The Big Band Sides: 1930-1932

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1My Sweet
recorded in:
New York, New York, Vereinigte Staaten (am 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-04-05) und Ted McCord (am 1930-04-05)
Gitarre:
Bernard Addison (am 1930-04-05)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-04-05) und Buck Washington (am 1930-04-05)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-04-05)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-04-05)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-04-05)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-04-05) und Louis Armstrong (am 1930-04-05)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-04-05)
Vibraphon:
Unknown, probably Joe Turner ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-04-05)
vocals:
Louis Armstrong (am 1930-04-05)
recording of:
My Sweet (am 1930-04-05)
Texter:
Stuart Gorrell
Komponist(in):
Hoagy Carmichael
3:20
2I Can't Believe That You're in Love With Me
recorded in:
New York, New York, Vereinigte Staaten (am 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-04-05) und Ted McCord (am 1930-04-05)
Gitarre:
Bernard Addison (am 1930-04-05)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-04-05)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-04-05)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-04-05)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-04-05)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-04-05) und Louis Armstrong (am 1930-04-05)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-04-05)
vocals:
Louis Armstrong (am 1930-04-05)
recording of:
I Can’t Believe That You’re in Love With Me (am 1930-04-05)
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:08
3Indian Cradle Song
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
3:01
4Exactly Like You
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
Vibraphon:
Unknown, probably Joe Turner ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
recording of:
Exactly Like You (am 1930-05-04)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1930)
Verfasser(in):
Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
3:32
5Dinah
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
recording of:
Dinah (am 1930-05-04)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
3:21
6Tiger Rag
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
recording of:
Tiger Rag (original 1917 instrumental version) (am 1930-05-04)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
3:14
7I'm a Ding Dong Daddy
recording of:
I'm a Ding Dong Daddy
Verfasser(in):
Phil Baxter (US songwriter, singer and band leader)
3:12
8I'm in the Market for You
3:19
9I'm Confessin' (That I Love You)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-08-19)
alto saxophone:
Leon Herriford (am 1930-08-19) und Willie Stark (am 1930-08-19)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-08-19)
Posaune:
Lawrence Brown (jazz trombonist) (am 1930-08-19)
Schlagzeug:
Lionel Hampton (am 1930-08-19)
Steel-Gitarre:
Ceele Burke (am 1930-08-19)
Tenorsaxophon:
William Franz (am 1930-08-19)
Trompete:
Louis Armstrong (am 1930-08-19) und Leon Elkins (am 1930-08-19)
Tuba:
Reggie Jones (am 1930-08-19)
recording of:
I’m Confessin’ (That I Love You) (am 1930-08-19)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
3:28
10If I Could Be With You One Hour Tonight
recording of:
If I Could Be With You (One Hour Tonight)
Texter:
Henry Creamer (Lyricist) (in 1926)
Komponist(in):
James P. Johnson (in 1926)
3:44
11Body and Soul
recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:19
12Memories of You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Les Hite (am 1930-10-16) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
Memories of You (am 1930-10-16)
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:13
13You're Lucky to Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
baritone saxophone:
Les Hite (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
You’re Lucky to Me (am 1930-10-16)
Texter:
Andy Razaf
Komponist(in):
Eubie Blake
3:26
14Sweethearts on Parade
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Klavier:
Henry Prince (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
Sweethearts on Parade (am 1930-12-23)
Texter:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
Komponist(in):
Carmen Lombardo (in 1928)
3:21
15You're Driving Me Crazy
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Banjo:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Klavier:
Henry Prince (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug und Sprecher:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
You’re Driving Me Crazy (am 1930-12-23)
Texter:
Walter Donaldson
Komponist(in):
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
3:11
16The Peanut Vendor
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Perkussion:
Henry Prince (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
The Peanut Vendor (am 1930-12-23)
Texter:
L. Wolfe Gilbert und Marion Sunshine
Komponist(in):
Moisés Simons
übersetzte Version von:
El manisero
3:35
17Just a Gigolo
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1931-03-09)
Celesta [celeste] und Klavier:
Henry Prince (am 1931-03-09)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1931-03-09)
Klarinette:
Les Hite (am 1931-03-09) und Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Kontrabass und Tuba:
Joe Bailey (US double bassist and songwriter) (am 1931-03-09)
Posaune:
Luther Craven (am 1931-03-09)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1931-03-09)
Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Trompete:
Louis Armstrong (am 1931-03-09), McClure Morris (am 1931-03-09) und Harold Scott (am 1931-03-09)
vocals:
Louis Armstrong (am 1931-03-09)
conductor:
Les Hite (am 1931-03-09)
recording of:
Just a Gigolo (English version) (am 1931-03-09)
Texter:
Julius Brammer
Komponist(in):
Leonello Casucci
Übersetzer:
Irving Caesar
übersetzte Version von:
Schöner Gigolo
3:17
18Shine
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1931-03-09)
alto saxophone [alto sax]:
Les Hite (am 1931-03-09) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1931-03-09)
Banjo:
Bill Perkins (jazz guitar and banjo) (am 1931-03-09)
Klarinette und Tenorsaxophon [tenor sax]:
Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Klavier:
Henry Prince (am 1931-03-09)
Kontrabass [bass] und Tuba:
Joe Bailey (US double bassist and songwriter) (am 1931-03-09)
Posaune:
Luther Craven (am 1931-03-09)
Schlagzeug:
Lionel Hampton (am 1931-03-09)
Trompete:
Louis Armstrong (am 1931-03-09), McLure "Red Mac" Morris (am 1931-03-09) und Harold Scott (am 1931-03-09)
vocals:
Louis Armstrong (am 1931-03-09)
recording of:
Shine (am 1931-03-09)
Texter:
Lew Brown (in 1910) und Cecil Mack (in 1910)
Komponist(in):
Ford Dabney (in 1910)
3:20
19Walkin' My Baby Back Home
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-20)
alto saxophone:
Lester Boone (am 1931-04-20)
baritone saxophone:
George James (US jazz saxophonist) (am 1931-04-20)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-20)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-20)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-20)
Schlagzeug:
Tubby Hall (am 1931-04-20)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-20)
Trompete:
Louis Armstrong (am 1931-04-20)
vocals:
Louis Armstrong (am 1931-04-20)
recording of:
Walkin’ My Baby Back Home (am 1931-04-20)
Texter:
Roy Turk (in 1930)
Komponist(in):
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:07
20I Surrender Dear
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-20)
alto saxophone:
Lester Boone (am 1931-04-20)
baritone saxophone:
George James (US jazz saxophonist) (am 1931-04-20)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-20)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-20)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-20)
Schlagzeug:
Tubby Hall (am 1931-04-20)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-20)
Trompete:
Louis Armstrong (am 1931-04-20)
vocals:
Louis Armstrong (am 1931-04-20)
recording of:
I Surrender Dear (am 1931-04-20)
Texter:
Gordon Clifford (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
3:09
21When It's Sleepy Time Down South
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-20)
alto saxophone:
George James (US jazz saxophonist) (am 1931-04-20)
alto saxophone [alto sax]:
Lester Boone (am 1931-04-20)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-20)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-20)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-20)
Schlagzeug:
Tubby Hall (am 1931-04-20)
Tenorsaxophon [tenor sax]:
Albert Washington (jazz tenor sax) (am 1931-04-20)
Trompete:
Louis Armstrong (am 1931-04-20)
Sprecher [speech]:
Charlie Alexander (US jazz pianist) (am 1931-04-20) und Louis Armstrong (am 1931-04-20)
vocals:
Louis Armstrong (am 1931-04-20)
recording of:
When It’s Sleepy Time Down South (am 1931-04-20)
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
3:21
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ASIN:US: B00187PN38 [Info]