charlotte]:
Victoria de los Ángeles (Spanish soprano) (from 1968-09 until 1969-06)
orchestra:
Orchestre de Paris (from 1968-09 until 1969-06)
conductor:
Georges Prêtre (French conductor) (from 1968-09 until 1969-06)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1968-09 until 1969-06)
recording of:
Werther : Acte III. « Ces lettres ! ... ces lettres ! ... je les relis sans cesse ! » - « Je vous écris de ma petite chambre » – « Des cris joyeux » (Charlotte) (Air des lettres) (from 1968-09 until 1969-06)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet4:49
20La procession, FWV 88
recording of:
La Procession, FWV 88
lyricist:
Auguste Brizeux (French poet)
composer:
César Franck (Belgian‐born French composer) (from 1888 until 1889)
dedicated to:
Charlotte Danner
publisher:
Éditions Alphonse Leduc (in 1892) and The Boston Music Company (in 1914)
premiered at:
Société nationale de musique in Paris, Île-de-France, France (on 1889-04-27)
part of:
Catalogue of the works of César Franck by Joël-Marie Fauquet (CFF) (number: CFF 160) and Franck Werke Verzeichnis (number: 88)
César Franck5:28
21L’invitation au voyage
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
L’Invitation au voyage (for voice and orchestra) (from 1962-02-20 until 1962-02-24)
lyricist:
Charles Baudelaire
composer:
Henri Duparc (French composer)
Henri Duparc4:08
223 Chansons de Bilitis, CD 97, L. 90: No. 1, La flûte de Pan
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 1. La Flûte de Pan «Pour le jour des Hyacinthies» (from 1966-01-19 until 1966-01-26)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy2:58
233 Chansons de Bilitis, CD 97, L. 90: No. 2, La chevelure
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 2. La Chevelure «Il m’a dit «Cette nuit d’ai rêvé»» (from 1966-01-19 until 1966-01-26)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy3:17
243 Chansons de Bilitis, CD 97, L. 90: No. 3, Le tombeau des naïades
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 3. Le Tombeau des naïades: «Le long du bois couvert de givre» (from 1966-01-19 until 1966-01-26)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy3:02
25Faust, Act 3: “Je voudrais bien savoir” - Chanson. “Il était un roi de Thulé” (Marguerite)
soprano vocals [Marguerite]:
Victoria de los Ángeles (Spanish soprano) (from 1958-09-23 until 1958-10-09)
orchestra:
Orchestre de l’Opéra national de Paris (from 1958-09-23 until 1958-10-09)
conductor:
André Cluytens (Belgian-born French conductor) (from 1958-09-23 until 1958-10-09)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1958-09-23 until 1958-10-09)
recording of:
Faust : Acte III. Scène « Je voudrais bien savoir » … No. 14a « Il était un roi de Thulé » (Marguerite) (from 1958-09-23 until 1958-10-09)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles Gounod5:36
26Faust, Act 3: “Un bouquet !” - Air des bijoux. “Ô Dieu ! Que de bijoux !” (Marguerite)
soprano vocals [Marguerite]:
Victoria de los Ángeles (Spanish soprano) (from 1958-09-23 until 1958-10-09)
orchestra:
Orchestra of the Paris Opera (from 1958-09-23 until 1958-10-09)
conductor:
André Cluytens (Belgian-born French conductor) (from 1958-09-23 until 1958-10-09)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1958-09-23 until 1958-10-09)
recording of:
Faust : Acte III. « Un bouquet ! … Ô Dieu ! que de bijoux ! » … No. 14b « Ah ! Je ris ! » (Marguerite) (Air des bijoux / Jewel Song) (from 1958-09-23 until 1958-10-09)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles Gounod5:11
2720 Mélodies, Livre I: No. 14, Trois jours de vendage
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Trois jours de vendange (from 1966-01-19 until 1966-01-26)
lyricist:
Alphonse Daudet
composer:
Reynaldo Hahn (composer)
part of:
Premier Recueil de 20 mélodies (1896) (number: 9)
Reynaldo Hahn3:05
2820 Mélodies, Livre II: No. 7, Le rossignol des lilas
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Le Rossignol des lilas (from 1966-01-19 until 1966-01-26)
lyricist:
Léopold Dauphin
composer:
Reynaldo Hahn (composer)
part of:
Second Recueil de 20 mélodies (1922) (number: 10)
Reynaldo Hahn2:11
29Chants d’Auvergne, Vol. 1: No. 2, Baïlèro
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra)
conductor:
Jean‐Pierre Jacquillat (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
Joseph Canteloube34:53
30Chants d’Auvergne, Vol. 3: No. 5, Malurous qu’o uno fenno
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra)
conductor:
Jean‐Pierre Jacquillat (conductor)
recording of:
Chants d'Auvergne: Troisième Série: No. 5. Malurous qu'o uno fenno
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Troisième Série
Joseph Canteloube1:34
31Pelléas et Mélisande, CD 93, L. 88, Act 3: “Mes longs cheveux descendent jusqu’au seuil de la tour” (Mélisande, Pelléas)
vocals:
Jacques Jansen (French baritone) (from 1956-06-04 until 1956-06-15), Victoria de los Ángeles (Spanish soprano) (from 1956-06-04 until 1956-06-15) and Gérard Souzay (baritone) (from 1956-06-04 until 1956-06-15)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1956-06-04 until 1956-06-15)
conductor:
André Cluytens (Belgian-born French conductor) (from 1956-06-04 until 1956-06-15)
recording of:
Pelléas et Mélisande: Act III, Scene I. "Mes longs cheveux descendent" (from 1956-06-04 until 1956-06-15)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château
Claude Debussy5:22
32Pelléas et Mélisande, CD 93, L. 88, Act 3: “Oh ! Oh ! Mes cheveux descendent de la tour !” (Mélisande, Pelléas)
vocals:
Jacques Jansen (French baritone) (from 1956-06-04 until 1956-06-15), Victoria de los Ángeles (Spanish soprano) (from 1956-06-04 until 1956-06-15) and Gérard Souzay (baritone) (from 1956-06-04 until 1956-06-15)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1956-06-04 until 1956-06-15)
conductor:
André Cluytens (Belgian-born French conductor) (from 1956-06-04 until 1956-06-15)
recording of:
Pelléas et Mélisande: Act III, Scene I. "Oh! Oh! Mes cheveux descendent de la tour!" (Mélisande, Pelléas) (from 1956-06-04 until 1956-06-15)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château
Claude Debussy2:47
33Pelléas et Mélisande, CD 93, L. 88, Act 3: “Je les noue aux branches du saule” (Pelléas, Mélisande, Golaud)
vocals:
Jacques Jansen (French baritone) (from 1956-06-04 until 1956-06-15), Victoria de los Ángeles (Spanish soprano) (from 1956-06-04 until 1956-06-15) and Gérard Souzay (baritone) (from 1956-06-04 until 1956-06-15)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1956-06-04 until 1956-06-15)
conductor:
André Cluytens (Belgian-born French conductor) (from 1956-06-04 until 1956-06-15)
recording of:
Pelléas et Mélisande: Act III, Scene I. "Je les noue, je les noue aux branches du saule" (Pelléas, Mélisande, Golaud) (from 1956-06-04 until 1956-06-15)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château
Claude Debussy6:04
342 Mélodies hébraïques, M. A 22: No. 1, Kaddish
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Deux mélodies hébraïques: No. 1. Kaddisch (for voice and orchestra) (from 1962-02-20 until 1962-02-24)
orchestrator and composer:
Maurice Ravel (French composer)
orchestration of:
Deux mélodies hébraïques: No. 1. Kaddisch (for voice and piano)
part of:
Deux mélodies hébraïques (for voice and orchestra)
Maurice Ravel4:39
352 Mélodies hébraïques, M. A 22: No. 2, L’énigme éternelle
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Deux mélodies hébraïques: No. 2. L'Énigme éternelle (for voice and orchestra) (from 1962-02-20 until 1962-02-24)
orchestrator and composer:
Maurice Ravel (French composer)
orchestration of:
Deux mélodies hébraïques: No. 2. L'Énigme éternelle (Mejerke) (for voice and piano)
part of:
Deux mélodies hébraïques (for voice and orchestra)
Maurice Ravel1:35
362 Mélodies, Op. 27: No. 1, Chanson d’amour
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1960-09-08 until 1960-09-11)
producer:
Victor Olof
piano:
Gerald Moore (pianist) (from 1960-09-08 until 1960-09-11)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1960-09-08 until 1960-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1960-09-08 until 1960-09-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Chanson d'Amour, op. 27 no. 1 (from 1960-09-08 until 1960-09-11)
lyricist:
Paul-Armand Silvestre
composer:
Gabriel Fauré (French composer) (in 1882)
part of:
2 Songs, op. 27
Gabriel Fauré2:17
372 Mélodies, Op. 46: No. 2, Clair de lune
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1960-09-08 until 1960-09-11)
producer:
Victor Olof
piano:
Gerald Moore (pianist) (from 1960-09-08 until 1960-09-11)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1960-09-08 until 1960-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1960-09-08 until 1960-09-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Clair de lune, op. 46 no. 2 (from 1960-09-08 until 1960-09-11)
lyricist:
Paul Verlaine (French poet)
composer:
Gabriel Fauré (French composer) (in 1887)
part of:
2 Mélodies, op. 46
Gabriel Fauré2:53
38Fleurs des landes, Op. 13, H 124: No. 3, Le trébuchet
producer:
Christfried Bickenbach and Fritz Ganss (producer)
piano:
Gerald Moore (pianist) (from 1960-12-01 until 1960-12-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-12-01 until 1960-12-03)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1960-12-01 until 1960-12-03)
balance engineer:
Horst Lindner (engineer) (from 1960-12-01 until 1960-12-03)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recorded at:
Gemeindehaus Studios in Berlin, Germany (from 1960-12-01 until 1960-12-03)
recording of:
Le Trébuchet, op. 13 no. 3, H. 113 (from 1960-12-01 until 1960-12-03)
lyricist:
Antoine Bertin (poet) and Émile Deschamps (poet)
composer:
Hector Berlioz (French composer) (in 1846)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 113)
part of:
Fleurs des landes, op. 13, H. 124
Hector Berlioz2:54
39Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : I. En sourdine “Calmes dans le demi-jour” (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
En sourdine, L. 28, CD 42 “Calmes dans le demi-jour” (for voice and piano, 1st version)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy3:05
40Fêtes galantes, Livre I, CD 86, L. 80: II. Fantoches
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : II. Fantoches “Scaramouche et Pulcinella” (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
Fantoches, L. 21, CD 26 “Scaramouche et Pulcinella” (première version, for voice and piano)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy1:16
41Fêtes galantes, Livre I, CD 86, L. 80: III. Clair de lune
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : III. Clair de lune “Votre âme est un paysage choisi” (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
Clair de lune, L. 32, CD 45 “Votre âme est un paysage choisi” (for voice and piano, 1st version)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy2:55
42Chants populaires, M. A 17: No. 1, Chanson espagnole
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: I. Chanson espagnole (from 1966-01-19 until 1966-01-26)
composer:
Maurice Ravel (French composer) (in 1910)
part of:
Chants populaires
Maurice Ravel2:38
43Chants populaires, M. A 17: No. 2, Chanson française
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: II. Chanson française (from 1966-01-19 until 1966-01-26)
composer:
Maurice Ravel (French composer) (in 1910)
part of:
Chants populaires
Maurice Ravel1:56
44Chants populaires, M. A 17: No. 3, Mélodie italienne
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: III. Chanson italienne (from 1966-01-19 until 1966-01-26)
composer:
Maurice Ravel (French composer) (in 1910)
part of:
Chants populaires
Maurice Ravel1:25
45Chants populaires, M. A 17: No. 4, Chanson hébraïque
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: IV. Chanson hébraïque (from 1966-01-19 until 1966-01-26)
lyricist:
[traditional] (special purpose artist)
composer:
Maurice Ravel (French composer)
part of:
Chants populaires
Maurice Ravel4:37
46Shéhérazade, M. 17: No. 1, Asie
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Shéhérazade: I. Asie (from 1962-02-20 until 1962-02-24)
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel9:04
47Shéhérazade, M. 17: No. 2, La flûte enchantée
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (French conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recording of:
Shéhérazade: II. La Flûte enchantée
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel2:43
48Shéhérazade, M. 17: No. 3, L’indifférent
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Shéhérazade: III. L'Indifférent (from 1962-02-20 until 1962-02-24)
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel3:10
49Poème de l’amour et de la mer, Op. 19: I. La fleur des eaux
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-02-10 until 1969-02-19)
orchestra:
Orchestre de l'Association des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-02-10 until 1969-02-19)
conductor:
Jean‐Pierre Jacquillat (conductor) (from 1969-02-10 until 1969-02-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-02-10 until 1969-02-19)
recording of:
Poème de l'amour et de la mer, op. 19: I. La fleur des eaux (from 1969-02-10 until 1969-02-19)
lyricist:
Maurice Bouchor
composer:
Ernest Chausson (composer)
part of:
Poème de l'amour et de la mer, op. 19
Ernest Chausson11:33
50Poème de l’amour et de la mer, Op. 19: II. Interlude
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-02-10 until 1969-02-19)
orchestra:
Orchestre de l'Association des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-02-10 until 1969-02-19)
conductor:
Jean‐Pierre Jacquillat (conductor) (from 1969-02-10 until 1969-02-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-02-10 until 1969-02-19)
recording of:
Poème de l'amour et de la mer, op. 19: II. Interlude (from 1969-02-10 until 1969-02-19)
composer:
Ernest Chausson (composer)
part of:
Poème de l'amour et de la mer, op. 19
Ernest Chausson2:33
51Poème de l’amour et de la mer, Op. 19: III. La mort de l’amour
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-02-10 until 1969-02-19)
orchestra:
Orchestre de l'Association des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-02-10 until 1969-02-19)
conductor:
Jean‐Pierre Jacquillat (conductor) (from 1969-02-10 until 1969-02-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-02-10 until 1969-02-19)
recording of:
Poème de l'amour et de la mer, op. 19: III. La mort de l'amour (from 1969-02-10 until 1969-02-19)
lyricist:
Maurice Bouchor
composer:
Ernest Chausson (composer)
part of:
Poème de l'amour et de la mer, op. 19
Ernest Chausson13:27
52Manon, Act 2: “Allons ! Il le faut” (Manon)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (from 1955-05 until 1955-06)
conductor:
Pierre Monteux (conductor) (from 1955-05 until 1955-06)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1955-05 until 1955-06)
recording of:
Manon : Acte II. « Allons ! Il le faut ! Pour lui-même » (Manon) (from 1955-05 until 1955-06)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
Jules Massenet0:55
53Manon, Act 2: “Je ne suis que faiblesse” (Manon)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (from 1955-05 until 1955-06)
conductor:
Pierre Monteux (conductor) (from 1955-05 until 1955-06)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1955-05 until 1955-06)
recording of:
Manon : Acte II. « Je ne suis que faiblesse » (Manon) (from 1955-05 until 1955-06)
composer:
Jules Massenet (French Romantic composer)
part of:
Manon : Acte II
Jules Massenet0:49
54Manon, Act 2: “Adieu, notre petite table” (Manon, Des Grieux)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (from 1955-05 until 1955-06)
conductor:
Pierre Monteux (conductor) (from 1955-05 until 1955-06)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1955-05 until 1955-06)
recording of:
Manon : Acte II. « Adieu, notre petite table » (Manon) (from 1955-05 until 1955-06)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
Jules Massenet3:35