It’s Louis Armstrong

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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10-CD set.

Anmerkung zuletzt geändert am 2014-07-03 19:08 UTC.

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Nr.TitelBewertungLänge
1When the Saints Go Marching In
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-13) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-13)
Gitarre:
Lee Blair (am 1938-05-13)
Klavier:
Luis Russell (am 1938-05-13)
Kontrabass:
George "Pops" Foster (am 1938-05-13)
Posaune:
J.C. Higginbotham (am 1938-05-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-13)
Tenorsaxophon:
Bingie Madison (am 1938-05-13)
Trompete:
Louis Armstrong (am 1938-05-13) und Shelton "Scad" Hemphill (am 1938-05-13)
vocals:
Louis Armstrong (am 1938-05-13)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (am 1938-05-13)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Louis Armstrong
Version von:
When the Saints Go Marching In
2:43
2On the Sentimental Side
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-18)
Gitarre:
Lee Blair (am 1938-05-18)
Klavier:
Luis Russell (am 1938-05-18)
Kontrabass:
George "Pops" Foster (am 1938-05-18)
Posaune:
J.C. Higginbotham (am 1938-05-18)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-18)
Tenorsaxophon:
Bingie Madison (am 1938-05-18)
Trompete:
Louis Armstrong (am 1938-05-18) und Shelton "Scad" Hemphill (am 1938-05-18)
vocals:
Louis Armstrong (am 1938-05-18)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-18)
recording of:
On the Sentimental Side (am 1938-05-18)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
James V. Monaco
2:25
3It’s Wonderful
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-18) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-18)
Gitarre:
Lee Blair (am 1938-05-18)
Klavier:
Luis Russell (am 1938-05-18)
Kontrabass:
George "Pops" Foster (am 1938-05-18)
Posaune:
J.C. Higginbotham (am 1938-05-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-18)
Tenorsaxophon:
Bingie Madison (am 1938-05-18)
Trompete:
Louis Armstrong (am 1938-05-18) und Shelton "Scad" Hemphill (am 1938-05-18)
vocals:
Louis Armstrong (am 1938-05-18)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-18)
recording of:
It’s Wonderful (am 1938-05-18)
Texter:
Mitchell Parish (in 1937)
Komponist(in):
Stuff Smith (jazz violinist) (in 1937)
2:36
4Something Tells Me
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-18)
Gitarre:
Lee Blair (am 1938-05-18)
Klavier:
Luis Russell (am 1938-05-18)
Kontrabass:
George "Pops" Foster (am 1938-05-18)
Posaune:
J.C. Higginbotham (am 1938-05-18)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-18)
Tenorsaxophon:
Bingie Madison (am 1938-05-18)
Trompete:
Louis Armstrong (am 1938-05-18) und Shelton "Scad" Hemphill (am 1938-05-18)
vocals:
Louis Armstrong (am 1938-05-18)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-18)
recording of:
Something Tells Me (am 1938-05-18)
Texter:
Johnny Mercer
Komponist(in):
Harry Warren (US composer and lyricist)
2:32
5Love Walked In
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-18)
Gitarre:
Lee Blair (am 1938-05-18)
Klavier:
Luis Russell (am 1938-05-18)
Kontrabass:
George "Pops" Foster (am 1938-05-18)
Posaune:
J.C. Higginbotham (am 1938-05-18)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-18)
Tenorsaxophon:
Bingie Madison (am 1938-05-18)
Trompete:
Louis Armstrong (am 1938-05-18) und Shelton "Scad" Hemphill (am 1938-05-18)
vocals:
Louis Armstrong (am 1938-05-18)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-18)
recording of:
Love Walked In (am 1938-05-18)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
2:31
6Naturally
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Bob Cusumano (am 1938-06-24) und Johnny McGee (am 1938-06-24)
Ventilposaune:
Al Philburn (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Orchester:
Louis Armstrong & His Orchestra (am 1938-06-24)
recording of:
Naturally (1938 song) (am 1938-06-24)
Texter und Komponist(in):
Harry Barris und Joseph McCarthy (lyricist, 1885–1943)
publisher:
Larry Spier Music LLC
2:48
7I’ve Got a Pocketful of Dreams
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Bob Cusumano (am 1938-06-24) und Johnny McGee (am 1938-06-24)
Ventilposaune:
Al Philburn (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Orchester:
Louis Armstrong & His Orchestra (am 1938-06-24)
recording of:
I’ve Got a Pocketful of Dreams (am 1938-06-24)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
James V. Monaco
publisher:
Santly Joy Select, Inc. (am 1938-05-07)
2:55
8I Can’t Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:56
9Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
2:57
10Jeepers Creepers
recording of:
Jeepers Creepers
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
2:40
11What Is This Thing Called Swing?
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-01-18) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-01-18)
Bass:
George "Pops" Foster (am 1939-01-18)
Gitarre:
Lee Blair (am 1939-01-18)
Instrumente:
Louis Armstrong & His Orchestra (am 1939-01-18)
Klavier:
Luis Russell (am 1939-01-18)
Posaune:
Wilbur de Paris (am 1939-01-18), J.C. Higginbotham (am 1939-01-18) und Bull City Red (aka George Washington) (am 1939-01-18)
Schlagzeug:
Sid Catlett (am 1939-01-18)
Tenorsaxophon:
Bingie Madison (am 1939-01-18) und Albert Nicholas (am 1939-01-18)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-01-18), Louis Armstrong (am 1939-01-18), Shelton "Scad" Hemphill (am 1939-01-18) und Otis Johnson (trumpet) (am 1939-01-18)
vocals:
Louis Armstrong (am 1939-01-18)
recording of:
What Is That Thing Called Swing (am 1939-01-18)
Texter und Komponist(in):
Cole Porter (composer)
3:07
12Rockin’ Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:17
13Lazy Bones
recorded in:
New York, New York, Vereinigte Staaten (am 1939-02-20)
alto saxophone:
Glen Gray (am 1939-02-20), Clarence Hutchenrider (am 1939-02-20), Murray McEachern (am 1939-02-20), Art Ralston (am 1939-02-20) und Kenny Sargent (am 1939-02-20)
baritone saxophone:
Kenny Sargent (am 1939-02-20)
Gitarre:
Jack Blanchette (am 1939-02-20)
Klavier:
Joe "Horse" Hall (US jazz pianist, swing era) (am 1939-02-20)
Kontrabass:
Stanley Dennis (am 1939-02-20)
Posaune:
Pee Wee Hunt (am 1939-02-20), Murray McEachern (am 1939-02-20) und Billy Rauch (US jazz trombonist) (am 1939-02-20)
Rohrblattinstrumente:
Art Ralston (am 1939-02-20)
Schlagzeug:
Tony Briglia (am 1939-02-20)
Tenorsaxophon:
Dan D’Andrea (am 1939-02-20) und Pat Davis (Jazz saxophonist) (am 1939-02-20)
Trompete:
Louis Armstrong (am 1939-02-20), Sonny Dunham (am 1939-02-20), Frank Ryerson (am 1939-02-20) und Grady Watts (trumpeter and composer) (am 1939-02-20)
vocals:
Pee Wee Hunt (am 1939-02-20) und Louis Armstrong (am 1939-04-05)
Orchester:
Glen Gray & the Casa Loma Orchestra (am 1939-02-20)
recording of:
Lazy Bones (am 1939-02-20)
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael
publisher:
Songs of Peer, Ltd. (ASCAP)
53:16
14Hear Me Talkin’ to Ya?
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
vocals:
Louis Armstrong (am 1939-04-05)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
Hear Me Talkin' to Ya (am 1939-04-05)
Texter und Komponist(in):
Louis Armstrong
3:06
15Save It, Pretty Mama
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
vocals:
Louis Armstrong (am 1939-04-05)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
Save It, Pretty Mama (am 1939-04-05)
Verfasser(in):
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) und Don Redman
2:59
16West End Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
vocals:
Louis Armstrong (am 1939-04-05)
Orchester:
Louis Armstrong and His Orchestra (in 1939) und Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
West End Blues (Armstrong recording) (am 1939-04-05)
Komponist(in):
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
Arrangement von:
West End Blues (original instrumental)
3:11
17Savoy Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
Savoy Blues (am 1939-04-05)
Verfasser(in):
Kid Ory
3:14
18Confessin’
recording of:
I’m Confessin’ (That I Love You)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
3:15
19Our Monday Date
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-25)
Bass:
George "Pops" Foster (am 1939-04-25)
Gitarre:
Lee Blair (am 1939-04-25)
Klavier:
Luis Russell (am 1939-04-25)
Posaune:
Wilbur de Paris (am 1939-04-25), J.C. Higginbotham (am 1939-04-25) und George Washington (jazz trombonist) (am 1939-04-25)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-25), Joe Garland (saxophonist, composer) (am 1939-04-25), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-25) und Bingie Madison (am 1939-04-25)
Schlagzeug:
Sid Catlett (am 1939-04-25)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-25), Louis Armstrong (am 1939-04-25), Bernard Flood (am 1939-04-25) und Shelton "Scad" Hemphill (am 1939-04-25)
vocals:
Louis Armstrong (am 1939-04-25)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-25)
recording of:
My Monday Date (am 1939-04-25)
Komponist(in):
Earl Hines (jazz pianist and bandleader)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
adaptations:
My Monday Date (with lyrics)
2:29
20If It’s Good (Then I Want It)
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-25)
Bass:
George "Pops" Foster (am 1939-04-25)
Gitarre:
Lee Blair (am 1939-04-25)
Klavier:
Luis Russell (am 1939-04-25)
Posaune:
Wilbur de Paris (am 1939-04-25), J.C. Higginbotham (am 1939-04-25) und George Washington (jazz trombonist) (am 1939-04-25)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-25), Joe Garland (saxophonist, composer) (am 1939-04-25), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-25) und Bingie Madison (am 1939-04-25)
Schlagzeug:
Sid Catlett (am 1939-04-25)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-25), Louis Armstrong (am 1939-04-25), Bernard Flood (am 1939-04-25) und Shelton "Scad" Hemphill (am 1939-04-25)
vocals:
Louis Armstrong (am 1939-04-25)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-25)
recording of:
If It’s Good (Then I Want It) (am 1939-04-25)
Verfasser(in):
Walter Hirsch und Gerald Marks
2:35
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Nennungen