Opern-Gala

~ Release by Los Angeles Philharmonic, Carlo Maria Giulini, Plácido Domingo (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1L'elisir d'amore: "Una furtiva lagrima"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic Orchestra (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (in 1980-11)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:40
2Lucia di Lammermoor: "Tombe degl'avi miei - Fra poco a me ricovero"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (in 1980-11)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (in 1980-11)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti7:20
3Ermani: "Mercè, diletti, amici Come rugiada al cespite O tu che l'alma adora"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
choir vocals:
The Roger Wagner Chorale (US / Los Angeles choir) (in 1980-11)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) (in 1980-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro) (in 1980-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi5:33
4Il Trovatore: "Ah si, ben mio Di quella pira"
engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
choir vocals:
The Roger Wagner Chorale (US / Los Angeles choir)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Los Angeles Philharmonic
conductor:
Carlo Maria Giulini (conductor)
compilation of:
Il trovatore: "Ah si, ben mio" by Plácido Domingo (tenor), Carlo Maria Giulini (conductor), Los Angeles Philharmonic and Il trovatore: "Di quella pira" by Plácido Domingo (tenor), Carlo Maria Giulini (conductor), Los Angeles Philharmonic
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi5:44
5Aida: "Se quel guerrier io fossi! Celeste Aida"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1980-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi5:01
6La Juive: "Rachel, quand du Seigneur"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
La Juive : Acte IV. « Rachel, quand du Seigneur » (Éléazar) (in 1980-11)
composer:
Fromental Halévy (French composer)
librettist:
Eugène Scribe
part of:
La Juive: Acte IV
Jacques Fromental Halévy5:40
7L'africaine: "Pays merveilleux Ô paradis"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (in 1980-11)
recording of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis" (in 1980-11)
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
part of:
L’Africaine : Acte IV
Giacomo Meyerbeer3:37
8Les Pêheurs de perles: "Je crois entendre encore"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (in 1980-11)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:46
9Carmen: "La fleur que tu m'avais jetée"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1980-11)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:59