Best Jazz 100

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD: Classic Jazz Vocals
Nr.TitelKünstlerBewertungLänge
1I Left My Heart in San Francisco
Techniker(in):
David Hassinger
Produzent(in):
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
cover recording of:
I Left My Heart in San Francisco
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. und EMI April Music Inc.
Julie London2:52
2Something Cool
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1953-08-14)
baritone saxophone:
Chuck Gentry (am 1953-08-14)
Bassposaune:
George Roberts (american bass trombone) (am 1953-08-14)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-08-14)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1953-08-14)
Posaune:
Milt Bernhart (am 1953-08-14), Herbie Harper (am 1953-08-14) und Tommy Pederson (am 1953-08-14)
Trompete:
Maynard Ferguson (am 1953-08-14), Conrad Gozzo (am 1953-08-14) und Shorty Rogers (trumpet) (am 1953-08-14)
vocals:
June Christy (am 1953-08-14)
conductor:
Pete Rugolo (am 1953-08-14)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-14)
recording of:
Something Cool (am 1953-08-14)
Texter und Komponist(in):
Billy Barnes (composer and lyricist)
June Christy44:21
3My Funny Valentine
Produzent(in):
Richard Bock (record producer)
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Carson Smith (am 1954-02-15)
Schlagzeug:
Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954) und Blue Note (in 1989)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1954-02-15)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker22:20
4Misty Blue
cover recording of:
Misty Blue
Texter und Komponist(in):
Bob Montgomery (USA)
publisher:
Reservoir One America und Talmont Music (publisher) (vom 1966 bis heute)
Ella Fitzgerald2:30
5Darn That Dream
cover recording of:
Darn That Dream
Texter:
Eddie DeLange (in 1939)
Komponist(in):
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
Teil von:
Swingin’ the Dream
Nancy Wilson2:53
6Autumn in New York
Jo Stafford2:42
7April in Paris
Produzent(in):
Voyle Gilmore
Klavier:
André Previn (pianist, conductor, composer, arranger)
vocals:
Dinah Shore
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
April in Paris
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dinah Shore2:59
8Do Nothing Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
Abbey Lincoln2:17
9Day In - Day Out
Produzent(in):
Tom Morgan (Bluegrass bass player)
Bass:
Joe Mondragon
Klavier:
Jimmy Rowles
Schlagzeug:
Mel Lewis (American jazz drummer)
Tenorsaxophon:
Bill Holman und Richie Kamuca
Trompete:
Conte Candoli und Pete Candoli
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Holman
arranger:
Bill Holman
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1958-12-01 bis 1958-12-15)
recording of:
Day In, Day Out
Texter:
Johnny Mercer (in 1939)
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
Mark Murphy4:00
10It Had to Be You
cover recording of:
It Had to Be You
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
Dinah Shore3:26
11Angel Eyes
recording of:
Angel Eyes (1946 jazz standard)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) und Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Jack Jones3:14
12The Man I Love
Techniker(in):
Hank Cicalo
Bass:
Joe Mondragon (von 1976-05-03 bis 1976-05-12)
Gitarre:
Dennis Budimir (von 1976-05-03 bis 1976-05-12)
Hybrid-Piano:
Marshall Otwell (von 1976-05-03 bis 1976-05-12)
Klavier:
Artie Kane (von 1976-05-03 bis 1976-05-12)
Posaune:
George Bohanon (von 1976-05-03 bis 1976-05-12), Lew McCreary (von 1976-05-03 bis 1976-05-12) und Ken Shroyer (trombonist) (von 1976-05-03 bis 1976-05-12)
Rohrblattinstrumente:
Bill Green (woodwind) (von 1976-05-03 bis 1976-05-12), Harry Klee (von 1976-05-03 bis 1976-05-12), Lanny Morgan (von 1976-05-03 bis 1976-05-12), Abe Most (von 1976-05-03 bis 1976-05-12) und Bill Perkins (jazz saxophonist) (von 1976-05-03 bis 1976-05-12)
Schlagzeug:
Harvey Mason (jazz drummer) (von 1976-05-03 bis 1976-05-12)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (von 1976-05-03 bis 1976-05-12), Buddy Childers (American jazz trumpeter & composer) (von 1976-05-03 bis 1976-05-12) und Bobby Shew (von 1976-05-03 bis 1976-05-12)
vocals:
Carmen McRae (von 1976-05-03 bis 1976-05-12)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-05-03 bis 1976-05-12)
recording of:
The Man I Love (von 1976-05-03 bis 1976-05-12)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
Carmen McRae4:18
13It Don’t Mean a Thing
Annie Ross2:10
14Here’s That Rainy Day
Sue Raney4:14
15Stars Fell on Alabama
Jack Teagarden3:02
16Blue Moon
recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Billie Holiday2:14
17A Foggy Day
vocals:
Dakota Staton (von 1957-02-28 bis 1957-03-02)
conductor:
Van Alexander (aka Al Feldman) (von 1957-02-28 bis 1957-03-02)
arranger:
Van Alexander (aka Al Feldman)
cover recording of:
A Foggy Day (in London Town) (von 1957-02-28 bis 1957-03-02)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
Dakota Staton2:21
18Exactly Like You
Dianne Reeves5:19
19I Ain’t Got Nothin’ but the Blues
recording engineer:
Peter Darmi (von 1992-04 bis 1992-10)
Produzent(in):
Michael Cuscuna und Billy Vera
Mix:
Peter Darmi
alto saxophone:
Hank Crawford
Gitarre:
Cornell Dupree
Horn arranger:
Benny Golson (American jazz saxophonist and composer)
Lou Rawls3:26
20Something to Live For
cover recording of:
Something to Live For (1938 Billy Strayhorn jazz composition)
Texter und Komponist(in):
Billy Strayhorn
Lena Horne4:43
2▶CD: Swing Classics in Hi‐Fi
3▶CD: Latin Jazz
4▶CD: Relaxing Jazz
5▶CD: Jazz Ballads
6▶CD: Legends of Jazz

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